Greed is bad/Saving lives is GOOD
On the surface, this show ticked all the boxes, and it is a definite must-watch of 2025. I'm not a medico so I'm not going to say that the show is realistic, or some procedure is wrong. I see it purely as entertainment. However, it is oddly disquieting for me in parts. Please allow me to explain.The medical emergency genre is hardly new. There are many fine examples, both from Korea as well as western productions. What usually set them apart is the impactful stories, nail-biting suspense of a life in balance and the human drama which unfolds as the team work to deny Charon his coin. The medics and patients alike are flawed but intriguing.
This drama has these qualities in spades. The ML is handsome and charismatic. He is caustic, masterful, dedicated and will not suffer fools. He gathered a young team around him as he fights to save lives in a hostile environment. Growth in the team is a must. We are hooked from the start.
This is where I find the script testing my patience from time to time. When it is focused on the Trauma Centre and its band of misfits, it is wonderful. It is often an exhilarating white-knuckle ride. Kudos to the production team.
On the other hand, pointless side plots centred around the Chief and the hospital Director leaves me cold. They have antagonist written on their foreheads. Their sole purpose is to look pompous and throw the ML under a bus. It is petty vendetta, pure and simple. I can accept it if it was a significant historical grievance, but it is not. For the Chief and his lackeys, it is simply because the ML is seen as an upstart who is not part of the Club and refused to kowtow to the establishment. The Director is worse, it is all about money and making a profit. It paints the Korean hospital system in a poor light.
OMG, they are so tropey! The whole office politics based on seniority and connection is beyond old school, but we are talking about the doctor's creed. They literally shout to the world that they are out to get the ML. Maybe it belies its Navel visual novel root. It is effective but hardly subtle. It is low hanging fruit for the writer-nim but it takes the shine off the awesome storytelling. Such simplistic handling of strategic plot developments is jarring when the next scene could be a do-or-die struggle between the ML's skill and tiny movements of a dagger’s edge.
To be fair, it is not all bad news on that front. We do get the odd redemption but it can still feel clumsy. It is more like karma slapping the antagonist in the face, hard, then pulls his pants down while laughing. Sure, it works, but I don't feel there is a mutual understanding. More like a death bed conversion.
Hence, if I were to rate the show purely on the acting, production values, OST and the A-plot then it is a 10/10. However, I must deduct 1 point for the oh-so predictable antagonist and their shallow mechanisation. It is still a top pick but I'm thankful that I can FF the aggravating bits.
P.S. I read reports that this series is designed to have a S2 and 3. Netflix, don't fail us now!
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It’s not ok to be just ok
I'm just going to say it up front. Dear Hyeri is not good. Watchable but it could be so much better. It starts well but the middle was muddled, and the ending was sweet but uninspired. It is not quite bait and switch but at times, it comes close.Let's take a step back. Mental health as the main focus of a k-dramas is rare. There are several good examples but it is mostly used as a plot device to provide the pro/antagonist with an excuse.
In this case, our FL's Dissociative Identity Disorder (DID) was front and centre and forms a very compelling narrative. It allows Shin Hye-sun to showcase her acting abilities. While the first few episodes were, to be honest, confusing and counterintuitive, it is engaging and draws us into a troubled and fascinating world.
The odd thing is that once the FL addresses her condition, the show begins to falter. In part, this is due to the focus shifting from the FL towards the 2 male leads. Don’t get me wrong. Both actors are handsome, and the older ML has the acting credential. The problem lies with the script. Both characters are flawed, especially the 1ML. He dated the FL for 8 years and then dumped her 4 years ago. The excuse was vague and unsubstantiated. He loves the FL and yet hurt her deeply and is a key reason why she developed DID. He is totally clueless about her feelings. It makes him looks like a self centred tool.
In the mean time, the 2ML fells in love with the split personality of the FL. That is all well and good but how he behaves after the FL came out with the DID diagnosis is harder to accept. Both ML’s have their redemption arc but it felt contrived and self serving.
In fact, the script completely changed its tone at around the 2/3 mark. Effectively, we have the first 1/3 being very focused on the mental state of the FL. The second 1/3 has some kind of self-discovery plus flash backs to the start of several key events which path the way to the here and now. The last 1/3 seems to belong to a different show. Eh?
