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PrettyCarEye
Can't say all of the above is true for MARS, though. While it did have a tinge of low budget TV, this is a show with a pretty solid plot & overarching storyline, even if it's a bit heavy-handed in parts. There's quite a bit of angst & melodrama, but luckily it's fairly evened out with lighter moments and a very sweet, passionate romance, so the overall mood of the show remains … less dark. I didn't feel forced to internalize too much of the drama and trauma the characters experienced. While I empathized with their struggles I escaped an onslaught of negative emotions for which I’m grateful.
I enjoyed Qui Lo's story arc a bit more than Ling's. Only because her experiences felt more relatable, like something that could happen to me or someone close to me whilst Ling's family issues were a bit more far removed from my own scope of understanding & experience.
When we first meet Qui Lo, I didn't really care for her. Her demeanour, her way of dress, her body language all screamed GRAY MOUSE. The type of heroine I can watch, probably even like, but who leaves no lasting impression on me whatsoever. Blink and she's gone from your memory like a fleeting dream. Turns out, though, that I misjudged her slightly. Yes, she's your typical Asian drama heroine: sweet, nurturing, a little submissive, but as the show progressed she also blossomed into a stronger, more confident version of herself. I grew to love her quite a bit. I also loved our hero, Ling (and his mullet), ever the debonair lady's man, but a character with so much depth and layers to his personality.
VERY satisfying to watch how their love for each other healed and transformed these people for the better. The way Ling pulled Qui Lo out of her shell with affection, humour and his natural charm; the way Qui Lo worked on Ling as if he were an onion, peeling away every last layer of false bravado and bullshit until she found the real Ling, the young man with the heart of gold. The young man with so much love to give.
The development of their love story is a testament to why I love the romance genre so much. Done well, the perennial effects of this wild, beautiful emotion is a powerful balm to the soul. The reason for being. These two by themselves exuded only half their true potential. But together, they became a powerful whole. Stronger as a unit and stronger individually. Isn’t that the greatest benefit of the best kind of love?
The actors delivered according to their age. Perhaps not as nuanced, not as grounded as a performance that comes with life experience, but they played well off each other. I can’t complain, the chemistry was off the charts. There was a natural flow between them, no awkwardness, no sense really they were acting. I BELIEVED they were indeed girlfriend/boyfriend & their reactions to their individual circumstances rang true for me.
Best of all, I’ve noticed that the Taiwanese are not as conservative as the Koreans and Japanese! The physical interaction between Qui Lo & Ling was perhaps the best I’ve seen so far in dramaland. There's a natural progression to their (physical) relationship. No cringe-worthy kissing, no wide-eyed, disengaged female, no glossing over of the characters’ sexuality! Man, nothing I dislike more than when any and all mention of sex, and the fact that the characters may want to engage in it, is the most scandalous thing ever! I'm not asking for PornHub type action here (for all you prudes who are scandalized by anything more than hand holding). All I want is something natural and convincing, esp when our leads are supposed to be two people who are madly in love with each other.
In general, I really liked the show, esp the characters and the development of the romance. The music wasn't bad either. I tend to be more aware of the OST when the lyrics are translated as they were here. It elicited all the right emotions, esp when connected to certain scenes.
What I didn't like, and what influenced my 8 rating, is that I felt, plot wise, my level of engagement had a huge yo-yo effect. There were times when I was fully engaged because something - ANYTHING - other than two people talking in a room, happened. Other times - MOST times - the show was bogged down by too much nostalgic exposition. That is to say, characters explaining why things happened in the past over and over again. ‘Show, don’t tell’ is a basic rule of thumb in all forms of creative writing. The over abundance of expository dialogue signaled the pen of an unskilled or inexperienced screenwriter, and only served to bore me more times than not.
Another thing that rubbed me the wrong way was how women tend to be portrayed, but this is an overall complaint against Taiwanese dramas (that I’ve seen) and not solely about MARS. Catty to an extreme and willing to go to blows with other females (usually our heroine) who - by no effort of her own - has won over the affection of the hero they like. Whilst the guys, in a similar situation, deal with it in a cooler, more rational & sensible fashion. I don’t like it.
In Korean and Japanese dramas that I’ve seen the cattiness is less amplified & less mean-spirited, imo. It’s a minor thing, in the grand scheme of things, but one which never fails to niggle at the back of my mind. When all’s said and done, though, I wouldn't watch & enjoy Asian dramas as much as I do if I were a raging feminist so it’s all good!
You’ll enjoy MARS if you like romance dramas that try to be more than just mindless fluff. I am not sure to what extent certain parts of the plot worked for me, but in terms of the romance - if this is a genre you like - it will not disappoint.
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After almost a year in dramaland and close to 30 dramas, I've finally, finally found a bonafide favourite. A Korean favourite and an overall favourite. I've watched many dramas that I've liked & enjoyed, but none comes even close to how much I love Lovers!
