clown reviewer, should be banned from website. Voting 1 several good and popular dramas. Stick to American crap…
My rating isn’t a personal attack — it’s a critical evaluation. This platform allows different opinions, even when they don’t align with yours. If a drama needs protection from criticism to be considered good, that’s the real problem.
Typhoon Family ends with a happy ending, but the drama never truly worked. It suffered from narrative hamster syndrome: constant suffering, constant chaos, no real progression. The actors did well —especially Kim Ni-ha— but the script wasted them, giving her endless crying scenes with no emotional range.
Final happy, villains jailed, romance consummated… but still bland. A happy ending can’t fix 16 episodes that never connected. 2025 is full of dramas where the actors are better than the show — and Typhoon Family just joined that list.
Thank you for the request! At the moment the series has very little hype, and since I review daily, I need to prioritize shows with stronger audience demand. If the interest grows, I’ll definitely revisit it.
“Last Summer is one of those K-dramas where you keep waiting for something—anything—to happen. Two episodes in and it’s just endless talking, pointless flashbacks, and a childhood-friends-to-lovers dynamic that never lifts off.
It tries to feel nostalgic, but it’s simply slow, flat… and boring. I’m dropping it here.”
Episodes 5–6 feel stuck. The show keeps repeating the same pattern: secrets, new problems, and “master plans” that never truly resolve anything. Ah-jin is still treated as a genius villain, but her actions go in circles. Intrigue remains, but the story isn’t evolving.
What’s old is reviews two episodes in. Maybe watch it through to the end at least before spouting off 🙄
A good script shows its strength from the start. If I have to wait until the end to find ‘the good part,’ it means the series is asking for patience… without giving me any reason
They call Madam de Mystery a masterpiece. But if this is a gem, then Ed Wood directed a Korean thriller. A plot full of contradictions, zero logic, and crimes magically recorded in 4K. It’s not mystery or action —just a romantic postcard disguised as danger. A series that wanted to shine… but ended up as emotional costume jewelry.
Episode 4. Two scenes are enough to expose the narrative emptiness of Typhoon Family. Snow, soft lighting, and inspirational music try to sell a romance that never existed — there’s no chemistry, no buildup, nothing. Then comes the “deep” scene with a sigh in front of a door, and a so-called “business duel” that looks like a parody of The Godfather. Jun-ho finishes it off with a smile that completely contradicts the power his character was supposed to project. A drama that wants to be a typhoon… but barely stirs the air. If a sigh, a smile, and background music are enough for you, then yes, we’re watching different dramas. 1/10.
The ending of A Hundred Memories feels emotionally confusing. Episode 11 briefly brings back the heart of the series —that broken friendship finally reconciling under the rain— but Episode 12 dives straight into melodrama: murder plots, a coma, a time-skip, and a happy ending. It’s visually beautiful, yes, but it no longer hurts. The story turns from emotion into summary. What began as an observation of feelings ends as a list of events. Still, that final scene by the sea… it hurts for what it once was, not for what it tells.
Episode 3. So much drama, so little feeling. They throw snow, tears, and business failures at us—but none of it lands. It’s emotional theater without a single honest emotion. 1/10. Critica sin filtro.
aaa not my fault 😅 the MyDramaList system also averages the “rewatch value,” and in my case it’s low because it’s not something I’d watch again. That’s why the overall score ends up lower even if story and acting are good.
I did read your review — and it proves my point perfectly. Yours is a fan’s love letter, not a critic’s analysis. Calling a drama with visible plot holes “almost perfect” isn’t critique. It’s devotion.
5 
1 
If my 1★ is ‘crazy’, what does that make its #2084 ranking?
A weak script is a weak script — no amount of fan loyalty will turn it into good writing
This platform allows different opinions, even when they don’t align with yours.
If a drama needs protection from criticism to be considered good, that’s the real problem.
It suffered from narrative hamster syndrome: constant suffering, constant chaos, no real progression.
The actors did well —especially Kim Ni-ha— but the script wasted them, giving her endless crying scenes with no emotional range.
Final happy, villains jailed, romance consummated… but still bland.
A happy ending can’t fix 16 episodes that never connected.
2025 is full of dramas where the actors are better than the show — and Typhoon Family just joined that list.
Two episodes in and it’s just endless talking, pointless flashbacks, and a childhood-friends-to-lovers dynamic that never lifts off.
It tries to feel nostalgic, but it’s simply slow, flat… and boring.
I’m dropping it here.”
But if this is a gem, then Ed Wood directed a Korean thriller.
A plot full of contradictions, zero logic, and crimes magically recorded in 4K.
It’s not mystery or action —just a romantic postcard disguised as danger.
A series that wanted to shine… but ended up as emotional costume jewelry.
Snow, soft lighting, and inspirational music try to sell a romance that never existed — there’s no chemistry, no buildup, nothing.
Then comes the “deep” scene with a sigh in front of a door, and a so-called “business duel” that looks like a parody of The Godfather.
Jun-ho finishes it off with a smile that completely contradicts the power his character was supposed to project. A drama that wants to be a typhoon… but barely stirs the air.
If a sigh, a smile, and background music are enough for you, then yes, we’re watching different dramas. 1/10.
They throw snow, tears, and business failures at us—but none of it lands.
It’s emotional theater without a single honest emotion. 1/10. Critica sin filtro.
Thanks for confirming I was right from the beginning
Yours is a fan’s love letter, not a critic’s analysis.
Calling a drama with visible plot holes “almost perfect” isn’t critique. It’s devotion.