SunOh

"and if you gaze long into the abyss, the abyss also gazes into you."

It’s definitely not a film for everyone, but it expressed something I deeply relate to and that was cathartic for me. Anyone who dismisses it as merely weird or perverted is missing how profound it truly is. It touches on everything — from the struggles of adolescence and mental health to a subtle critique of a rigid, monotone society with the lack of mental health support, stigma, detached overworking parents, etc. It’s raw, powerful, and honest. The opening line even states it’s meant for those who have suffered through puberty, which sets the tone perfectly. Of course, Baudelaire's Les Fleurs du Mal is part of the film.

The symbolism is brilliant — I especially loved the “other side” theme. It’s probably this impactful because it condenses a massive, masterful manga into just two hours, making the experience intense and overwhelming in the best way. Honestly, this movie found me rather than the other way around.

My personal highlight was Takao's actor — his performance resonated with me like no one else’s could. And the cinematography? Absolutely stunning — every frame was thoughtful, beautiful, and full of meaning.

P.S. You can also read my comment under the review if you've finished watching.

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Romantic thriller about privileged teenagers — an intense work beyond appearances

Review with images, spoiler marks and more: https://www.reddit.com/user/_sunoh/comments/1ljwqtb/hierarchy_review_an_intense_work_beyond/

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Hierarchy is a drama that, behind an apparent classic structure — elite school, bullying, revenge — stands out precisely through its ability to go further, delivering a human, emotional, and above all, resolved story. And that is its strength.

The story doesn’t need a sequel because it is complete. Kang Ha gets the truth he seeks, and justice is served. No blind revenge, no spectacular payback, but a quest for meaning, understanding, and repair. The drama doesn't dwell on the brutality of bullying as often seen elsewhere, it chooses a more subtle, mature, realistic tone. And that makes all the difference.

Kang Ha, as a central figure, disrupts the established order through his academic excellence, courage and emotional intelligence. The way he prevents the sharing of the video, or his heartbreaking line to Ri An — “Learn to live with your guilt because I will never accept your apology” — gives the whole story its meaning: a life lesson, not a revenge tale.

Every line of dialogue matters, every word carries weight, and it’s in these exchanges that Hierarchy finds its full scope. The final episode is especially striking: intense, accomplished, and deeply moving.

Jae I herself embodies the ambivalence that makes the characters so human. Both victim and witness, stoic yet wounded, she perfectly illustrates the emotional complexity the drama aims to convey. Her performance, subtle and restrained, makes her a memorable character, just like Kang Ha, whose portrayal literally carries the drama. Moreover, all the main characters—and many others—add depth and nuance to the story.

Far from being a simple “aesthetic” drama, Hierarchy knows exactly where it’s going. It doesn’t seek consensus perfection — it seeks resonance. And it succeeds, because every episode is rich and layered, every emotion measured, every transformation believable. Even Ri An benefits from a complex and realistic character arc. And that’s precisely what makes this work memorable: nothing is black or white, and above all, everything is said.

The settings themselves play an equally interesting role. They depict a school of unreal beauty, which makes the contrast with the darkness of the drama all the more striking. It evokes certain dystopian films: a seemingly perfect world where the worst seeps into every crack. This visual dissonance is no accident — it reinforces the drama’s atmosphere and underlines its tensions. And clearly, I’ve rarely seen such beautiful color grading.

It's easy to criticize the drama for a lack of originality, but that's a misreading. Hierarchy doesn’t overplay elitism or corruption — it deconstructs them with finesse. And above all, it highlights a powerful message: the importance of change, awareness, and education — even in the most closed environments.

All in all, Hierarchy is a short but impactful drama. Not because of its spectacular aspect, but because of its sensitivity, accuracy, and its ability to evoke emotion without relying on gimmicks. The drama doesn't aim to shock — it aims to heal, to bring growth, and it does it well.

