Enjoyable Watch Despite Flaws
When this recently appeared on Netflix I jumped at the chance to see Park Shin Hye as a 19 or 20-year-old - the age she pretended to be in the recent series Undercover Miss Hong. The Miss Hong series had the good sense to poke fun at the idea that a 36-year-old Shin Hye could pass for a 20-year-old new hire. In this series, we get to see her as she was way back then.
This romantic dramedy appeared in 2009 and was an early effort by the Hong sisters who also wrote The Master’s Sun, A Korean Odyssey, Hotel del Luna, Alchemy of Souls, Can This Love Be Translated, and the upcoming Grand Galaxy Hotel, a sequel to Hotel del Luna.
Shin Hye plays both genders in a boy-girl twin duo. This girl lives in a convent and works at an orphanage where apparently she and her twin brother grew up. She is a devout, innocent and very clumsy novice about to leave for Italy to become a nun. Her twin brother, a major rock music star, develops a health problem and is secretly sequestered in a US hospital. His agent persuades her to assume her brother’s identity and join an existing popular rock band as the new fourth member temporarily until her brother returns to resume his identity and continue his career. So we have her trying to pass as a guy, and as her secret gets revealed little by little, the romantic angle emerges because the innocent novice has strong primal urges towards one of the rock stars, and of course, he returns the favor. Dramatic complications set in when long ago connections among parents begin to slowly emerge. Lots of secrets that cause pain as they get revealed.
Is there such a thing as identical boy-girl twins? No. There can only be fraternal twins. Does she look and act remotely like a guy? No. So that’s why this leans towards a 16-hour-long situation comedy. A situation comedy is based on dumb decisions and plot twists that are at best highly improbable, and we get an abundance of both. We have to overlook the obvious that the characters in the story seem oblivious to.
The biggest flaw is in its direction. Perhaps because the situations are so outlandish, the director decided to run with it and apparently had his actors and, in particular, the two leads, Shin Hye and Keun Suk, display over-the-top exaggerated facial expressions. I found myself in several scenes reimagining how the actors might have done the script lines minus the exaggerated expressions and acting we were treated to. This is particularly true for Shin Hye. The direction mishaps are not limited to facial expressions. In an early scene, Shin Hye is sneaking through a room using the high stepping Pink Panther walk! Or she does this tiny mincing walk that no guy would ever do. I’m sure she was directed to do that. And I suspect she and they were encouraged, if not outright told, to perform as they did. I suspect once this series was released these flaws pretty much ended the director’s career.
However, despite the above points, I couldn’t resist and looked forward to watching each new episode, and that was because the story was well written, and the heart of the characters came through strongly.
Possible Spoiler Below
A weakness in the script was the lack of an attempt to put the twins together in the same scene, something hard to do for obvious reasons but noticeably lacking. There were needed script additions to cover glaring holes. Throughout the story, the girl never talks to her brother by phone which would be so easy to do. Towards the end, when he returns to Korea, it is inconceivable that they would not get together to exchange information. As she uncovered certain truths and secrets regarding their common past, it is extremely unlikely she wouldn’t tell him. It was therefore necessary to deal with the fact that she would contact him and he would have reactions to these truths which would impact his presence in the rock group. At a absolute minimum there should have been at least a few lines, perhaps a phone call, in which she indicates she told her brother something of these important details, e.g. their mother is in fact dead, how she died, THE MOTHER’S NAME! The script, perhaps because of budget issues and time constraints, left these gaping holes and kind of too hurriedly finished things up.
The ending between the two leads felt truncated. Usually, we get more satisfying wrap-ups and we learn more about the happy ending, but this one just had one real feel good scene and then left us hanging.
Despite these flaws, I found it an enjoyable watch and well worth the time.
This romantic dramedy appeared in 2009 and was an early effort by the Hong sisters who also wrote The Master’s Sun, A Korean Odyssey, Hotel del Luna, Alchemy of Souls, Can This Love Be Translated, and the upcoming Grand Galaxy Hotel, a sequel to Hotel del Luna.
Shin Hye plays both genders in a boy-girl twin duo. This girl lives in a convent and works at an orphanage where apparently she and her twin brother grew up. She is a devout, innocent and very clumsy novice about to leave for Italy to become a nun. Her twin brother, a major rock music star, develops a health problem and is secretly sequestered in a US hospital. His agent persuades her to assume her brother’s identity and join an existing popular rock band as the new fourth member temporarily until her brother returns to resume his identity and continue his career. So we have her trying to pass as a guy, and as her secret gets revealed little by little, the romantic angle emerges because the innocent novice has strong primal urges towards one of the rock stars, and of course, he returns the favor. Dramatic complications set in when long ago connections among parents begin to slowly emerge. Lots of secrets that cause pain as they get revealed.
Is there such a thing as identical boy-girl twins? No. There can only be fraternal twins. Does she look and act remotely like a guy? No. So that’s why this leans towards a 16-hour-long situation comedy. A situation comedy is based on dumb decisions and plot twists that are at best highly improbable, and we get an abundance of both. We have to overlook the obvious that the characters in the story seem oblivious to.
The biggest flaw is in its direction. Perhaps because the situations are so outlandish, the director decided to run with it and apparently had his actors and, in particular, the two leads, Shin Hye and Keun Suk, display over-the-top exaggerated facial expressions. I found myself in several scenes reimagining how the actors might have done the script lines minus the exaggerated expressions and acting we were treated to. This is particularly true for Shin Hye. The direction mishaps are not limited to facial expressions. In an early scene, Shin Hye is sneaking through a room using the high stepping Pink Panther walk! Or she does this tiny mincing walk that no guy would ever do. I’m sure she was directed to do that. And I suspect she and they were encouraged, if not outright told, to perform as they did. I suspect once this series was released these flaws pretty much ended the director’s career.
However, despite the above points, I couldn’t resist and looked forward to watching each new episode, and that was because the story was well written, and the heart of the characters came through strongly.
Possible Spoiler Below
A weakness in the script was the lack of an attempt to put the twins together in the same scene, something hard to do for obvious reasons but noticeably lacking. There were needed script additions to cover glaring holes. Throughout the story, the girl never talks to her brother by phone which would be so easy to do. Towards the end, when he returns to Korea, it is inconceivable that they would not get together to exchange information. As she uncovered certain truths and secrets regarding their common past, it is extremely unlikely she wouldn’t tell him. It was therefore necessary to deal with the fact that she would contact him and he would have reactions to these truths which would impact his presence in the rock group. At a absolute minimum there should have been at least a few lines, perhaps a phone call, in which she indicates she told her brother something of these important details, e.g. their mother is in fact dead, how she died, THE MOTHER’S NAME! The script, perhaps because of budget issues and time constraints, left these gaping holes and kind of too hurriedly finished things up.
The ending between the two leads felt truncated. Usually, we get more satisfying wrap-ups and we learn more about the happy ending, but this one just had one real feel good scene and then left us hanging.
Despite these flaws, I found it an enjoyable watch and well worth the time.
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