J-atty

Finally, success.

Checkered Shirt succeeded better where most in this area faltered, they delivered believable performances. Building on the open ending from S1, Han Gyeol and Jeong U, after making plans, lost touch with each other and it took five years to reconnect. Dong Ho and Yu Bin are great together. Visually they compliment each other and felt natural in all stages of their relationship.

The script at times was a little repetitive. The scenery in accordance with the budget and I will add, it was a bonus to see them outside enclosed spaces. This added a bit of reality to it.

Yu Bin has been building a catalogue with his performances, the last two I'm not a fan but he did show variety. With this I will say, he's back on top as finally we saw the depth of raw emotion he can tap into. Great.

Dong Ho, having only seen him in Blossom Campus, upgraded. Throughout this series, I was very intrigued by his reserved performance. What hid behind those silent eyes? He did better here. Would love to see more of him.

Sukfilm has returned to what they previously did well and that is hiring the best actors, building on their rapport and sticking to a formula that works. The scripts still needs some work to get there without unnecessary clutter and repetitions. They did well with S1 and S2 with this one.

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I wanted to but couldn't

What started as a very interesting plot eventually turned into a tolerated old uncle at a family gathering who overstayed his welcome reciting uninteresting dribble.

The premise and first omegaverse pregnancies were new. The manipulation by HY was unparalleled in any universe. You may hate his acts of deception but it is to be admired the skill and duplicity levels he delved to, to pull it off. Sheng stood no chance. Truthfully, after being manipulated from the get, who forgives that easily. Especially after the HY sexually abusing him, pretends that he's sacrificing himself with the infamous goodbye letter. Nope, sorry, not on board. They reconcile, lives happily with the most disrespectful 3yr old ever. One would think, Shen was the donor of that seed.

GT, suppressing his true self, doing all that to be with his crush. His life long love. Literally taking drugs that with every dose could kill him. Shen with all his connections couldn't connect the dots when it came to GT. Talk about a blind fool. How obtuse could one person be? Sorry, S Alpha. Like his braincells vanished every time he was in his presence. I blame GT for all of their drama. I did love how easily he kicked him out of the apt but like come clean. Either he loves you or not. Move on.

So what irked me:
About 10 ep of manipulation and a few kisses and a heat and all is forgiven.
15 ep or 10 yrs of GT lying about his true self just to be in the presence of his love. Mental.
Why didn't Shen not smell GT Omega scent when he stopped using the drugs to protect his baby?
Why did the script allow for a child to be like that to a parent? Repeatedly.
Sheng literally was like a king with no power. HY was the hand turning his neck before and after the reconciliation. Does he know the decisions he makes are the ones he's allowed to make.
Does HY's warmth only extend to Sheng? None felt for the child. The same child he begged to have. Visually, it felt like Shen had a better connection to Peanut than HY did.
HY seeking Shen to advise on what to do should Sheng die. Like is he for real. He would go where ever Sheng goes. He would leave Peanut behind. Again, the child he wanted.
3 yrs apart from GT and Shen and all they got is a hug and an honorable mention.
The fighting scenes? Nuff said.
Acting became monotonous. 16 ep was not warranted. 10 would have surficed and with a tighter script might have captured the real essence better.
The last ep felt like a drive tru. Collect an order and go. No place to sit and savor the meal.


I liked:
GT telling Shen to shut up.
GT evicting Shen from his apt. King in his own castle.
HY forcing Shen to face up to his feelings.
HY telling Shen he doesn't entertain conversations with stupid people.
Shen going psycho in his rut for GT. Cathartic.
HY ability to eliminate the evil people at will.
HY level of devotion, in his cold detached demeanor, to the people that mattered to him. Why else would he keep Shen around. He just doesn't say it.
HY revelation to Sheng's father when it only mattered.

So yeah, it was okay. Watchable and entertaining at various points. I do like D4 outside of the script. Will I watch again, no. Do I regret watching, no. Just hoped that it would have been better.

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The Best Interest of Everyone

What's right may not be legal and what's legal may not be right. The opposing views on euthanasia was discussed in great detail and according to the end, legality won. I want to say unfortunately but the other side of that coin would send a message of acceptable wanton killings.

It is legal to execute a prisoner by lethal injection but illegal to give someone peace who suffers daily from excruciating pain.

