Ambitious project, maybe too ambitious.

This is exactly the type of a story that requires a longer format. It's not even about complexity, but rather the type of a storytelling - building it on the small hints about the connections and past events, the lasting feeling of familiarity between the characters that the audience cannot grasp at first. Slow buildup is not something you can achieve with less than 115 minutes or runtime.

I can clearly see the production team did their best, but some things cannot be overcome just by trying hard. Here’s the thing, I am not sure I would truly understand the whole plot if I was not checking out comments from people who read the webtoon. Especially Denis’ part of it, which also seemed to be made far more simple and passive? There was simply not enough time to present his side of the story and explain his feelings and motivations.

That’s about Denis, what about the other mains?
Dong Baek is such a stock character, the best of the NPCs. Rarely speaks when others argue about him right next to him, mostly interacting with people if they interact with him first. He acted the way the plot needed him to act, no matter if it made sense or not.

Yu Dam could have had far more depth and I wish we could see more… desperation and sadness? Taking into consideration his story, dude was way too chill about everything. Again, I do believe it was caused by the short runtime.

It does not mean I disliked everything about the show. I enjoyed the chemistry between the leads, I actually enjoyed how annoying Denis was and strangely he was my favorite character. I liked the production quality and the soundtrack. I loved the ending - truly. The conclusion and last few scenes were probably my favorite part.

Overall, a great concept that should have been kept on the shelf till the BL industry got bigger and more profitable, so they could do the story justice with enough support.

Read More

Office drama that will evoke in you the makjang level of emotions.

A character driven tale on the workplace environment, self-worth, values, principles and one bug of a human being called Han Se Kwon that you want to step on with the heaviest shoes you own.

It’s not an overstatement to call this show a perfect office drama. Mixing realism with entertainment is not an easy task - On the Verge of Insanity managed to do that. With the variety of unique characters, it’s a story relatable even for people who never worked in a similar environment. It tackles issues like retirement, layoffs, job hunting, reassignments in the workplace, power struggle, but also more universal topics like acting in line with your principles, loyalty, friendship, selfishness vs selflessness.

The three main characters present different takes on life and dealing with problems. Dang Ja Yeong tries to go by the book, following instructions, seeing it as the best and most efficient way. Choi Ban Seok is a hardworking and loyal person, who is willing to risk his career if faced with moral dilemmas. There are many nasty ways to describe Han Se Kwon, and I’m truly forcing myself to stay civil here. Let’s say he represents the inferiority complex in the perfect way, spiced with his cunning and shady behavior.

As the drama progresses, we see how they manage to face all the problems happening in Hanmyung Electronics and what are the results of their actions. There is no plot that goes from point A to point B, as the drama focuses more on the relationships between the characters, different departments, higher-ups and the employees.

The comedy, though, how good it was! There is nothing better than situational comedy based on the character’s personalities and relationships. No cheap jokes that could work in any scenario.

The casting was a pure perfection. Each of the actors fitted their roles perfectly. Big props to Kim Nam Hee for his job on Shin Han Soo’s character, who became one of my favorites.

The production value is insanely good. I have truly nothing to complain about. The soundtrack has plenty of amazing songs from slow ballads to indie pop and rock.

Realistically speaking, this show might not have the same entertainment value for people preferring fast paced, plot driven dramas. There are many questionable choices made by all the characters, so if you look for a clear cut “smart at any occasion” or “good at any occasion”, you will not find it here. Characters excel in some areas, but fail on others - for me, that’s the charm and the realism of the show.

Overall, On the Verge of Insanity made me smile, laugh, cry, curse at my laptop, and hug my pillow. Vast range of emotions have been awoken and I’m so amazingly thankful. It’s a solid watch from the first to the last episode.

Read More

The charm lies in the unique characters.

How I would describe the show: an unusual take on a typical romantic comedy. For starters, this show does not really have any leading plot line - there is no mystery to solve, as it often happens in rom-coms. It’s all about the characters, their relationships and them dealing with their current situation.

