Rewatching some eps while waiting for the new ones. And how cute is little JBZ? He really does resemble HMH, they even added the beauty mark near his eye! So cute!
"Yunhe Data"š¹ and "Dengta"šø are both data analytics platforms, but they serve different purposes and audiences.
Youku (owned by Alibaba) uses Dengta šø internally because it's part of the Alibaba ecosystem and has direct backend access to Youku's data (making it the most accurate for Youku shows). Yunhe š¹ provides cross-platform analysis (Youku, iQIYI, Tencent Video, etc.).
Yunhe š¹ may use Dengta šø data (along with others) as a reference when analyzing Youku content, since Dengta šø has the best access to Youku's internal numbers.
So if Dengtaās šø data is corrupted or bugged š·, Yunhe's š¹š· data for Youku content may also be affected.
In LITC, at the beginning of the first episode, JBZ wins the tournament, and blessed rain saves all the people of his kingdom. This feel like an ester egg. š
Since FOF, I'm all in on HMH's microexpressions, so now, when he's on screen, I donāt know whether to watch his face or read the sub. I'm missing so much content here! š¤£š¤£
I think it was more of a collaborative credit then GJM writing everything. So the source of the āeveryone says…
I posted my information based on whats most coherent and plausible, given the facts currently available, mainly that GJM is both one of the directors and one of the original writers. (on some sites, heās also credited as an executive producer.)
As ow, he created the story, world, characters, and overall concept. As director, he shape what appears on screen. That means he can help decide how scenes are filmed, guide camera work, actor performances, tone, and pacing, suggest changes to the script during filming, influence which characters get more focus, and contribute to the emotional and visual storytelling. Combined it means that GJM can create the story, direct how itās told , influence who gets the spotlight and potentially request changes even to parts written by others.
While his control may be limited (as one of the directors), someone who wears multiple major hats like original writer/ director/(possibly) executive producer, is typically one of the dominant creative forces in a production.
Gjmās status in the industry also matters. Due to his reputation, itās very likely that his creative input carries more weight than most other writers or directors involved. So, itās both logical and fair to believe that Gjm has more power than most others involved in the project, and that his influence likely shaped key creative decisions
Since heās also credited (on some site) as an executive producer, Iāll add that this role often involves overseeing higher-level creative and business decisions, such as final cut approval, casting choices, or marketing direction. And this role, combined with that of writer and director, often means real control.
In comparison a regular director (who is not an ow or pd) typically has less say over the script or story concept. A screenwriter (who is not ow) may help adapt or edit the script, but usually doesnāt have the final say on what gets filmed. While a screenwriter who is also the ow plays a foundational role in shaping the core story, but but they usually do not control how that story is brought to life on screen. Once the script is handed off to the production team, their influence often ends unless they hold additional roles (like director or pd).
In contrast, someone like Guo Jingming, who both originated the story and direct its visual execution, has a much broader and more powerful scope of influence. He doesnāt just write the story, he guides how itās told and how itās seen.
These are the facts I found, the ones I shared, and the ones I leave open for others to judge, interpret, or add nuance to, without inserting too much of my own, aside from pointing out what seems logically and plausibly supported in my first comment. Everyone is free to believe them or not.
I think it was more of a collaborative credit then GJM writing everything. So the source of the āeveryone says…
It's hard to believe that the original vision of a visual adaptation relies only on plot and scene placement, without considering screen time. After all, how long a scene or character appears on screen significantly affects how the story is received by the audience. But, Iām not so presumptuous as to claim I understand whatās in the mind of a director, which is (even if partially) responsible for how the story is visually presented, and that is also (and not only) one of the original writer, who shapes the story.
Also, as part of the creative process, I canāt evaluate the credibility of one creatorās intentions without also considering other equally important and undeniable factors, such as financial interests, personal preferences, and marketing strategies, all of which can contribuite to shape what ultimately appears on screen.
Said that, I donāt like to be targeted. You replied to me 30 minutes after my comment and started a meticulous technical fight over details and interpretation, while ignoring two other comments that were clearly wrong and were there for almost a day.
It felt like you were waiting to challenge anyone who replied to that post, and you started off defensive without even realizing that I didnāt say anything about screen time beyond mentioning that itās part of the role of a director/original writer.
3 came at me, and I responded to all. Interpretations are up to each person.
I think it was more of a collaborative credit then GJM writing everything. So the source of the āeveryone says…
Licensing, censorship, and post-production decisions can change the final product, but only to a certain degree. Censorship can override only specific content, not the overall vision. Licensing and platform requirements can influence but itās more about format and pacing, not rewriting the whole show. And in post-production the director usually still guides this stage.
So even if external forces can override or change parts of the final product, usually is within boundaries. The drama will still reflect the director/writer's original vision.
