Kate

Well written romance with questionable friendships.

One of the most wholesome friends to enemies to friends to lovers scenario I have seen. I believed in everything that happened between Pran and Pat. The chemistry might not have been sizzling from the start, but it was undeniable and extremely natural as the plot progressed. Both Nanon and Ohm did an amazing job portraying actual emotions and love, instead of simple attraction.

That said, almost everything that surrounded the romance was mediocre at best, and bad at worst. The friend groups were ridiculous. It was not just teens disliking each other - we had harassment and abuse that could not be explained by them being young. The parents were just as immature and selfish, which led to a number of problems for the main duo.

Luckily, a lot of scenes were saved thanks to the female characters Pa and Ink, who seemed to be the only people with some brain cells and willing to use them.

Bad Buddy was carried on Nanon and Ohm’s backs, and if it was not for their stellar performance, it would not get half of the love from the audience. Me, and many others were willing to ignore quite a number of flaws, because what these two actors did not screen was worth it.

Another great aspect of the show was the OST. Not only were all the songs perfectly fitted for the scenes, but also… they are simply great songs that I wanted to listen to even outside of the drama.

The production value was definitely good. I loved the set design, the filming and editing. Sadly, I feel like all the focus and hard work directing and writing wise were put into making the romance storyline, forgetting that all the supporting characters are also what make the show. The pacing of all the side plots was not great and some conflicts had a Disney type of resolution.

Overall, worth the watch for the main couple. Truly amazed by the skills of Nanon and Ohm. Even with at times questionable writing, they made me enjoy the show and giggle more than once from both the comedy and the romance.

Bad Buddy was a bit like taking a walk in a beautiful mountain, but then seeing trash here and there, that’s just slightly ruining the view. Then you get to the top, but it's a restricted area… that sums up how I feel about the ending.

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Why did I even bother?

Usually hate-watching means the show is so bad it’s actually entertaining. Here, it’s just bad, with the characters so annoying it’s hard to find someone to root for. Truth to be told, if I knew the ending before I started the show, I would not bother with watching at all. I was intrigued by the interesting beginning, and not smart enough to leave when I saw the first red flags warning me, this leads to nothing good. One could say I’m Na Bi, and this show was Jae Eon - leaving me angry, annoyed, frustrated and exhausted.

What seemed like a promising portrayal of a toxic relationship, ended as nothing more than another angsty young adult love story, that is even more pretentious than I could ever expect it to be. When in fact, it’s just fancy trash with pretty actors in it.

The main plot is the relationship between Na Bi and Jae Eon. Here’s the thing though - the relationship makes no sense. At first it’s presented as a strong sexual attraction, but it never really moves to anything more. Whenever the writer tried to incorporate any strong feelings from either female or male lead, it made no sense. What are these feelings even based on? By episode 4, the main romance became extremely repetitive and boring. How many times can we see Na Bi cry and Jae Eon be a jerk?

Na Bi was just painful to watch. By the end of the show I felt like she literally learned nothing. There was no development and no progress. The moment I saw some change, she took a U-turn into a crying mess.

Jae Eon was one dimensional and an empty shell. Don’t know what the writer was thinking, but you cannot develop something that does not exist. Giving him a last minute character development, when from the start he had no character or personality was a miracle in itself.

Bit Na and Gyu Hyun were more fun to watch, since both characters were stronger and had more of prominent personalities, but even they ended up on the rather shallow note. While they could have addressed some more interesting ideas about relationships and be a good mirror to Na Bi and Jae Eon’s relationship, the writer left me with little discussion and no real conclusion.

The only couple I truly did enjoy watching was Min Young and Kyung Jun. They were funny, sweet and relatable in all the best and heartwarming ways.

Except for them, there are exactly two things that Nevertheless, did well - LGBT representation and the amazing soundtrack.

While we’ve gotten more and more gay relationships in k-dramas lately, rarely ever we see lesbians presented in any way. At best it’s vaguely suggested or mentioned as a “personality trait”. It’s good to see a side story that truly explores the romance between two girls, and how they both deal with growing feelings. Sadly for me, I could not enjoy their ploy, since I could not stand Ji Wan as a character.

No matter how much I might dislike Nevertheless, the soundtrack is full of amazing bops. I listen to Butterfly and Love Me Like That daily - some of my favorite songs from 2021.