I do believe the characters are the best part of the show. They all have unique personalities with individual outlooks in life, personal dreams, motivations and values. Each and every one of them reacts differently to the given situations. That said, while watching their current self is fun, by the end of the show... I didn't really know that much about some of the main ones. All of the main characters have a really complex and deep set up, with many struggles happening in the past. Even the majority of the supporting roles are written in that way - they are supposed to convey some kind of serious issues and dilemmas. And while said setups, as the concepts, are as deep as the Mariana Trench, practically speaking, they were never fully explored and I didn't even get my head underwater while watching.

The show shines with the cast and their interactions. We've got a whole set of puppy-like male characters that are nice, polite, cute and understanding. On the other hand, we have strong, driven and outspoken female characters. The synergy was pure perfection. This led to many unexpected and extremely hilarious scenes. I just could not predict how the characters would react and behave. The comedy in this show has been just so fresh and fun, I could not stop laughing while watching some scenes.

While I honestly thought the main couple was amazingly adorable and enjoyed basically everything they presented, I didn't get as excited for the second one. Mostly I just felt bad for Young Hwa while watching his interactions with Dan Ah (especially at the beginning). Later, the lines delivered for their scenes became painfully corny and cliche...

The acting was on the top level. Im Shi Wan did an outstanding job portraying Seon Gyeom. The socially awkward and at times distant characters that mostly keep to themselves are extremely hard to present well - bad acting leads to the character looking robotic, boring and empty. Shi Wan, though, delivered the best performance I could imagine for this role. I cannot think of any actor or actress that was awkward or unpolished in their roles and portrayals. Top notch casting for sure.

The production value was good. The scenes were shot in an amazing way, as I would say: aesthetics on point. The unexpected turns in how the scenes were written were perfectly reflected by how they were filmed. I just felt a harmony between what the writer wanted to tell and the director wanted to show.

The OST was fine, fitting the show and scenes, but not that memorable? Only two songs truly caught my attention - “I Wish It Was You” and “Sorry”, taking the crowns as the best songs from the drama for me.

Overall, I enjoyed the show for its entertainment value, unique characters, funny twists and fresh, out of the box directing of certain scenes and plot lines. I wish they introduced less serious and complex backgrounds for the characters, focused on just a few and truly dive deeper into them. For me, having just 4 or 5 scenes in the whole show to address something is not enough.

Read More

It's a variety show that's close to perfection. I have only one complaint, but since it's not a major one, I gave it a fair 9.5 rating.

STORY AKA CONCEPT

So freaking fun and refreshing. The best thing a director and writer can do is to invite viewers to enjoy the show more actively, and this is exactly what happened here. Guessing which places were real and which were fake was extremely entertaining (even though I failed more often than not). The concept was just something I have never seen before, and I have to say the scale was huge. They must have had some big $$.

One thing that I would change - more variety of the themes in the episodes. There has been just a little bit too much food. They could have had strange hobbies, surprising online celebrities, etc. Anything, other than food? That said, I must admit, the restaurants’ episodes were the most fun.

CAST

That's the core of the show. I cannot think of a better cast for it than the one we’ve got. Ladies were truly crazy, and Jae Suk was balancing the craze with the work perfectly. Even if the concept of a particular episode was "meh" for me, it was still extremely entertaining because of the interactions between the cast members.

Same goes for guests. Only Lee Sang Woo did not fit into the picture that well (hence I found that episode the weakest). It was fascinating to watch the male guests trying to understand the mess that is happening and try to match the hype.

MUSIC AKA PRODUCTION VALUE

Through the roof! I truly don't even want to think how much money was put into the production of all the places they made. I am simply amazed how they created whole fake businesses in a week, to the point it was almost impossible to distinguish them from the real ones. A lot of hard work and care was put into it.

EPISODES

As I said, not all episodes were equally entertaining. If I had to pick my favorites I'd go with: Sang Yeop episode (truly won everything. Jessi and Sang Yeop were unforgettable), Dong Yoon episode (I loved how dedicated he was to finding the fake place, and he had great chemistry with the cast) and of course Tae Hyun, who truly felt like the regular cast member.

