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A Romance That Hits the Heart

Zhao Lu Si and Chen Zhe Yuan’s chemistry was amazing.

What annoyed me, however, was that Zhao Lu Si’s character continued to act like a child despite being in college. If her wardrobe hadn’t changed, I would’ve thought she was still much younger. That said, this may be less the actress’s fault and more an issue with the writing or the original source material, as I haven’t read the novel nor read the manhua.

For those who keep claiming this drama depicts grooming, it’s important to understand the actual definition of the term. Duan Jia Xu knew Sang Zhi when she was younger, but they eventually lost touch. When they reunite, Sang Zhi is already 19 years old, and even then, Duan Jia Xu doesn’t have romantic feelings for her. It’s only after a confrontation, during which Sang Zhi stands up for him, that he begins to view her in a romantic way.

Duan Jia Xu is a character who’s always had to fight and defend himself, constantly living with the whispers surrounding his family’s dark past. This has caused him to build emotional walls around himself. He presents a facade as though everything’s fine, when in reality he’s deeply hurt. Because of his family history, Duan Jia Xu never believed he’d find happiness and was simply going through life until Sang Zhi was able to open his heart. After Duan Jia Xu found his forever person, his life gained meaning, and it becomes clear that much of his life revolves around Sang Zhi. Any decision he makes is with her in mind, which I found quite endearing, especially given how attentive and protective he is.

The story is very vanilla, but it gives me everything I want in a drama. I honestly liked the casting for Duan Jia Xu’s friends, over the casting in The First Frost, but I suppose that’s because the friends in that drama didn’t play a major a role as they did in Hidden Love. That said, this drama does set somewhat unrealistic standards, as Duan Jia Xu constantly goes out of his way to prove he’s a perfect match for Sang Zhi. Sang Zhi’s parents have reservations about their relationship because of the hardships Duan Jia Xu has endured compared to Sang Zhi’s privileged upbringing. Of course, he takes it upon himself to prove he can take care of their daughter. I wish the drama had included a bit more realism in portraying their relationship instead of making it fairytale, but the author did say she wanted to give her younger self the happy conclusion she wanted.

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Misunderstandings Galore

I really hate dramas that drag misunderstandings on for way too long. I’m honestly still shocked this drama only had 21 episodes because it felt so much longer than that. If the drama was shorter, the director would've not add so many repetitive moments and it probably wouldn't have been so exhausting to watch. I skipped a lot of Liang Mu Cheng’s scenes because she was just exhausting and boring to watch. I mostly stuck around for Ren Guang Xi and Xiao Le. Those two were always such a delight to see on screen.

Liang Mu Cheng is righteous and selfless, and that’s fine. What I couldn’t stand was how bad she was at communicating. Misunderstandings were constantly happening between her and Ren Guang Xi. Because she was so secretive, Ren Guang Xi misunderstood her, built up a lot of resentment, and ended up being vengeful. I actually understand why he reacted the way he did. She had plenty of chances to be open and honest. What really annoyed me was that she still had the nerve to be upset and surprised when Ren Guang Xi started taking revenge and trying to make her and everyone around her miserable.

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Entertaining Mini Drama with Room to Grow

One of the biggest downsides of these short mini dramas is the lack of time to properly show character development and let relationships naturally blossom. I understand the limitations. There is only so much you can do in such a short runtime. The problem with these dramas is that it often feels like the leads fall in love overnight.

Chen Fang Tong and Dai Gao Zheng had incredible chemistry. Every time they were onscreen together, you could feel the tension and longing between them. I really enjoyed the story, and there was definite potential for it to be great if the writers had more time to develop a solid plot.

This is a rather dark and melodramatic drama, and the setting and time period really added to the overall atmosphere and intensity of the story.

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When Love Compromises Too Much

This story explores the dynamic between a woman who is already settled in her career and a young man who is about to graduate from college and is just beginning to navigate the real world. Their age gap is ten years, and both characters learn to compromise within an unconventional relationship.