Yes, the revelations and expositions along the way did clear up some of the misunderstanding, but it also highlights how bad the 1ML was. Yet, as soon as they are back together (literally within 1 scene), everything was forgiven and forgotten which I find jarring. They behave like teenagers in love from then on. The show inserted more flashbacks to their happier times and it only reinforced how much the FL loves the ML and how heartless/clueless he was.
Even now, I don’t fully understand his rationale for the break-up. We are told that he doesn’t want to hurt the FL and decides to carry the burden all by himself. Is he talking about his found family? That is BS because the dysfunctional family we were shown doesn’t match up with the present day one. Since the breakup, the horrible grannies become loveable eccentrics. In fact, the FL handled them with ease and they welcomed her into their fold with nary a complain. So, what is this burden the ML is talking about? He also said that he will never marry but he proposed. What gives? This is a gap of 4 years, not 40.
If you watch the last 2 eps separately, it is a very sweet and swoon-y rom-com but when you combine it with the rest, it becomes a confusing mess. This series has potential to be original and groundbreaking but took the easy path in the end.
I suppose the writer-nim wanted to end the show with a conventional HEA ending, but it made the earlier plot largely superfluous. Thought provoking ideas about mental health, love and lost are pushed aside by the stampede of unicorns or reduced to greeting card trite in the end.
It would have been a brave choice to allow the DID plot to run its course. The ending might be unpredictable but I'd take that over the pedestrian and overly sweet one we got. The only other show in recent memory that has a similar course change was Love in Contract with PMY. In that series, the change saved the show. I’m not so sure this time around.
Finally, while the production value is good and the OST decent, the support cast is an odd mix. There are many good-looking actors involved but most of their roles are either shallow, weird and/or unlikeable. I honestly think that one or two of them needs psychiatric help more than the FL. Peace.
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The show was carried by the leads but the weak plots and problematic script is hard to ignore
This is a sports-centric rom-com. The chemistry of the leads helped to push this Show past the finish line but only just.I can understand a lot of sports have been used as subject matter in c-dramas so finding something novel is a challenge. So air pistol shooting is about as exotic as it gets. On the surface, the Show did a reasonable job in making the sport engaging and the people involved as well. There is still a big gap to fill and a lot of that responsibility fell on the leads and they did the best they can. They are a good looking couple and they are sweet, loving and devoted to each other. My concern here is that the FL has been in several shows playing similar roles. I do worry about over exposure and typecasting.
It would be good if the 2OTP can pull their own weight but the script had them pushing and pulling in every direction for the longest time. The 3OTP was set up to fail. It was a counterpoint to the sweetness of the OTP but it was done in such a low key and passionless way that you have to wonder why the Show bothered.
Sadly, 40 episodes based on this sport and the CP's chemistry was a bridge too far for the writer, a 30 episodes run would have been more realistic and yield a tighter drama. To draw out the episode count and kept our "interest", the writer resorted to a lot of old tropes and angsty unproductive sub-plots.
Scripting issues are most evident when we were drip fed pieces of information on a key historical event, I assume the plan is for the writer to give us the grand reveal at the time of his choosing. The viewers are supposed to be intrigued and hungry for more but honestly, the plot was fairly thin so once a few pieces fell into place, there is not a lot left to the imagination. It became awkward when the viewers worked out the secret before the protagonists and we are left tapping our fingers waiting for the show to catch up! It was less of a mystery and more like a marathon.
There is the usual ensemble casts of competing teams and coaches and most were hired straight from central casting. Bulk of the angsts were generated by the win-at-all-cost attitude of the competitors. This meant dirty tricks and outright cheating. I hope Chinese sports are not like that in real life. This plot was even used in an international competition. Is that necessary? It paints a fairly grim picture of the sport. The other antagonist was the older male predator type. It was old school before the turn of the century. The way the show handled this cliché storyline was poor and feed into the misguided trope that speaking out will extract a higher price on the victim. This is a tired and questionable message for this day and age. Needless to say, good triumphs in the end but the resolution was long time coming and felt weak and contrived. After suffering through many episodes of their hapless scheming and loathsome acts, it came down to a few sentences of denouncement and "official" sanctions.