Overall, this is a show I would recommend to everyone. Cannot think of one type of person who would not enjoy it. It had jokes, heart, amazing cast, mystery, elements of surprise. All I can say is - I cannot wait for season 2.

Read More

You know how some dramas have extremely shitty endings, but overall are amazing and you still truly enjoyed them and did not regret picking them up in the first place?
Yeah, this ain't that.

It had a strong beginning and seemed like a fun, well executed cross-dressing show with tons of cliches that make you laugh. Later, it became so amazingly bad I could still enjoy it. But.. At some point every episode either bored or frustrated me.

The plot just seemed like a whole mess. The beginning was strong on romance and had minimal politics, just enough to create the tension between the leads. But then, closer to the end they dropped all the heavy politics' plots, but since I could not care about them with the lack of explanation and elaboration previously... What exactly was the point of it? And when they tried to be semi surprised who the main villain was, WHEN EVERYONE KNEW and they knew since they talked about it more than once. The string of ridiculous events that happened in the 2nd half (and especially the last two episodes) had me questioning my existence.

Another flaw of the show was the male lead. Literally everyone was a better man than him. Heck, the female lead was a better man than him. He had truly nothing going on to make him more believable and relatable. He was a huge block of muscles with little to no expression and personality.

Now to the practical effects. This show made me laugh like maniac while watching the attempted murder of a child. The bridge scene (if you saw the show, you know exactly what I'm talking about) brought me to tears with how bad it was. I had to stop watching for a good 15 minutes because I could not calm down from the silly giggle/mad laugh. If you don't have money for the proper props, use smart camera angles so the viewers know what's going on without you really showing it. Just... be a smart director.

This drama had nothing innovative or refreshing. If you can think of any drama cliche: this had it in. It had the strong and smart female lead, but only for certain episodes and scenes, since she went full 180 closer to the end. The only reason I finished watching it was for Wang An Yu and the doctor guy. While I loved them, I still regret wasting the time…

Read More

It takes a village to raise a child…

A tale of a broken system and juvenile crime.

Who is at fault when a child commits a crime? Juvenile Justice tries to present the complexity of the issue, and for the most part, it succeeds (as much as a fictional drama can). It presents kids as both the victims and perpetrators, rightfully pointing out the roles are not mutually exclusive. It shows the effects of neglect, bad or lack of role models, abuse.

A small group of people trying to do their best in the system that does not support their efforts and does not protect the people it was created to protect. While showing the gruesome reality, it sticks to a more positive, but still realistic approach. Often justice is served, but only in the frame of the current juvenile court system, that for many is not harsh enough.

From the first, till the last episode the drama does not fail to keep the tension high, keeping me on the edge of my seat. The cases are not one dimensional, showing different sides and perspectives, at times, leaving me with only one conclusion: everyone failed - the parents, the teachers, the judges, the kids themselves.

The plot and presentation wise, the only thing that it lacks in my eyes is the context some of the kids were in. What pushed them to become what they are? What could be the possible motives for their actions? What behavior was a norm in their house? These are the questions I hoped to get a more elaborated answer for than a short note “abused by step-father” in the case file.

Moving back to the positive aspects: I appreciate how we do not get an outstanding character development from any of the main cast. They all made mistakes, they all got carried away by their emotions and fears. That said, how they handled Na Geun Hee’s character by the end of the show left me with a few things to desire. Did not buy that arc, which might have been the result of the lack of the screen time.

Acting wise - no complaints. For a show full of the younger cast, all kids and teens did an amazing job with presenting their characters. Especially impressed by Lee Yeon. To present a believable acting of a teenage boy, when she is a 27 years old woman, must have been quite a challenge.

As for the production, even the opening scene made me love the visuals of the drama. The dark and cold tones used throughout the show intensified the gloomy atmosphere surrounding tacked topics.

Trigger warning - the drama presents quite a number of scenes showing child abuse. They are not short, they are not vague.