I really liked the chemistry between Victoria Song and Song Wei Long, but what became frustrating was the constant push and pull between their characters. Yuan Song was extremely serious about the relationship and felt there was no need to hide it or worry about what others thought, while He Fan Xing was deeply concerned with public opinion. Every time their relationship hit a roadblock, Yuan Song was the one making the compromises. Honestly, if Yuan Song hadn’t been willing to compromise as much as he did, their relationship would have ended before it truly began. It was frustrating how immature He Fan Xing was despite being ten years older, while Yuan Song was realistic in his view of their relationship. The offhanded comments she made caused me to question her emotional intelligence, such as when she said something along the lines of, “You’re still rather young, I’ll just be one of your many milestones in life.” Uh, what? I felt that was extremely disrespectful, and there were times when she made comments that basically suggested a breakup was inevitable. I feel like anyone dating someone who made comments like that wouldn’t have stayed around for long.

I get He Fan Xing’s insecurities, but Yuan Song has never once given her a reason not to trust him or think he would leave her. One of the first things he did when they started dating was set up her fingerprint on his phone. At some point, it’s not really about Yuan Song’s age or maturity. It’s about He Fan Xing’s own issues, and there’s nothing he could do to fix that no matter how much he tries. This was something He Fan Xing had to figure out on her own.

Song Wei Long’s portrayal of Yuan Song was perfect. He captured the character’s mischievous and humorous side effortlessly. My favorite scene was when He Fan Xing’s brother, He Can Yang, found out Yuan Song was dating his sister and confronted him. In that scene, Yuan Song was hilarious even though he was angry. He was overly dramatic, and I really enjoyed every scene featuring Yuan Song and He Can Yang together.

I also didn’t think it was necessary for the story to stretch across forty one episodes. The plot dragged on far longer than it needed to, which weakened the overall impact of the drama. I don’t have the desire to rewatch the drama in its entirety, but I will rewatch my favorite scenes.

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Found Family and Emotional Healing

I just finished watching this drama. I did not realize what an emotional rollercoaster it was going to take me on. I saw random funny clips and thought it was going to be lighthearted, but I could not have been more wrong. This drama touches on mental health, and I wish they had focused more on how to face mental health challenges. I actually enjoyed the beginning of the drama before the time skip, probably because it was lighter and more innocent.

I felt the cast was perfect. Any drama that has a loving and supportive family or circle of friends really does something for me. I especially loved Li Jian Jian and Qi Ming Yue’s dynamic. I felt Li Jian Jian was the person who helped Ming Yue break out of her shell. Ming Yue was extremely timid at first, but eventually she finds her voice. I really enjoyed her growth and character development.

There are many emotional scenes, but I cried during the scene in episode five when they were celebrating He Zi Qiu’s birthday. His biological aunt was constantly nitpicking his behavior, saying he was not mannered and making other hurtful comments. Li Jian Jian’s father had pent up emotions that had accumulated over the years due to people’s offhanded remarks, constantly reminding him that Ling Xiao and He Zi Qiu were not his biological sons even though he viewed them as his own. Li Jian Jian’s father was extremely loving and compassionate, which were the two things the boys needed most.

I really like how accurately Ling Xiao was written. Everything he has gone through, he has deep inner issues. He is very reserved and only allows a small circle of people into his life, making his world quite small. He appears to have everything together, but it turns out he is not mentally healthy. In the scene where he tells Li Jian Jian that he only has her and that the thought of a future with her is the only thing that kept him going, she realizes just how unwell he truly is. I felt the writers dropped the ball on this part of the story. They could have explored more of how Ling Xiao deals with his mental health, but it just seems like the writers just swept this under the rug.

I’m also not sure if I missed something, but did we ever truly find out why Li Jian Jian liked Ling Xiao? Ling Xiao questioned whether her feelings were genuine when he asked, “If I didn’t force you to accept me, would you have picked me?” To be honest, that was a valid question. Several times, Ling Xiao clearly expressed that he had romantic feelings for her and didn’t see her as a little sister, yet she rejected him. Eventually, Li Jian Jian agreed to “test the waters,” and then suddenly she had feelings for him. I wish the writers had shown us more clearly why she fell in love with him.

The actress Yang Tong Shu, who played the role that betrayed Ling Xiao’s mother, Chen Ting, did an absolutely great job. Honestly, her scenes reminded me of a former friend who reacted in similar ways, though not as severely. You are constantly walking on eggshells, afraid that anything you say or do will trigger a negative reaction. It is extremely taxing. I could not watch many of her scenes because they were triggering for me, but the actress definitely did the character justice.

I feel Tan Song Yun thrives in comedic roles, so it was no surprise that she did such a great job.

I gave the drama an 8 rating for the story because it felt like a few major issues were swept under the rug. I will not spoil it, but something significant happens and, for some reason, Ling Xiao appears to have forgiven his mother, and his mother also seems to have gotten better. The only person who truly faced his issues and achieved the closure he needed was He Zi Qiu.