The potential is there for the show to hit a 10.9 but the weak plots and problematic script dragged it down. It was a one time watch. Peace out.
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Easy to watch rom-com that is big on COM but not always hit the mark
The show had an interesting concept. Instead of the usual computer game competition and using the game as a back drop for a modern day story. The show started in the present but moved pretty much the entire show into a fictional historical game world. The FL was tasked to rescue the ML from that virtual world as he was trapped there but he didn't realise that his whole world was inside a computer.There were some clever use of the fact that the FL was fully aware that she was inside a game so it was very much fourth wall breaking and self aware. Some scenes were quite funny and clever with translation of modern idiom or technologies into the ancient "game" world. Unfortunately, there was a lack of consistency. Sometimes the jokes came in thick and fast but then it might have a complete shift in tone and became a standard melodramatic historical drama. It then flip and became self aware again. Scenes were included that didn't make much sense plot wise and there were definitely plot holes and head scratching moments.
I would have prefer to see the FL use her modern knowledge to solve problems and truly influence that world rather than mostly just go with the flow as another character. On the plus side, she was given a +10 martial arts skill bonus which led to some funny set pieces. Speaking of the FL, there was a lot of overacting. I don't know why but she sometimes looked great in period costumes but in other times, she looked mousy. Once in awhile she also did this silly penguin walk which I find jarring. Was she told to do that by the director?
The ML was fine, standard stoic male lead type. Decent skinship and chemistry with the FL. The 2OTP was surprisingly draggy. They almost behaved like the normal OTP which I suppose made sense as the OTP was already a couple so some of that push-pull duty went to the 2OTP. The 3OTP was quite awkward especially the role of Jenny Zeng's character. Her character arc was poorly written in my opinion, especially the last 1/3 of the show.
The OST was ok. Some catchy tunes. Rewatch value is low. The story telling was a bit messy and the funny scenes will lose most of their impact on a rewatch.
While the show wasn't draggy per se, I think there just wasn't enough material to last 30 episodes. Maybe 20ish episodes will allow a tighter rein on the main plot and cut out some of the more melodramatic elements that did not sit well with the overall feel of the show. A filler between better shows.
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Never give in! Hwaiting!
This is a quality drama, that I can attest. I wish I can say it is a fun watch for me as well. This is both its strength and its weakness.Firstly, this show is all about Lee Jun Ho. He is ably assisted by Kim Min Ha. Their chemistry is nice and sweet. There is no doubt who carried the show though. The ML made it watchable even when the going gets tough. LJH seldom disappoints and he brought his A-game to this party.
Secondly, this drama did a great job portraying the so-called IMF Crisis circa 1997-2001. They did well to replicate the look and feel of the era. The A-plot is strongly focused on the fallout of that economic crisis and its impact on Koreans. It is not all gloom and doom but those are harsh years.
We watch the ML and his team struggle. It is not just your typical daily grind. We are talking about extinction level events. This gets even more complicated when you factor in the antagonist's machinations.
Speaking of the antagonist, the father and son duo are somewhat overblown. You’d think they are criminal masterminds. Not so, at least not going by textbook definitions. The father is a shrewd businessman, and he is willing to play dirty to get what he wants. His son is worse as he is a vain, spoiled brat who has some serious anger and daddy issues. I know it is dog-eat-dog out there, but they are singularly focused on the destruction of Typhoon Trading.
As I mentioned earlier, I don't find it a fun watch. The ML and his team worked their collective butts off. They have small wins, but their joy always turns to dismay before the end credit rolls. It is unrelenting.
Your level of enjoyment will depend on expectations and forbearance. The ML helps the medicine go down, but it is still a bitter pill.
As expected, this test the ensemble cast's mantle. The senior cast did well. There is depth to most characters. Having said that, the 2CP storyline does feel a little tacked on. They are a nice CP, but their romance has very little to do with the A-plot.
This presents me with a conundrum. It is a variation of the form over function argument. While I can appreciate many aspects of this quality production. I would be lying if I say I look forward to each episode with relish. Time and again, I groan inwardly as the same "how low can it go" formula is repeated. Not only is it depressing, but it also makes the progression quite predictable. Thankfully, after several iterations, we finally reached the end game.