Overall, as long as you can handle child abuse and exploitations of children, this is a drama most people should watch. Understanding that kids are capable of doing evil acts is a first step to figure out how to prevent tragedies from happening. Turning a blind eye and giving excuses is not a solution, as it gives only one message: no matter how drastic measures you will take, no one will care. Supporting them through their struggles while punishing for the wrong actions should become a standard.

Read More

Peak level of conflicting feelings about this show.

It all went so well, until it did not. It’s hard to just ignore the issue that happened with the 23:00 team, since they dealt with it in the worst way possible. For the show that was created to give groups a second chance, to publicly shame them in this way was just gross. They could have easily given a written statement and moved on. So even if I loved the premise and many great elements, I cannot stop myself from feeling conflicted…

I love a show that focuses on the idols that struggle to shine in the oversaturated market. So much talent and potential is being wasted simply because their companies might be too small to fight against the bigger ones, or they are not that good with marketing, or the team debuted at the wrong time, not being able to secure their place. This show gives them hope and chance to gain more fans, so even if they won’t win, they will still be in a better position than they were before they joined the competition.

Another aspect I for sure enjoyed were the mentors/judges. We’ve got solid feedback, words or encouragement and some funny jokes and interactions. They were not acting mean for the purpose of creating a drama and I could feel they truly cared about these idols. Ryan S. Juhn crying over shirtless men will be remembered as the most iconic moment in the kpop industry. Dude was truly sobbing.

The performances were great. It’s sad we did not get to see all the first round stages in the episode and could only check them on youtube channel, but I understand the time restrictions. I also appreciate that even the eliminated teams could keep the new songs produced for them, even if some of the songs were of questionable quality…

That said, the new songs and the round with them are actually the beginning of the issues I had. First of all, the way they decided which team gets what song was painfully ridiculous and unfair. The songs themselves were not that great either. Close to none of them was memorable.

Another issue with the production were the benefits - what a useless thing. In many occasions the benefits from different rounds had a different value - one time they had exactly zero impact on the ranking, next time they changed it completely.

The first elimination? A freaking joke - how many “fake” rankings can they show before we get to the one that actually matters? They could have used that screen time to show more behind the scene moments.

Overall, it was a nice show with a meaningful idea behind it, but I think they had too many budget restrictions. They did what they could to make it work and the efforts are obvious. Them having such a strong reaction to 23:00 team “scandal” might have also been a panic mode to make sure the program does not suffer any losses.

Read More

Strong beginning, mediocre middle, lackluster ending.

Not gonna lie, I thought it’s going to be more comedy based with focus on Kaneda being a massive fanboy and trying to deal with working alongside, and later dating his idol. It was not. While it still had some scenes here and there focusing on that aspect, it was mostly just an office romance, with not that much romance.

It worked so well at first. Kaneda was sweet and in the constant panic mode because of any most basic interaction with Yanase. Yanase was a nice and helpful mentor, who slowly started to see how adorable Kaneda is. And then they moved to the most basic rom-com stuff one has seen and all the spark was gone - still enjoyable, but ain’t special.

Sadly, they apparently wanted to finish with something more emotionally charged? The artificial, overexaggerated identity crisis Yanse has at some point just seemed so not fitting and out of place, I wish it was never included.

That said, the most frustrating aspect must have been the last two episodes - the fillers. This is the stuff writers add in their 16 episodes dramas when they run out of ideas. It was a completely unnecessary new chapter added at the end of the show. If they truly wanted to dive into the change of dynamics and unsureness in their current situation, it could have been quite a nice short second season - why add it at the end of this one?

Still, I did enjoy the characters a lot. Yanse was such a sweetheart and such a good boy, it was hard not to love him. He was smart, caring, trusting and hardworking. Kaneda gave me some good comedy bits that made me laugh. Sadly… the side characters were extremely forgetful. There were two female co-workers with questionable hobbies. That one guy who complained how he is not valued at work, while also not doing his work well. There was that white/half-white dude who showed up just to cause some emotional trouble. They filled the space, but that’s it.