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A Story of Healing, Patience, and Unspoken Love

Whoever cast Bai Jing Ting as Sang Yan and Zhang Ruo Nan as Wen Yi Fan made the right decision. Their chemistry feels effortless from the very beginning. Much of their relationship is built on quiet moments, lingering glances, and restrained emotions rather than dramatic confessions, and both actors convey those unspoken feelings exceptionally well. Their performances make it easy to believe these are two people who've spent years carrying unresolved feelings for one another, which is essential for a story that relies so heavily on subtle emotional development. Even when very little is being said, their expressions and body language communicate everything the audience needs to understand. Bai Jing Ting, in particular, excels at conveying Sang Yan's quiet yearning. So much emotion is expressed through his eyes alone, making it impossible not to feel the weight of everything his character chooses to leave unsaid.

The story begins with Wen Yi Fan ending things with Sang Yan, immediately establishing the hurt and longing both characters carry as they part ways. It then shifts to the present, by chance, she reunites with Sang Yan. Sang Yan presents himself as cold and distant, while Wen Yi Fan remains cordial, choosing to suppress rather than confront their unresolved feelings. This emotional restraint creates a constant tension that carries much of the drama's early episodes. Rather than relying on misunderstandings or forced conflict, the drama allows the weight of everything left unsaid to drive their interactions.

The first half of the drama primarily focuses on rebuilding trust, while the second half shifts toward exploring the lasting consequences of Wen Yi Fan's past. When she leaves to protect Sang Yan from becoming involved, the story expands beyond romance and places greater emphasis on the emotional scars she's spent years trying to carry alone. As Sang Yan searches for her and uncovers what she endured, both he and the audience gradually come to understand the extent of her trauma. I appreciated that these revelations weren't treated as plot twists for shock value. Instead, the drama carefully builds toward them, allowing viewers to understand why Wen Yi Fan behaves the way she does before fully revealing the source of her pain. Because the audience has already witnessed the lasting effects of her trauma, the eventual reveal feels heartbreaking rather than merely surprising. This approach gives the emotional payoff far more weight.

The drama's use of flashbacks is handled exceptionally well. It moves between the past and present in measured increments, revealing information only when it's emotionally relevant. Each transition adds another layer to the characters' motivations without disrupting the pacing or revealing too much too early. As the story revisits their high school years, it becomes increasingly apparent that Wen Yi Fan's trauma had already begun dictating her choices long before she and Sang Yan were separated. The gradual release of information allows the audience to reassess earlier scenes with a deeper understanding as the narrative progresses. Every flashback feels purposeful, gradually reshaping the viewer's perspective instead of simply filling in missing details.

Sang Yan's dialogue reflects this characterization perfectly. He often speaks in a blunt or sarcastic manner, but his affection is expressed through teasing, attentiveness, and quiet consideration rather than direct confessions. He notices the smallest details about Wen Yi Fan and quietly adjusts his actions to make her feel comfortable without expecting recognition or praise. Sang Yan loves Wen Yi Fan without condition. He respects her boundaries throughout the story and never attempts to force intimacy or rush her healing. One of my favorite scenes is when he quietly tells her as she sleeps, "Wen Shuangjiang, can you chase me a little more obviously? Otherwise, I feel uncertain. If you're not willing to extend a hand first, how would I dare give myself to you again?" It's a vulnerable confession that perfectly captures his character. Despite appearing confident and composed, he's just as afraid of being hurt again. Rather than demanding reassurance, he simply hopes she'll meet him halfway. Moments like this perfectly encapsulate the drama's approach to romance. Instead of relying on sweeping declarations, it finds its emotional impact in honesty, vulnerability, and restraint.

I also like that Sang Yan's role isn't to fix Wen Yi Fan's trauma but to provide the consistency and emotional safety she never had growing up. The contrast between their upbringings reinforces this dynamic. Sang Yan was raised in a loving and stable family, while Wen Yi Fan's life was defined by instability, neglect, and fear. Rather than minimizing these differences, the drama uses them to explain why each character approaches love so differently. Sang Yan knows what unconditional love looks like, while Wen Yi Fan has spent years believing she has to carry everything alone. Their relationship isn't presented as a cure for her trauma, but as a safe place where she's finally allowed to heal on her own terms.

