Loving the show but two nitpicks from ep 8 (minor spoilers)
First off, I’m still really into Sammy’s Children’s Day. We’re basically at the finale now and I’m hooked on every episode. This isn’t a hate post.
Two little things bugged me though:
1. The show’s set in Kowloon, so why is there a left hand drive car in the shot? Hong Kong uses right hand drive. Small detail, but once you notice it you can’t unsee it.
2. In the scene where He Chusan is pulling glass out of Xia Liuyi’s chest, the shards are going straight into bare skin like he was shirtless. But earlier that same day he’s clearly wearing a shirt and a jacket, so wardrobe and SFX didn’t fully sync up there.
Still a great episode overall and I’m excited for the finale.
The Klao and Kaew gossip scene is basically poetry, if poetry were written with the sole purpose of destroying a man’s reputation. Kaew doesn’t just spread a rumor. He curates it. He keeps layering metaphor after metaphor like he’s hosting a gallery opening titled “The Many Ways Lord Phop Is Simply Not Functioning.” Wine and cheese will be served. RSVP required.
And the commitment? Insane. He could have stopped at one euphemism and called it a day, but no, sir. He keeps going. A flame with no spark. A flag that will not fly. Noodles without broth. Each one more unhinged and weirdly specific than the last. At some point I stop laughing and start wondering if Kaew has been workshopping this material for weeks. Did he have notecards? Was there a rehearsal?
It’s gossip as performance art. Elegance and savagery holding hands, skipping through a field.
Friday served a full BL feast and I was not ready. Two back-to-back UpPoom episodes? I was bouncing between proud auntie mode 🥹 and pillow-giggling chaos, and then they threw in hot guys dancing too?? Too much serotonin in one sitting.
And Krit, babe, why is the 2 Moons theme on loop in that car? Is the aux stuck, or is this a cheeky wink at Wayu? Either way, we see you. Please add one more song to the playlist. Just one. I’m begging.
Also, Tai showing up in a fight-graphic tee and immediately starting beef with Sky?? Sir, that’s not a shirt, that’s a legal disclaimer. I was wheezing.
If you haven’t watched yet, cozy corner, phone on silent, go. 💅
It’s giving “how to lose a guy in 10 days” vibes in the most ridiculous way possible- should be hilarious…
Yeah, it’s totally giving How to Lose a Guy in 10 Days energy - just dialed up with BL logic and zero interest in being realistic. If they lean into the ridiculous, it could be stupidly fun.
Fake Fact Lips is a title that makes you pause. You read it, you reread it, and for a second you wonder if the subtitles glitched. They didn’t.
Japanese shows often don’t bother giving English titles that sound “natural.” They go for mood, not grammar. Sometimes that works beautifully. Sometimes you get Fake Fact Lips, which sounds like a lost Gwen Stefani track from 2004.
The show itself matches the title’s energy. Two people decide to make each other fall in love just so they can reject each other first, which is not how humans behave but is exactly how drama behaves. Nobody involved is pretending this is realism.
Watch it the way it wants to be watched: not for insight, just for the mess.
really good description, bravo 👏👏...but I'm wondering, why is the rating so low ... in your opinion f.e.I…
Thank you for your comment and for liking the description!
I’ve been wondering about the low rating too. I think this drama’s tone and pacing are very specific, so it probably hits differently depending on what people expect from a BL – some may want something more dramatic or idealized, while this one feels very grounded and restrained.
For me, that’s exactly what makes it special: it feels like a quiet, mature story that could really exist off-screen.
Episode 3 is one of those episodes that doesn’t really try to impress you. At first, it almost feels like nothing much happens, just a string of small, ordinary moments. But the more I thought about it afterward, the more quietly meaningful it became.
Azuma’s nephew following him all the way to Kuji’s house because he was worried about him was such a simple detail, but it stuck with me. It says a lot without making a scene of it. Azuma may be in a messy place in life, but he’s still someone his family cares about deeply. That kind of love doesn’t need you to be doing well first.
The scene with Azuma’s mother had the same feeling. Her fall, and Kuji going along for the visit, made me think about everything Kuji must have gone through with his own father. We never see any of it, but you can feel it in the way he handles things. His advice about fixing up the house didn’t feel like empty comfort either. It was practical and real, like he knew what he was talking about because he’d lived it.
I also loved how the episode kept circling back to translation. When Azuma’s father read him English picture books as a child, he wasn’t just translating the words, he was reshaping them so a little kid could actually feel the story. That idea lingered. Maybe it’s what the drama is quietly getting at: after enough disappointment and detours, middle age might be the time when you finally learn how to translate your own life into something that makes sense.