Production wise, it was really nice. Good camera work, good set design and smooth editing. The transition between the scenes was decent and it never felt like they were completely jumping from topic to topic without caring for cohesiveness.

What was great? The outro. Expanding it after each episode was a great idea, so - to people who are about to watch - don’t skip it, watch till the end.

No complaints about the acting. I was honestly quite impressed with Seto Toshiki - he delivered both the over the top, and more subtle performance, and they both felt natural.

Overall, it’s a nice show with some fun scenes and good chemistry. Better as a binge watch.
Random side note: it had quite a few questionable falls with questionable physics.

Read More

This should have been a special episode only…

Let’s be real, they could have just put the last arc in a special episode and it would work way better. Most of the episodes were nonsensical and Minato was just frustrating on a whole next level. Why did he feel even more shy and teen panic after they got together than in season 1?

Season 2 does not really give you many sweet scenes to feed your fluff desires, nor does it develop characters in any meaningful way. Everything important happens in the last 2 and half episodes, so what’s the point of all the rest? I thought I suck at romance, but Minato is a whole new level of failure and if it was not for Shin’s undying patience, this relationship would fail hard. Realistically speaking, I just mostly felt bad for Shin in the first 10 episodes.

The second couple was way too similar in their dynamics to Minato and Shin, I quickly lost interest… Misunderstanding and lack of communication is a clear indicator the writer did not really have any solid idea what to do with them, they existed to fill the screen time.

The acting was great, just as it was in season 1. At least from Kusakawa Takuya and Nishigaki Sho. Quite a few scenes that were surprisingly touching, a number of scenes that worked only because they did their best to deliver, even if the script itself was lacking.

Overall, it’s more or less skip worthy.

Read More

A little bit too ambitious…

Here’s the thing, I refuse to give brownie points for a good idea that was not quite well executed. Time travel romance is hard, because if you want to do it well, it won’t be easily digestible. Why? Because old times were awful. And that’s where I Fell You Linger In The Air fails - the realism of the setting.

Did I enjoy Jom and Yai’s love story? Yes. But did I feel emotionally affected by it? No. Because I felt like all the issues were presented in an extremely simplistic manner I just did not feel the pain and the angst at all. At the end of the day the time period became a plot device to deliver some mild angst, rather than a proper setting. Even the truly awful and traumatic moments were presented with not enough care to make a real impact.

The plot tackled some important issues like inequality of genders, abuse, exploitation, and the generation gap, but the solutions and conclusions were laughable with little depth and meaning behind them.

It’s hard for me to take this epic time defying love story seriously, when everything else about this show was juvenile in terms of writing. I honestly feel like I would appreciate the connection between Jom and Yai more if I only saw their clips on youtube, because everything that surrounded it made it seem less valuable and worth the watch.

That said, I did enjoy quite a few characters. The main duo obviously being part of the approved group. Except for the, I also loved James who was the true MVP of the whole show and Fongkaew who was the one to take matters into her own hands. Great characters and great performances.

At the end of the day, I feel like it was simply too careful and too focused on being more approachable.

Read More

Behind every lie is a wish waiting to come true.

Saying I had a mild existential crisis as I was watching the drama could be an understatement. It deals with many themes like environmental issues, free will, destiny, power of belief. difference between truth and lies, the price of responsibility and power. Some presented better than others, but as a whole package, it was truly an amazing journey.

Three main plotlines/themes addressed in the show were the romance between the leads, the questioning of free will and fight against the written fate, and environmental issues.

Starting with the romance - quite an enjoyable delivery. It was slow paced and, while ever present, never felt like it was shoved in my face as the main and only focus of the story. On many occasions the relationship between main leads served as an opportunity to explore other themes and ideas. Have to say though, till the end I was a bit more sold on Orad’s side of that love story.

Free will, meaning of existence, fate - that’s the part that gave me an identity and existential crisis. I almost had a philosophical debate with my laptop when I was pausing some scenes to fully grasp the ideas behind them. I also feel like this part of the plot had the best presentation.