The plot was very interesting, thought provoking and with a few unexpected surprises. The acting was wonderfully done by everyone. A Thai production of this caliber done in 8 episodes is a miracle in itself. The pacing, flash backs and character development produced a drama worth watching and watching again.

The divide between Thiu and Kan was bridged for only a moment and what a beautiful moment it was. Their moment of intimacy was tastfully done as expected from mature individuals. Thiu, tho a bit hesitant due to Kan's wound, encouraged by Kan, gave in. I must admit I was not expecting this as the previous meetings would show desire alone. Truthfully, I would have preferred for it to have not happened due to the ending.

The only question that should have been asked of Thiu but it wasn't...

If his mother, in extreme pain, had begged him to end it, would he have stepped back and refused, leaving her to suffer. The morality of these situations are ambiguous from the both positions taken.

Boss, the pharmacist, gave a stellar performance. From lover, to psycho, to unrepentant murderer. The difference between him and Kan would be the matter of choice. The patients chose Kan. Boss forced his choice on them. His death was his choice and I was happy that he was not a hypocrite at the end. Rin, a surprise, kept her self righteousness to herself on hearing the truth but with conditions. Every story was not rushed and given enough time to be completed adequately.

The ending was as society would want but it did not hurt any less.

"Would you confess?"
"Only if it's you."
Painfully, they hug. Placing a petal in Kan's handcuffed hands, Thiu says, "I love you."

Both Kan and Thiu proved how much they loved each other.

Beautifull writing. It tugs at the emotions that are kept in check. Sammon, the author, and Sirilux Srisukon, the screenwriter, thank you. The dialogue was enhanced by every actor's performance and well worth the praise. I will look forward to seeing these actors in the future. I hope a S2 is made.

Go watch!

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Yes, it was okay

I'll make this as direct as possible.

They tried. Mostly delivered in script, acting, pacing and cohesiveness. They lacked in conciseness of ep, length of series, unnecessary moments, circular story patterns and there were some moments that gave pause for the purpose. Why? Like tone down Meng (voice) and LatteKim nc (rushed slightly non feeling performance and Kim's expression). Less is more.

Net, JJ, Tonnam, Kim and Latte in that order. Net gave a plausible and endearing performance which I loved. JJ comedic skills were nice but stretched on for too many episodes. Were there kinks still to be smoothened in their responses to each other? Yes. Are they beautiful and full of chemistry? Undeniable. There was not a moment that they did not light up the screen when they were together. Tonnam (Chuai) was a delight everytime he was on screen. Perfectly cast here. Kim did well for an effeminate male in the past and Latte, hopefully, with more experience would grow smoother in delivery. Though I did like his more pensive moments than the clownish.

Side note: Writers please retire any name that will be shortened to Thi/Tee. Enough of the Phi Thi, please.

Resolving a time travel plot would have issues if not handled correctly. Having a character re-appear in the past is more easily explained than him disappearing right before your eyes and from your grasp. That is grounds for a mental institution for life or constant care from Dr Jom. Their meet in the future was really cute tho. Then the resolution at the ruins solved the modern day ache.

I didn't expect much and it stayed in that scheme so I was not disappointed. Would I recommend to watch, yes.

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Play Something Else

I kept thinking if this had better actors would it have been enjoyable—maybe. Then I looked at what I really didn't like: Dead plot, no real angst, no atmosphere, no urgency, time period of the story When I say time period, I mean this might be more appropriate for teen age setting than adults.

The acting though was the real drawback. It was matter of fact. The only two showing any real talent were Yang and Shin. They seemed more relaxed and projected well enough. Most were stilted, expressionless and flat.

The usual shenanigans in the plot occurred with no urgency whatsoever. I will ignore the need for the last bonding session in the wilderness. Unnecessary and served no real purpose.

If this is missed, nothing will be missed.

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Trauma exists, living in it shouldn't be an excuse

I liked this series for the time it took to deconstruct their relationship. Not rushed, evenly paced and realistic. The actors did well and their failings realistically told. It was engaging and introspective to encourage thought but also reactive. One couldn't watch without seeing all their flaws and form opinions.