Lovers is the kind of drama I've been waiting for since Oct 2012 when I first took up residence in dramaland. It was just what I needed to pull me out of a minor slump. I chose it at random because it's a combination of two of my favourite genres, gangster/crime and romance so I said what the heck, just watch one episode and see how it goes. I fully expected to be disappointed. Well, that one episode turned into 20 in less than 48hrs.
And damn … what can I say about Lovers except that this drama is really a wickedly delicious lesson in Sexual Tension.
I'm an avid fan of romance, but lately I’ve become rather disillusioned with Asian romance dramas. It's mostly because of all the recurring cliches: separation because of overseas work or study, random cancer diagnoses, stupid nonsensical love triangles etc but it's also, perhaps mostly, because I hate fake intimacy. A LOT.
I hate the fake kissing, the cheesiness, the characters' lack of sexuality and just the general feeling of watching two grown ass adults act like pre-teens stealing pecks from each other when no one is looking. I can understand that for younger and more conservative viewers this might fly, but at my age I want to see an authentic relationship between an adult man and woman. And let me tell you, this is exactly what I got in Lovers!
Sometimes great sexual tension is better than the actual thing. If most dramas of this genre were half as good at building that tension, as Lovers did, I’d die a happy watcher having never seen two people kiss.
The AMAZING build-up of passionate feeling between Kang Jæ and Mi Joo completely blew me away. Massive props to the director and actors who were able to play up an attraction so palpable that you experienced their every emotion. I loved the banter, alternately playful and frustrated, the subtle flirting, the stolen glances, the longing, the internal struggle, the denial … all of this served to create such mad chemistry you could easily catch your breath and forget to release it.
When they’re finally intimate … it’s like dessert, only more satisfying than the main course. Moreover, if you’re a child of Hollywood like me and you do not want too much left to the imagination, fret not … you can look forward to steamy, lip devouring kisses. Hey, a smoking, HOT red-blooded mob boss like Kang Jæ wouldn’t stand for anything less! Even better? Mi Joo doesn’t want him to! To me Lovers sets the tone of how a romance between adults should play out. The characters act their age in life and love. None of this silly, wide-eyed playground stuff. The typical drama cliches are kept to a minimum or they play out in a way that's logical, rather than frustrating as they tend to be in other dramas.
I’m just decidedly pleased with this drama overall. It’s well written, well executed and well acted.
Given that I like to attack life's struggles with a gangster's swagger, I love that the romance is set against the backdrop of Korean gangland. From the safety of my own living room, it’s a fascinating world to inhabit for 20hrs. Now you may have to suspend belief a little given the absurdity of certain scenes, for eg 2 bands of pipe wielding gangsters invading a hospital en masse and having a go at each other, but no one thinks to summon the police. LOL In spite of this, I love the machismo, the fight scenes, the car chases, the assassinations, the bromances, the loyalty, the code of ethics.
Best of all, the leads are amazing! Kang Jæ is totally badass. Tough as nails on the outside, but melt your heart soft and sweet on the inside. If you have a weakness for bad boys ...
By far one of THE coolest male leads I’ve ever encountered. He lives hard, play hard, fight hard, love hard. And is 100% sex on legs. No wonder Mi Joo calls him her Dimpled Gangster. Male audiences will hate or envy him ;) and female audiences will want … well, HIM! (ha!)
As for Mi Joo, for once I have no complaints about the female lead! I love her, she is awesome! She’s smart, silly and confident all in one nice little package. She’s a breath of fresh air from typical female leads who are annoyingly aloof, stubborn, mercurial and uncommunicative all in an attempt to portray a ‘strong’ woman (I’m looking at you, Joon Young from A World That They Live In, Soo-in from Love Story in Havard).
Her and Kang Jæ’s love is a delicious slow burn. They had no intention of falling in love, but basically grew on each other over time, as fate brings them together time and again, until they realize … wow, this person is really amazing. To me it felt very natural and organic, rather than constructed as say … when one or both characters are made to fall in love at first sight or there's some ridiculous childhood connection.
Story wise I think the show is golden. Badass mobster trying to go legit, but not being able to fully untangle himself from the dark side. Throw in romantic and familial complications and you’ve got yourself one captivating drama. And there are some hilarious, laugh out loud moments too.
There wasn’t any poor performances here either. I was pleased to finally meet the (in)famous mr. Kim Nam Gil, who delivered well as Kang Jæ’s dongsæng and left hand man. Basically every actor did an amazing job with their role. No one stood out as annoying or unconvincing, not even the child actors. Lee Seo-jin, as Kang Jæ, has netted himself another fangirl! To me he played his character just right. With just the right amount of emotion, or lack thereof, befitting a top gangster.
I can not relate to other reviewers who said this drama dragged. I personally never skipped a minute of any scene, a first for me. In fact I rewatched several scenes whilst in the process of watching the drama. The great sexual build-up and the machinations of the mob world kept things fast paced and action packed.
Even the music, which I normally don’t notice, captured my attention. It helped that the lyrics were translated so I knew what was being said, and as a result the score seemed very appropriate in amplifying the overall mood of the drama.