The post-credits is a symbolic scene of Kang Ha and the school hinting at a Season 2. Either way, Lee Chae Min, Roh Jeong Eui and Kim Min Chul got reunited in Crushology 101, which I absolutely loved.

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Great spin-off

Best cartoon drama - loved it, the couple, particularly Ong Seong Wu (love his jackets!), and just about everything such as the scenes in Mongolia, secretive/rich environment (along with Penthouse-like OSTs) and play on capitalism, female empowerment with the mother, the grandma (who had their own backstories) and Nam Soon of course, great comedy like with the lazy brother (he was so funny kind of like the sloth in Zootopia), making fun of misogyny without being offensive like the Barbie Movie (we know some losers complained about it), little moments like Nam Soon looking at Hee Sik dancing from afar thanks to her super vision (iconic scene) or the rain falling above him with the rainbow and when he disguised himself as a woman, Nam Soon keping a picture of Eunwoo in her journal in Mongolia saying she wants to date a good-hearted Korean guy and then fate happens in a really fun way, open-minded take on old couples, contemporary issues, vulnerable people, family relationships (some more complicated than others), adoptive parents/finding your biological family back, teamwork, side characters (the homeless couple, Mr. Bread and his OST, the semi-villain Hwa Ja who impersonated the real daughter, the detective Yeong Tak), etc. I liked how it was a big fight revolving around drugs and Russian mafia, and Nam Soon had bigger superpowers (and the "link" they had in their family). The production quality was high, the ending was great (satisfying conclusion and then surprise), and Season 2 is apparently coming out!

I didn't think it was poorly written, and there wasn't too much content either. It was all tied together and there was 16 episodes of 1 hour each, which is more than enough.

People hated it because "the villain was hot" (he has a terrible backstory, so yeah). I'll never forgive them for insulting the leads, saying the male lead is ugly and hating on them, the whole cast and story (even saying, "who cares about an old couple, I skip their scenes, only watching for the villain"), saying the prequel was much better and this is the worst drama that nobody with taste should enjoy, even shipping Nam Soon with that massive murderer (I always feared their interactions because she was pretending and past some point I was even disgusted when he showed her affection, I started to really hate him when he did one specific thing, I'll write it in spoilers in the comments). The villain had small appearances at first but although I thought he was really good and a fitting casting choice, it's absolutely untrue that he carried the drama. Everyone did - it's an ensemble cast. (Unlike the prequel.)

"there are too many characters/storylines so we can't get attached to them except for the villain" Si Oh barely had any screen time in the first episodes and not that much afterwards either. Even the music and acting would be rated a 1 because "everything was annoying and cringe except Ryu Si Oh." About the music, it had kpop songs because it was exactly what the drama needed.

The prequel: focus on romcom/CEO romance (Hee Sik and Nam Soon had great chemistry too, it was just different), typical love triangle, popular male lead who acted all cutesy... And while the girl was childlike there too oh let's complain about Nam Soon even though you see how she grew up and her personality and also complain about Hee Sik because he's "boring"??? The romance here was more mature if anything. I loved his acting all the time, he always improves and showed his range the best here, I was glad he got a role in a big drama like this, it was popular in Korea too (JTBC is a paid channel and it got high ratings) and I've seen the reels of him in the military with his mates holding fan items, which was lovely (he watched the drama with them). At the time a dance contest of Seong Wu actually got viral in Korea, and if you don't know about him he was part of Wanna One. Anyway just to give an example of his acting here, the fear in his eyes when he was about to lose another loved one was very impressive. Seong Wu is a goated person with a big heart and this cruel world doesn't deserve him.

A last thing, the romance isn't bad simply because Hee Sik got attached to her quickly. He was just a kindhearted policeman and I loved how they got entangled. Their relationship was so cute, how she found her dream thanks to him.

I also appreciated the contrast between both dramas. By the way, you can watch it without having seen the prequel but Bong Soon and Min Hyuk do have a cameo, Nam Soon is Bong Soon's distant cousin.