The both ml, Itsuki and Yuma, were hiding. Yuma from facing the reality of their relationship until the end. He still holds on to a memento, unable to throw it away. Itsuki living in his past trauma and being overly critical of other peoples views of the gay community. He refuses to be the poster boy of a successful gay union but lives freely and comfortably under the one who is fighting the cause.

I treasure Itsuki's honesty but it pops up at his convenience. He is very critical of Yuma and refuses to communicate beyond derision and in so doing fails even in his last interview to see how Yuma has changed. Even at the end it is selfish. Yes, their projected views are incompatible, but who goes along just existing? He knows Yuma types are the one to make the changes in the world but is content to live while they fight. I'm not advocating for him to be always on guard, and fight every pos out there but he seems apathetic and wants to be remembered. For existing? He disrespected him to the point of bringing a lover to their home. A home he contributes nothing financially to as he is unemployed and was offered a space even after they broke up initially. Yuma doing this alone should have stopped him.


Yuma on the other hand still struggles to let go of the ideal. He fights for the positive views of the gay community and would go to lengths to protect it. In so doing, perpetuates a lie and fails himself. He loves Itsuki but their incompatibility works against him. He pushes him but because they communicate ineffectively, or not at all as Itsuki ignores or is apathetic, he doesn't know how to understand where they went wrong. In the end, acceptance and understanding comes too late. I hope he does completely move on from Itsuki, he doesn't deserve it.

Shiho faces adversity on either side and understands at the end her true worth and not the perception. Her boss should be removed. His condescending attitude should not be dealt with. I felt the pain of Naomi and was grateful she apoligized to Shiho. She felt lost and lashed out at the wrong person.

I applaud this series for showing the reality of relationships. Not all work. Not all are balanced. It's okay to move on. It's not okay to be used.

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Nicely Surprised

This is a okay piece of work. The perception that without known actors and a large budget it would not be enjoyable is false. The shift between past and present was handled well. From mdl's profiles they appear to not have much experience, but they did well, bringing both time jumps to life.

I like period pieces as it operates within boundaries to create a believable story. The costuming and dance sequences were nice. The acting was good enough. Fone a little more at ease than Tar. Tar/Rak's autocratic biased father to the point that a few slaps was needed but not given. A bit too much, but the authoritative indignation fitting for the period. It's a pity, that death always brings wisdom.

There are some flaws with the script.
It could have been better without expected moments eg the great escape, the bitter intended bride, the banished son living in the same town but the father doesn't care to know. Some unrealistic as Tan, of low birth, is allowed to keep casting spiteful words towards Rak of high nobility, without serious repercussions. Still, it was used as a tool to create conflict in a world that didn’t have any other. They could have cut down on the shrieking. Too much at times from Rak's father and Sandy. Lastly, they are in love but vow to stay by each other's side until death without the physical aspects. Their love for the art is enough. Hmmmm

The changes that occurred were rushed in the last episode but needed to bring it to an end. I would have preferred a more realistic ending but it is what it is. Thankfully they didn't rush Lucky and Sandy's relationship to make it cute.

Despite all the irregularities, this it was okay.

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Society or Cowardice?

The selfishness of one destroys the life of two. The reason behind their pain is a cowardly excuse as it doesn't hold up at the end. Azusa worked hard to fit in and worked even harder to hurt Yusuke more after they broke up by asking him to take his wedding photos, love someone else and to add not him. Yet, clearly he did this to still see him. Turning the knife slowly and deeper with every word.

I was left angry not with the decision to get married but by including Yusuke like that and giving directives like it's an easy thing to pick up or put down at will. People will do what they choose to do but to tag someone along, especially knowing the pain he previously created, was cruel.

Kenya is a very good actor. In 30 minutes we experienced the binding pain of a refused and controlled love. Even his movements, his walking pace felt painful.

The director did a great job speaking without verbalizing much. The body movements, the still moments, the convo between them is very effective.

Definitely worth the watch.

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Than and His Nine Lives or A Guide To Stupidity, Chet 101

This is what this should be called. Either one would fit cause no way common sense or brain cells were used in this entire series. The sequence of events proved no one cared for their lives at all. The reach for power and revenge was vicious and relentless. Even if most of it was nonsensical.