If I have to criticise anything about Lovers it would be the ending. It’s perhaps a tad rushed. If ever there was a drama that needed to be 21 episodes, this is it. That said, it works as it is and I LOVE the show regardless. I recommend it to anyone who’s looking for more than your average run of the mill romance. Something with a more mature spin, and a little danger thrown in for added excitement. As of now Lovers has taken the # 1 spot as my all time favourite Asian drama. It was a bit underrated when it first aired, but then … the best dramas usually are. :)
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This review may contain spoilers
This was a pretty good series. As good as any South Korean drama is gonna get, I think. I’ll explain below what particularly worked for me and, of course, what didn’t. This review contains one minor spoiler, but it won’t spoil your enjoyment of the show. This is also going to be one of my longer reviews (I hope you'll read it, anyway :)WHAT WORKED:
THE STORY - There are two sides to the plot. First, there’s the behind the scenes look at drama production in Korea & secondly the complicated love lives of the people who work in this industry. I was very pleased with the former, but not so much the latter.
I loved getting a glimpse into how productions go down in Korea. Even though I work in film production rather than TV production, I recognized well every challenge the young directors face because I face them in my own career too. The huge pressure of wanting to stay true to your artistic values while trying to satisfy overbearing executives who control your career, difficult actors, bad working conditions, productions going over budget & over schedule. Yup, been there, done that. There were also significant differences that really shocked me. I won’t get into details, but let’s just say Korean production crews deserve every respect for their dedication to their jobs. They work under some very extreme conditions that would have unions shutting us down here in the West.
THE MATURE TONE & MOOD OF THE DRAMA - I loved that in this drama sex isn’t the usual pink elephant in the room that’s never acknowledged. The drama is written by adults for adults, and that mature tone and mood permeates the show. The chemistry is just popping. If only more Korean dramas are like this. Unlike so many other Asian dramas - I actually BELIEVED the couple are indeed a couple.
THE ACTING - Overall the acting isn’t bad. Most of the supporting cast are great & like other reviewers said I too really enjoyed the storyline of Hæ Jin and Gyo Ho. I never thought their relationship would play out the way it did. I had a bad first impression of Gyo Ho, but he completely redeems himself by the end.
As for the leads, since coming to dramaland some 7-8 mths ago I’ve heard an earful about Hyun Bin. This was my first opportunity to see him in action & I must say I get the hype. He is gorgeous! There were times when I really envied Song Hye Kyo, that she should be so lucky to play house with such an amazingly handsome guy.
But anyway … now that that’s out of the way, I think, acting wise, what Hyun Bin has going for him is that he’s got some of the most expressive eyes I’ve ever seen on a male Korean actor. The eyes are one of an actor’s most powerful tools. Look at the most successful, well-regarded actors and they all have these amazingly expressive eyes that can convey any variety of emotions: love, anger, sadness, indifference … I believe this is true for Hyun Bin. All he has to do is just look at his co-star and you can feel his emotions through his eyes without him having to open his mouth.
Hyun Bin certainly has the skills, the charisma and the charm to be a really powerful actor. However, he was still a relatively young man in this drama, 25-26 yrs at the time of filming. So he didn’t have much life experience that would've added an extra layer of nuance to his performance. For this reason sometimes his acting did come across a bit immature. Had nothing to do with the character he played (an immature guy in his own right, sure), but just the fact that life experience adds another dimension to how you process the world around you & thus how you interpret a role.
Lead actress Song Hye Kyo is not able to emote on the same level as Hyun Bin. The one emotion she's good at in this drama was ire. That is not to say she’s a bad actress because she isn’t, per se. One of the characters, an actress playing an actress, made an interesting observation: she said many young actors don’t know how to apply acting techniques. They try to portray emotion in a very literal, mechanical fashion, for eg if they’re supposed to be angry they scream, if they’re supposed to be sad, they weep etc … it’s an interesting observation because I think this describes both Hyun Bin & Song Hye Kyo’s performances well, but more so hers than his. This is true of Hyun Bin only when he expresses anger (his rantings & ravings were hilarious and cute, though lol), but with Song I felt like this mechanical interpretation of her character’s emotions is her default approach. I didn’t like it, but okay.
WHAT DIDN'T WORK SO WELL:
JI-OH & JOON YOUNG'S RELATIONSHIP - Their relationship is annoying & immature, probably because both characters are really just big babies that throw temper tantrums when they don't get their way or say dumb sh-- because they don’t know how to express their emotions in an adult fashion. Ji-oh and Joon Young fight over the dumbest things. The childishness grated on my nerves, and as the drama ended I didn’t feel confident that they’ll last any amount of time with this type of dynamic between them. They were together before, broke up then got back together, but neither one of them seem to have grown from this experience. This feeling took away from my enjoyment of the show because for me what makes a great romance drama is the feeling I’m left with at the end, that even though no relationship is perfect they’ll be able to overcome the trials life throws at them & live together happily.
THE SHOW'S ATTEMPT TO BE PHILOSOPHICAL - the show’s attempt to philosophize about how life imitates art fell flat for me. All the introspective commentary just felt like they were trying too hard to be 'different', for the lack of a better term. Contrived.
