visually gorgeous, but still missing something

Opening this review by saying that I love this director's works and My Journey To You is, to this day, one of my favourite c-dramas ever, so, needless to say, I waited for SO long for this show to finally air. My high expectations basically hit the sky.
The aesthetic, sceneries and cinematography of Fangs of Fortune don't come as a surprise: they are simply gorgeous and I really can't think of other dramas (during this or in the previous years) that are equal to it (except, of course, for this director's other works).
He always has a clear and fixed idea of how things should be shot and how they should look and, so far, it's always been consistent. Just one look at one scene and the viewers can immediately tell it's one of his works.
That's what hooked me with MJTY and I was just all too happy seeing it in this drama as well. C-dramas often tend to have “issues” with the cinematography, the lightning and colouring, the camera work (let alone the CGI), so when it comes to this area, Fangs of Fortune is already a level above the others and it looks so good and professional and eerie in the best possible way.
I admit, the ghostly white powder on the actors' faces always kind of takes me aback, because it's very VERY pale and in certain shots they either look like corpses or, thanks to skin smoothing as well, you can't really see their full expressions, but in this case it fits the tone of the drama and I think a different make-up would look weird and too much in contrast with the dark aesthetic.
Wigs and costumes are of very high quality and the texture, the details (ex. the fish scales in the fish demon's robes) the colours, EVERYTHING, really set them apart and a lot above others costume dramas... costumes.
Every character has its own styling and the outfits and hairstyles really help with making them all the more unique and alive. The stylist department really deserves all the appreciation and an award for their work.
If not for the plot and the characters themselves, I'd recommend this drama just for how good it looks.
(Little parenthesis for the soundtrack: it really works. I read comments where people were not happy with it, back when the show still had to air, but so far so good. Especially the modern song they use during fight scenes. Unexpectedly, it fits with the vibe and choreography of those sequences and it brings them out even more. When I think of the OST, that's the very first song that comes to mind, so it really left a good impression on me).
Now.
Onto the things that still don't sit quite right with me and the reason I scored this one a 7.5 (for now, will most likely change it as I watch more episodes – hopefully).
First of all, especially in the first couple of episodes, the scenes are way too jumpy and “messy”, so much so that I had to replay a couple of parts because I couldn't really understand certain things and the show just lost me. Was it a dream? A memory/flashback? The way it's edited and quickly jumps from A to B back to A is very confusing. They're not smooth cuts.
Granted, it got better in the last episode I watched (ep.5), so it's probably just a problem of the first part and it got fixed as it went on. Again, hopefully.
The second thing is the humour. Most of the times it actually gets a giggle out of me (the actors' comedic timing is always on point and their expressions alone are enough to make the joke work) and it's just in such contrast with the somber scene at play in that moment that it somehow works very well and I can only appreciate it. But some other times... they REALLY play into it, to the point that it feels kinda weird and out of place. Cringe, even. To make an example: the way the young boy, Bai Jiu, keeps screaming or fainting. After a while it gets repetitive, old, and his character doesn't feel real anymore. Hope he'll hit some character growth and won't shout as much. I really liked young master Xue's character in MJTY and, albeit so young, that actor really can play more serious roles.
Humour in this kind of dramas is a fine line to walk and I think, up to this moment, MJTY kept that balance a lot better.
Third thing, which is mainly what caused the 7.5, is something I cannot quite explain with words, but I can't help feeling whenever I'm watching this drama: a sense of emptiness. Of something missing, not being there.
It's really more of a personal feeling, but there are certain scenes where I really can't help but feel like I'm watching something empty, like something should be there, but isn't. Like I'm reading the draft of a book and some paragraphs are still missing or aren't finished yet. Where MJTY felt more organic and grounded, FoF is a lot more staged, a gorgeous cover wrapped around blank pages.
Sometimes it has to do with the scene in general, sometimes with the way it cuts from one shot to the other, the lack of music and overall sound or just the characters. I know they are interacting with each other, but it's as if there's this wall that divides them. One thing that really irks me is how often (especially the villains) they just... stand there and let the main leads finish their thing, whether it's talking among themselves or preparing for action.
It's still the very beginning, though, so it'll probably smooth out and feel more natural and complete with the episodes to come, but right now it all feels too disjointed, especially when the narration clearly slows down or stops altogether to focus on the appearance of the characters or the beauty of a certain shot.
(I know this criticism basically goes against my praises of the aesthetic and cinematography of this director's works, but I can't deny he can be VERY pretentious and all too often puts looks above substance).
I still don't have much to say about the characters themselves, because we still don't know them much yet, but some impressed me more than others and for others I hope they'll grow and get better with time.
I'm very curious about Zhuo Yichen, although Tian Jiarui's performance so far is a little... lukewarm, when compared with the work he did on Gong Yuanzhi in MJTY. I like how Yichen can be both fierce and shy/awkward, but he didn't give much aside for that (so far). I know he's a more than capable actor, so I'm sure the character will grow on me, but right now... not there yet. It probably also depends on the way the make-up and hairstyle always make his expression look very tight, as if he can't move his face much - or just got a face lift. But, aside from that, I'm curious to find out who he really is. I have this headcanon where he is, in fact, a demon, given his blue eyes and his whispery voice (I noticed only demons have it, which is a nice touch and detail) and the constant nightmare of becoming one. I want to see whether I'm right or wrong.
I was pleasantly surprised with two performances so far: Neo Hou and Chen Duling.
I always found Neo Hou's acting to be quite stiff and struggled a lot not to see the actor beneath the character, so I am impressed in the best of ways with this role. He is shining and brings Zhu Yan to life. And although at times the character himself isn't very consistent with the way he acts and reacts, he really works for me and got me hooked from the very beginning. Hope we'll get to see more of his layers, like his darker and more serious and dangerous side, but also his sensible and “sad” personality, because he really wishes to die and I really want to 1) know why and 2) see HOW the actor will showcase this part of the character.
For Chen Duling, I've only seen her in two other works, where she played either a minor role or a supporting role, but in both cases she was nothing but a woman who fell into sadness and depression because of her lost lover, so I was a bit worried about Wen Xiao. But I really love her so far and she's really growing on me. Right now I can easily say she's my favourite among the main roles.
Last but not least, I hope we'll get some proper world building this time around. This director's works always tend to lack a lot on this department and so far the world of FoF hasn't been fleshed out that much. Granted, I'm only at episode five as I'm writing this review, but I was really confused at the wheres and how much time it takes to move from place x to place y.
I wish they gave us an impression of space and moving spaces like, for example, Mysterious Lotus Casebook did. Its world building isn't much richer and extended, but it has some substance at least and the characters won't just appear back at a certain place (ex. the archives of the bureau) as if through sci-fi teleportation.

