Driest music-themed drama ever...

Do I Like Brahms? No. While the scarce music bits sprinkled throughout the drama were great, yet, this is one of the worst music themed drama. The relationships, despite being the main focus here, proved to be detrimental, leading to a catastrophic downfall of the entire drama. The amount of brain worms these characters were ingesting was unprecedented. This is a 16 episodes drama that was purely driven by the characters self-sabotaging themselves constantly in the most pitiful and mind-boggling manner imaginable. Even trashy soap operas can be more fun. Going back to the music, I couldn't feel the cast's passion while performing, under-delivering on the music part again. You better off close your eyes and imagine. Even then, I believe there was a total of 5 very short performances for a drama themed around music!! Honestly, you're better off to go watch some classical music on YouTube. This is the writer's first full feature drama and I'm not looking forward to see more of her works at all.

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Shit

Sometimes there are few selected dramas that shouldn't even be submitted to the network for approval and this is definitely one of them. My soul has been drained out from this abomination and I don't feel like writing too much. It's impressive how one writer can fuck up this hard. It takes a talent! This drama is classified under "rage bait kink" and "fucky wucky ending" labels, it's manufactured that way. This drama is a waste of carbon emissions. If I'm not clear enough, you're very much highly recommended and advised to absolutely turn around far away from this cancerous tumor.

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Okay....

Keep in mind this is a sitcom not a drama, well, kinda. Just like any other sitcom, the comedy is what makes it or breaks and it's the main focus or so I thought. The first half was a proper sitcom with lots of jokes but the 2nd half kinda turned into a regular family drama focusing on the characters and keeping the jokes to absolute minimum. A handful of episodes would pass without a single joke, I completely forgot it was a sitcom in the 2nd half. Also, the 2nd half shifted the focus to the younger couples mainly, you barely got to see any of the elders. I'm not sure why they took it that direction, the writer was probably changed if I had to take a guess.

I enjoyed the first half for what it had to offer but the second half failed to hold my interest. The characters and their stories weren't mature enough to compensate the change of genre and direction. Whenever they had some bloopers at the end of an episode it was always funnier than the episode. FYI, the drama had no canned laughter.

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What a joke...

This drama is without any doubt the worst 'TV Novel' drama from KBS ever. Awful from start to end.

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Let's state the obvious, the drama got a fantastic cast all of them bounce off each other smoothly. There was a great chemistry flouting around and everything fitted nicely. However, the story/writing was problematic and I almost feel I can't complain about how it was because that's what was popular back then. Even though I liked the setting and the premise. There was a lot more to be done with it instead of just roaming around. The saddest thing about the drama is how lonely and estranged Moo Hyuk always remained despite having people around him. Anyway, it's worth watching for the cast and vibes alone.

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Lost in Translation

Unfortunately, the drama wasn't as it appears on the surface. Presumably, it was set in China with most of the cast being Chinese, meanwhile the Korean main lead was more of a sidekick and a clown in the story. Although there was a little bit of change but the writer didn't put in the effort to work on his character. Aside from the initial premise of the plot, up to being scammed, the drama got stale and they began to introduce love interests at every down time. That was why they forced the Korean ML to get a love interest so he doesn't fall behind, even then, it fell short and uneventful. I would much prefer if they worked on his character contrary to how he was presented earlier in the story. The story progressed and ended in a very old fashioned Chinese way in delivering lessons and such. On another note, I liked some of the unexpected scuffness like the boom mic peeking on top of the frame.

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Ride or Die!

Another agonizing project reminding me how much I miss Choi Jin Shil. May she rest in peace. This drama was a real wild ride for all kinds of reasons. Right from the beginning you will notice the gigantic production value, one of the main reasons was their official sponsor Hyundai who funded it for more than 1.6 billion won (3.5 billion won today) in production costs, not to mention the provided cars, factories and locations in the US. It didn't come as a surprise since this was during the economical boom in the 90s, they were swimming in gold. They were even throwing some shade at Honda for sending industrial spies. In reality, they wanted to beef with another company but they didn't want to generate bigger controversy. I don't remember any other drama doing such a move! More on the production, copyright laws didn't matter back then so it was no surprise they had tracks by Michael Jackson for example. Speaking of which, the soundtrack was so damn good especially with the jazz pieces, it's also the same composer who worked on Sandglass (1995). The scenes that were attached to these jazz pieces were interesting, dramatic and theatrical.