I'm not go to spoil the ending. Let’s just say it followed the well worn path. While the last ep is probably the most enjoyable in the series, it also feels a little disassociated from the rest. There is certainly a marked shift in tone.
Reluctantly, I have decided to deduct 1 point from my score. I need to balance the style vs enjoyment equation. This is a thought-provoking show. A show that will stay with me for some time, yet it will not be in my rewatch list. Peace.
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Queen of (fake) smiles meets King of hearts
I have been low-key following Kim Se-jeong since her Uncanny Counters days and then her breakout role in Business Proposal. She has certainly been kept busy with starring roles ever since. To be honest, a couple of them are cash grabs by production companies while others are earnest attempt to recreate the magic of BP. However, none of them have the recipe for the special sauce.This one started promisingly. KSJ was given a strong role and she literally came out fighting (hwaiting!). Our OTP ticked all the boxes but it is a weird chemistry. It is like watching a commercial for Chinese herbal medicine. You know the one where they have the voice-over to tell you that this concoction will reduce your inner heat? Well, the ML is that personified. It is very nice to have a boyfriend that truly gets you but it is something else if all you do is cry together or meditate to gain inner peace. What about unbridled lust?! OBTW, there is a bit of skinship but other than a couple of nice kisses, it is all rated PG.
The 2CP is cute and they try to shoulder some of the load. They do occasionally steal the scene but they need more heat as well. There are glimmers of hope but in the end, they are just mirages.
Once you put that in perspective, the rest of the show is just your typical backstabbing business shenanigans and standard village mischief. Bumbling village head meets loud and nosy ajummas. All done with workman like efficiency but nothing too angsty to disturb your karma.
The ending is sugar overload. Oprah Winfrey would be proud. My teeth are aching just thinking about it. And that, chingu, is the fundamental problem with this show. You are not sure if you have watched a drama or attended a wellness retreat.
I did enjoy the show but I probably won't remember it in weeks to come. That is a shame as the cast did their best and the plot is decent. Good enough to be above average but that's a mighty crowded place.
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What's sex? Love is all you need
I had high hopes for this drama. Ok, it is a slow burn in the first half while all the characters are introduced, and we find out how their lives are intertwined. The main plot focused on two sexless marriages and the impact on the relationship of our 4 leads.It is not unusual for a Japanese drama to take an awkward situation and drill down and come up with something uniquely insightful. This show has a hint of that while tackling the role of sex, intimacy, communication and trust in a committed relationship.
The show does pick up it's pace in the second half and it was reaching a crescendo towards the end when it seems to hit the brakes and the show feels oddly moribund.
Let us backtrack a bit. The show is largely about two marriages and they are both on the rocks because of, at first glance, the same problem. A lack of intimacy and poor communication that created an icy atmosphere and lots of stilted moments. This is not help by one dimensional characters. Their relationships spiral ever downward in a low grade poisonous and self destructive way. They seem to spend the bulk of the time apologising perfunctorily to each other. Timidity, sullenness, frustration and detachment are the four horsemen of this drama.
The show appears to be postulating two types of marriage breakdowns. Both pass through a awkward sexless phase. However, in one case, the love between them is stone dead while the other is a complex dance of false promises, poor communication and selfishness but the flame of love still flickers under the dung heap. There is a lot of penned up emotions and subsurface angst. They have an almost affair, actual infidelity but also attempts to patch things up but the dice is casted, and we are heading to a seemingly obvious conclusion.
It would be too much to ask for a HEA ending, but the last episode feels flat. After a year apart, the FL crumbles and mended her relationship with her ex-husband with little preamble. The second ML is forced to play the Noble Idiot card and walk away empty handed.
We are not told if she accepts the status quo as the new norm or all her grievances were addressed. It seems to come down to the old Love Conquers All trope.
The show put forward a number of questions but ends up walked away without answering them earnestly. We get hints that resolves have been weakened, expectations realigned. It feels like a bet each way. It is insipid and provides little service to its fans. Do we really need 11 episodes to tell this sorry tale?