Than has been injured so many times and still survived that it became laughable. The ring probably gave him the power of instant healing, who knows. Chet, like a petulant child, was giving tantrums left and right and was so crippled by his 'lovely' parents that he couldn't see truth. Pheem literally had to connect the dots like a pre school teacher for him to see what others could. Then, again, 6 feet of handsomeness was daily right infront of him and nothing happened. Pheem, rather than include Than in the final plan, does everything in silence and causes Than more unnecessary emotional pain. Everything else aside, that action was unforgiveable. Thanet, ping ponging between his children, was disgusting on every level. Like why were they all vying to be related to that? The shots fired at everything else but the real targets downgraded the credibilty of the series.

I enjoyed seeing a strong woman. Risa's bodyguard was worthy of her screen time. Daou stood out a little more as he can deliver an emotional sceen with true sincerity. The acting was ok but while I expected it to be dramatic, it was a bit much. Chet and Thanet both throwing their papers in the same frame, caused a few eye rolls and sighs. The plot was fine, even though the end was expected. Risa, plotting her way, without being caught until the end was good, also.

The predictability of every scene really didn't work in its favor but it was not unwatchable. There were a few decent moments. Just not enough to warrant a rewatch.

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More important things to do

The subs are horrible. After reading, you just have to make the best guess possible as to what they meant to convey. Overall, I've seen Yu Bin in much better productions. My Damn Business comes to mind. So this was a let down. The other ml came off as being too direct. There was no real charm to him other than his husky voice and smile. The staged interractions were clumsy. Their physical responses to being touched were decent. There is a something between them. Budget aside, this was lacking in more ways than one. If you like Yu Bin, as he is a consistent actor, give it a watch.

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My Bias is Ae Jun

Ae Jun is a star. He was so adorably cute and personable when no one was looking, that there's no other choice but to like him. His bright smiling eyes brought countless moments of joy as he crushed hard over A-ONE and his ultimate bias Si Yeol. As would anyone bumping completely by accident into their fantasy, he frose but for a moment and retreated within himself. Unwilling to let Si Yeol know how gone he was for him and his inside connections to him, he became an awkward introvert.

Si Yeol, on the other hand, was a piece of work. Consumed by an obsession for Ju Ha, and misunderstanding the external relationships, he sets about a plan to hurt Ae Jun. Along the way, when all was told, he succeeded in hurting all involved and more than any other, he hurt himself. Confronted by his actions, he realizes too late after the damage was done, that he had fallen hard for Ae Jun. The bubbly bright smile had captured him.

The kiss. I felt so rewarded by their reconciliation and the kiss. Perfectly soft and tender.

Ju ha has been in fighting mode since the series began. Fighting to understand why Ji Kyusong broke up with him. Fighting his feelings of rejection. Fighting to move on. Fighting to get him back. Fighting to not love him more than he already does. Ji Kyusong, caught at the end with no other excuses, finally gives in. He had loved him so much, he had pushed him away so that he would not have a negative impact on Ju Ha's career. What he forgot to take into consideration was that Ju Ha had a mind of his own and he wanted only him.

It has been a very very very long while that I have seen a Korean bl that was so light and fluffy and bringing so much happiness with and about adults. I cheesed hard when the cast of Jazz For Two made a cameo. I missed them, too. Kevin did a fantastic job in bringing Ae Jun to life. Standing next to the big teddy bear Kang Min, you can't help but fall for their chemistry. No doubt, they worked well together. His towering over him conveyed how much he would protect him. Ae Jun's mini melt downs with Ji Kyusong, brought countless smiles.

While I do appreciate more hard hitting heart wrenching stuff, it's good to switch it up and appreciate a little gem when it catches your eye.

Recommend to watch: Approved!

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When Zai Rong met Lu Xiao

Yes, once again, China has stepped into the arena and delivered. Well, for the expectation from China. Place two decent actors in a scarcely decorated room with the right script and watch soft magic happen. The acting, esthetics, and chemistry between Lawrence Zhang (Zai Rong) and Su Yu Hang (Lu Xiao) carried this short series. Immediately, upon meeting, they held the screen captive. This presented itself as the beginning of the life LX and ZR would share. Do not expect more.

