Love the ordinariness of this un-Kdrama-like show
The ordinariness of the female lead and plotline is beautiful: woman in her mid-30s, who is stuck in life with her career going nowhere; and her relationship collapsing, finds companionship and support from the male lead. Of course, the male lead also happens to be her best friend's younger brother, complicating it. And possibly, western audiences do not understand this complication too much.
Writer Kim Eun and director Ahn Pan-seok strive to bring a realistic, unmushy feel to the relationship and its growth. But what brings it together is the natural chemistry between the leads, Jung Hae-in and Son Ye-jin. The writer-director's second project, One Spring Night (8.3, 7.9, 2019), tries for a similar feel but fails without Son Ye-jin.
The show also has a nuanced take on sexual harassment at the workplace. It is not as loved as other shows because it's not your regular kdrama, making it the lowest rated show that I recommend, but that's what I love about it. Having said that, it does drag a bit in the middle and could have been shorter.
Writer Kim Eun and director Ahn Pan-seok strive to bring a realistic, unmushy feel to the relationship and its growth. But what brings it together is the natural chemistry between the leads, Jung Hae-in and Son Ye-jin. The writer-director's second project, One Spring Night (8.3, 7.9, 2019), tries for a similar feel but fails without Son Ye-jin.
The show also has a nuanced take on sexual harassment at the workplace. It is not as loved as other shows because it's not your regular kdrama, making it the lowest rated show that I recommend, but that's what I love about it. Having said that, it does drag a bit in the middle and could have been shorter.
Was this review helpful to you?