In terms of acting, all the leads did fine. OST is nice. I could find no valid reason to rewatch this.
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This show is like a box of chocolates . . diet starts tomorrow
Let's start with the caveats. ;)Firstly, this is a rom-com with a capital R. Comes with a free pair of rose tinted glasses. Secondly, mental health issues covered are just plot devices. No deep diving here. Thirdly, there are lots of triggers due to all the flawed characters and their baggage.
If you are still reading . . good, let's begin.
This rom-com is packed to the rafters with subplots. For starters, there are 4 main tropes running in parallel. Enemy to lover, business shenanigans, a variation of germaphobia plus scopophobia. One is enough to power a regular drama, let alone four!
As expected, our OTP starts off on the wrong foot, but they will become each other's salvation. It is literally given away by the name of the chocolate emporium they work in. In turn, each EP is based on a piece of chocolate in their famed assortment box. They form vignette of stories which come together in the end.
Considering the short runtime, the pacing is fast and furious. It can feel breathless at times. Amazingly, there is order to the chaos. This is largely due to the show having a very clear focus on two things. Chocolates and chocolates. Oops, I mean chocolates and the OTP.
Our leads have phobias which made their lives a daily obstacle course. That is until their fateful meeting. Things got even more complicated, but in a good way.
Their romance is a slow burn, but heartfelt. Surprisingly swoon-y without being sickeningly sweet. They spent so much time bickering only to realise how much they meant to each other.
It was confusing at times. It shouldn't work, but it does. Treat it like an urban fairytale and it starts to make sense. Ask no questions, chingu.
Thankfully, the show is not just about dealing with mental health issues. They also go on road trips to beautiful sites, (those apricot blossoms and lavender fields!) and drop by instafamous destinations. They are unabashed Visit Japan 2025 promos. The show weaved them cleverly into the plot so I won't complain. It beats seeing a pile of brand X juices in the fridge.
This show is not for everyone. The A-plot is fantastical. It is also very sentimental. The adage "You reap what you sow" is at its core. Many of the subplots are there just to reinforce this point.
The acting from the ensemble cast is good. Very Japanese. The ML is handsome and stoic. The FL has the more challenging role. She did a bang up job. I also love how the FL mumbles the odd choice Korean word when he annoys her. Kawaī. BTW, I can't believe she is 38 years old. In many scenes, she can pass for much younger.
There is good chemistry between our leads and skinship that doesn't look fake. But wait! There is more! We have a 2CP which is well written and has depth. I can ship them, no problem. Hwaiting!
For me, this is a lovely little romp and you should judge it as such. It moves so fast that you just hang on for the ride. Disengage your frontal lobe and double the pleasure! Perfect length for a weekend binge. It has a place on my rewatch list. Peace.
P.S. Don't miss the cameos from two top stars at the very end of the drama.
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Messy, inconsistent drama that was exhausting to watch
Firstly, I dropped this show after 20 episodes and this is my impressions up to that point. I might be swimming against the tide but this is my honest opinion.Secondly, I wanted this show to succeed. I was enticed by the synopsis and the idea of a more realistic FL in a sea of pretty clones.
To be fair, the first few episodes do deliver. It was zany and breaks the mould of a typical historical drama. The FL is certainly full of vivacity and largely worked without a filter which is good. However, as a whole, it is poorly written and executed. Some of the acting is patchy and the Show suffers from an identity crisis.
I know this is harsh but I exhausted myself trying to like it and this is why;
1) It doesn’t really have a plot up to this point. The ML doesn't want to be a puppet king and the FL wants to be accepted and loved. That’s nice but the story telling is messy and contrived. This is back-of-a-napkin writing with time wasting fillers.
2) The FL didn’t become a better/proper Queen but more or less browbeat the court into submission. I don’t mind that the FL is unconventional, I welcome it but her plot is just a series of cliché trials or watch her steamroll through everything else. I was looking forward to her growth in statue and abilities so that she can be the rightful Queen. So far, she is turning the palace into her whacky playground (square dancing anyone?). It's fun for a bit but where's the growth after 20 hours? Similarly, the ML has shown little aptitude of being a good king. He could have been a typical scion from any costume drama. He has the visual but not the gravitas unless you count being stony faced.