P.S. There was a Parasite and Nevertheless reference too, that was awesome.

On edit: Two things I've learned, there is a spin-off manhwa "Strong Girl Geum Ju" (Nam Soon's mother) and the drama actually surpassed Strong Girl Bong Soon in the ratings.

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A poignant and philosophical take on the end of the world

"Together today, tomorrow, till the end."

The Fool of the End was such a powerful title, but I'm not surprised they changed it in English. Thankfully, the few scenes removed from Yoo Ah In didn’t hurt the drama, since I think I know what was removed and it's not much (maybe some less important scenes too, no idea tbh). Like one of the top reviews said, it allowed for a stronger focus on the protagonist played by Ahn Eun Jin. Yoo Ah In was amazing as everyone else, and I hope he is doing okay. South Korea absolutely needs to change, but that's not the topic here.

It’s definitely not a drama for everyone, but it reminded me of recent real-world events like the covid lockdown, Korea’s sudden martial law, and, on a more personal level, the sense of community my grandma shares at the church. The timelines were handled well (so I was quite confused about the criticism, because the drama was giving you clear hints like showing the date and changing the color), and it was satisfying to learn about each character and connect everything together. I loved the unsettling but also calm atmosphere despite the chaos, how it kept my mind engaged, and how it moved me. It can sometimes feel ambiguous and require thinking and patience, but in a very good way. What Goodbye Earth offers is a deeply human story with a portrayal of hope and despair. I was hit so deeply in some of the scenes, even if it wasn't loud.

The drama focused on the perspective of ordinary people whose lives suddenly became extraordinary, and on what the catastrophe meant to the protagonist. The script wasn’t bad—the worldbuilding and storytelling were fascinating, and the introduction was great. Hae Chan (one of the kids) narrating the story to the audience as if you just opened a book? Perfect. I've read that the pilot was bad (the first episode), but I couldn't disagree more. I got chills right away and was more hooked than with most dramas. This is far beyond a simple slice-of-life as suggested by others, and yes it is a thriller. Anyone looking for raw intensity and complexity should definitely give it a chance. Every character has a meaningful place in the story and is given truly beautiful development. That's not to say everyone is likeable, obviously... I however loved that one female villain, she had an amazing presence. Despite the vast cast of characters, that was also handled well as I felt closer to them along the way.

The directing was amazing, and in terms of cinematography, it was the best. So much meaning in every frame and every scene. From the start, I loved how the lyrics matched the ending scene of episode one, and how the flashbacks used black and white along with other cool effects. The soundtrack was also a masterpiece, and the performances were incredibly raw and compelling. Revolution by Hwang Sang Jun and Pre-holiday is not just an OST, it's an hymn. Gloomy Day is my second favorite. Pray is also a great song, and the BGMs fit perfectly.

On top of all this, the drama was also progressive in more than one way, and I salute the screenwriter for that.

One flaw for me was the fact that I didn't understand In Ha's military storyline... I felt a bit lost with some of the military stuff. Maybe it was just me and hopefully I understand it better upon a rewatch. It definitely looked cool.

Side note: As stated in the opening, Goodbye Earth is the adaptation of a Japanese mini-bus novel, which is a first.

I will comment about the ending below.

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A bold take on a classic!

"That woman must die. This isn't revenge. This is destiny."

The drama was somehow faithful to the original story (even references it visually with the apple at some points of the story) with its own modern makjang twist inside the setting of the entertainment industry and drama writing within the drama, Seol Ah being a screenwriter. Of course, the characters are more complex. Clever storytelling (the beginning's narration really pulled me in), intertwined fates, emotional and crazy entertaining characters, insane twists and turns, great comic relief (I heard people found it annoying, but I liked it? lol) and a beautiful ending.

