I’m wrapped up in a comfort blanket eating too much 70% chocolate, a surfeit of endorphins and caffeine. Netflix has offered two outstanding slice of life dramas and aired them simultaneously. First, “My Liberation Notes” and now “Our Blues”. What more could be asked for? Whereas “My Liberation Notes” was essentially a story built around family, “Our Blues” centres around the members of a community and explores their individual lives and circumstances. Given the title, there is a hint that this drama will tackle the things in life that are difficult. But far from being sad it ultimately strikes an uplifting note.

The stories on offer are not about huge life changing tragedy but the emotional hurdles that life puts up for us to jump over and the hoops we go through. Essentially this is a drama about the good heart that lies at the centre of ordinary human beings. Their generosity, warmth, caring and insecurities.

They are stories set within a community where there is no real privacy and no anonymity. Where caring and interference exist either side of a blurred boundary which is crossed and crossed again. They are essentially about the price individuals are wiling to pay for deeper connection and love, and the confused and contradictory emotions that are experienced when that love and resentment collide.

There is no judgement written into the narrative. Each character has depth, we can love them from one angle and criticise them from another.

Among a slew of excellent performances Lee Byung Hun as Lee Dong Seok was the standout. Even though the writing for the last three episodes concerning his relationship with his mother, did not work as well for me, his performance did not falter.

Next in line was Han Ji Min, who was painfully convincing as the conflicted and hurting Lee Young Ok. Also, Lee Jung Eun as Jung Eun Hee, the stalwart glue of the community. But to be honest there was barely a weak performance in a large cast. Perhaps Shin Min Ah failed to completely convince me as Min Seon Ah, but she came good in the end.

This is the sixth writer (Noh Hee Kyung) /director (KimKyu Tae) collaboration which started in 2008. They include “Live”, “That Winter, The Wind Blows” and “It’s Okay That’s Love”. The long experience of working together brings a sense of seamless harmony and easy expression to the end result. In a drama of so many parts there can sometimes be an unevenness of tone, but here the actors were helped to bring a consistent feel that unified the whole production.

One of the most challenging things to write is the slow unfolding of emotions for a character. Peeling back the disparate layers to find out what is underneath. To reveal the unexpected, that often surprises us. This writer has done a magnificent job of just that, particularly with the story of the twin sisters which explores deeply complex and conflicting emotions and reveals them beautifully.

The cinematography is simple and what I loved about this show was the relief from artificially beautified faces. People were shown in their ordinariness with limited makeup and occasionally, deliberately unflattering lighting. In terms of camerawork, it was Jeju Island itself that became the star of the show with all its natural beauty on display.

The music was a weak point for me, with too much use of hotel-lobby style background music that failed to do justice to the emotional depth of the action. Thankfully, there were times when silence carried the pathos and did justice to the acting.

This drama comes highly recommended.

What my rating means: 8+ A great drama with interesting content and good writing, direction, acting, OST, cinematography. But didn’t quite have the requisite sparkle to bump it into my all-time fave list. Worth watching.