The drama stood out as a compelling piece that combined powerful storytelling with deeply resonant themes, making it a memorable experience. It traced their journey with authenticity that felt raw while exploring the conflict of ambition, resilience, and the human spirit. There were a handful of diverse characters each one brought something unique to the table, their intertwined relationships were equally interesting as well. Visually, the drama captured the essence of the mid-90s, with its gritty urban settings and evocative cinematography enhancing the storytelling. It also had some wild scenes on some views and depictions, including violence and two sided racism in the US, extreme misogyny and other socio-political spectacles. It would've been absolutely wild to see this coming out today.

Nonetheless, not everything was sunshine and rainbows, the drama had a few hiccups that held it back from achieving true cinematic greatness. The drama had a cruel side to it with how it killed some of the characters, merciless and unexpected. The narrative had an interesting blend of drama and introspection, highlighting the challenges faced by those striving to achieve their dreams against all odds. However, there were major gaps in the narrative with some of the characters and events. Some decisions and directions in the story didn't fit the overall view of the drama. Additionally, although there were a handful of repeated flashbacks but these weren't too offensive due to the accompanied soundtrack and the general 90s vibes. One last thing, I really wish the drama had more dialogue in the last episode with a better wrap up to other key characters (especially and specifically Choi Jin Shil character), it deserved a better refined and fine-tuned send off. Despite its imperfections, the drama was a great watching experience.

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Another Bait & Switch

Well, this was a bit refreshing, initially. The drama had a good run throughout its first half with a solid setup around the character Young Shim and her drawn character Youngsim. It allowed for quite a few of funny scenarios and bits. Song Ha Yoon did a great job in bringing the erratic nature of both Young Shim and Youngsim to life. However, the drama dipped hard in the realm of mediocrity around episode 6, turning the drama into the most bland and generic displays of soulless cliché romcoms. Forget everything the drama built up earlier on. The female lead life story was built on her father's character Youngsim and her erratic personality but that was abandoned. It's really unfortunate for the wasted potentials it initially had.

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Theft At Dawn

While I appreciate its shorter runtime of 10 episodes but I wish it was even shorter for a tighter package. Some side plots didn't fit the narrative and were a mere distraction, such as the female lead's friends personal affairs, not even a good filler. The middle parts were filled with padded sequences. It took a long time before actually getting into what the synopsis describes. From this kind of plot around embezzlement, I would expect somewhat a smarter play and a deeper plot but the drama kept things mostly at a surface-level and borderline making stupid mistakes intentionally to create some tension and invoke a reaction from the viewers. I really like what Kim Seo Hyung has been doing in the past few years, leading projects of characters that fit her are infinitely better than older supporting roles. Anyway, the drama may not rank high but still offers a decent viewing experience for those willing to explore something different.

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Real Estate Scam

As per design, this is the usual love square quarrels from the 2000s, following the blueprint precisely but with one major unforgivable flaw. It's expected from this formula to have a loose story not adhering to reality, common sense or logic, in one way or another it blends and enhances its entertaining value to push forward the narrative and dynamics. However, this drama went beyond what the viewers may deem passable in that regard with how they snowballed the setup involving the FL's friends, and her friends existence in general, pure atrocity. I refuse to believe that the writer spent more than 1-2 minutes thinking about the initial setup. Admittedly, the cast is what kept it alive and watchable, from the main leads to the elder cast, absolutely excluding the duo friends. The resolution and the romance in general felt quite distant from the characters, probably because they held it off for too long before establishing a clear communication between the leads which only happened in the last episode. Overall, the drama was just alright.