Seol Ah (literally means Snow White, born on a snowy day with a dramatic reinterpretation of her birth which is said to be the original in the drama's universe) was the perfect vengeful Snow White (soft on the outside, burning inside), Jeong In the perfect evil queen, and Jin Ho the perfect corrupted prince (instead of Snow White falling asleep, something happens to him instead, and he kinda becomes a villain). Ju Yeon was an amazing character too as the semi-villain. And great side characters overall.

Tae Chang was disgusting, but he's part of the entertainment. It's interesting the role he plays in the villain's story, and he brings out a rather sad topic. In a way, Jin Ho was at the center of this revenge as he was treated like a puppet and went through a lot.

At the end, everyone got their own version of karma - not Seol Ah of course, because she remains a saint. The characters' endings weren't random, they were fitting. It's a makjang, so without the absurdity there would be no drama, and the outrageous storylines are what makes it fun.
Even if you could judge the acting a bit at first, especially with the male lead's acting at times (and the villain's actress seemed to have a problem with her lips), I figured it was that kind of theatrical melodrama and I grew to enjoy it more and more as it got better. My opinion at the end was that everyone was actually really good. And I must mention the sets, because I really liked the colorful aesthetic. This drama felt fresh and fitting for a younger audience, especially considering the cast.

Other than that, I was surprised to see how high-budget the beginning looked (many artistic shots! even when Seol Ah enters her low-budget house lol), because my first daily didn't have this. About the story, at worst it dragged at places but you could easily forget it as long as you're hooked, so it's all about personal preference, and it shows as people who are into revenge dramas didn't necessarily like this one because the drama is full of romance (plus, it's not revenge in the conventional sense, since it's the villain's story, but I found it really symbolic overall).

I don't agree with Seol Ah being called "weak", but I guess we have different perspectives. Personally, she was my favorite. Anyway, I'd rather praise the screenwriter because writing over 100 episodes (30 minutes each, still very long) is obviously insane and I really loved her story. For those who need it, I'll add a comment to help you watching it in a good quality if you don't have Kocowa.
There are many daily dramas that others might prefer, but I don't think I will ever enjoy a daily drama as much as this one. I disliked Man in a Veil (every KBS2 daily is a revenge drama) which others rated well and felt very disappointed, while this drama was dragged down but I've recommended it to my friends and they loved it. And something I love about daily dramas is that it feels like watching a play, it's awesome.

Also, just a story time - I went on the tiktok live of the main actor Choi Woong and commented "Seo Jin Ho!" to which he replied "You know me, SunOh?" and we had multiple interactions afterwards 😭 He's awesome!

P.S. They also did titles like Miss Monte Cristo, Cinderella Game and Queen's House.

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Twelve, was it that bad?

Edit: After all, it seems it didn't do so bad on Disney. Production and broadcast of Season 2 planned in 2026! Sometimes you have to realize that MDL isn't reliable, I myself know several people who like it.

Twelve is a tribute to a vintage, nostalgic style reminiscent of traditional series, fighting games, and especially Power Rangers, which originated from tokusatsu. The first season was meant to lay the groundwork for three more, which gives a lot of meaning to its structure. The ending & cliffhanger were amazing! It better get a Season 2...

The angels were meant to look like ordinary humans while still remaining unique. Their activites, the loss of the other angels (explaining why it's not as "colorful" as some expected), the tired “father” figure—Taesan, who has lost faith in humanity—the contrast between the Crow Ogwi (my favorite) and the Tiger Taesan, as well as the presence of the main villain, the priest. And lastly, the Korean "Romeo & Juliet" between Ogwi and Mireu, or Zeref and Mavis (Fairy Tail).

Regarding the twelve zodiac signs, the characters are well thought-out (the symbolic of the healer Snake, the quiet geeky Rat, the solitary Dragon who is key to the story, the slightly goofy Monkey, the loyalty and sense of duty of the Dog and the Horse, the grumpy, epicurean and protective Pig) and the human chosen for the angels highlights the more vicious aspects of humanity. From their first look, I found them perfect. I'll add a comment about their names in the comments too.

