I really enjoyed this drama. 30-episode is just perfect for me. The pacing was great. I like Xin YunLai (He's giving same Aura like Zhang WanYi) and his chemistry with Chen DuLing is very natural.
I made some adjustments to EP10 to make it more readable, ensure naming is consistent (e.g., 骆队 = Captain Luo; 莲花山 = Lianhua Mountain instead of Lotus Mountain), and adjusted the pronouns to reflect male and female distinctions, since Chinese uses the same pronoun for both.
Thank you so much! I'm currently translating into Polish. The EN subtitles on k**h are pretty rubbish so I tried…
Yeah, it was rough. I made some adjustments to EP10 to make it more readable, ensure naming is consistent (e.g., 骆队 = Captain Luo; 莲花山 = Lianhua Mountain instead of Lotus Mountain), and adjusted the pronouns to reflect male and female distinctions, since Chinese uses the same pronoun for both.
This is the first time I have encountered such an extensive end credit sequence. When i saw a 5+ min remaining, I initially expected a preface or additional content. The ambiguity is intriguing, making it difficult to predict Heesu's ultimate end game. The writing, direction, acting, and production are all executed exceptionally well.
soooooo I started the drama and really loving the pace and overall quality and performance (thanks to the folks who took the time and answered my question), and ATE UP 8 episodes before I realized that it's doing 1 ep per day phase all week. I was really hard to hit a break but I must.
I haven't started yet, but would you say it has a similar aesthetic to *The Double*? I love a sharp, strategic female lead with a well-crafted revenge scheme—one that's actually achievable. I’m not a fan of narratives where success feels like pure luck just because she’s the heroine; her victories should be earned through intellect and careful planning.
I feel like not enough people are talking about this series. Unlike others that rely on the A-List ship fanbase, which took two years to come out (not bcoz focusing on the new project but busy milking on the success of last project) and ended up with lackluster plots filled with NC scenes, this one steers clear of tropes. It’s unapologetically unique, refreshing, and authentic. I really hope this propels the boys' careers the way Bellkin and PP Krit’s did with ITSAY (which shares the same creative team behind Gelboys).
Of all three, Chian absolutely deserved what was coming to him. As for 4mod and Bua, I can sympathize with them and understand their actions. And poor, sweet Baabin—I'm just glad his suffering is finally coming to an end.
Fou4Mod is literally me—I relate to him on so many levels. I just love this director’s fresh perspective on teenage boys in the modern age and their everyday lives.
Because:
Screenwriting -> Sut-yod
Directing -> Sut-yod
Editing -> Sut-yod
Acting -> Sut-yod
Soundtrack -> Sut-yod
Wardrobe -> Sut-yod
Nails 💅 -> Sut-yod
Everything - > Sut-yod
🔟🔟🔟 across the board.