THE FEMALE LEADS - But by far what provoked me the most about this show ... some of the female characters, in particular two of the 3 female leads. The main female character Joo Joon Young, played by Song Hye Kyo is, when all is said and done, not a very likable person.
Joon Young is a driven, ambitious, career-minded young woman. She works in a male dominated environment where she deals with a lot of sexism & has to hold her own. I loved all this about her because when it comes to work, I related to her character so well. She lives my life & with great panache (as I would like to think I approach my work as well).
On a personal level though Joon Young is rude, selfish, spiteful and cruel, sometimes for no good reason whatsoever. I think the deficiency in the characters is both as a result of how she’s written and how she’s played by Song Hye Kyo. There’s not one perfect character in this drama, but it’s one thing to have a character who is human and isn’t always cookie cutter perfect & another to have complete jerks & bitches with NO redeeming qualities.
Take for example Ji - Oh, played by Hyun Bin. He verbally and physically abuses his staff on set, and loses his temper left, right and centre. But once the production is wrapped & the stress of the situation tones down he’ll humbly apologize and take everyone out for soju. In his love relationship he has a mean streak that rears its ugly head when he feels cornered by emotions he can’t process, but again once he comes to his senses he’ll humbly apologize and ask for forgiveness. So just when you’re convinced he’s a jerk, he turns around and convinces you otherwise. This made him very human & very sympathetic because even though he makes mistakes that sometimes hurt people, he accepts responsibility & expresses remorse.
Joon Young, on the other hand, never takes responsibility for anything even when she’s blatantly in the wrong. Here’s one example (out of many) of what I mean:
There’s a particular scene in which she agrees to meet another character at a restaurant. She sent a text saying that she is going to be late. She doesn’t say how late, but naturally the other person is not expecting her to turn up 2.5 hrs late. But that's exactly what she does. And when the character expresses annoyance, instead of apologizing, she gets all huffy and argues that she did send a text and blah blah. As if she’s so great that anyone should wait around 2.5 hrs for her. That type of arrogance. That type of rudeness. Ugh. This is just 1 of MANY such scenarios. She’s missing a real sensitivity chip and that made it difficult to like her.
I initially rated this drama a 7, but decided to raise it to an 8 because in the end it became somewhat of a masterclass for me. It made me think about how I develop my own work, esp female characters that I may write in the future. TWTTLI also has other good things going for it, so I’d still highly recommend it to anyone who likes a nice, adult drama. Moreover this was the best introduction ever to the lovely mr. Hyun Bin. Not sure if I’m a fan yet, but yeah he’s got me all hot n bothered alright! Haha! :-)
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A romantic drama that doesn't have the usual cliches of the genre. You know, the theatrics, the philandering spouses and what have you. Wanee & Junah deviates from this formula, and I think this is the film’s #1 strength.
There’s nothing imaginative or noteworthy about the plot, per se. You might even say the movie takes its time getting to the point, but it's nevertheless a worthwhile watch because it dares to breath fresh air into a genre that generally has its cliches on repeat (watch as much romantic drama as I do & you can pretty much guess, frame by frame, how the story's gonna play out).
I get really tired of all the negative, explosive drama you find in most Asian movies about love and relationships. If someone isn't cheating on their spouse, then they’re plotting their spouse’s death. It makes you wonder … aren't there any satisfied Asian couples just living & loving without all the contention?
Yes, there are. In Wanee & Junah.
It’s the love story of two young people who live together in peaceful countryside. Their union is unconventional given the fact that they’re not married, but their relationship is characterised by love and support. The conflict is external to the relationship rather than internal so they don’t bicker over foolishness. They don’t spite and backbite each other. In general they're just a happy couple who are devoted to each other.
When conflict is introduced to stir the pot, Wanee & Junah maintains its quiet introspection of the things that shape us into the people we are rather than veer into exaggerated melodrama. And while they grapple with this new challenge to their relationship, there’s never any deep antagonism between the characters. Just a deep understanding and acceptance of each other's limitations.
What I noticed in Wanee & Junah is what I notice in every relationship ... those of my friends & my own. Sometimes our partner has to deal with stuff you don’t know how to help them with. You have the deepest wish … but there’s nothing you can do. You just have to step back and let the person figure things out on their own.
This is what I loved about Wanee & Junah.
The relationship is mature, it feels real, the ending puts a smile on your face. The male lead is total eye candy. I’d recommend it.
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The laughs kept piling up 'til 2am. I had to force myself away from my Mac screen, and that was only because I had a super important work meeting later that morning. Otherwise I totally would have stayed up and finished it.
I usually approach romcoms with reserved disdain because a lot of times the movies in this genre are neither romantic nor funny OR they're one but not the other. What made Petty Romance great was that it's funny and romantic AT THE SAME TIME, for the entire show.
Furthermore the superb acting & cracking chemistry between the leads was awesome! They both had wonderful comedic timing and played extremely well off each other. Their interaction never felt forced or awkward, but very fluid and natural, which is not an easy feat when doing comedy.