Although The First Frost is a slow burn romance, it never feels like it's dragging. The romance develops alongside the gradual revelation of Wen Yi Fan's past, making both storylines dependent on one another rather than existing separately. Every emotional breakthrough in their relationship is earned because it comes only after the audience understands what each character has been carrying. The result is a drama that isn't simply about two people falling in love again, but about trust, healing, forgiveness, and learning to accept love after years of emotional isolation. Sang Yan's love feels unconditional because it's defined by patience, consistency, and respect rather than sacrifice or grand declarations, allowing their relationship to feel completely earned by the time the story reaches its conclusion.

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Great chemistry ! Great romance!

Down with Love is one of my favorite romantic dramas, and it is a series I often revisit. One of its strongest aspects is the compelling chemistry between Jerry Yan and Ella Chen, which brings authenticity and emotional depth to the story.

My one complaint is the lack of communication between Xiang Yu Ping and Yang Kuo. Their inability to openly express their feelings leads to a major misunderstanding that delays their romantic relationship until much later in the series. (I can't be to heavily critical on this as there is a reason behind why Xiang Yu Ping couldn't confess his feelings earlier.) While this trope can be frustrating, it also serves as a narrative device that heightens emotional tension and prolongs character development. Aside from this issue, the drama remains highly enjoyable.

Jerry Yan delivers a convincing performance as Xiang Yu Ping, effectively portraying the archetype of the cold male lead who gradually softens. His character’s emotional growth is especially evident in the way he respects Yang Kuo’s boundaries after confessing his feelings. His willingness to wait until she is ready demonstrates maturity and emotional restraint.

Ella Chen’s portrayal of Yang Kuo is equally strong. She embodies a carefree and somewhat naïve character whose primary goal is to find personal happiness and love. Through her optimism and sincerity, Yang Kuo challenges Xiang Yu Ping’s rigid outlook on life and family, ultimately becoming a catalyst for his emotional transformation.

The dynamic between Xiang Yu Ping and Yang Kuo is one of the drama’s greatest strengths. Their contrasting personalities create balance within their relationship, allowing both characters to grow. Additionally, their moments of disagreement highlight the natural challenges every relationship and emphasize the growth that occurs through mutual understanding and compromise.

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Sweet but Overstretched

A simple, fluffy romance with touches of trauma. Overall, the story is okay. It's your typical romance where the white knight swoops in and saves the female lead. My biggest issue is that if that was always going to be the story, there was no reason for this drama to be 28 episodes. They easily could've told the same story in 20. The script would've been tighter, the pacing would've been better, and the story wouldn't have dragged as much as it did. Overall, The Best Thing is a decent, easy watch if you're looking for a comforting romance with a genuinely lovable male lead. The leads have good chemistry, and there are plenty of heartwarming moments throughout.

The whole ex-boyfriend arc annoyed me, not just because he was such a detestable character, but because we never really learned why he was so determined to get back together with her. Since the drama starts before their breakup, we witness everything unfold firsthand. I actually think it would've been much more interesting if the story had started after they had already broken up. Then the audience could've learned about Shen Xi Fan's past alongside He Su Ye, slowly uncovering what happened and why she became the person she is. Instead, there wasn't much mystery surrounding her history because we already knew exactly what happened, which made that entire part of the story feel far less engaging.

He Su Ye is a major green flag, and it's easy to see why so many people loved him. I also appreciated how the drama handled his ex-girlfriend. They acknowledged that she existed and that she'd had an impact on his life, but they never brought her back just to create unnecessary drama like so many romance series tend to do. Instead, they showed how his previous relationship still influenced the way he viewed love and approached new relationships without turning it into another love triangle. I thought that aspect was handled really well. That said, I do think they leaned a little too hard into making him the perfect male lead. He barely had any flaws, and after a while he started to feel more like an ideal fantasy than an actual person. He was endlessly patient, understanding, accommodating, and willing to compromise. There's nothing wrong with those qualities, but eventually the balance felt off. He became less of a fully realized character and more of an ideal partner.

As for Shen Xi Fan, I found her to be a pretty boring protagonist. Yes, she's sweet, kind, and considerate, but beyond those traits there just isn't much to her. She doesn't have a particularly strong personality, and her character growth feels very limited. I kept waiting for her to become more confident or decisive, but that moment never really came. She spends so much of the drama hesitating and dragging her feet that it eventually became frustrating to watch. I honestly think the ending would've been stronger if she'd chosen to study abroad while staying single. For much of the first half of the drama, she was still dealing with the trauma left by her ex-boyfriend, and then she immediately entered a relationship with He Su Ye. She never really had a chance to breathe or figure out who she was on her own. The time she spent single simply wasn't enough. Let her grow, gain new experiences, and return as a more confident person.

