mopalia
I adore Shin Sung Rok, so anything with him is a must-watch for me. His first love in acting is musical theater, which calls for a more dramatic style than TV, so you can expect that anything he's in will be slightly - or a lot - over-the-top. In this, he crafts a conflicted character who is evil, loving, tortured and a victim as much as an evil-doer. If you are watching this because you want a fluffy romance, you're in the wrong drama.
I don't understand people who complain that some scenes are unrealistic. It's modern Korea with an Imperial family - you are looking for realism? Don't be silly. It's a fantasy and a melodrama. Keep your expectations within the parameters that the author has set, and you'll be fine. If you hate makjang, look elsewhere.
The story is intricate, with the expected plots within plots. It's easy to lose track of all the women in the Emperor's life. But even if you miss some threads, it clips along at a good rate and doesn't drag things out unduly. Typical palace intrigue.
The cast is outstanding. Jang Na Ra is a perfect counterpart to the Emperor, with humor, ethics and strength to spare. I don't think there's a weak performance in the lot, and 7-year-old Oh Na Rin is a winner as the crown princess. If you're addicted to second lead syndrome, you will like Choi Jin Hyuk, although he wasn't my cup of tea. Shin Eun Kyung as the Dowager Empress gave a good performance as the stereotypical woman mad with power.
The music wasn't annoying, always a difficult thing to find in K-drama, and a lot of it was good. Instead of trying hard to create an OST soundtrack that will appeal to the K-Pop set, the music enhanced the drama and rarely called attention to itself, blending carefully into the fabric of the whole.
The ending was surprisingly satisfactory. I expected to be disappointed as the Emperor ended up being a horrible guy to the end, but there were great nuances to his development; it was a nice example of why I love Shin Sung Rok.
Overall, I enjoyed it immensely - it was pure entertainment, well crafted by all. If there was something this engaging every season, I'd be a happy K-drama addict!
I don't understand people who complain that some scenes are unrealistic. It's modern Korea with an Imperial family - you are looking for realism? Don't be silly. It's a fantasy and a melodrama. Keep your expectations within the parameters that the author has set, and you'll be fine. If you hate makjang, look elsewhere.
The story is intricate, with the expected plots within plots. It's easy to lose track of all the women in the Emperor's life. But even if you miss some threads, it clips along at a good rate and doesn't drag things out unduly. Typical palace intrigue.
The cast is outstanding. Jang Na Ra is a perfect counterpart to the Emperor, with humor, ethics and strength to spare. I don't think there's a weak performance in the lot, and 7-year-old Oh Na Rin is a winner as the crown princess. If you're addicted to second lead syndrome, you will like Choi Jin Hyuk, although he wasn't my cup of tea. Shin Eun Kyung as the Dowager Empress gave a good performance as the stereotypical woman mad with power.
The music wasn't annoying, always a difficult thing to find in K-drama, and a lot of it was good. Instead of trying hard to create an OST soundtrack that will appeal to the K-Pop set, the music enhanced the drama and rarely called attention to itself, blending carefully into the fabric of the whole.
The ending was surprisingly satisfactory. I expected to be disappointed as the Emperor ended up being a horrible guy to the end, but there were great nuances to his development; it was a nice example of why I love Shin Sung Rok.
Overall, I enjoyed it immensely - it was pure entertainment, well crafted by all. If there was something this engaging every season, I'd be a happy K-drama addict!
Was this review helpful to you?
