Zogitt
Australia
Indiana Jones has a love child with Laura Croft in the 5th dimension
By rights this show should be a hit because the leads are superb actors and who doesn’t like an adventure romp.
They have oodles of charisma, and their chemistry will keep a house warm in the dead of winter. There is a catch though. The world building in the first half of the show is problematic.
It leads us into a fantastic parallel world, but it also left us with more questions than answers. On the surface, the parallel world is unique and interesting, but it is like the shifting sand our leads travel through. It is an unstable base to build a civilisation if you don’t create some solid foundations. There are plot holes and inconsistencies galore. It was okay in small doses but as the plot deepens, it begs more questions. The show ploughs on regardless. It is not until ep.20 when we finally get a long winded exposition on how the world came about but even then, it was more a history lesson than any practical information.
Here lies the fundamental problem with this show. To sustain the fantastic setting the writer used every trick in the book. It is closer to a xianxia drama with cars than a contemporary adventure a la Tomb Raiders. This means all kinds of magical macguffins and invented lore are used to sustain the narrative.
This is a double-edged sword. It allows access to all kinds of wondrous situations, but you can tie yourself in knots if you don't have a deft hand. The protagonist needs a flying horse to get out of a tight spot? There is one grazing right there! The antagonist needs an evil doppelganger? There's one in the bag. Sometimes it can feels like cheating.
It is no surprise that the plot gets more and more convoluted as the show progressed. Is it class struggle, power play, love triangle or historical feud? It is raining revelations, expositions and flashbacks in the second half. Some are true, others are red herrings and false memories. We don't have a clear picture until the last few episodes.
End do cometh to us all. As ending goes, it is serviceable, but it feels flat. The resolution doesn’t make a lot of concrete sense. Yes, one side won but how this can leads to eternal peace is more than a bit vague. It is too facile. We are then told the whole show is just a richly embellished fable even though the characters are driving modern cars and using cellphones. Also hinting that the HEA ending is just our wishful thinking. Nice. Did the writer just gave up?
Nevertheless, kudos to the production team and ensemble actors for their dedication as shooting on location must have been a real challenge. The desert landscape is harsh but starkly beautiful. Who needs CGI when nature provide something that eclipse our imaginations.
In the end, it is a rollicking escapist romp. It is action packed, cheesy, tense and swoon worthy but it also has a lot of world building issues and plot holes. I would have stayed for the leads alone but it does test my patience at times. You really need to switch off your frontal lobe to truly enjoy this show. Beers and pizzas help too. Peace out.
They have oodles of charisma, and their chemistry will keep a house warm in the dead of winter. There is a catch though. The world building in the first half of the show is problematic.
It leads us into a fantastic parallel world, but it also left us with more questions than answers. On the surface, the parallel world is unique and interesting, but it is like the shifting sand our leads travel through. It is an unstable base to build a civilisation if you don’t create some solid foundations. There are plot holes and inconsistencies galore. It was okay in small doses but as the plot deepens, it begs more questions. The show ploughs on regardless. It is not until ep.20 when we finally get a long winded exposition on how the world came about but even then, it was more a history lesson than any practical information.
Here lies the fundamental problem with this show. To sustain the fantastic setting the writer used every trick in the book. It is closer to a xianxia drama with cars than a contemporary adventure a la Tomb Raiders. This means all kinds of magical macguffins and invented lore are used to sustain the narrative.
This is a double-edged sword. It allows access to all kinds of wondrous situations, but you can tie yourself in knots if you don't have a deft hand. The protagonist needs a flying horse to get out of a tight spot? There is one grazing right there! The antagonist needs an evil doppelganger? There's one in the bag. Sometimes it can feels like cheating.
It is no surprise that the plot gets more and more convoluted as the show progressed. Is it class struggle, power play, love triangle or historical feud? It is raining revelations, expositions and flashbacks in the second half. Some are true, others are red herrings and false memories. We don't have a clear picture until the last few episodes.
End do cometh to us all. As ending goes, it is serviceable, but it feels flat. The resolution doesn’t make a lot of concrete sense. Yes, one side won but how this can leads to eternal peace is more than a bit vague. It is too facile. We are then told the whole show is just a richly embellished fable even though the characters are driving modern cars and using cellphones. Also hinting that the HEA ending is just our wishful thinking. Nice. Did the writer just gave up?
Nevertheless, kudos to the production team and ensemble actors for their dedication as shooting on location must have been a real challenge. The desert landscape is harsh but starkly beautiful. Who needs CGI when nature provide something that eclipse our imaginations.
In the end, it is a rollicking escapist romp. It is action packed, cheesy, tense and swoon worthy but it also has a lot of world building issues and plot holes. I would have stayed for the leads alone but it does test my patience at times. You really need to switch off your frontal lobe to truly enjoy this show. Beers and pizzas help too. Peace out.
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