To me, the acting, the music and the visuals were all strong points. However, the reception was disastrous, so I’ve almost lost hope. And to be honest, Disney didn't help at all because of the poor release (not available in many countries). As for the TV ratings, Bon Appétit Your Majesty aired at the exact same time, and it's not surprising it quickly took the spot (I myself love this drama, Lee Chae Min is my favorite actor).

It’s a shame, because it would only have improved, and the drama deserved recognition. Critics may say it was slow and weak despite its touching subtext (example the old shopkeeper who acts as Taesan’s emotional support) but this drama isn’t meant to be watched superficially—the style simply didn’t find its audience. We all know KBS isn’t known for massive budgets, yet I personally find this drama beautiful.

In the end, I enjoyed the action and the story. It was a fun time and I got attached to these characters, so if you think this drama might resonate with you, give it a chance. I really wish Disney would release it where I am so I can support it but it's always the same for those dramas.

Quote from Ma Dong Seok:

“In Twelve, besides myself, the angels who appear in the form of the twelve zodiac signs each display actions that reflect their own characteristics. They all have distinct traits. Rather than carrying the burden of the action alone, I tried to harmonize everything and find balance with them, so I ask for your generous support.”

The actor also revealed the effort invested in creating this K-drama:

“Even a simple story is difficult in its own way, but building the universe of a more complex narrative is even harder. I spent months staying up late working on it, to the point that my hair was falling out in clumps. The diverse and interesting character stories, along with the action, are the drama’s strengths.”

A small detail: The drama even had merchandise! You can find the drama's account on Twitter if you type Twelve Drama.

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A romantic story about life beautifully told in a slow-breathed and melodic narrative

Now, We Are Breaking Up is a melodrama with a makjang intrigue, both mature and modern, which creates an interesting contrast to the more traditional storyline. The focus on the women is really good, and the friendships along with the work scenes add dynamism to the drama.

While the drama may not be conventionally entertaining, it captivates in an impressive way. Why? Because it's poetic and relatable, because of its mature and philosophical dialogue, because of its title meaning so much more, because of its cast/OST/cinematography, because of its setting, the opening, and the leads being the first to speak French so well in dramas.

It's not a drama focused on cheesy lines, butterflies, or surface-level moments. The chemistry here reflects how professional adults with such personalities genuinely connect with each other.

Even though it's slow-paced, if you want to watch something adult, melancholic and classy, you can have a great time with this drama. And some of the tracks were so good that I still listen to them, like Tangle Destiny, Tempest and 10 Years Ago.

To end on a good note, I will share my opinion on the ending in the comments. What I can say is that even though it's a melodrama, it leaves you with a warm feeling.

Favorite scene: https://www.reddit.com/user/_sunoh/comments/1ph4gcy/now_we_are_breaking_up_episode_12/

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A melancholic and memorable rom-com

To begin with, Lee Soo is one of the best male leads ever written. Fairy tale metaphors, landscapes, discovery of Seoul through teamwork and different jobs (photography and calligraphy), stages of life and love (school, adults), beautiful quotes, timing, coincidences and missed opportunities, family relationships, FL's own issues (meanwhile Soo stayed patient and worked on himself, but that never means he has to change his whole personality and I hate when people think that way - he is not bad, and they are also just ignoring the lonely cocoon he's created for himself - what he lacked was self love and the vision he had of relationships was from his divorced parents), complex SFL, great contrast with the SML (simple, kind CEO character, his job had to do with literature), his own backstory and his relationship with FL being a sort of contract, creating new opportunities despite being too late, both halves of the drama divided by a turn of tables, fresh take on tropes, 3rd couple and overall "group of friends" story. The best part was the ML's story because of how real it is. I got insanely attached to him, the way he cared about Woo Yeon (her name literally means destiny) for her dreams and I loved how The Little Mermaid was referenced through him. Ong Seong Wu is also one of my favorites since then, I love the OST titles here and he did a song for his character that's so sentimental, the OSTs were always perfectly placed in the drama. Anyway, Lee Soo was just a kid, nothing nearly as bad as what some people want you to believe, same for the FL even though they play on it which is funny but it's not simply their fault.

