Daxtreme
Quebec, Canada
Came for the action, stayed for the story
I don't know why a lot of people praise the action in this movie, I must commend them for their dedication and it sure must have been quite the effort to stage it and film it, but it's shot in a horrendous and chaotic way. We lack proper perspective or setup for most of it. It's hard to follow when it's first person as well. I think action works at its best when it's a series of "push - release" moments that, in combination with great framing and editing, create a kinetic flow to it.
The motorcycle chase scene in particular stands out as the worst. It's just a mess of shaky cam, awful under-cranking which seems like they actually cut some frames out, and weird editing.
I mean, a lot of the action shots are continuous but they still manage to make it look less slick and coherent than many movies with five times as many cuts. I guess I should blame the camera work.
In fact, this movie is living proof that shaky cam is a lot worse than having many cuts in an action scene. Hong Kong director Corey Yuen is at the opposite end of the spectrum, his action movies have lots of cuts but due to the steady camera work (and precise editing through the cuts), the action stays coherent throughout.
The worst combination is, of course, both of these extreme issues joined together (see: most of Hollywood productions)
HOWEVER, I loved this movie. Came in for the action, stayed for everything else.
The narrative used a lot of wonderful "push-pull" dynamics. If only the action did as well...
_________________________________________
Stunts - 70/100 | Not sure exactly how they filmed some of those stunts which is a plus I guess? This movie is an example of something impressive done behind the camera resulting in... something relatively good on screen but not anything more than that because it's hard to actually see it.
Narrative - 81/100 | I was almost dreading the action-filled finale because the story really drew me in. A great balance of action and drama, shock and tenderness, romance and animosity. It's melodramatic at times but I didn't mind.
Fight Choreography - 67/100 | What I said in the stunts category also applies here. What the action scenes lack in cohesiveness though, they compensate for in terms of violence.
Enjoyment - 84/100 | Kim Ok-bin is the MVP of this movie. Or rather, I thought both actresses playing her character were the MVPs of this movie. But then... apparently she played both versions of herself. How on Earth did they manage to make her look so different before and after plastic surgery?
Or is it what Patrick Stewart refers to when he says "Acting." in a deadpan tone?
If you liked either of LA FEMME NIKITA or THE MAN FROM NOWHERE, be sure not to miss this one.
The motorcycle chase scene in particular stands out as the worst. It's just a mess of shaky cam, awful under-cranking which seems like they actually cut some frames out, and weird editing.
I mean, a lot of the action shots are continuous but they still manage to make it look less slick and coherent than many movies with five times as many cuts. I guess I should blame the camera work.
In fact, this movie is living proof that shaky cam is a lot worse than having many cuts in an action scene. Hong Kong director Corey Yuen is at the opposite end of the spectrum, his action movies have lots of cuts but due to the steady camera work (and precise editing through the cuts), the action stays coherent throughout.
The worst combination is, of course, both of these extreme issues joined together (see: most of Hollywood productions)
HOWEVER, I loved this movie. Came in for the action, stayed for everything else.
The narrative used a lot of wonderful "push-pull" dynamics. If only the action did as well...
_________________________________________
Stunts - 70/100 | Not sure exactly how they filmed some of those stunts which is a plus I guess? This movie is an example of something impressive done behind the camera resulting in... something relatively good on screen but not anything more than that because it's hard to actually see it.
Narrative - 81/100 | I was almost dreading the action-filled finale because the story really drew me in. A great balance of action and drama, shock and tenderness, romance and animosity. It's melodramatic at times but I didn't mind.
Fight Choreography - 67/100 | What I said in the stunts category also applies here. What the action scenes lack in cohesiveness though, they compensate for in terms of violence.
Enjoyment - 84/100 | Kim Ok-bin is the MVP of this movie. Or rather, I thought both actresses playing her character were the MVPs of this movie. But then... apparently she played both versions of herself. How on Earth did they manage to make her look so different before and after plastic surgery?
Or is it what Patrick Stewart refers to when he says "Acting." in a deadpan tone?
If you liked either of LA FEMME NIKITA or THE MAN FROM NOWHERE, be sure not to miss this one.
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