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Devastating Tragic Love Story

The Hymn of Death was such a heartbreaking tragic love story. From the very beginning, the drama carries this heavy emotional atmosphere that makes you feel like the characters are fighting against time, society, and their own circumstances. The script did a great job showing how painful and impossible their love felt without making the emotions seem forced or overly dramatic.

What made the drama stand out was how quiet and restrained the storytelling felt. Instead of relying on exaggerated scenes, it focused more on emotional tension, sacrifice, and the sadness surrounding their relationship. Even though it's a short drama, it leaves a lasting emotional impact because of how intimate and tragic the story feels from start to finish.

My favorite scene was when Yun Sim Deok was performing on stage and she saw Kim U Jin leave, then immediately ran after him. The tension and the longing in that scene were incredible. You could feel how desperately they wanted to hold onto each other despite knowing how impossible their situation was. It was such an emotional and beautifully acted moment.

Lee Jong Suk and Shin Hae Sun had incredible chemistry throughout the drama. You could genuinely feel the longing, love, and emotional connection their characters had every time they were together. A lot of the emotional weight of the story came from their performances because they made the relationship feel deeply sincere and tragic in a very believable way.

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Interesting Concept

I Hear Your Voice had a really interesting concept with Park Soo Ha being able to read minds, and honestly that was one of the main reasons I stayed invested in the drama. I'm not usually into supernatural dramas, but the concept here was interesting enough to keep me watching. The execution was decent for the most part, especially during the suspenseful moments where his ability actually added tension and emotional weight to the story. The mystery surrounding the drama was intriguing too, and it kept the plot moving even when the writing started to feel weak.

That said, the script itself wasn't very strong. Some plot points became overly dramatic and repetitive, and there were moments where the story relied too much on convenient situations instead of natural development. The biggest strength of the show was definitely the chemistry between Lee Jong Suk and Lee Bo Young. Their dynamic felt natural, emotional, and believable enough to carry a lot of the weaker writing.

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Beautiful Palace Story but a Frustrating Main Romance

Years later I still feel like Sin Chae Gyeong should've picked Yi Yul. He was easily the more sincere and emotionally mature character, while Yi Sin spent most of the drama being unnecessarily cold, entitled, and mean for no reason. It made it really hard to root for the main romance when Yi Sin constantly pushed Chae Gyeong away and treated her poorly.

The script was honestly one of the weakest parts of Princess Hours. So much of the conflict dragged on because the characters refused to communicate, and certain emotional moments felt repetitive instead of meaningful. Yi Sin's behavior especially got frustrating because the drama kept expecting viewers to sympathize with him without giving enough real growth to balance out how cruel he could be.

That said, I did enjoy the overall storyline and concept of life inside the palace. The royal setting, traditions, political tension, and modernized monarchy idea were interesting enough to keep me watching. The atmosphere and aesthetics are still memorable years later, even if the writing and character development didn't fully deliver.

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Strong Chemistry but dragged

Suspicious Partner had a really strong start, especially when it came to the chemistry between Ji Chang Wook and Nam Ji Hyun. Their dynamic felt natural from early on, and the slow build of attraction, tension, and emotional confusion was handled really well. The longing between them, the hesitation, and the gradual shift from irritation to affection were all executed in a way that made their relationship feel believable and engaging. Even in quieter scenes, their interactions carried a lot of weight, and that emotional connection was easily one of the strongest parts of the drama.

The mystery aspect of the story was also interesting at first. The setup around the serial murder case created tension and gave the drama a strong hook. There were moments where the investigation felt genuinely suspenseful, and it worked well alongside the romantic storyline in the beginning. The balance between legal drama, romance, and mystery made the early episodes quite addictive to watch.

However, halfway through, the pacing started to become an issue. The mystery began to drag. Instead of tightening the tension or building toward bigger reveals, it felt like the plot was stretching itself thin. Because of that, I gradually lost interest in the investigation side of the story, even though it was supposed to be one of the main driving forces of the drama. Honestly, I felt like they could've had this drama with 30 episodes.