"I don't take photos of people and myself", this was the beginning of his story. He actually gave me inspiration to take photos on my trip at the time I started watching it. Overall, this drama is a slow-burn character study so it's important to be patient.
The moment I fell in love with this drama was the end of Ep 6, where my disappointment turned into fascination and silently crying because of Lee Soo. Afterwards, he really became the star of the drama. What I thought was a ridiculous cliché was just so beautifully done and thought-out. I was still on my trip, and I barely slept that night. I also remember I watched his short movie "Seong Wu is Alright" and loved it.

P.S. Ong Seong Wu actually likes photography, so of course he took the role. One interesting thing to note is how some of the audience sided with the SML who was the one to convince Woo Yeon for the relationship, and because of course, a simple, green flag, stereotypical character like this is much easier to digest than the leads.

Yes, the last episodes become hard to watch. But they are necessary.

Quotes:

"But life is a series of exchanges. No one can control them. The only thing that should have been different is not what happened. It's this feeling that I became aware of far too late."
"A missed opportunity turns into regret. If there are no more opportunities to miss, I will make sure to create them myself."
"In a world of misunderstandings, it's dangerous to make assumptions about others. So you should ask the question yourself. You should hear the answer directly."
"Love must touch someone's inner confidence. Then, love will not be dragged away by the other person, but will draw the other person towards you." - from a book's quote at the end

Lee Soo's father to him: "(When couples break up) A man becomes friends when feelings remain, but a woman becomes friends when they have no feelings left."

When Lee Soo asked his divorced mother to consider getting back together with his dad: "Son, do you know what is the most important thing in a long-term relationship? The memories. Your dad and I had good memories, but we have more painful ones. I have no confidence in overcoming those bad memories."

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"coming like a storm into your town, you can't catch me now"

I love the character of Tang as an outcast of society, which makes me relate to him, and the thematic of the characters in general. Their names, their stories, how they relate to each other. The dynamic between Tang and Nam Gam made me think of the line "coming like a storm into your town, you can't catch me now" of Olivia Rodrigo's Hunger Games OST. And no, the sex scene wasn’t “unnecessary.” For me personally, it made the connection to Tang and his story better.

The directing was very creative, and I’m not surprised to see it’s the same person who was behind Strangers from Hell.

A Killer Paradox isn’t your typical thriller. It’s a black comedy, and I think it’s good at that. I was fully captivated from how the first episode ended, with the shot of Tang walking in the street, depressed, standing out from the others, almost looking like it could end there, until the quiet finish of the last scene with the beautiful Korean ballad ‘Ordinary Person’ by Lucid Fall.

About the ending, in the comments to avoid spoilers:

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Falling in Love, Falling Apart

I really liked this. It portrays reality well—how a relationship can fade over time. The story captures the growing distance between them, along with her struggles at work, in a subtle and believable way. That one confrontation between them is particularly well written, with sharp dialogue, strong performances, and a palpable sense of tension.

The female lead comes across as almost sociopathic—not in a purely villainous sense, but in her detached curiosity about human nature, which makes her fascinating to watch. The second male lead is genuinely endearing, and the drama weaves in understated societal themes, as you’d expect from a J-drama.

In the end, the characters reflect on their mistakes, revisit how they met, and remember why they fell in love in the first place. The climax, underscored by classical music, is especially striking. The final scene then settles into a quieter note, as they exchange a simple “good morning” and look at each other with a mixture of regret and affection. It all comes together for a deeply satisfying conclusion.

