FM_dramas

We use the word "version" for everything, but we have to start differentiating "version" from "original". In this case, the only version is the K-drama "Family by Choice",, an adaptation of an original C-drama. "Go Ahead" is the original drama. The original script was written by Shui Qianmo and Wang Xiongcheng. That said, we should not make too many comparisons and watch this K-drama normally, because it is just another remake, and should be valued for what it offers!
(But we should set the record straight if someone says that "Family by Choice" is a Korean original drama. This, besides being false, is "stealing" the authorship, since the creators are ignored, which happens very, very often not only in entertainment, but also in academic, scientific and professional fields! And it is so unfair!)

Yes, the "almost kisses" make us indignant and fearful that things will continue like this until the end, with a kiss-seal in the last episode. Fortunately, that doesn't happen and we are happy!! And the preview for episodes 26 and 27 are promising. Let's go, "You are my lover friend"!

(I'm really enjoying this construction "from friendship to love" with all the metalanguage used to dissect emotional and relational changes and challenges. And then there are friends and family and work that don't take a back seat, because they are also ours and gave/give us shape. In a way, the irritating near kisses are a metaphor for all these intricate and beautiful human relationships and the search to rebalance them, making room for their most intimate intimacy.

This drama does not represent contemporary society, where there are professionals specialized in autopsies, tools and mandatory procedures. The action takes place 500 or more years ago, when these precautions were not taken in either Western or Eastern societies. It would be strange if she wore gloves...

I speak from experience: the path from true friends to lovers is not easy and takes time. The bonds that unite us are very strong, we have always been used to each other... so we are afraid and confused and we need to talk about it, try to explain and calm the strange feelings that we begin to feel for each other, not giving them importance at first, wondering if it is really love, if we should move forward... Then... then it is so beautiful! That is why I like this drama and I do not find it boring, because that is how it happens...

This happens in all countries, whether discreetly or openly. We pay close attention to China and are suspicious of everything, thinking that there is always an ulterior motive, because of the bad China's image, created by the Western media. What is the problem with the Chinese talking about an issue that affects their society? This is a drama aimed primarily at the Chinese public...
Let's not forget: ALL governments and countries use their entertainment to promote themselves internally and externally. But it seems that we are blind or very naive, not seeing manipulation or propaganda in series/dramas/films from countries with much more powerful entertainment than China! Let's be fair and critical, thinking for ourselves and not thinking what they want us to think!

The dialogues between Jiang Shi Yan and Tang Yang flow naturally, as happens between good friends, without being forced. But in the midst of these dialogues, conversations often arise about friendship, the quality of their friendship and how important they are to each other, as if the words were a warning and marked a boundary that they cannot, do not dare, are afraid to cross... And yet it is no longer just friendship, it begins to be (isn't it already?) something else...

It's not just in Chinese - there are English subtitles and Tencent-We TV's different language channels on YouTube already have the first episode subtitled in those languages. As for the schedule, for free broadcasts on YouTube, it's usually one episode per day, with a break on weekends.

It's surprising to learn that the Japanese have the most adapted scripts and original dramas, which have been remade in many Asian countries. Often, they don't receive the recognition they deserve, particularly when Korean versions emerge, leading many of us to believe these K-dramas are entirely original creations. It's important to remember that complete originality is rare; around the world, series and films are frequently remade from other countries' works. We are constantly echoing and referencing each other's ideas.

Tan Songyun's character in Go Ahead is very good. In the drama, she starts out as a teenager, a tomboy, with attitudes and behaviors typical of her age and of someone who was raised by a man. We don't have to demand that all characters have adult, mature, feminist attitudes, behaviors, speeches, with profound, completely implausible reflections, or that they spend most of the drama drinking... We have to look at the cultural differences between the West and the East and pay attention to plausibility.