The romance continued to be enjoyable, but it also started to carry more of the weight as the mystery lost momentum. While Ji Chang Wook and Nam Ji Hyun still had strong chemistry, it wasn't always enough to fully compensate for the slow and sometimes uneven storytelling. Some side plots also felt unnecessary or underdeveloped, which added to the feeling that the drama was dragging in places.

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Great action scenes!

What really made the drama stand out though was how naturally it blended action, comedy, romance, and suspense together. A lot of dramas struggle when trying to juggle so many different tones, but Healer managed to make everything flow seamlessly. The suspense worked extremely well because the story constantly gave you something to anticipate. There was always another secret, another connection between the characters, or another piece of the past waiting to be uncovered. The pacing kept things engaging from beginning to end without feeling dragged out.

The comedy added a lot of charm as well and never felt forced. The lighter moments balanced out the darker and more serious parts of the drama perfectly. Instead of ruining the tension, the humor made the characters feel more human and gave the story personality. The interactions between the characters, especially during quieter moments, helped create a strong emotional connection with the audience.

Overall, Healer felt like a complete drama. The action was exciting, the romance was convincing, the comedy was entertaining, and the suspense kept the story engaging the entire way through. It never felt like one element overshadowed the others. Everything worked together to create a drama that was both fun and emotionally satisfying to watch.

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Strong Mystery, Weak Performances

The Price of Greed had a really strong and intriguing story. The mystery and case solving kept things interesting throughout the series, especially with how each clue slowly connected together over time. The drama did a good job building suspense and making viewers question the motives of different characters. Some of the investigations and twists were genuinely engaging, and the pacing of the mystery made it easy to stay invested from episode to episode. Even when certain parts of the drama felt weak, the mystery element was strong enough to keep the show entertaining.

Bosco Wong did a great job. His portrayal of Lui Sau as a police officer was nicely executed, although it didn’t really show anything new that we haven’t already seen from his acting before. Even so, he still managed to carry many of the stronger moments in the drama alongside Kingdom Yuen, who also delivered a standout performance.

On the other hand, Kate Tsui and Sammul Chan gave pretty terrible performances. Their acting felt weak and unconvincing, which made some scenes harder to take seriously.

Shirley Yeung’s acting was also quite annoying at times. Her expressions while singing felt awkward and unnatural, which made those scenes uncomfortable to watch.

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Sweet Start, Romance Built on Lies

This drama started off heartfelt, funny, and cute, which made the twist even more frustrating. At first, Xia Lin and Ling Yi Zhou’s relationship seemed charming and emotional, especially with how supportive and caring he appeared toward her. But then we find out that everything, even the moment Xia Lin approached Ling Yi Zhou, was orchestrated by him from the very beginning. After that reveal, I honestly could not look at the romance the same way again.

What made it worse was the fact that Xia Lin was not even sick to begin with. Ling Yi Zhou had doctors, hospital staff, and basically everyone around her lying straight to her face just to manipulate her into depending on him. That is not romantic, it is controlling and disturbing. The drama tries to frame his actions as acceptable because he loved her deeply and spoiled her constantly, but love does not excuse deception on that level. He violated her trust, took away her ability to make informed choices about her own life, and emotionally manipulated her into a relationship built on a lie.

What annoyed me most was how little accountability Ling Yi Zhou actually faced. The show brushed past the seriousness of what he did as if grand gestures and affection could erase the damage. Xia Lin was understandably hurt for a while, but the drama rushed through the consequences and expected viewers to move on quickly because he is attractive, rich, and devoted. It really felt like the writers wanted the audience to excuse obsession and control as if it were romance, instead of showing how unhealthy it actually was.

Their entire relationship was built on lies, manipulation, and a fake medical crisis. The foundation they supposedly built together was nothing more than a facade created by Ling Yi Zhou’s schemes. Trust is one of the most important parts of any relationship, and once that is broken to this extent, it is hard to understand how the relationship could continue as if nothing happened.

Honestly, I do think Xu Kai Cheng and Simona Wang had strong chemistry, and that is probably what kept me watching until the end. Their scenes together in the earlier part of the drama especially had a lot of warmth and softness that made the romance feel very engaging. I would still recommend the drama, but only with the understanding that the early fluffy romance takes a very different turn once the truth is revealed. If you don't want to be disappointed with their relationship, I would honestly suggest dropping it after episode nine because everything after that shifts the tone completely and the later half of the show felt pretty corny compared to the beginning.

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