scenophile

Cute and comforting (other than the...you know)

I loved the vibes of this one a lot. It felt extremely comforting to follow a character that came to terms with not having a dream and just being comfortable with enjoying the day-to-day. The romance is subtle, but its still there — and it matches the characters really well.

The main hiccup in this drama is the — yep, you guessed it — the murder plot. It really came out of left field, with suspects that were barely hinted at before. Then it was resolved in less than an episode, and it felt like everyone just...moved on. I don't think we needed it at all, and there were much more down-to-earth subplots that we could've gone for.

Nevertheless, it was sort of a blip, so it didn't bother me so much. My other minor con would be that the drama seems to redo the "drunk" subplot far too often, but other than that, I still really enjoyed this one at the end of the day.

Read More

Calm

Rating this (and the prequel series) a little above the median. I think the most important thing is that I'm extremely impressed with its portrayal of lesbianism and asexuality, and even more so with its commentary on how it ties into housing discrimination, as well as gender roles in family units. I don't think it's something I've ever seen tackled so head-on in an Asian drama.

With that being said, while I do think this is ultimately a peaceful and cozy watch, with leads that are refreshingly mature, I feel like everything ended up feeling just a little too polite for me. I don't mind the lack of skinship — I actually love that this drama talked about different levels of comfort and going slow, but in terms of relationship dynamic, as a matter of personal preference I enjoy couples that are a little more high-energy and have banter. The leads here are very much not that, and after a while they start to feel a little one-note.

Read More

Calm

Rating this (and the sequel series) a little above the median. I think the most important thing is that I'm extremely impressed with its portrayal of lesbianism and asexuality, and even more so with its commentary on how it ties into housing discrimination, as well as gender roles in family units. I don't think it's something I've ever seen tackled so head-on in an Asian drama.

With that being said, while I do think this is ultimately a peaceful and cozy watch, with leads that are refreshingly mature, I feel like everything ended up feeling just a little too polite for me. I don't mind the lack of skinship — I actually love that this drama talked about different levels of comfort and going slow, but in terms of relationship dynamic, as a matter of personal preference I enjoy couples that are a little more high-energy and have banter. The leads here are very much not that, and after a while they start to feel a little one-note.

Read More

Half a season

There are some interesting premises and character dynamics here: reunited exes, Gi-hun and the Front Man, the perspective of No-Eul as a guard...but nothing really comes to fruition because S2 feels incomplete. I think calling it S2 and S3 is kind of a stretch; it's S2 part 1 and S2 part 2. I like seeing the push-and-pull between the character pairings, and the show does a good job of adding tension using dramatic irony, but other than that, it's a lot of set-up without any pay-off.

I have the patience to wait for S3, but it just feels like Gi-hun, as a returning character, is quite under-utilized. I'm not sure I buy into the idea that he's some kind of revolutionary leader who everyone falls in line behind, and I also feel like he's approached the games on too much of a surface level. He yells for everyone to listen and follow him to overthrow the game makers, but doesn't spend actual time thinking about why the games exist, or if they planted a player the way they did in the last game. Wi Ha-jun's character (whose name I can't even remember) is underutilized too. He's on a boat, but largely irrelevant.

I also think the games just aren't as good. I understand that the show needed to go beyond the games this time and couldn't just have the same thing play out again, but I felt like there was a missed opportunity here. Now that we have a guard character, I imagine — what if the protagonists planted people in the guards the same way the antagonists had planted a player? Or what if the players found loopholes to the games? Part of the chart of S1 was that the games were very simple: cut out this shape, pull the rope, cross the bridge, play marbles. This time, in making the game so complicated — have a team of five with each person playing a different childhood game as you walk around the track with your legs tied together — it felt like we lost something. We didn't get to see how each character approached a simple game because there were too many characters and games and we were just flashing through all of them.

Regardless of all this, I think this season is a decent set-up for whatever comes next.

Read More

A good old case-of-the-week

Taiwanese dramas of the "comedy" variety are really a hit or miss for me because it's either extremely witty or extremely cringe. I'm happy to say that this is the former. The comedic timing is impeccable and the three main leads (and even all the side characters) bounce off each other very well.