Nothing here is loud, but it leaves a really soft, tender aftertaste.
This episode did not come to play. They flew to Fukuoka, swapped the insert song to Japanese, AND brought in Tattoo Colour to perform after Qin’s number. One episode, multiple payoffs, the budget visibly on fire.
The fact that they still worked in Thai brand placements while shooting in Japan is honestly a flex. And after all that, they had the decency to give us a genuinely generous bed scene. The TeeTeePor crowd is going to lose it. Strong finish, real effort, full marks from me.
Honestly this episode was heavy, just packaged in a lighter, almost playful way. I think a lot of people, especially kids from Asian families, are going to feel this one. Pobmek’s mom is basically the classic version of that kind of parent.
When his mom (Pafun) showed up at the competition, I was joking like, “Watch her grab a guitar, smash it, and throw up a rock sign.”
A few seconds later I was not laughing anymore.
A Taiwanese friend of mine in California once told me his parents smashed his toys when he was a kid. Now he has a stable job and keeps buying collectibles nonstop. It is his way of coping with what he lost growing up.
This episode focuses on Pobmek and his relationship with his mom, but it also drops more hints about Solar/Sun. Solar’s change feels tied to his biological mother, which means Pranee probably is not his real mom.
From the preview, Pranee is clearly hiding something from Pobmek. That look on her face just screams, “I knew this day would come.”
Perth was so good in this episode. The way he just froze and held everything in instead of reacting right away made it hit harder. You can really feel why Pobmek turned out the way he did. With Pobmek’s arc wrapped, Sun/Solar is up next, and that one is going to hurt.
One thing that did not work for me. Jee saying he did not know why Pobmek could not play guitar felt like a writing slip. After a scene like that with his mom, that would have been all over the school.
My biggest complaint is that car window CGI. It looked rough. For Prabdee, that is embarrassing. They are known for quality, and this felt like someone just stopped caring.
And honestly the most eye catching thing in this episode has to be Sun’s lobster outfit by the Italian brand Sit Down Please.
Nothing says emotional damage like showing up dressed as luxury seafood.
I’ve been waiting years for Wooju/Wuju Bakery, and the premise is so exactly my thing that it honestly hurts to type this. But I’ve decided to sit this release out for now.
Jeff Satur’s agency, Studio On Saturn, has publicly said there’s no finalized contract for this version of the release, that he hasn’t been paid, wasn’t allowed to see or approve the final cut, and that they do not consent to how the series is currently being released or promoted. They’ve actually started legal action over it.
That’s… a lot. And it isn’t fandom speculation; it’s coming directly from his own team in an official legal statement.
I just can’t settle in and enjoy a drama when the lead’s side is openly saying that the basics like payment, consent, and contract terms are not in order. Watching and rating it under those conditions wouldn’t feel right, and I don’t think my view would “support the artist” in any meaningful way.
So for now I’m holding off. I’ll keep putting my time and money behind Jeff’s other work, the projects his agency can actually stand behind, and hope we eventually get a version of Wooju Bakery where everyone’s rights and labor have been properly respected.
I wonder if it is because both ForceBook and FirstKhao were relatively new ships in 2023. So they could do what…
I think you’re right, it really feels like they went from “we fear nothing” to “we fear quote tweets.” The energy is off. It’s like watching them tiptoe around their own fandom 😭
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First off, I’m still really into Sammy’s Children’s Day. We’re basically at the finale now and I’m hooked on every episode. This isn’t a hate post.
Two little things bugged me though:
1. The show’s set in Kowloon, so why is there a left hand drive car in the shot? Hong Kong uses right hand drive. Small detail, but once you notice it you can’t unsee it.
2. In the scene where He Chusan is pulling glass out of Xia Liuyi’s chest, the shards are going straight into bare skin like he was shirtless. But earlier that same day he’s clearly wearing a shirt and a jacket, so wardrobe and SFX didn’t fully sync up there.
Still a great episode overall and I’m excited for the finale.
And the commitment? Insane. He could have stopped at one euphemism and called it a day, but no, sir. He keeps going. A flame with no spark. A flag that will not fly. Noodles without broth. Each one more unhinged and weirdly specific than the last. At some point I stop laughing and start wondering if Kaew has been workshopping this material for weeks. Did he have notecards? Was there a rehearsal?
It’s gossip as performance art. Elegance and savagery holding hands, skipping through a field.