Gjm is the director and one of the original writers. Because GJM holds both key positions, he wields strong creative control over nearly every aspect of the production, from the storyās heart to how itās shown on screen. He can decide which scenes remain or get cut, determine how much screen time each character receives, rewrite dialogue, alter or remove parts of the script during filming, decide character fates (who lives or dies), shift the narrative focus entirely, and much more.
IF(i just read it) GJM, in a later production, said it was the first time he edited and filmed the material himself, heās likely referring to taking on roles like editor or cinematographer, which are different from being a director. While the director makes creative decisions about how things are edited or filmed, editors and cinematographers handle the technical execution.
If Iām into something, I do my research before I share my opinion.
The power of knowledge!!! Picture back together!!!
I suppose, you didn't see constant comments about Rui's favoritism over HMH and CDL from regular users here )
I kept it the same length as yours.
Considering all your mockery, bias, and jabs from every direction, Iām not sure where the āreasonablenessā of this response was hiding in your previous comment.
No need to read mine (just like I said about the last one), but donāt come at me later.
P.S. If even this is too long for you to read, I really canāt help it.
I suppose, you didn't see constant comments about Rui's favoritism over HMH and CDL from regular users here )
Iām proud of my opinions, not of scaring others with it. You dismissed me with, "If I want to, if I remember to." My messages is long, but if thatās not what scare you, then what does your response mean? Laziness? Rudeness? Or simply a lack of regard for othersā perspectives once youāve expressed your own?
I wrote my message quickly because, as you said, those informations are always the same. Half of my comment was actually based on an older post (that i checked) by another user, but I didnāt want to link it directly since itās quite old and might bother that user. So I just rewrote it in my comment to explain my opinion clearly, even if that made it longer.
When you said it was only unfair for CDL, I assumed you might not be aware of what HMH went through, thatās why I detailed everything.
And no, HMH isnāt the center of the world, just the center of this drama, which is what I was referring to. What about you?
The fact that similar situations happen everywhere is exactly my point. And even considering that, the way GJM treated HMH was worse than usual. I explained this in detail to make it clear.
Itās a shame you feel the need to dismiss others mistreatment just to highlight your own bias, especially when Iāve never denied the hard work others put in.
P.S. Check under original writings names of your link (not screenwriter, Iāll edit my comment). Take a moment to check for yourself what an original writer/director is actually able to do.
P.P.S. From what I know, DY was well-received in the mainland, at least whenever HMHās character was on screen (the rest is just your biased opinion). And Iām not the only one saying HMH created ZYZ. Viewers all over, even non-fans,and even GJM himself have acknowledged it.
Did you actually read what I wrote? Because I feel like Iām repeating myself a lot here, then you complain about the length.
Hou Minghao's song in Love in the Clouds OST:https://x.com/vwjtp3gxCKYDueS/status/1974693196291883409/video/2Below…
How beautiful is the way he sings the ends of those lines, he holds the notes so well. I canāt wait to hear the full version in an emotional drama scene.
Thank you for all the translations and updates!š§”
Donāt forget how childish and immature they can be too. I canāt with childish squeaky voiced female leads…
Also, FL doesn't have a preferential path just because of her role as godness. She earns everything, through perseverance, calm, and resilience,. Itās a realistic and refreshing touch in a c-drama.
1
Youku (owned by Alibaba) uses Dengta šø internally because it's part of the Alibaba ecosystem and has direct backend access to Youku's data (making it the most accurate for Youku shows).
Yunhe š¹ provides cross-platform analysis (Youku, iQIYI, Tencent Video, etc.).
Yunhe š¹ may use Dengta šø data (along with others) as a reference when analyzing Youku content, since Dengta šø has the best access to Youku's internal numbers.
So if Dengtaās šø data is corrupted or bugged š·, Yunhe's š¹š· data for Youku content may also be affected.
And you are welcome Ladycrow! š§”
As ow, he created the story, world, characters, and overall concept.
As director, he shape what appears on screen. That means he can help decide how scenes are filmed, guide camera work, actor performances, tone, and pacing, suggest changes to the script during filming, influence which characters get more focus, and contribute to the emotional and visual storytelling.
Combined it means that GJM can create the story, direct how itās told , influence who gets the spotlight and potentially request changes even to parts written by others.
While his control may be limited (as one of the directors), someone who wears multiple major hats like original writer/ director/(possibly) executive producer, is typically one of the dominant creative forces in a production.
Gjmās status in the industry also matters. Due to his reputation, itās very likely that his creative input carries more weight than most other writers or directors involved.