The cases are pretty interesting, but I admit that none of them really stood out to me as much the main arc of the lead recovering from the accident that killed his father, or even as much as just seeing the trio be goofy together.

It's the humor and the family theme that really make the show. I won't lie — I shed a lot of tears whenever the ML shared scenes with either of his parents, and I think it's those scenes that will stick with me the most.

Read More

Eccentric lead, Underrated drama

This drama is so underrated. From the very first episode I was captivated by the female lead — there's something about these very eccentric but straightforward and socially unique leads that just feel so relatable and immediately create a different dynamic wherever the drama takes place, which, in this show, is a newsroom.

I really enjoyed the episodic format of this one as well, and it was even more interesting than typical episodic dramas because of how well they tied in the subplots of each side character with different cases. By the end of the show I truly felt like I knew every single person working in that newsroom.

My only criticism is a minor one: I enjoyed the backstory arc of the main female lead, which was revealed about halfway through the way, better than the actual ending arc, which was treated like the finale. It's not a dealbreaker by any means — in fact, logically it makes sense for the story to wrap back around to present day, but I just felt like it wasn't as emotionally hard-hitting.

Overall, I still really enjoyed this drama and I'm sad at how underrated it is.

Read More

Warm and comforting

This was a really comforting movie despite its original premise being so sad; the entire vibe of the family spending time together just cooking or cleaning while it rains outside makes you feel really warm.

In terms of plot and story, I honestly don't think it offers up anything new, but it still successfully makes use of one of my favorite tropes — one person has been pining for a long time just for you to find out the other person has been pining for even longer — so this isn't even even a complaint.

I do wish this was longer. I'm not sure how or where it would go, but I felt like I didn't get enough scenes with the leads and their son for me to see them as parents, as opposed to just being a couple (since we got a lot of their love story, which I loved). The theme seemed to bounce between romance and family without being able to make it cohesive.

Overall, I'd say the story goes pretty much as expected, but it's still a really comforting watch.

Read More

Draaaaaaag.

If this was a romance about Dao Ming Si and Shancai, it made no sense that the two of them maybe got about 60 minutes of screentime, with half of that all being in the first episode before everything went to crap.

It's all been said before, but there was absolutely no reason we had to wait 13 episodes for Shancai and DMS to meet again, and then ANOTHER 11 episodes for him to get his memory back, all for nothing to come of it until a 10 minute reconciliation at the end, all without any sort of meaningful communication between them before that.

I could write an entire thesis about why I hate the amnesia trope, and I know the source material is to blame for this arc even existing, but with that being said, I absolutely could not bring myself to care about anything that happened during the amnesia, much less any scenes between Ye Sha and Dao Ming Si. It was refreshing, sure, that she wasn't a manipulative mean girl like in the other versions, but amnesiac DMS was basically scrubbed so clean he wasn't himself. Most of their love story occurred in a world without familial or financial pressures, which made it feel low stakes. And all of that doesn't even compare to the fact that we, as the audience, knew how the story would end anyways and all the wishy-washiness just felt very dragged out.

We also get to see a little bit of Meizuo's romance and Ximen's family arc in this one. I didn't realize that Ximen's romance arc wouldn't get a conclusion (which is slightly disappointing as it was my favorite part of the Korean version), but overall I don't think I had the patience to appreciate either of these side stories because they took up screentime while the main story was still being frustratingly slow.

On the other hand, think my favorite part of this drama has to be Lei. He's come so far since the start of the show, and he got all the meaningful conversations Shancai should've had with DMS. I didn't have SLS in every adaptation of Hana Yori Dango, but this one...oof.

Read More

About emotional turmoil

As someone who absolutely despises infidelity in shows, I went into this thinking that I was watching it simply for Puff/Jasper, who I had loved in Pleasantly Surprised. And yet, I turned out to be ~pleasantly surprised~ by this drama and the way it handled cheating and emotional turmoil.

For anyone who goes into this expecting a whirlwind romance and two people who can't help but be physically attracted to each other's touch, I give a few words of warning: this is not that sort of drama. Instead, this drama was really intelligent and emotionally thoughtful, which made me enjoy it much more.