I think that's all for now. Might come back to this once the drama is complete.

- Mei

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if only it weren't for the romance

I started this drama with no particular expectations, knowing none of the actors nor what the story was about and... I have mixed feelings. Particularly about the romance and the very last, rather rushed and dumb, episodes.
Go East starts strong with a fresh and funny workplace plot and well enough fleshed out characters and it would have soared higher if it didn't fall in the all too used and familiar romantic narration between two leads who share no particular chemistry.
Because, in my opinion, what really set this drama apart from all others aired this year are the platonic and friendly relationships between the characters, how they get together to become one big, chaotic and yet cosy family, and the love route just dragged it down.
If I were to give this drama two separate ratings, it would go like that:

first half: 8.5
The first half of the drama focuses on the Sifang Pavilion and the shenanigans and developing friendships of the people who work there, taking care of hosts and guests from all countries and their (diplomatic) needs. It's all very light, at times silly and above the lines, and every character has just the right comedic timing and expressions to make one, if not laugh out loud, at least giggle a little.
The best relationships (chemistry wise) in this part are the ones between Yuan Mo and Yu De Shui (father-son/partners in crime) and between Yuan Mo and Wang Ku Wu (two opposites who get to know and trust each other with their lives).
We even have some cases that need to be investigated and solved and, although not extremely clever, they were engaging and well written and made me love this drama all the more. Up to this point, I was ready to say Go East was to become one of my favourite shows ever.
But then came the