Then we had the environmental issues that were addressed in the show. While I appreciate the inclusion of that topic, I cannot stop myself from thinking some of the scenes were extremely on the nose - sometimes it felt like I was watching a promo for kids in middle school. They could have been a little bit more subtle about the message and trust that the viewers are not complete idiots.

I feel like there were some pacing issues too. While I never felt bored, after finishing the whole show I do feel like the middle part was a bit dragging and was not as tight as the beginning and the end.

What slight complaints I might have had about the plot and pacing, the characters make up for them. Xie Tian Di, while flawed, was still truly likable. It was great to watch her learn from her mistakes and understand others’ perspectives when she was faced with similar dilemmas.

Orad was just adorable. What a loyal man. It’s hard to actually talk about his character in more depth without giving spoilers, so just know there is more to his story than just being a guard for the female lead.

Fali, this guy. I dislike him, but I also want to give him a hug. That said, I am still slightly confused about his goals and plans and overall motivations. I think the writers could have done a better job exploring his character.

Toem is the girl you root for even if you don’t want to. She is smart, cunning, brave, flawed in all the best ways.

Talking about flawed characters - Kakarayan… really didn't vibe with him. He had just a few scenes, but it was enough for me to put him on the bottom of the characters I enjoyed.

The performance - no complaints. Not only that, I was truly impressed with some. It’s quite rare when even the supporting or bit roles are well delivered, but this drama gives us all the best, even if someone shows up for one scene and one scene only.

The soundtrack. 10/10 does not do it justice. I am not joking when I say this is the best soundtrack I have heard in dramas I’ve watched this year, and one of the best in my long history of watching dramas. A song that especially moved me was Shi Shi’s Never Ending Rain.

On the production - no idea what the budget was, but they did everything they could to make it an aesthetic feast with what they had. So many beautiful shots, so many visual ways to represent the emotions and ideas behind the story.

Overall, I would highly recommend it to anyone and everyone. It’s been so long since a drama delivered well written plot twists that I didn't see coming. The last three episodes were just one surprise after another, but it all still made sense!

Read More

I wanted to love it. I did love the first two episodes, but I "only" enjoyed it till the end. From episode three, I got disconnected from the story. Maybe, being an adult, I could not relate to all the amazingly dumb decisions the teens made. With that, the emotional and sad scenes that were supposed to make me cry my eyes off, just made me laugh my ass off.

It just felt as if they were trying too hard with the presentation of emotions. There was nothing subtle about them in a lot of scenes. The aggressive crying, especially when done by Billkin was comical. I just couldn’t connect nor relate to what the characters were feeling coz of that excessive presentation.

The plot was amazing until it became teen makjang. I loved to see the friends in the past, rediscover their relationship and struggle with figuring out if what they feel is truly just friendship, or something more. The clues were subtle, hints dropped here and there… and then I was slapped across the face with insta story dramatic war talk with hysterical crying, posting shit on public feeds instead of sending dm, like a normal person, not to mention doing things that should not be done in the presence of family members. These kids had no brain.

I will be honest, I was “traumatized” by episode 4. It was just so not fitting compared to the rest of the story. We had subtle coming of age and rediscovering relationships plot, but episode 4 just went HARD on everything. After that episode I was kind of confused. This one episode completely threw me out of the story. Normally, not liking one episode would not have much impact on my views, but here it’s ⅕ of the whole story and a lot of important moments happened in it. So even though it’s just one episode, it had quite a negative effect on my viewing experience.

Out of all the characters, Bas was my favorite. He was a loyal friend, and even though his feelings were hurt, he was still willing to help the person he liked.

Teh was just a ball of frustration that caused me to feel annoyed more often than not. By episode four I didn’t even wish him a happy ending in terms of romance. I was truly done. Not to mention I am not the biggest fan of Billkin’s acting. A lot of his facial expressions just made me laugh at inappropriate moments.

Oh Awe was a baby that needed to be protected. He worked hard, but sometimes it’s not enough. He was true to his feelings and spoke about them openly, but when the other person is not being honest with you and themselves… Well, it simply made him miserable.