I was never that impressed with Lee Sun Gyun in Coffee Prince, but here he brings a cavalier charm to his character that neither you nor our female lead can resist. Moreover you gotta give nuff respect to a man who has the balls (pun intended) to expose his crotch for a close up. Now don't get all bent outta shape ... he was covered (barely). Still, this is NOT a pose most male actors would jump to do, but one which Lee Sun Gyun delivered with great aplomb!
Choi Kang Hee was sweet and innocent in her role without being Moon Geun Young annoying. They both did a great job!
If I had to complain about anything, it would be what Jung Bæ did when he first met Da Rim. I mean, really? Who does that? You'll know what I mean when you see it. I could not believe him! Jeez. It made me look at him with slightly less adoration...
Anyway, Petty Romance still deserves a solid 9. Fun, fresh story (because it's not a storyline you see often) & great, great chemistry between the leads. My favourite Korean romcom yet! :-)
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It keeps you engaged & guessing, but sadly disappoints you with a very anticlimactic third act. I was expecting a more explosive resolution, but all I got was ... that's it?
Never a good place for an audience to be.
I've seen both lead actresses in dramas before & they play quite convincingly against the type of roles I'm used to seeing them in. The main actress got a lot of work done and it's obvious. She was nevertheless able to inject (no pun intended) the right amount of emotion into her facial expressions.
Overall, I liked the story, and to some extent how it was executed, but I wanted a more satisfying climax after all that good build-up in the first and second acts.
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Generally speaking I dislike silly romcoms that have no substance whatsoever. While it's no secret that I love the romance genre, I prefer it packaged with a lot of thought-provoking, heartfelt drama. The movie Always with So Ji Sub & Han Hyo Joo (who also stars as the female lead in this movie) is a good example.
Love 911 fell somewhere in the middle of this preference. It had the usual tropes of a light, brainless romcom, but with an undertone of melodrama. I would've preferred just pure drama (without the melo), but I'll take whatever I can get.
If you watch this genre as much as I do, you'll know Korea doesn't make enough films like Always & Love 911. That is, dramatic romances with happy endings. Movies in this genre are more times than not tragedies and or stories about morally corrupt, cheating spouses that will squash even the slightest of belief in love you ever allowed yourself to entertain.
Love 911 is, therefore, a nice change of pace from all that dreariness. The couple here had amazing chemistry & I had fun watching them get under each other's skin.
The male lead, Go Soo, was like ... wow! Soooo cute! When he allowed people to see the real him, he had this boyish gentleness to him, but in the next breath he could be ALLLLL man! I loved it! And he wasn't too bad of an actor either. He was able to convey an array of heart stirring emotions, even while you wanted to slap him for being a boor. Moreover, I'm sure his reason for being prickly is bound to win over most women! Han Hyo Joo was just as much a delight to watch as she was in Always. So far she hasn't disappointed me in anything I've seen her in.
This is a must watch for any romance fan. It has all the right ingredients: nice, if unoriginal plot, a very likable, sweet female lead, your typical brooding alpha male hero with the heart of gold & man candy galore. Could the makers of this movie be a tad more creative with the story? Sure, but overall this was a whole lot a fun to watch & re-watch.
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The ever popular Choi Min-sik, of Oldboy & I Saw the Devil fame, delivers a solid performance as the scorned, emasculated house husband. The juxtaposition of gender specific traits in his character, nurturing femininity vs aggressive masculinity, was particularly well played in my opinion. It shows how, in the heat of passion, one can really act against type.
The reversal of stereotypical gender roles, especially in a strongly patriarchal society like South Korea, is always interesting to watch. I did enjoy the film, but can not score it higher than 7 because with the exception of the cheater being female, the storylines are essentially the same for pretty much every film I have seen in this genre. The movie is definitely worth a watch for Choi Min sik and reversing the role of who cheats, but don't go in expecting any clever twists. There are none.
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This is a movie about opposites attracting. Both parties jump into the relationship with gusto and are more than happy with their arrangement initially. As time goes by, though, the true natures and motives of the characters are revealed, and they begin to realize they might have bitten off more than they bargained for in starting this relationship.
Sweet Sex and Love is truly a well executed case study of how disastrous a relationship between a man and a woman can be when there's no communication of expectation on either side. When one, Sweet Sex ... or Love, is given full reign to dominate, to the neglect of the other.
I really enjoyed how the plot unfolded in this story. It's one of the better 'opposites attract' movies that I've seen in a long time. The script, the direction and the editing are all cleverly done. For once the pacing isn't slow and as grating as fingernails on chalkboard. The director deftly controls what you see, feel and experience until just the right moments. Nothing is revealed prematurely. No dialogue or sequence squandered. The narrative is very nuanced, leaving the audience to decipher much of the characters' actions and behaviour. At the same time you're taken on a journey where you're inundated with one truth for almost the entire film, until just like the characters you get the rug pulled out from under you. HARD. (No pun intended).