3) Very few of the secondary characters behave consistently. You have to question their personality or even their IQ.
4) Mel Brooks once said, “Tragedy is when I cut my finger. Comedy is when you fall into a sewer and die.” That resonated with me as I wrote this. Most of the Show’s humour is bold and loud but there is little witticism nor nuances. To be fair, the FL has good comedic timing and an expressive face, so she did a lot of the heavy lifting. This also means that we expect something "funny" every time she is on screen. That’s a lot to ask of one character to sustain for 36 episodes. Most of the support casts are just cannon fodder during slapstick routines.
5) The OTP will fall in love and have a HEA ending, the drama gods have spoken. The show created every cliché situation to throw them together. Nevertheless, and it pains me to say this, there is little chemistry between the two. Kiss scene felt flat. There are dream sequences, piggyback race, they behaved like lovesick puppies and on it goes. Unfortunately, just like some of the comedy, it doesn’t always stick the landing.
6) I know the Show is not historically accurate, but it is an awkward mash-up. There is little chance of immersion due to constant hints of modernity. The costumes are a hotchpotch of styles/epochs and some have distinctly Japanese feel. The palace protocol goes from overbearing to non-existent. Want the royal couple to have a cat fight in the middle of the palace, sure, why not! Ditto the tone of the show swings from moment to moment. It spans genres with no firm grasp of any of them.
The sad thing is that the potentials are there. The production quality is generally good, the sets are lush, costumes are rich. No doubt the FL was giving us her all. But . . .
In the end, quirky is good, funny is good, support diversity is very good, but good components still need a decent script and good directions to tie them together. We need plots that are meaningful and characters you’d care for and want to ship. Alas, this show is like trying to herd sheep with a cat.
I don’t hate the show. I just feel exhausted from trying too hard to like it. I am dropping this for now so that I can clear my head. Peace out.
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Spiderman will have a hard time with this tangled web
Like some other high profile k-dramas of late, I'm in two minds about this show. On the one hand, it totally nailed the romance. It was a slow burn in the beginning but when they jumpstart their relationship it is a sizzler! It hits you in the feels from all directions.I think they hit the jackpot when they selected the leads for this drama. They really acted their hearts out. Bravo! Their chemistry will keep you warm in the depth of winter. I won't spoil the story because it has a nice twist early on but it has its flaws.
I know you are expecting this as I mentioned my reservations about high profile k-dramas. Namely the A-plot is very manipulative. It is like a piece of art that has been crafted specifically to be seen from a certain angle. If you look from the side then the illusion is broken.
To wit, the show has the ML protecting the FL by taking her away from her dysfunctional family but then spent 3 years treating her like a pariah. I accept his eventual explanation but Korean writers have problems with timescale. When 1 month will do, they'd go for 1 year. In this case we went for a grandslam. Why 3 whole years? Most prison sentences are shorter than that! 3 months is more reasonable. Why labour the point.
When you are dealing with years, other factors comes into play like resentment, despondency and resignation. So he took the FL from an abusive and unloving home and put her into a cold and unloving home for over 1000 days. Yay...?
You can sense the writer-nim micromanaging the plot to be as impactful as possible. Ditto the timing and backstory of the antagonist. Hey, don't looking too closely. This is ART, dammit!
The writer-nim then hit us with the angst bomb. No trope was spared. The mess those families are in will keep a team of therapists employed for years. I know it is part of the overarching plot but it can be overwhelming when twist begot more twists. Secrets are like nesting dolls. You just become numb.
The worse part is after all the pain and suffering, the ML repeated the same mistake. He disappeared for 6 months to punish himself while disregarding the FL's feelings. Of course, she finds herself in a dark, dark place and being tormented continually. Her life effectively grinds to a halt. Is he selfish or clueless? Neither label puts him in a good light.
The heart fluttering scenes after their reunion are major highlights but it is like being given a candy after having to drink a bitter draft.
BTW, I find the made up Argen plot poorly done. It is awkward and unnecessary. I can also see a storm brewing over the fictitious war where 2 thinly disguised middle eastern countries took some Koreans hostage. What is the point of that? It was on screen for 20 seconds but it will haunt them for a long time.