One thing that’s for sure was truly a high quality level - production value and visual directing. Damn. This show is beautiful. I am not one to take screenshots of the shows, but I wanted to take quite a few while watching I Told Sunset About You. Stunning.

I loved the serious topics they decided to comment on with this show. I love the ideas behind some of the truly impactful scenes, BUT the approach and the end result was not always something I enjoyed.

Overall, it’s still a step in the right direction for Thai BLs. While I love the silly rom-coms with only entertainment value, we also need some more serious series, which will balance the easily digestible ones. I don't think we need a continuation for this one though. This had perfect closure.

Read More

Constant state of pain and agony, washed with the holy waves of never-ending angst…

and yet, somehow… Part two made me feel far less than part one did. By the end of the drama I felt like the writer loved their story and all the characters too much to give some aspects up. Too many things were not set up and developed enough, too many plotlines felt rushed, luckily the closure was solid.

Don’t get me wrong though, I still enjoyed the show a lot, but the progression of the story and the lack of focus just lost me a bit. The politics and war were mostly the context in which the characters operated and explored their beliefs, personalities, morality and relationships in part one. It was great. We had many powerful scenes showing the contract between the royal family and the common people. Not knowing any real details was not an issue, because these royal idiots were never main characters in the first place.

Sadly, this whole royal drama gets more attention in part 2. It takes away precious time from the main characters. Where even was Eun Ae? Why did most of Yeon Jun's character development happen between the scenes? He took a couple of 180 in terms of his morality, but we never got enough reason for it to even happen. And it's not like the screen time they took away from these characters was even enough to truly develop and explore the palace storyline. It felt like I needed to do a lot of work myself to fill the gaps of the plot in my mind based on vague ideas and shallow set ups. It's like they tried to turn a character driven show into a plot driven one half way through...

All that said, the drama is still dear to my heart and even if I enjoyed part two less, I still enjoyed it a lot. We've got more of the exploration of different themes relating to morality, justice, duty, honor. Many scenes connecting to events in part one in a smooth and eye opening manner - adding to already intriguing commentary on social standards and gender roles.

Undoubtedly, the best gem, the true treasure of My Dearest was Gil Chae. Easily my favorite female character in 2023, probably top 3 from all the dramas I have ever seen. The masterfully crafted character development, the realistic flaws, the strength that was inspiring. The depth of emotional performance given by Ahn Eun Jin. There are no words that can truly describe how much I adore this character. The drama shows, you can have a female lead that is feminine, compassionate and good, without making her a stupid pushover. Gil Chae was smart, cunning, witty, and resourceful, but also stubborn. At times shortsighted and blind by her perception and understanding of the situation. Her character was beautifully complex and for her existence I am grateful.

Did I love Jang Hyun while watching? Of course I did. Do I want one in my life? Yes. Did I think he was not as developed as Gil Chae and I wished they explored his character more? Also yes. Since the past story did not really lead to anything significant and it felt more like a cheat and easy fix for some plot developments, I could not stop myself from feeling disappointed. The set up for the mystery of his background was perfect, the conclusion answered all the questions, but the overall picture created by that opening and ending felt a bit lacking. With little to no background for the character in part one, I thought they would explore him more in part two, but this did not really happen. From start to finish he was badass, smart, driven, caring (even if he kept denying it) and madly in love with Gil Chae.

What’s more to love? A strong set of diverse supporting characters that felt so real and humane with their, at times questionable ideas and actions. Ryang Eum with whom I went from friends, to lovers, to enemies to lovers trope, with how my feelings changed towards him. Jong Jong who was a loyal friend and support for Gil Chae, even if on the surface it felt like it was mostly Gil Chae protecting her. Gu Jam who always provided a solid dose of entertainment with his sharp comments and badass actions. Yang Chun, who truly shows that good people can have backwards ideas. Even Prince So Hyun and Crown Princess Kang’s scenes had many meaningful and touching moments.

