31
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The Butterfly
This review may contain spoilers
"The truth depends on who tells it best"
Copycat Killer was a copycat of numerous serial killer stories, set apart only by its relentless and gratuitous images of young women been tortured and murdered. Told in a time before social media, it tried to paint television news as bringing as much chaos to society as the brutal murders of imperfect victims.
The drama utilized character types we’ve seen before. Chris Wu played the brilliant and moral prosecutor with a tragic past who is a thorn in everyone’s side for not tolerating any dishonesty and doggedly devoting his life to solving crimes. I found this confusing. Prosecutors in my country use the evidence police bring them to go to court and try the cases, they don’t dig up the evidence themselves. Cammy Chiang was the overly earnest young reporter disillusioned with the news media. The criminally underused Ko Chia Yen was Wu’s ex and a psychologist to help him make sense of the killers’ motivations. Ko is a gifted actress who had few scenes and none of which showed her range. Ruby Lin’s news anchor and producer had potential but the writing let her down as well. The villains ranged from mildly complex to laughable.
Copycat’s writing was uneven and the pacing slow. The first three episodes were more confusing than world building. Story lines that promised follow-ups were dropped. In the initial episode, a killer made the statement, “As long as the evil in your heart is triggered, anyone out there has the capacity to become a killer…Do you think there’s no evil in you?” The writing clumsily tried to push Wu’s prosecutor into that ethical corner. The news media was shown as morally bankrupt, uncaring of how much damage their coverage did to victims and their families as long as the ratings were high. Due to their race to air the most graphic or emotionally volatile content they became complicit in the killers’ crimes.
Aside from the writing and pacing issues, the main problem I had with this drama was its depiction of women. It tried to have it both ways-repeatedly show scantily clad women tortured and murdered in a titillating manner and then call out the media and society for blaming the victims. One character that was written for us to empathize with due to his loyalty and connection to main characters simply emphasized how unimportant young women’s lives were. The noble citizenry vilified the imperfect young women as being unworthy of justice and finding their killers a waste of tax payer money. The old myth of only the perfect victim, the chaste and obedient woman from a good family, being worthy of our sympathy or help was trotted out again and again. Perhaps Copycat was highlighting how victims and their families are often victimized as much by “righteous” people as the criminals who committed the heinous crimes but the lingering shots on chained women or extended scenes of gratuitously murdered women muddied those waters. The drama also briefly addressed the troubling old belief that the family of a perpetrator was as guilty as the criminal and not worthy of a happy life even if they had nothing to do with their relative’s actions.
Copycat Killer was a disturbing drama, not because it dealt with serial killers or had gory scenes, which it did, but because in trying to show society’s misogynistic and limited views of women they simply reinforced violence against women as a means of entertainment.
11/17/23
The drama utilized character types we’ve seen before. Chris Wu played the brilliant and moral prosecutor with a tragic past who is a thorn in everyone’s side for not tolerating any dishonesty and doggedly devoting his life to solving crimes. I found this confusing. Prosecutors in my country use the evidence police bring them to go to court and try the cases, they don’t dig up the evidence themselves. Cammy Chiang was the overly earnest young reporter disillusioned with the news media. The criminally underused Ko Chia Yen was Wu’s ex and a psychologist to help him make sense of the killers’ motivations. Ko is a gifted actress who had few scenes and none of which showed her range. Ruby Lin’s news anchor and producer had potential but the writing let her down as well. The villains ranged from mildly complex to laughable.
Copycat’s writing was uneven and the pacing slow. The first three episodes were more confusing than world building. Story lines that promised follow-ups were dropped. In the initial episode, a killer made the statement, “As long as the evil in your heart is triggered, anyone out there has the capacity to become a killer…Do you think there’s no evil in you?” The writing clumsily tried to push Wu’s prosecutor into that ethical corner. The news media was shown as morally bankrupt, uncaring of how much damage their coverage did to victims and their families as long as the ratings were high. Due to their race to air the most graphic or emotionally volatile content they became complicit in the killers’ crimes.
Aside from the writing and pacing issues, the main problem I had with this drama was its depiction of women. It tried to have it both ways-repeatedly show scantily clad women tortured and murdered in a titillating manner and then call out the media and society for blaming the victims. One character that was written for us to empathize with due to his loyalty and connection to main characters simply emphasized how unimportant young women’s lives were. The noble citizenry vilified the imperfect young women as being unworthy of justice and finding their killers a waste of tax payer money. The old myth of only the perfect victim, the chaste and obedient woman from a good family, being worthy of our sympathy or help was trotted out again and again. Perhaps Copycat was highlighting how victims and their families are often victimized as much by “righteous” people as the criminals who committed the heinous crimes but the lingering shots on chained women or extended scenes of gratuitously murdered women muddied those waters. The drama also briefly addressed the troubling old belief that the family of a perpetrator was as guilty as the criminal and not worthy of a happy life even if they had nothing to do with their relative’s actions.
Copycat Killer was a disturbing drama, not because it dealt with serial killers or had gory scenes, which it did, but because in trying to show society’s misogynistic and limited views of women they simply reinforced violence against women as a means of entertainment.
11/17/23
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