This is a show about two people who are both trapped, in work, in life, and in their relationships. The physical attraction they feel towards each other is the first opening of that Pandora's box, sure, but what was always more important was the other things: what do you need out of a relationship? how do you deserve to be treated?

I know people found the female lead's restraint frustrating — and it truly does last throughout most of the show. But I actually really loved it because it was a lot more realistic. I think of people who have been in relationships for years and worry that it would all go to waste if they give up now, and worse, people who have been treated a certain way for so long that they start thinking that it's all they deserve. I found her internal conflict super relatable and was really impressed with how emotionally and morally intelligent this show was.

Overall, I loved how down-to-earth everything seemed. The show had its dramatic moments, but they made sense and it never felt like they were spitting out tropes to be dramatic. This is a show that really takes its time and lets its main character take as long as she needs to think, and dramas like that don't by very often anymore.

Read More

I pretend I do not see it

Unfortunately it seems like this is one of those sequels I would prefer to forget about and likely will never watch again, except for maybe parts of that first episode and some scenes where the leads are just spending domestic time together.

The chemistry between the leads is absolutely still there, and all the intimate moments are still beautifully shot and make you feel like you're intruding on something very private and meaningful.

As someone who absolutely despises infidelity plots, it was really difficult to even give this drama a chance, and the end result was exactly as I expected — infuriating. It's not only that I feel like we went through so many learning moments about communication in part 1 just to feel like the characters regressed to a worse place, but also that the side characters involved in the infidelity plot weren't enjoyable to watch at all. There was none of the chemistry the show tried to convince us of, and all of the deep moments or life lessons felt icky considering the circumstances.

There are far too many time jumps, which felt lazy and meant that emotions seemed to appear out of nowhere without proper build-up and forgiveness happened without feeling earned. The subtle visual symbolism and showing-not-telling was also absent, despite the cinematography still overall being great.

I feel like the only reason I still don't absolutely hate this to the point of a 1/10 is because there's just so much magic between the leads when they're on screen together and because the scenery is still gorgeous.

Read More

Disjointed from the drama, but has the best moments

This definitely feels like a TV movie and I have very mixed emotions on it.

Just to get it out of the way, I don't think this HAD to be a movie — it could've been added as a few more episodes for Liar Game 2 and the story might've been better for it, as I'm not sure the story or game was mind-blowing enough to warrant its own film.

The first thing that I didn't like was that some of this felt disjointed from the drama. I'm not sure if I missed something, but characters who had gone through development in the show backslid or completely felt like different people. I felt like some of the character relationships that grew on me were lost, or some scenes felt random.

The best part for me, however, is what we saw between Nao and Akiyama. Yes, some scenes were still disjointed and I felt like I missed something, but my absolute favorite scene between them out of the ENTIRE two seasons takes place in this movie. It is probably the clearest depiction of how much they mean to each other, and for once I really felt like the stakes were high.

Other than that, the ending is satisfying (albeit a little confusing where I felt like some dialogue just missed the point of everything), the editing is still very campy and hilarious, and I think the game was one of my better liked ones.

Read More

A Good Start, An Intriguing ML

I'm a huge fan of films and shows about high-stakes games, and this was no different.

It is a little cliche in terms of its characters: the ML is smart and cold, while the FL is bright but naive. With that being said, I really think the drama could have focused more on character backstory and growth. While I liked the contrast between the leads, the ML was the most interesting character of all, while the FL felt like she was there as a plot device, just for his character development, to get him and all the side characters to open up.

And to be honest, I just don't fundamentally agree with some of the messaging here; Nao really feels naive and trusting to a fault, and it felt more frustrating than inspiring.

Still, I liked watching the games, particularly the earlier ones that were more simple and psychological. I love thinking through my own potential solutions and it was actually possible to do that at the start, whereas the later games got more confusing with a lot of rules and loopholes. If you're like me and like being able to treat shows like puzzles, this show is good for that at the start but starts diverging from it. Overall, it became a show where I would just sit back and watch things play out.

Sidenote: the editing is SUPER dramatic and it's kind of funny sometimes.

Read More