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Aged Like Milk

There's an obvious case to be made around the exploration of the ups and downs of being a young adult, but this drama was an excruciating exercise in superficiality, offering nothing but a hollow shell of what could have been a worthy experience. From its cardboard characters to its cringe-worthy dialogue and moments, the drama failed to maintain an attractive hook, opting instead for a glossy, saccharine portrayal that felt more like a caricature than a digestible imitation. The stories were equally pretty shallow as well, its attempts at drama fell flat, overshadowed by its overwhelming lack of substance, conviction and commitment between most of the characters, relationships and dynamics. Its surface-level approach with everything left no room for any proper investment to be had. By every metric possible, the 2nd season was a significant downgrade to what was an already struggling piece. Yoo Eun Jae was undeniably the weakest link in season 1, recasting her actress to someone who's struggling to play it, made things 10 folds worse. The replacement was trying really hard to mimic the original while the actress facial expressions, fluency and intonations were the polar opposite. It doesn't take a blind man to be appalled by the comparison, not like the original was any better. Unfortunately, things got even worse, her continuous story, background, conflicts, motives, and character writing were a nauseating concoction of utter literary incompetence and creative bankruptcy, a slap in the face to anyone with even a modicum of taste. To be fair, both Ye Ri & Eun Bin brought a much needed improved performances into the 2nd season, their characters as well had a better fit. Overall, the drama was a disappointingly bland and forgettable entry that failed to leave any lasting positive impact. If you care, streaming services like Netflix cut off any inner songs/tunes/humming/reading-lyrics-out-loud, the first episode is +3 minutes shorter than TV.

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Cityless Behaviour

Initially, the drama was captivating with its picturesque setting, charming characters, vibrant village life, and delightful slice-of-life moments. The dynamic between the village people created a lively and heartwarming atmosphere. Each character brought something unique to the table with lots potentials and the slow burn romance between the leads was a highlight, initially. However, as the focus shifted to the romance between the leads around episode 11, the vibrancy of the village dynamics began to fade and the the drama lost some of its spark. At that point, the drama turned into a very long compilation of cheesy uneventful dates sequences while neglecting the small-town dynamics and community interactions that initially drew me in. Their interactions became more unbearable as the drama went on and the male leads supposed problems were an additional let down. Anyway, it wasn't perfect to begin with, Yeong Guk & Hwa Jeong triangle and story was the weakest link in the village and borderline ruined many scenes. The drama could've definitely used more people in the village and more stories, even if it were to add more sidekicks. Moreover, many of the stories from the village started and ended within a few scenes/episodes. I really wanted to see more investment in the Pub owner rather than Yeong Guk triangle. Eventually, the resolution turned out to be just acceptable. While the drama remained enjoyable overall, the overall decline in quality after the leads got together was a really big disappointment.

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Raw Proposal

I can assure you, it wasn't a delicious proposal. The romance in general was really not good here. The drama was a bit of a mixed bag. At a first glance, the cast was undeniably stacked, Son Ye Jin, So Ji Sub, Ji Sung, and Kwon Sang Woo, however, everyone except the male lead Jung Joon was a side character, he was the main focus throughout. Even Son Ye Jin didn't do much in this drama despite being the female lead. The story could use some spice and maybe other ingredients as well, something was always missing, it didn't feel complete. The male lead character was kinda bland and didn't fit a lead's mold for a drama. There were some nice moments that remind you of the good old raw kdrama days, but they weren't enough to make up for the overall lack of taste.

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Courtless Behaviour

At a first glance, the drama got a commendable cast bringing adequate performance to their character. The initial events and the 4 first episodes were eye catching, interesting and kept you looking forward to see where the story is going. However, the story just didn't quite measure up. It's like they've got all the right ingredients, but the recipe just doesn't come together. They very rarely went to court after that, it turned into mystery/investigation. They were also building a mystery around the male lead trying to insinuate something else about his character but that got boring really fast for how obvious and lazy their attempts were. Finally, the last 2 episodes and the climax were weak in general for a finale, nothing interesting or appealing came out of them. Don't expect much beyond the initial few episodes and the decent cast.

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Joyless Jingles

Police officer Joy taking us on a joyless ride around the village. The fake cozy and small-town vibes failed to capture a convincing portrayal of small-town life but rather padded it with cheap cookie cutter village NPCs with bubbly visuals. The attempts at romance felt superficial and unconvincing, the female lead was always coming off too strong on the new guy in the village despite having little to no sufficient time to develop a romance, but rather relying on her ever long lasting impression of each other when they were kids. The transition was off. The case is even worse with the male lead. Anyway, it was a forgettable and uninspiring zero calories short drama.

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