Overall, I could easily write a whole essay on why this show was basically a writing failure, but I honestly do not want to waste any more precious minutes of my life on this title. Let it die on my completed list, never to be visited again.

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"Look at the trees and grass on the grassland…

They are called useful if people eat and use them. But if no one uses them, it's perfectly fine for them to simply exist in the grassland. They are free, aren't they?"

To the Wonder is the type of drama that will not really leave you with many thoughts, but rather many feelings. There is no deep and complex plot that will mess up your brain as you try to figure it out. There are no intense conflicts that will make your blood boil. It’s just life - with ups and downs, but steadily flowing no matter what, like a river stream.

What amazes me the most is how even the supporting characters that showed up for a few minutes here and there felt like real people. While the synopsis highlights the romance between Wen Xiu and Batay, the actual story is far more equal in representation of different arcs. Rather than a love story, it’s a community journey that also includes a love story. But it’s so much more.

It’s a story of learning how to move on from loss, how to take risks in starting anew and accept if we make a mistake. A story of finding new ways to chase your dreams, to experience life and understand that there is a beauty in the simplicity of existence. We get to witness the fear of losing what you found to be the comforting lifestyle, the anger that comes with it and the slow acceptance of change. We experience the clash of old and new traditions. We get to know people who understand how to appreciate what they have, and those who are never satisfied.

As a person who loves the comforts the city life gives, even I was moved by the stunning scenery shown in To the Wonder. It evokes in me this want to explore, to experience and to appreciate nature, the harmony in which some communities live with it. Just 8 episodes and yet over 500 screenshots in my folder. Every second was visually breathtaking. The vibrant colors of nature and the cultural heritage.

Then we have the performances. There was one scene in the last episode that especially emotionally touched me (everyone who saw the show knows exactly what scene I am talking about) - the emotions were just so real and raw. But the whole drama was filled with moving dialogues, subtle expressions of rich emotions, variety of personalities and motivations delivered by a skilled cast.

Overall, it’s a small story that feels larger than life, because it encapsulates all that’s important in human existence. It shows that keeping the community requires work and care, but it’s worth the effort you put in. It teaches you how to balance individualistic motivations and needs, while respecting the traditions and understanding the hopes of the community. I was getting more and more frustrated as I watched the episodes, because I did not want it to end.

This is one of the dramas I could write a review for a week, tweak it, rewrite it and I will not be happy with it because it's impossible to describe the beauty of this show, you just gotta experience it.

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Finding joy and staying patient while living the mundane life,

as we all learn to find beauty in the tiny moments - a smile from a child, sun coming through the branches of the trees, other people’s happiness.

Perfect Days is weirdly relatable in its simplicity. Smiling because of the shadows dancing on the wall is something that happens to me often - little moments that when appreciated, can make your day better. The movie allows you to stop for a minute and take in all the everyday wonders we often miss.

Watching Hirayama enjoy his daily routines and finding things to appreciate when the known pattern is broken made me think that every situation comes with a set of things to welcome with gratitude and things to be patient about. No bad moment lasts forever, no happy moments can exist, if we don’t notice them.

Yakusho Koji’s performance alone could be seen as the 8th wonder of the world. Even with little to no dialogue, he was able to express all the depth and internal complexity. Hirayama truly is a character we could learn from - patient, kind, helpful, giving, perceptive, diligent. Someone who cherishes each and every moment finding time to note the beauty of his surroundings.

Visually speaking I was in awe when watching it in the cinema. The use of light and shadows, well crafted set designs, interesting shots and angles - while I am glad I was able to see it all on the big screen, I also wish I could take screenshot of each and every scene and be able to come back to the pictures representing the beauty of the daily life.

Inspired by the movie, let me name a few things that brought a smile on my face in recent times:

How shadows that added to the beauty of the art I was viewing, creating a unique experience for that specific moment.
A cute drawing kids made with a chalk on the pavement.
The sun making the water flicker as if the waves were carrying little diamonds.
How a dirty window on the bus stop actually made the sunset I saw look even more magical.
How I drew a smile on a mandarin and it smiled at me the whole lecture.

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Finishing this drama is like saying goodbye to your good friend…

And all you have left are warm memories. As I watched, I started to feel like part of the community - I truly knew these characters, I understood their struggles, hopes and motivations and I wanted them to succeed and find happiness.