So, itās both logical and fair to believe that Gjm has more power than most others involved in the project, and that his influence likely shaped key creative decisions
Since heās also credited (on some site) as an executive producer, Iāll add that this role often involves overseeing higher-level creative and business decisions, such as final cut approval, casting choices, or marketing direction. And this role, combined with that of writer and director, often means real control.
In comparison a regular director (who is not an ow or pd) typically has less say over the script or story concept. A screenwriter (who is not ow) may help adapt or edit the script, but usually doesnāt have the final say on what gets filmed. While a screenwriter who is also the ow plays a foundational role in shaping the core story, but but they usually do not control how that story is brought to life on screen. Once the script is handed off to the production team, their influence often ends unless they hold additional roles (like director or pd).
In contrast, someone like Guo Jingming, who both originated the story and direct its visual execution, has a much broader and more powerful scope of influence. He doesnāt just write the story, he guides how itās told and how itās seen.
These are the facts I found, the ones I shared, and the ones I leave open for others to judge, interpret, or add nuance to, without inserting too much of my own, aside from pointing out what seems logically and plausibly supported in my first comment. Everyone is free to believe them or not.
I consider myself done here.
But, Iām not so presumptuous as to claim I understand whatās in the mind of a director, which is (even if partially) responsible for how the story is visually presented, and that is also (and not only) one of the original writer, who shapes the story.
Also, as part of the creative process, I canāt evaluate the credibility of one creatorās intentions without also considering other equally important and undeniable factors, such as financial interests, personal preferences, and marketing strategies, all of which can contribuite to shape what ultimately appears on screen.
Said that, I donāt like to be targeted. You replied to me 30 minutes after my comment and started a meticulous technical fight over details and interpretation, while ignoring two other comments that were clearly wrong and were there for almost a day.
It felt like you were waiting to challenge anyone who replied to that post, and you started off defensive without even realizing that I didnāt say anything about screen time beyond mentioning that itās part of the role of a director/original writer.
3 came at me, and I responded to all. Interpretations are up to each person.
I'm done here.
I gave you advice in my previous comment, the one you didnāt want to read.
I canāt do more for you, nor do I honestly care to or want to.
Youāre creating your own story here.
Censorship can override only specific content, not the overall vision.
Licensing and platform requirements can influence but itās more about format and pacing, not rewriting the whole show.
And in post-production the director usually still guides this stage.
So even if external forces can override or change parts of the final product, usually is within boundaries.
The drama will still reflect the director/writer's original vision.
https://wiki.d-addicts.com/index.php?title=Fangs_of_Fortune
Gjm is the director and one of the original writers.
Because GJM holds both key positions, he wields strong creative control over nearly every aspect of the production, from the storyās heart to how itās shown on screen. He can decide which scenes remain or get cut, determine how much screen time each character receives, rewrite dialogue, alter or remove parts of the script during filming, decide character fates (who lives or dies), shift the narrative focus entirely, and much more.
IF(i just read it) GJM, in a later production, said it was the first time he edited and filmed the material himself, heās likely referring to taking on roles like editor or cinematographer, which are different from being a director. While the director makes creative decisions about how things are edited or filmed, editors and cinematographers handle the technical execution.
If Iām into something, I do my research before I share my opinion.
The power of knowledge!!! Picture back together!!!
Considering all your mockery, bias, and jabs from every direction, Iām not sure where the āreasonablenessā of this response was hiding in your previous comment.
No need to read mine (just like I said about the last one), but donāt come at me later.
P.S. If even this is too long for you to read, I really canāt help it.
I wrote my message quickly because, as you said, those informations are always the same. Half of my comment was actually based on an older post (that i checked) by another user, but I didnāt want to link it directly since itās quite old and might bother that user. So I just rewrote it in my comment to explain my opinion clearly, even if that made it longer.
When you said it was only unfair for CDL, I assumed you might not be aware of what HMH went through, thatās why I detailed everything.
And no, HMH isnāt the center of the world, just the center of this drama, which is what I was referring to. What about you?
The fact that similar situations happen everywhere is exactly my point. And even considering that, the way GJM treated HMH was worse than usual. I explained this in detail to make it clear.
Itās a shame you feel the need to dismiss others mistreatment just to highlight your own bias, especially when Iāve never denied the hard work others put in.
P.S. Check under original writings names of your link (not screenwriter, Iāll edit my comment). Take a moment to check for yourself what an original writer/director is actually able to do.
P.P.S. From what I know, DY was well-received in the mainland, at least whenever HMHās character was on screen (the rest is just your biased opinion).
And Iām not the only one saying HMH created ZYZ. Viewers all over, even non-fans,and even GJM himself have acknowledged it.
Did you actually read what I wrote? Because I feel like Iām repeating myself a lot here, then you complain about the length.
Thank you for all the translations and updates!š§”