I have no doubt this series will be a huge hit and for good reasons. However, I'm not 100% onboard. There are lots to like but there are also bits that left me cold. On balance, I enjoyed the show and I would have no problem watching a highlight reel of the OTP's romance. That is definitely the glue that held the show together. I would have scored this higher if it is more focused on that. As it stands, it is a potboiler in needs of a script doctor's deft ministration. Peace.
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I like it. I like it less. I like it again
I'm in two minds about this drama. On the one hand, our leads' love line is swoon worthy, but the rest is patchy.To put it simply, the main plot comes down to a people's revolution to overthrow a drug crazed tyrant. The usual antagonist minister is straight out of central casting.
Even the whole soul swapping plot feels half-baked. It starts well and pulls us in. There are dramatic scenes early on, but it soon settles down to long stretches of swapped souls. It becomes a convenient way for the ML to see how the common people live (I mean suffer) and note down their grievances. While the FL is largely marking time while camping in the ML's body.
If I'm honest, this series would have been better if it is only 12 eps long. 16 eps just means the tropey game of throne plot is stretched to its limits. It definitely lacks oomph.
Not all is lost, the romance between our leads is swoon-y and they have decent chemistry. The skinship quota didn't ramp up until the last few eps. There are a couple of other proto pairings. They are more like footnotes.
I must admit the ending is well done. It didn't end abruptly but allows the story to come to its logical conclusion.
I do find one aspect to be a little heavy handed. They bring in the OG Love God aka Old Man on the Moon (big cameo by Kim Jae Uck) to explain the soul swapping and their entanglement. Fate writ large, chingu. There is even an epilogue just to prove their lives are forever intertwined. We get it! LoL
I won't lie; our leads do look good in the present. I can watch a movie based on that scene. I'm working on the script right now. Call me . . ;)
Ultimately, this is a castle built on shifting sands. Acting is good, the romance is sweet if a slow burn and the production is solid with a big ensemble. Alas, the script is the ever shifting sands. Peace.
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It is all about the feels
Ok, Bossam has been out for 4 years, so I don't see much point in doing a in-depth review. I'll just put a few thoughts down and then my final recommendation.Right off the bat, this show is all about the characters, their interactions and growth, especially our leads. They go through the usual enemy to lover trope. They were sorely tested before their love blossoms. They are good people placed in bad situations. They have to adapt to survive. In the process, they saw through each other's disguises and fall in love.
Considering the setting, it should come as no surprise that palace intrigue is the theme du jour. On the whole, it is tropey and doesn't put forward many fresh ideas. Good actors help to elevated this above clichés.
However, there is a lot of it and by the 3/4 mark, everyone and everything is set on their path. Who's who and their schemes are largely set in stone. There is one big twist near the end which I won't spoil. I do find it heavy going towards the end though.
Speaking of which, this show is 20 eps long. While I was fully engaged most of the time, it was draggy around the 2/3 mark when everyone is dancing the political 2 steps. The show picked up the pace soon after and we hang on for the grim ride.
In the end, this is a solid drama crewed by good actors. It doesn't break any new grounds but it delivers a refined product.
Now the elephant in the room. Does the FL has a No-Kiss clause in her contract? There are several hugs but nay a single kiss. Not even on their wedding night. Their romance is still sweet and swoon-y. Just not particularly spicy.
If a good sageuk drama is your thing and you appreciate a slow burning romance then this drama is for you. Peace.
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That will do Ghost, that will do
A quick confession. Bring It On, Ghost was my first k-drama, sort of. As such, it has a special place in my heart. I was curious when I heard about a Thai remake. So, is this any good?The answer is a little complicated. Overall, it is a solid Thai drama, but it is not necessarily better than its progenitor.
What this show does well is localisation. There is a lot of Thai lore and traditions in the ghost stories. This extends to stories based on modern societal ills. These will be familiar to many and they are impactful and tough to watch.
Another positive is the pairing of our leads. There were some mumblings regarding the original OTP's age gap. They are roughly the same age here. They also have good chemistry and delivered a decent amount of skinship.
This is a key part of the original. The romance between human and ghost is a path well trotted. While most stories in this genre tends to end in angsty tragedies, this managed to turn the ship around and gifted us a plausible HEA ending. I appreciate that.