Healing is the best way to describe it. There are no exciting plots and crazy twists. It’s all daily struggles, small talks, forming friendships, moments of compassion, reminiscing of the past, dealing with the present, planning for the future. The magic of mundane existence in the beautiful surroundings.

Meet Yourself is a story filled with diverse and unique characters - each presenting a different perspective and ways of dealing with their traumas, mistakes, shortcomings and fears. This is a drama that holds many life lessons and precious moments that warm your heart and soul and leave a smile on your face. One of the aspects I appreciated the most was it did not solely focused on the younger cast. Older people were not just a background to showcase the passage of time, to show the future struggles the youngsters might face. They were their own people with vibrant personalities - sometimes far more energetic and driven than their kids and grandkids. I love how the drama took its time to establish well written and developed elderly characters.

It also presents a beautiful variety of relationships - be it romantic or platonic. Family, friends, partners, acquaintances - clearing showing how other people have a big impact on our life, but that we also leave some traces even after what seemed like meaningless interactions. Some people will forever be part of our life, even after they are gone, some were a tiny peace, a passing memory - even if we don’t see it now, all these moments mold us into who we are, and change us into who we are meant to be.

From brilliant and well paced writing to amazing performances, Meet Yourself is truly a whole package. Almost 1000 screenshots I took are a statement of itself - this show is stunning, a visual feast accompanied by a charming soundtrack (Validate being one of my favorites songs).

Honestly, it just feels like this drama was crafted with love and care.

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Self-sabotage your life…

It’s a character study on a really unlikeable character, dare I say unlovable person? By the end of the show I felt empty and following Go Yeong’s life was simply exhausting. While most dramas highlight the good traits of the characters, this one puts on the spotlight all the flaws and makes you feel uncomfortable.

I honestly cannot really say much good about Go Yeong. His egocentric nature, not learning from his own mistakes, double standards, unrealistic expectations, lack of motivation, constant negative thinking made me just sigh as I watched him self-sabotage over and over again.

And then you start to see all the unfortunate things that happened to him, all the small and big tragedies, events that completely changed his life and you feel bad for him. He was rather… pitiful, but one that you just did not know how to help, even if you had a chance.

Never learning from his mistakes was his biggest flaw. He understood many times what went wrong, he clearly reflected on his behaviors… and then when the time came to make a different decision, he followed the same wrong path. Over and over again.

He was surrounded by people, yet so alone.

What made this drama work for sure was the directing and the acting. They sell the story for me. I think we can all agree that Nam Yoon Su did a phenomenal job as Go Yeong, but I also want to talk about Jin Ho Eun as Sim Gyu Ho. There was something so… vulnerable about that performance I was honestly in awe.

Episode 3 and 4 were visually stunning - probably the best use of light I had seen compared to the other episodes. Visually it perfectly captured that part of Go Yeong's life - romanticized feelings of falling in love to then crumble into pieces.

On the bad side though, there were some storytelling aspects I did not enjoy at all. Inconsistencies about how important or unimportant specific plot points were, how much impact they had on character lives, what were the true reasonings and motivations for some actions.

Still, what a gripping story. Not enjoyable, but that was never the point of it. It’s not really a love story if you ask me. It’s a life story.

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62 days in - no signs of true romantic affection.

If you saw the show, you know what I mean. If you did not see, you can vaguely get what I mean. Can’t believe I’m saying it, but it would be so much better if it was not a BL.

Let’s start with some positives. I truly loved how everything here was rather selfish, even when they tried to do things for the other person. Good intentions are not always enough, and expecting gratitude just for the effort, when the result is not preferable is again - egocentric. And I loved it.

While the story might have been lackluster, the characters were actually well written and really consistent. No weird change of behaviors because the scene needed it, no quick character development that removed all the flaws and made the leads saints. Both the leads were frustrating (one more than the other), but they also made sense in their behavior - I might have been mad, but I understood where their behavior came from.

Sadly, the plot did not present the same level of cohesiveness. The first two episodes were great in terms of pacing - proper set up and characters’ introduction. Nothing felt rushed, and that’s what killed the show. Taking the sweet time in the first half forced the director to cram all the important plotlines in the last two episodes - just the highlights of a story, nothing gets truly resolved nor developed.