Certain themes that you never thought to associate with this type of film begin to surface with stark clarity and force; valuable lessons, on sweet sex ... and love, emerge. Sweet Sex represents one character & love the other, can they really coexist beyond the initial intoxicating stage of a new relationship? Everything falls into place. The title begins to make sense, the explicit internal dialogues, what you may have dismissed previously as a repetitive sex manual ... all begin to take on a whole new meaning.
Very nicely done indeed.
Certainly a good movie for audiences who enjoy a more mature exploration of the complex relationship between men and women. If there's any kind of sexy movie I love, this would be it.
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It tells the story of two teachers: a rather selfish and unscrupulous man who is also a liar and a cheat; and an emotionally unstable woman with such low self-esteem & clear mental issues it's a wonder she didn't off herself during the course of the show.
With a pair of damaged, rather unlikable protagonists it doesn't take a rocket scientist to predict the train wreck of a relationship that is about to culminate between them. Unlike the Japanese movie, Happily Ever After, where you meet equally tragic individuals trying to figure out the meaning of life & love in a poignant, slightly hopeless, but always heartwarming journey, you'll struggle to understand why the heck Choi Hung & Lee Yoo Rim in Rules of Dating are together because they clearly shouldn't be. It's a very co-dependent, unhealthy, immature relationship between two people who literally have NO redeeming qualities. The acting inspired very little empathy or faith that these characters will grow into better people.
Overall the plot and overarching story seemed very ill-conceived, as if the film's only purpose is to say the world is filled with some pretty strange effers. If like me you weren't born yesterday, and thus already knew this, this movie offers nothing in the way of an engaging plot, likable leads or a memorable ending. In fact when it ends you'll just be glad it did, if only so you'll never have to see these weird ass people again.
Music - what music?
Rewatch value: 0
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Through an unfortunate twist of fate Mimura Shinnojo's life is never the same again after he discovers poison in food meant for his clan's lord. It causes a series of events that would rock the resolve of the strongest of men. For me, Love & Honor was the most entertaining of the 3 films. Where the other two films were slow-paced & preoccupied with portraying the mundane, everyday lives of low caste samurais Love & Honor was more fast-paced, though not by a lot, and more developed to keep the viewer wondering what would happen next.
I kept watching The Twilight Samurai and The Hidden Blade because I became attached to the characters and wanted to see what happened to them even though the pacing of their stories would have bored a less patient viewer. Love & Honor was slightly different in that the story pulled you in as much as your affection for the characters.
And let's face it, the fact that Kimura Takuya is the star of the movie makes it a worthwhile watch, but the film is anchored on it's own merit by having an engaging plot as well.
Performance wise everyone delivered. Kimura played a disabled man in this film. I'm tempted to give him high scores all around because I love the guy so much, but if I'm entirely honest his 'disability' was perhaps the weakest point in his act. I wasn't totally convinced. I've seen movies where other actors were more authentic. Having said that the lovely Mr. Kimura delivered on all other counts, with the usual charm, emotion and dedication he's known and loved for. He plays a very vulnerable character in need of tender, loving care in the movie. So for lady viewers he's bound to awaken your nurturing instincts because you just want to reach in, give him a hug & a kiss and tell him everything is going to be alright. :)
The other actors did well too. In particular the actress who played Mimura's wife.
Overall I found this movie to be more emotionally gripping than the other two, and in order of preference Love & Honor would be my first, followed by the The Twilight Samurai and then The Hidden Blade.
All three films tell the stories of low caste samurais struggling to survive. There's an element of romance in all of them, and the added bonus of all 3 films in the trilogy ending on a very satisfying note.Samurai films are almost always synonymous with death, in my experience, but another reason to love this trilogy is that they follow a different path in this regard.
Love and Honor, in particular, puts a lot more emphasis on the romance than The Twilight Samurai & The Hidden Blade. It packs a stronger emotional punch, and is thus one of the reasons the film worked so well for me.
The films are all similar in mood & tone, though L&H is slightly more upbeat than the others which felt more melancholic & dreary. The charm of these films, in my opinion, is that they're very good in portraying the not so glorious side of Samurai life. Therefore, if you're looking for a Samurai movie with the sweeping, epic battles these are not the films for you.
Here the Samurai profession is not as 'pedestalized' as it normally is in other films. Many of the Samurais featured are poor & barely earning enough to support their families. The heroes of these movies are simple men wanting simple pleasures out of life, but by their lowly status are forced to live under the thumb of brutal feudal lords. They work as Samurais not necessarily because they want to, but because they have no other choice.
I think the trilogy is well worth the watch, but if you're not given to the Japanese's affinity toward slow paced narratives then I'd say prioritize Love & Honor, if nothing else. The films are independent of each other so you won't be missing anything if you choose to watch one and not the other.
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I loved this movie for its many layers. Abe Hiroshi and Nakatani Miki in the lead roles offered up some stellar acting. Their performances did not disappoint at all.
For about two hours we're transported into the dreary, uneventful lives of Isao and Yukie, two lost souls, co-dependent, broken ... both trying to claw their way towards a better future but not knowing how. Their relationship is not the healthiest you'll ever see, but somehow they make it work, together, in all its dysfunction. There's a lot of love there, even when you're just about convinced there isn't.