Now, the not so good bits. The two sidekicks are there purely as comedic relieves. They certainly leaned heavily into slapstick and overacting. They are just loud and clueless most of the time. Why would anyone want to start an exorcism business if all they do is run away screaming at the first sign of a poltergeist. I grew tired of their one-note portrayal quite quickly.
I also have a low bar regarding police abilities in dramas. This one is a confusing mix. While the police officers in charge of the investigation are diligent and earnest, the rest seems to ignore the mountain of dead bodies. They came, they saw, they move on. You'd think it would be a task force level investigation by the end of the show. It is good that the small team delivers but it feels contrived. I'm also baffled why the police are never harmed when others involved are killed off with extreme prejudice.
The SFX in this drama is a mixed bag. There are some good jump scares, and the make-up of the various ghost and bodies are generally good. However, there are some scenes that look amateurish. Is it a case of less is more?
Continuity issues and plot holes also started to creep in, especially towards the end. While I applaud their localisation efforts, they do open themselves up to scripting issues when new contents need to be integrated back into the main plot. Mayhap this Pandora's box doesn't come with packing instructions in Thai. ;)
In the end, I’d say this is a solid Thai supernatural drama rather than an improvement of the original. My score is based on the former. Peace.
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Revenge best served vertically
I'm going to start with a confession. This is my first vertical format mobile-first drama. It is certainly an eye-opener. Very watchable but also a little unsettling. ;)As a regular consumer of "normal" long form dramas, 60-100+ tiny eps is mind boggling. How does it even work? Once you discover one, you will see them everywhere.
Let's focus on this drama for now. It is fast, brash and entertaining. Eps flash by with no intros or outros. Some are no more than 1 scene long. Even longer ones are only 2- or 3-minutes max. It is perfect for the daily commute or when you wait for your decaf soy latte.
A breakneck pace is necessary when the run-time is measured in minutes. It makes the pacing of a regular 40 eps drama feels glacial.
The production value is decidedly patchy though. It can go from decent to laughable. Some backgrounds are blurred. It feels like they were done in post-production. It is probably just as well as the overall budget must be limited. The least we see, the better.
In terms of acting, our leads are the highlight. The key support actors are ok. The rest is a mixed bag. I won't be surprised if they rounded up some members of the local drama club as extras.
The ML has a hint of Xu Kai about him, and he dominates most scenes. The FL acted her heart out and the camera is kind to her. Our OTP have oodles of chemistry and are not shy of skinship. Plenty of passionate kisses and more. The first few eps set the scene.
This pairs well with the vertical format. As it always has a sharp focus on the subject of interest. It is almost voyeuristic. There are few wide shots and no panning ones. Everything is tightly framed. This is their way to maximise the feels. A phone screen is surprisingly well suited for that purpose.
This brings us to the elephant in the room. While the pacing is fast and furious, the script and direction has to run to catch up. There are quite a few WTF moments when the script seemed to have gone rogue. You just have to roll with it. If you like your show tight and logical then you will groan. I share your pain. ;)
The revenge story is decent, but it is as old as time. There are plot holes, inconsistencies and continuity issues. To fully enjoy this drama, you really need to switch off your frontal lobe. Ask no questions, chingu.
In the end, I appreciate the need for this new format. I suppose it is more evolution than revolution. TikTok showed us where such short-form videos fit into our daily routine, the rest is inevitable.
Is it for me? I'm still fence sitting. It is a mix of TikTok, Mills & Boon and manhua. Love, desire, confrontation and revenge will be on high rotation. I won't mind sampling a few more. It is a form of fast food. You will be hungry soon after the last scene fades to black. Peace.
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Anyway, the ML put in a lot of effort while playing this role and kudos to him. The support cast are there to move the plot along and they did it competently. There is a hint of romance but it is not a major plot point.
I'm thankful that being a movie, there is no time for long detours or side plots that are angst trains. It moves along at a good pace and most comedic moments landed, which is never a given. The 3 act play is done and dusted right on cue.
BTW, do look up Tootsie(1982) starring Dustin Hoffman. He is the OG unnie. ;)
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