second half: 6.5 (7 if I REALLY stretch it)
My main problem with this part is how everything - the comedy and satire, the friendship and growing trust between the characters, the role the Sifang Pavilion has in managing the many foreign envoys and investigating "mysteries" - gets diluted and put aside to the benefit of the romance when the romance has no reason to be to begin with.
It just doesn't make sense for Yuan Mo to fall in love so fast (or at all) with A Shu, a young woman who did nothing but complicate his life, bringing him endless trouble and problems, threatened, bullied and poisoned him since their very first meeting and put his life in literal danger by framing him and getting him to prison. She all but invades his home and personal space, throwing away his stuff and planting poisonous flowers and plants all over his garden (and even brings in a snake - which was a very cute snake, I admit, but one Yuan Mo was terrified of), unapologetically helps herself to all his money and gets mad at him when things don't go her way or her - rather hard to achieve - demands are not met.
And he... falls in love with her. Head-over-heels-I-would-die-for-you sort of love. Given their past (and a very recent past at that) I just couldn't understand their romance and that really took me out of the story. I would have perhaps excused it if it were treated as a slow burn, but there's nothing even remotely slow about the way he falls for her.
Does it get better along the way? Yes...? But also not really. I could see she too ends up caring for him a lot, but that didn't refrain her from keep on telling lies and go on quests that put her life in danger (and consequently his and her friends, since they were the ones that always had to save her) nor did she defend him ONCE when her servants bullied and physically beat him for literally no reason. No, at times she even gave the impression of finding these mistreatments funny.
They would have worked a lot better as bickering friends and nothing more, since romantic love really wasn't necessary for the plot to move forward. (But in my opinion the writers should have done a better job with A Shu altogether).
Conversely, I really liked how they slowly built the romance between Wang Kun Wu and Yuchi Hua. It felt more organic, balanced and realistic (plus, absolutely zero toxic behaviours in sight) and it just made a lot more sense than the main couple.

This one issue aside and, as I've already mentioned at the very beginning, a rushed ending where all the villains (major and minor alike) suddenly turned rather dumb and cartoonish when they were depicted as interesting and dangerous up until that moment, I would still recommend this drama, because there is some rather good writing, the jokes and satire never miss, the (non-romantic) chemistry between the actors works and the characters are for the most part memorable and well written individuals, with their own motivations and personalities, dreams and flaws. All in all they all get their arc and character growth and the actors were capable enough to translate that on screen.
I really just wish they'd done a better job with the lead couple.

- Mei

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A gem worth discovering

I rarely watch contemporary dramas, but after Go East and Lost You Forever, I now like Tan Jian Ci enough to start his works blindly (plus, I've only ever heard rather good things about this show) and... it did not disappoint. Actually, it exceeded all of my expectations.
Granted, it's not perfect and, albeit they are not exactly issues that will ruin and hinder ones vision of the drama, there ARE certain things I wished were done better or showed more.
But let's go step by step.
What stands out most in this show, and I think it's universally agreed upon, is the role of art and how much room they gave to it. Art IS the protagonist of Under The Skin, a character of its own, even. I loved how they represented it, how gorgeous those drawings and paintings are (some impressed me so much that I still remember them clearly) and the minute attention to each and every detail, stroke and colour they put into it.
Nothing was left to chance and if something did feel rather weird or absurd (ex. the name of the tower perfectly reflecting in the pupil of a woman taking a selfie), it was later on explained and touched upon and actually became evidence to solve a case.
I love when dramas actually have good and solid writing and don't ask the audience to turn off their intelligence to let things slide.
This show, while not being the most aesthetic and with the highest cinematography, still has some rather memorable scenes, especially when it comes to showing us viewers how Shen Yi sees the world through his artist eyes. Those shots were so well done and really stuck with me.
Always speaking of the role of art in this drama, I just loved loved loved how they drew a connection between certain cases and the paintings Shen Yi was discussing with his class. It just gave Under The Skin that touch of something and showed once more the work and attention to detail the writers put into it.
And when it comes to the characters, it's no less well written. Although I did find some lacking with the supporting roles and I wish they weren't just treated as workers in the police bureau (we still don't know much about them, besides their names and roles in the workplace), the two male leads are perfectly fleshed out (albeit little is still known of their private lives too) and so is each protagonist of the case of the day. Some more than others, they are all written as individuals with flaws and motivations, substance and humanity (and all that being human means).
I really appreciated the work they did on Shen Yi and Du Cheng and how they managed to keep a balance with their most "extreme and strong" traits. It would have been all too easy to write them as caricatures instead of individuals, but the writers really did a good job in walking that fine line, making them as real and human as two fictional characters can get.
So Du Cheng isn't just a big man with a strong will that could have so easily turned into an arrogant captain and a bully, but he is dutiful, with a strong sense of justice, he is sensible and kind and deeply cares for the people close to him. Losing his mentor that way killed a part of him and it took him a long time to heal and forgive.
The same way, Shen Yi isn't aloof and inhuman, indifferent and blunt à la Sherlock Holmes or Sheldon Cooper, although he is as sharp and clever as both of them and could have all too easily become another caricature of a person with extremely high IQ, artistic talent and a dark past. He can be weird and a little awkward at times, but he remains approachable and gentle, reasonable and friendly.
To wrap this up, and as already mentioned in the title, Under The Skin is an underrated drama and a gem worth discovering that touches upon humanity and our society and doesn't shy away from depicting and denouncing its ugliest sides.
Highly recommend watching it.

- Mei

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