I loved the strong sense of loyalty and acceptance of each other that existed between Isao and Yukie. These characters dared to show each other who they were: the rawness, the imperfections without fear of rejection or judgement. At the same time, they epitomized the saying 'can't live with you, can't live without you' so well it's beautiful.
Another thing that pulled me into this story even further was it's rich commentary on life and our need as human beings to feel a sense of purpose, acceptance and belonging. The movie argues that these are important requirements to living a contented life, happily ever after, and I tend to agree.
With all round wonderful performances and a beautiful story of new beginnings there's no way I could score this less than a 9. Moreover, Japanese happy endings are the best! They're always sweet, poignant and whimsical, just the way I like them.
NOTE: If you choose to watch this film, and I hope you do, please keep in mind that there's one final sequence AFTER the credits roll. It's one of the best scenes in the movie so you won't want to miss it! :-)
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This review may contain spoilers
Spoilers for S1 finale
The special picks up where we left off in the Season 1 finale. Toru is reinstated as President & CEO of Next Innovation; Asahina is paroled and living a simple life as a software engineer; and Makoto is a world away in Brazil, pursuing her dream of becoming a research scientist.For one week she returns to Japan to be with Toru, who can't seem to make up his mind about what exactly she is to him.
I thought these two were already officially dating, albeit long distance, but turns out this is not the case. In the special they're given a chance to develop their relationship from a question mark to a period. Their journey is, of course, fraught with professional obstacles, miscommunications & Toru's eccentricities. Like with every new relationship having another person share your life, your personal space is an adjustment for both parties. But Makoto learns to ask for what she needs & Toru learns to compromise.
Sometimes I watch TV couples and think if they were real they'd never make it beyond TV land. But I feel good about this couple. I love their bicker and banter. They already seem like an old married duo.
Along the way there were moments when I wanted to slap the sh.. out of Toru. I mean how obtuse, stubborn & cantankerous can one man get? Everything worked out for the best though.
The ending was nice. Left a huge grin on my face. I even started to hate Asahina a little less. I didn't take notice of the OST before, but here it was very fitting. The theme song is actually quite beautiful.
Overall, this was a nice addition to the series. I enjoyed it more than the drama because there was more focus on the development of Toru & Makoto's relationship. Hence the 9 scoring. Not everything was as I had hoped for, but I still really, really liked it. Now I just hope they produce a season 2 because even though we got some closure on the couple's relationship, their story still feels incomplete.
I'd love to see them again, juggling life, career and love, and preferably living under the same roof. But this is a Japanese series we're talking about. I won't hold my breath on that happening even if they do make a S2.
Anyway, give this a go. You can watch it without having seen S1. You'll still be able to follow. Would I re-watch? Yes. I don't know exactly when it happened, but these characters have really grown on me. I'll never get tired of seeing them together.
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Yawn. Right?
For a romcom, it sure was light on the humour. Mom's tendency to lace her speech with hilarious sounding, heavily accented broken English did produce a few chuckles but that's about it.
It isn't that it was a horrible story or that the acting, though nothing spectacular, was bad. It's just that nothing about it really stands out. The story has been done to death, the acting is acceptable but under the radar, no good kisses or noteworthy physical interaction between the leads (they are supposedly in love but tend to sit miles a part from each other), no eye candy, no good soundtrack.
Of all the movies out there to watch there's no real incentive to pick this one. You've seen it before, and nothing new or fresh happens to warrant a second viewing. Just the same old trope. But if you have 1.5 hr to waste go ahead and give it a go, if you insist.
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First a brief introduction because the one here on MDL doesn't really sum up the show well enough:
Unexpected You is about driven career woman Cha Yoon-hee, who is newly married to the dashing Korean-born, American-bred doctor, Bang Gwi-nam. Because Gwi-nam was raised in the US he’s presented as prime husband material. He's willing to follow his wife's lead & capitulate to her every wish. Yoon-hee's pleased with herself for having landed such a "perfect" man, and best of all? NO worrisome in-laws to fuss and fight with since his adoptive parents are back in the States. Life’s sweet for our Yoon-hee. With a cute, somewhat neutered husband & no pesky children running afoot she can focus on her work AND rule her roost the way she sees fit. As fate would have it, however, Yoon-hee's blissful existence comes to a screeching halt when they unknowingly move in across the hall from Gwi-nam's biological parents.
Sounds like fun to me. So I used my one week Easter break to watch this drama. I jumped right in hoping for a hilarious, heartwarming family drama.
Let me now explain to you why these hopes were dashed.
What I Liked:
1) The fact that we had an established couple who were happy & affectionate toward each other for the entire drama. I haven’t seen that many dramas, but this is a first for me.
2) In the long run I didn't care for the character she played, but I do like lead actress Kim Nam Joo. Mature actresses tend to get a raw deal whether they're in Hollywood or Korea. However, KNJ proves that dramaland is better off with older artists whose life experience adds layers to their performances. I think in a better role, where she's not trying too hard to push an agenda & prove a point, she'd be great.