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Crushology 101 reminds you of the preciousness of love, even through its complications

Neither was Yeol or Bunny easy to handle, but they were lovely and Yeol's final growth was the best. Yeol carried as the male lead; because he was a rather bold and complicated character, not a "perfect" and soft, almost decorative male lead everyone can easily like such as Ji Won.

It's a cute college romcom, but it’s also a genuinely strong story, something the drama keeps proving right up until the final episode. It’s beautifully directed too, with a fresh soundtrack (that French song at the start—awesome) and really creative visual choices: shifting from simple shots to dynamic collages, full cinematic frames, warmer color palettes, and even black-and-white flashbacks in reduced framing, all used deliberately to serve each scene.

The original webtoon (Bunny and her Oppas, also the drama's Korean title) is a reverse harem - however, there is no endgame and of course I prefer the drama. Here you have a love story with a clear ML, but each of them had a purpose and intervened at some point.

Bunny's struggle with self-esteem, Yeol's vulnerability and trauma from his family and heightened abandonment issues from his ex (contrasting Bunny's ex and her other experience), the physical distance between him and Bunny compared to Won who worked in the same department as Bani and started his relationship with her more naturally, these are the kind of things that draw me in.

The cast was a great ensemble where everyone felt necessary to the plot - Bunny's parents (so rare to see a loving couple like this and get to see their own story), Yeol's friends and especially his best friend Dong Ha (reunion with his brother from Hierarchy), Bunny's friends with the funny names, Ji Won and Yeol's growing funny friendship, Won's sister, Yeol's mother and his ex, the male leads, Bunny's ex. Honestly, I was a little scared when I saw which webtoon they were adapting, as I thought it was a waste of potential for their romance to make some reverse harem romcom, and I'm not into that. Turns out, their romance more than satisfied me and I loved how the concept was handled.

(Spoilers up to episode 7) However, I've read comments about Yeol that make me wonder if they really watched the drama. In episode 4 he confesses his feelings. In episodes 5 and 6 he goes after her several times and makes it very clear that he likes her, reinforcing the confession from episode 4. Ep 7 he is trying to deal not only with his own feelings, but also with his ex who won't let him go, even though he makes it clear that he doesn't want her. Bunny, even though she is hurt by the whole situation, doesn't choose to give up. And she has Jiwon, but she doesn't see him romantically and makes it clear… Yeol didn't give her ex mixed signals, after knowing the truth he felt bad about her because all this time he hated her without knowing the truth.

But moving on, it wasn't cliché just for the sake of it; it felt nostalgic and it made me appreciate old-school tropes again. Fantasy scenes too, like in True Beauty.

The ending montage of them walking past all the leads. Perfect.

One last thing: There were actual parallels to Hierarchy, and I felt like it was inspired by Nevertheless (art setting, the beginning of Episode 4, the opening, one particular scene).
One of my favorite shots: https://i.ibb.co/B2kNGbPj/image.png
Favorite edit: https://www.tiktok.com/@gapthedits/video/7500693967957183750

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A lie, a baseball, a music box, and a dream

If you want to watch a great romance drama, I highly recommend Start-Up. The love triangle is very original, the story is amazing because it breaks stereotypes on top of the symbolism, and most importantly you see how they rise to success together. The episodes might be long, but it's super addictive. I love the female lead and the male lead too because he's the nerdy/socially awkward type. Truly an amazing love story but also about life, relationships and dreams. (And the setting is actually so entertaining and interesting.)

Lastly, two things:

- When she said, “I like you because of your hands,” it symbolized everything he gave her — kindness, reassurance, comfort, warmth. Through his gestures and the way he was always there for her, his hands became a metaphor for the emotional support he consistently offered. Of course, Dal-mi thought he was the Do-san from the letters, so when he asked what she liked about him other than being him that's what she answered. So at the end, she says "You're the reason."

- The “first love” argument doesn’t really hold up, because the entire letter situation was orchestrated by her grandmother and Ji-pyeong to comfort her.

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