Cornered into an upcoming arranged marriage, ZR seeks the help of LX to extricate himself and live freely. Unfortunately, his family and their connections may not allow for this as there may be severe consequences. The moment ZR looked into LX eyes, he knew he didn't want this to end. LX, an actor, is naturally charming and proceeds to play the part he was hired for. To be ZR love interest. While preparing for a visit from the intended fiancé, LX gives ZR what he craves. A warm ear and genuine attention as they bond. ZR nestles within LX arms and believes that his lifetime love will come. He desperately wants to believe. LX has told him so.

The budget used in the production of this series was not extravagant and truthfully not necessary. All that was needed were these proficient actors, an ocean wall, and two rooms. Together, they made a beautiful couple. The viewer also believes in LX by the way he held and reassured ZR. He was the man for him. Their dance, mesmerizing. The fiancé pleadings and silent exit were gracefully done.

Five episodes were enough for this to be told with little to improve on. No excesses, no lulls, evenly paced. The script was simple but effective to propel the story along. The last episode had a slightly different texture to the previous as it felt performative. The music a bit erratic. Ultimately, everyone involved did well. This was a very nice watch.

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Finally, at the end....

Synopsis: Kevin and Jamie were close school friends who drifted apart before Kevin emigrated to Australia. Kevin was willing to embrace himself and Jamie was not. Years later, Jamie goes to find Kevin after attending a school reunion and hears his ex school mates discussing Kevin's situation. He had been hospitalized at some point for depression. They meet and discuss their lives. Then Jamie asks him if he has any desire to return to Hong Kong. Here the story begins.

Kevin openly talks with Jamie about his need to be on medication to keep him functioning. He accepts this as part of his life. He knows those who see him, recognizes how closed off he is and keep their distance. All except Fai, a teenage gay student, who takes a liking to him. Jamie, who has placed his mementos of their relationship in a box, watches on. After dinner, Fai realizes that Kevin is into Jamie and after a brief altercation, walks away. Kevin, lost and lonely, turns to promiscuous sex to get some sort of feeling within himself. Frustrated, he throws the pills away.

His agitation off of the drugs, the actions he takes, finally culminate in his decision to go back to Australia. There he was at peace. Living in a world in which Jamie is so close but still unavailable to him, proves to be too much. Jamie, previously disengaging himself from his past by dumping his mementos in the bin and proposing to his girlfriend, follows him into the street from another reunion. He can not deny himself or his feelings anymore. He begs him not to leave.

The unknowing element of this film creates the interest. There is a stillness felt throughout which builds to a climax at the end. I loved this film for the realistic depiction of depression. The drugs manage his depression but also diminishes any response to stimulation. He feels empty. Nobody, ever discusses this. Lei Jeun Sek nails it. At every stage, he allows the viewer into his desperate mind and what he is feeling without saying a word. The flashbacks and pacing are perfect. My mainstream heart would have loved to see more interaction between Jamie and Kevin. They acted well with each other but it is with Fai that we get the honest responses. This was definitely a palate cleanser from the generic bl being offered and a good watch. Try it, at least once.

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1 min

Previously stated, I'm not a fan of 1 min episodes. 81 of these were irritating. The plot was not riveting and neither the setting. The very limited budget was evident. The loud shrewish quarreling between the uncle and aunt would make you wonder if there was any love between them. This too was tedious. The acting could have been better as An movements were stiff and unnatural.

The mains complemented each other and this is what kept me watching. Their confessions made for a tender moment.

If a full version without the breaks be uploaded would make a better watch.

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LIFE

If you are looking for a feel good story with no drama this is it. It's simple and formulative. It doesn't surprise in any way and yes, the cook gets his man. Still it left me smiling, and anxiously waiting each week for approx 30 min of cuteness. Isumi and Amasawa delivered every week. Truth be told, it shouldn't take 9 episodes for this series, but I'm glad it did. At a relaxed pace, it showed the internal struggles of one sided love and the courage it took.

College student meets older policeman and ends up cooking for him. Along the journey, Isumi falls in love with Amasawa. Amasawa, not thinking beyond their friendship, doesn't realize until the confession. That's it. Yet, Isumi and Amasawa are a pleasure to watch as they match so well. Think Mitsuya's Planned Feeding with a younger cast. At least, Isumi got his kiss. The main actors are easy to believe in their roles which was a huge plus. No exaggerated interactions beside the usual misunderstandings but they always thought of each other's happiness.

I will miss them as it doesn't take much to fall in love over good food with a smile.

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