3) Lee Hee Joon as the witty, smart talking, smooth operator, Chun Jæ Yong. He turned into a lovesick fool toward the end, but for the majority of the show he was absolutely hilarious. I thought he was very well cast in this role. Just the way he spoke, his mannerisms, provided some really good comic relief.
4) The youngest Bang son & his family. My mom always tells me to look at a man's heart, not his face. Jung-bæ and his family are like a visual reference of this lesson. The guy isn't much to look at by any means & his wife is a complete ditz who a lesser man would have come to belittle & ridicule over time. But in Jung-bæ she couldn't have found a more devoted and loving husband.
5) This drama broke away from the usual clichés. Not completely, but for the most part. And whilst the story itself never quite took off for me, most secrets & lies were revealed within a 10 episode interval which was nice. I hate it when they drag things out until the very last minute before everything’s out in the open.
What I Disliked:
1) The script - it had a few great moments. I thought the overarching story of the lost boy who reunited with his real parents was pretty okay. But the individual stories of the Bang women were underwhelming & frustrating. There were a few twists & turns in the plot that made you go WTF? The script felt constructed, rather than fluid. As a result, characters, both old & new, appeared out of nowhere at the most inopportune times in the most inopportune of places & caused the story to go off on a tangent that was better left unexplored.
2) This drama had an agenda & it got very, very preachy - Now don't get me wrong, there's absolutely nothing wrong with the show's attempt to challenge gender stereotypes and the sexism Korean women face in their society. I'm all for female empowerment and bettering the status of women, but beating your audience over the head with all this stuff defeats its purpose. Every woman has her own definition of "empowerment" so a tad more subtlety would have engendered more of my support for the women’s situation. There was too much righteous grand standing. Characters literally preaching at each other -- and thus the audience -- about gender equality, what they should think & believe. Too much. It got very annoying. Furthermore, it's funny that this drama is about empowering women, and yet most of the conflict arose from pitting women against each other.
3) This drama was dripping wet in cheese & not the good kind - Those who know me here on MDL know that I'm a romance junkie. I love love. I do. I love when my heart is touched by a good love story, but please don't go overboard. I get that, in Gwi-nam, the writers wanted to present a man that’s more sensitive & supportive of his wife’s needs as opposed to the old-fashioned, insensitive, uncommunicative Korean man. But it was too much, especially for a couple who, though newly married, has been together for a while. Instead of making me sigh, I was gritting my teeth while skipping that sh**. All the grand romantic gestures came off very inauthentic and felt too much like wish-fulfillment rather than a realistic portrayal of love between two grown people who've long since left the playground.
4) The women - This drama was very popular in Korea & if I had to take a guess maybe it's because the drama was an outlet for frustrated Korean housewives who harbour grudges against their in-laws & husbands. For me, as an outsider who doesn't live the same reality, this show was somewhat burdensome to watch as it was a complete & utter whine fest.
That's also probably why I couldn’t identify with any of the women. At the start I liked Yoon-hee a great deal. She was put on this pedestal as the ultimate woman's woman, and at first she did project an aura of strength that I liked. I also sympathized with her struggles in a very sexist work environment. But as the series progressed she slowly took on a cloak of victimhood & wore it like a trophy, especially when it came to dealing with her in-laws.
I really have a problem with shows in which women wallow in victimhood. If Korean women want to be the only queen in their hen house, make a drama that encourages them to break with tradition & live on their own with their families. To me it's a better solution than pitting woman against woman the way this drama does, albeit unintentionally.
By the end of the show my perception of Yoon-hee was that she had turned into a shrill, selfish, entitled and conceited woman. Pretty much everything had to go her way ALL THE TIME. She bullied her husband with emotional & sexual blackmail. And ironically, instead of sympathizing with Yoon-hee, I ended up feeling like the mom-in-law was the real underdog.
The other women weren't any better. One, a self-centered, spoiled, bratty gold digger; another a clueless, childish virgin who was sooo hot & cold it's a wonder any guy was able to put up with her; the mother who was filled with covetousness and resentment toward her husband and children; the older daughter who cast herself in the shadow of a man even though she says she wants to be an independent woman. They were all very human characters, but given that I encounter these people every day in real life, I'd rather not spend time with them in my entertainment too.
5) Last but not least Bang Gwi-nam, the female lead's husband - At first I liked him, but he seemed to lose his manhood as the show went on. He’s incapable of standing up to Yoon-hee, even when she’s out of line. To me Gwi-nam was not an ideal partner. Sure, he's a gentleman, but he was also a complete wuss. I fear most men in real life will never be able to live up to his lofty ideal, not for long anyway. So I'm not sure planting such unrealistic expectations in women's minds is a good idea. Moreover, guys like Gwi-nam end up like the desperate housewives who capitulate and sacrifice too much until the day they cheat, walk out or both.
This is a drama for women, but not a woman like me. That said, I wouldn't encourage people NOT to watch this because there’s a chance this drama was made for a woman just like you.
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