This review may contain spoilers
Propaganda, fantasy or an attempt to face a problem?
Spoilers: contrary to the initial trailer (released 26.11.2024, roughly 1,5 years before the show aired) "Ticket to Heaven" is not about a priest standing in the way of "forbidden" gay love nor is it about any kind of conflict or drama involving faith and sexuality. Instead TTH attempts to present an internal struggle of a young gay man – Tanrak (Fourth). The way it is written and portrayed the struggle is not (as you might think) about trying to reconcile being gay and catholic, but about Tanrak having to choose between continuing on a path to become a priest or going away with his newfound love – Barth (Gemini). One might think that this is the same struggle, but not really. Although he is presented as a firm believer, Tanrak is first and foremost a kid raised by a catholic institution and filled with genuine gratitude for everything he received from his caretakers over the years. Orphaned at an early age, Tanrak longed – and still does during the events of the show – to reunite with his parents "in heaven". With a background like that becoming a priest seems the right thing to do; it is not a matter of faith (or not just a matter of faith), but of repaying a debt, returning the good Tanrak received. Abandoning that path to be with Barth seems more like a choice between being selfless and selfish/ungrateful, rather than between his faith and his identity – that is the entire struggle Tanrak is going through. As for Barth’s side of the story: he is intended to be a "rebel" character, a gay teen who suffered a lot because of his sexuality and, as a reaction, rejected faith – only to find out he cannot abandon god. With other words: Barth only thinks he is rebelling, acting like a child, not understanding how great and wise god is – and coming to his senses later, at a moment of need. That is my main complaint regarding TTH’s story: it evades what could be interesting, feigns being about deep and serious personal issues of both main characters and turns out to be uninteresting (Tanrak) and disappointing (Barth).
My other issue is that TTH was written like a puff piece for catholicism. In TTH there is no confronting catholicism on its homophobia and hypocrisy nor confronting the church on its corruption and moral bankruptcy – those issues are not even mentioned. Father Arnon ("An" Oliver Poupart) – main stand-in for organized religion as well as main figure of authority – is benevolent, patient, understanding, supportive, forgiving and certainly not homophobic. Basically he is the opposite of an actual catholic clergyman and a made-up, fairytale version of one. The only one who somewhat connects faith and homophobia is Barth’s father – and although the show does not hesitate to present him as evil, it is clear that he is that way despite of his religion and not because of it. TTH goes deeper into fantasy territory by condemning homophobia (even punishing it on screen), but separating it from catholicism and presenting the latter as a force for good. For me – a gay male from a predominantly catholic country which till this day is homophobic, to a large degree because of catholicism and its influence on culture, society, politics and law – that is offensive and awful. I understand the local context – Thailand is a predominantly Buddhist country where less than 0,5% of the population is catholic – but it does not change how I feel about it.
TTH’s pacing is problematic: on one hand most episodes feel slow, with hardly any story progression, on the other hand instead of actual scenes we got several montages of Tanrak and Barth spending time together – as if the show wanted to make up for lost time or had less episodes than it should to present everything properly. This also makes it hard to tell how much time passed from Barth’s arrival to him and Tanrak running away – no idea whether it was a few weeks, months or more than that.
Performances of both Fourth and Gemini are alright, but I did not feel any of the magic they brought to the screen in "Moonlight Chicken" and "My School President"; the once strong chemistry is mostly gone. Fourth manages to properly convey Tanrak’s uncertainty, hesitation and undecidedness, but his subdued performance makes his character even less relatable and even more uninteresting. To be clear: that is almost exclusively on the writing and direction, not the actor – but I did miss the old Fourth spark. As for Gemini, what I liked in particular was him in the ep. 6 prison visit scene – by far his best performance. After his lackluster role in "The Dark Dice" I was worried Gemini forgot how to act, but TTH proves the contrary. Shame he could not save his character.
All in all TTH was a long awaited chance to see Fourth and Gemini again – a chance squandered by poor writing, bad pacing, very low number of episodes and a horrible, pro-catholic message of the show. Not planning on watching any of that ever again.
My other issue is that TTH was written like a puff piece for catholicism. In TTH there is no confronting catholicism on its homophobia and hypocrisy nor confronting the church on its corruption and moral bankruptcy – those issues are not even mentioned. Father Arnon ("An" Oliver Poupart) – main stand-in for organized religion as well as main figure of authority – is benevolent, patient, understanding, supportive, forgiving and certainly not homophobic. Basically he is the opposite of an actual catholic clergyman and a made-up, fairytale version of one. The only one who somewhat connects faith and homophobia is Barth’s father – and although the show does not hesitate to present him as evil, it is clear that he is that way despite of his religion and not because of it. TTH goes deeper into fantasy territory by condemning homophobia (even punishing it on screen), but separating it from catholicism and presenting the latter as a force for good. For me – a gay male from a predominantly catholic country which till this day is homophobic, to a large degree because of catholicism and its influence on culture, society, politics and law – that is offensive and awful. I understand the local context – Thailand is a predominantly Buddhist country where less than 0,5% of the population is catholic – but it does not change how I feel about it.
TTH’s pacing is problematic: on one hand most episodes feel slow, with hardly any story progression, on the other hand instead of actual scenes we got several montages of Tanrak and Barth spending time together – as if the show wanted to make up for lost time or had less episodes than it should to present everything properly. This also makes it hard to tell how much time passed from Barth’s arrival to him and Tanrak running away – no idea whether it was a few weeks, months or more than that.
Performances of both Fourth and Gemini are alright, but I did not feel any of the magic they brought to the screen in "Moonlight Chicken" and "My School President"; the once strong chemistry is mostly gone. Fourth manages to properly convey Tanrak’s uncertainty, hesitation and undecidedness, but his subdued performance makes his character even less relatable and even more uninteresting. To be clear: that is almost exclusively on the writing and direction, not the actor – but I did miss the old Fourth spark. As for Gemini, what I liked in particular was him in the ep. 6 prison visit scene – by far his best performance. After his lackluster role in "The Dark Dice" I was worried Gemini forgot how to act, but TTH proves the contrary. Shame he could not save his character.
All in all TTH was a long awaited chance to see Fourth and Gemini again – a chance squandered by poor writing, bad pacing, very low number of episodes and a horrible, pro-catholic message of the show. Not planning on watching any of that ever again.
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