And Krit, babe, why is the 2 Moons theme on loop in that car? Is the aux stuck, or is this a cheeky wink at Wayu? Either way, we see you. Please add one more song to the playlist. Just one. I’m begging.
Also, Tai showing up in a fight-graphic tee and immediately starting beef with Sky?? Sir, that’s not a shirt, that’s a legal disclaimer. I was wheezing.
If you haven’t watched yet, cozy corner, phone on silent, go. 💅
Japanese shows often don’t bother giving English titles that sound “natural.” They go for mood, not grammar. Sometimes that works beautifully. Sometimes you get Fake Fact Lips, which sounds like a lost Gwen Stefani track from 2004.
The show itself matches the title’s energy. Two people decide to make each other fall in love just so they can reject each other first, which is not how humans behave but is exactly how drama behaves. Nobody involved is pretending this is realism.
Watch it the way it wants to be watched: not for insight, just for the mess.
I’ve been wondering about the low rating too. I think this drama’s tone and pacing are very specific, so it probably hits differently depending on what people expect from a BL – some may want something more dramatic or idealized, while this one feels very grounded and restrained.
For me, that’s exactly what makes it special: it feels like a quiet, mature story that could really exist off-screen.
Azuma’s nephew following him all the way to Kuji’s house because he was worried about him was such a simple detail, but it stuck with me. It says a lot without making a scene of it. Azuma may be in a messy place in life, but he’s still someone his family cares about deeply. That kind of love doesn’t need you to be doing well first.
The scene with Azuma’s mother had the same feeling. Her fall, and Kuji going along for the visit, made me think about everything Kuji must have gone through with his own father. We never see any of it, but you can feel it in the way he handles things. His advice about fixing up the house didn’t feel like empty comfort either. It was practical and real, like he knew what he was talking about because he’d lived it.
I also loved how the episode kept circling back to translation. When Azuma’s father read him English picture books as a child, he wasn’t just translating the words, he was reshaping them so a little kid could actually feel the story. That idea lingered. Maybe it’s what the drama is quietly getting at: after enough disappointment and detours, middle age might be the time when you finally learn how to translate your own life into something that makes sense.
Nothing here is loud, but it leaves a really soft, tender aftertaste.
The fact that they still worked in Thai brand placements while shooting in Japan is honestly a flex. And after all that, they had the decency to give us a genuinely generous bed scene. The TeeTeePor crowd is going to lose it. Strong finish, real effort, full marks from me.
When his mom (Pafun) showed up at the competition, I was joking like, “Watch her grab a guitar, smash it, and throw up a rock sign.”
A few seconds later I was not laughing anymore.
A Taiwanese friend of mine in California once told me his parents smashed his toys when he was a kid. Now he has a stable job and keeps buying collectibles nonstop. It is his way of coping with what he lost growing up.
This episode focuses on Pobmek and his relationship with his mom, but it also drops more hints about Solar/Sun. Solar’s change feels tied to his biological mother, which means Pranee probably is not his real mom.
From the preview, Pranee is clearly hiding something from Pobmek. That look on her face just screams, “I knew this day would come.”
Perth was so good in this episode. The way he just froze and held everything in instead of reacting right away made it hit harder. You can really feel why Pobmek turned out the way he did.
With Pobmek’s arc wrapped, Sun/Solar is up next, and that one is going to hurt.
One thing that did not work for me. Jee saying he did not know why Pobmek could not play guitar felt like a writing slip. After a scene like that with his mom, that would have been all over the school.
My biggest complaint is that car window CGI. It looked rough. For Prabdee, that is embarrassing. They are known for quality, and this felt like someone just stopped caring.
And honestly the most eye catching thing in this episode has to be Sun’s lobster outfit by the Italian brand Sit Down Please.
Nothing says emotional damage like showing up dressed as luxury seafood.
Jeff Satur’s agency, Studio On Saturn, has publicly said there’s no finalized contract for this version of the release, that he hasn’t been paid, wasn’t allowed to see or approve the final cut, and that they do not consent to how the series is currently being released or promoted. They’ve actually started legal action over it.
That’s… a lot. And it isn’t fandom speculation; it’s coming directly from his own team in an official legal statement.
I just can’t settle in and enjoy a drama when the lead’s side is openly saying that the basics like payment, consent, and contract terms are not in order. Watching and rating it under those conditions wouldn’t feel right, and I don’t think my view would “support the artist” in any meaningful way.
So for now I’m holding off. I’ll keep putting my time and money behind Jeff’s other work, the projects his agency can actually stand behind, and hope we eventually get a version of Wooju Bakery where everyone’s rights and labor have been properly respected.