Of course, comparisons are inevitable! This happens with all remakes and we have to accept it! When a country remakes a K-drama, a lot of criticism immediately follows, many of them even negative. Why can't people comment on or compare a Korean remake with the original drama? The Korean remakes have to submit to the law of universal comparison between original films/series/dramas and their remakes.

Go Ahead actually has 40 episodes with a duration that varies between 42 and 45 minutes. The Korean remake, according to what I read, has a duration of 1 hour and 10 minutes per episode, which would be the equivalent of 26 episodes of 42 minutes, if we discount the opening and closing credits that are long in Cdramas.

Go Ahead is the Original drama, with an original script, written by screenwriters Shui Qianmo and Wang Xiongchen, it is not a version. I like Go Ahead, for its sensitivity and narrative rhythm that gives time to the characters in their experiences, emotions and feelings, and makes us look at it without rushing, walking with them through the routine and the unexpected, through joys and sorrows, feeling empathy and looking beyond our lives... That's why I like many Chinese and Japanese dramas, because they have this narrative sensitivity that captivates me. And of course I also enjoy Korean dramas...

Go Ahead is not a version, it is the original drama, with original script written by Shui Qianmo and Wang Xiongcheng.

Go Ahead is not a version, it is an original cdrama, whose screenwriters are Shui Qianmo and Wang Xiongcheng. Family by Choice, is a Korean remake of the Chinese original. My comment is just to clarify, because there is a myth that Koreans do not make remakes of dramas from other countries, but many of their hits are based on original dramas from other countries. It is not only others who make remakes, Koreans do it too.

From what I understand, trailers are released at any point in the process. And once they get the broadcast license, dramas can be released right away, but since there is a lot of competition among Chinese streaming companies, they may wait months before releasing them. looking for the ideal moment. Don't forget about scandals and actor cancellations, which can harm dramas or even shelve them.

Bbecause unfortunately there is a whole review's process and censorship's approval to obtain the broadcast license.

So is it an overrated drama?
I'm not Chinese and I don't find it funny that fandoms tend to create false ratings of dramas starring their favorite actors, putting down dramas starring other actors that might be more successful. ML and FL aren't very famous and so the rating of 8.4 is much fairer than that of many Chinese and Korean dramas starring famous actors with millions of aggressive fans who always rate their actors' dramas with a 10, even if they're not good enough...
And as for the comments, I won't comment... Since "Love you Seven Times" I understood how some fandons work and how hate and bad character blind people.

Yes, Tencent changes the weekly schedule at will, playing with our emotions in addition to extorting extra money from us... But I like that they release episodes daily, solving the "problem" of dramas in a few weeks, having all the episodes released, and although I often get irritated by these weekly changes, I try to calm down by looking at the schedule and trying to guess what's next through the symbols next to each episode.😁

Although people say that an image is worth a thousand words, this is not true. Written language and cinematic language are not equivalent - the interaction and appropriation by readers/ spectators implies different levels and strategies: depth of reflection, games of imagination and creativity, plots, scenarios, spaces, what is hiding and what is revealed, humor and irony, figures of language ...
I am a compulsive reader and I can say that all film adaptations of novels I read frustrated me except a Pride and Prejudice, adaptation of the BBC, 90s series. So I learned that I should not worry or irritate myself with the lack from faithfulness to novel, it is a waste of time.
Regarding LMT, if we take attention to it will be indicating that it is not so cold and indifferent to ML, as many think: some flashback, remembering situations that she lived with him, comments about ML as "idiot", "crazy", some dialogues with other characters in which she "defends" Cui Xing Zhou. All of this goes by revealing that she is not that indifferent or cold. (My native language is not English, sorry for the bad writing)

People behave stupidly both in real life and in fiction. We can truly love, but our pride, distrust and insecurities make us behave like LMT. And this has nothing to do with maturity, it has to do with experiences, emotions and disappointments... In real life as in fiction, we do not always act in a logical and assertive way, after all we are human beings and characters in a vast and, often, incomprehensible world.