Still adore the production and the attention to details in terms of how the characters are presented. You know how in many historical shows, as long as the female character is part of the main cast, they will have make up worthy of the royal family, looking like Crown Princesses themselves? Not here. From episode 1 till the end of episode 21 of the whole series, there was a lot of care put into making the looks realistic and fitting the context and hardships the characters went through.

Overall, I loved it, but maybe I loved it a bit too much, so it made me expect more. I wish the whole story was more simple, with less side characters and plot lines. Wished the plot focused on the common people more and kept the palace drama and the war as the context and background the story is happening in, rather than the focus of the plot. From the start, I loved this drama for its characters and countless social commentaries and powerful scenes, and it was never truly about the plot for me. While the conclusion was amazing, giving proper closure to it all, I wished the journey itself was either more detailed, or more simple…

That said, once you sell your soul to this drama, there is no coming back, so while I might have had some complaints, they were delivered through tears of both sadness and happiness, and complete devotion I had to the main characters and their journey.

Review for pt1: https://mydramalist.com/profile/Shini/review/300809

Read More

What’s good? The actors are good looking and have great chemistry. The editing and pacing was surprisingly not bad, compared to TOSSARA. With just the four episodes they had, they did quite well presenting the story and building the relationship.

What’s bad? Whole first 5 minutes. You can’t just open a show with sexual assault and borderline rape. Not good. And no, just because the bed scene was not shown, does not mean I didn’t have a problem with it. Vee as a character has literally zero redeeming qualities. Watching him being sad and crying was a delight for my soul.

War did a good job. I quite enjoyed his character, even though he was a mess too. I don’t know... I watched the show because of his pretty face. That’s the tea.

Read More

Lesson on maladaptive coping mechanisms.

I don’t think I've ever watched a drama where all the main characters needed therapy more than these three. Pathological avoidance, codependency, constant need for external validation, running away from the pain and sadness - building it up inside you until it reaches breaking point. "It's just tolerance, not acceptance" - delivered in the drama in context of sexuality, but it also quite well described the way the characters were dealing with loss. Tolerating the existence of the tragic past, not fully accepting what really happened. Escaping from anything that might force them to face reality.

Daddy issues, yes - you read it well. Surprisingly, no matter how strange the relationship might have felt, I could not stop myself from being pulled in and wishing it would have a happy ending. It seemed like the only way out of hell for both In and Wang (the mom can stay in hell as far as I know).

Many people told me this drama feels more like a play, and I have to agree. Not beating around the bush - I’m not much of a theater fan. Everything is amplified and exaggerated on stage, there is not much space for subtlety as it has to reach each and every audience member. 180 Degree Longitude Passes Through Us somehow managed to keep the unique feel of plays while also being more detailed and approachable about it, making me fall for the charm it possesses.

All that said, I cannot say watching this drama was an enjoyable experience - it’s not a fluff romance you can relax to after work. All the characters are painfully frustrating, but observing their actions, witnessing their regret, being pierced by the hurtful things they say and buried under even more painful silence and unspoken truth… Felt like a solid dose of life lessons. What kind of person do you want to be? One that cannot face their own guilt? One that runs away from what’s important to them, cosplaying it as self-sacrifice? Or one that stays true to themselves, fighting for what feels right, while still trying not to hurt people around them?

For the acting - loved it for the majority of the show. Pond did an amazing job bringing Wang to life - I want to adopt and protect that character with all my heart. The skillful way he was able to present both youthful stubbornness, but also maturity that comes from pain he had to go through. Mam also impressed me, especially in more emotional scenes. While I did like Nike as In, and for most part I had no issue with his performance, there were moments of his line delivery that felt quite robotic, especially when compared to his co-actors.

The production and directing? Loved it. One of the aspects I appreciated the most was how some scenes played a bit longer, truly making it possible for all the emotions to settle in and have a bigger impact. The drama was both choking you with feelings and letting you breathe and take the moment for what it was, without distracting you, skipping right away to the next scene.

Overall, what a surprisingly interesting and intense watch. I feel like a lot of scenes could be dissected and have an essay written about their meaning - they just invite you to make your own judgments, reflect on the characters, their choices and how you might react in a similar situation.

Read More