I don’t want to talk about chemistry. It was great when they were friends, but it stayed “friendly” till the end of the show. 2gether hi5 had more romance behind it, than whatever they tried to do there. I loved the low-key angst and the confusion that came from not realized jealousy, but all that buildup led to nothing.

The acting was decent, but got worse the closer to each other the characters got. The editing was fine, but got worse the closer to the end we’ve got. The directing was nice, but got worse each episode. You get what I mean - all went downhill real fast.

Overall, as much as I enjoyed the first 4 episodes, I truly disliked the next 4. Last two? I was just laughing. Conflicts came out of nowhere, none of the characters actually talked about the events and issues, as if they did not exist. We skipped through so much, it was all meaningless by the end.

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The plot had so much potential with the reincarnation trope leading the story, but it was never really used. While I enjoyed the beginning episodes quite a lot, at some point I was questioning myself for watching it. It wanted to be deeper, more dramatic and moving, but used all wrong directing choices to achieve it, and in the end, it did not work for me.

CHARACTERS/COUPLES
Truth to be told, I was far more interested in all side/past couples than the main one. I didn’t feel that much chemistry between them. Don’t get me wrong, there were moments when I found them as cute as possible, but I always thought it was more about good directing and not their acting. The romance scenes were simply well written and shot. I still believe Pharm and Dean’s first kiss was filmed in a fantastic way.

I truly loved the fun and entertaining chemistry going on between Team and Win and I wish we could have seen more of them and how they developed feelings for each other. We kind of knew they would end up together… and then they did. Not much of that development was really shown.

Earth and Kao were really good in their roles and I truly did feel the pain and desperation watching their scenes. Wish we could have a prequel telling just their story in greater detail.

Sadly, I felt like Ohm had the same facial expression 90% of the drama, with Fluke showing a bit more diversity: happy grin, shocked grin, massive crying (+ the quite well acted total meltdown in the last episode). While at the beginning I did not mind, at some point I was just bored by their scenes and performance.

Character wise, both Dean and Pharm were nothing special. I mean… Did Dean even have a personality? I did enjoy their relationship though, because, they played off of each other's characteristics well - Pharm being on a shy note and Dean leading the interactions, but as separate characters… they had close to nothing going on.

THAT SAID, I have to applaud the drama for one specific scene. We got some good representation of setting boundaries. When Dean gets a bit too touchy with Pharm, but Pharm quickly puts him back in place, clearly says it was unwanted and it must never happen again. We don’t see scenes like that a lot in BLs.
Also, justice for Manow. Poor girl was literally forgotten at some point of the drama.

DIRECTING
Oh boy. All the long, slow scenes of them doing literally nothing, like… looking at their phone, or cooking but without interacting with each other. The dialogues with way too many pauses. They literally took breaks every 2 or 3 words. There were many scenes that just felt like fillers. Few seconds here, few seconds there… but no content to be found. It made the drama look more aesthetically pleasing, but at the same time, I could not move my finger away from the right arrow on my keyboard, because I was sure there will be more than one occasion I will want to skip the next 5 seconds of them doing nothing.

As I was watching and the story progressed more and more, I could not wait for it to end. It dragged so badly and it was so amazingly slow. Everything was slow. They talked slowly, the shots were slow, the background music was slow, how they moved and walked was slow. I was honestly getting sleepy and tired after watching. The fact that, by an accident, I was able to watch 2 parts of an episode set on 1.5x speed and did not notice says a lot about the directing.

The violin soundtrack started to drive me nuts at some point. It made it seem like every scene was so profound and important and had deeper meaning… most of them did not. The overuse of it made it not an asset, but an annoyance in my eyes (ears?).

WRITING/STORY
I feel like the planning just failed. With the minimum of Team and Win scenes, they should just cut them out completely and make a sequel showing their relationship from the beginning. Focus only on Dean and Pharm and the past story of In and Korn. Show us in more detail how they slowly connected all the dots and accepted their past and current selves.

What’s most important, introduce a conflict AND NOT IN A LAST EPISODE. With the reincarnation trope, there are so many ways to go about it. Giving me Pharm questioning his love for Dean, not being sure if it's real or it's just reminiscence of the relationship In had with Korn, it’s awesome. What’s the point of shoving it in our faces in the last episode? It could have been gradually introduced. The more Pharm knew about the past, the more he would start questioning his feelings for Dean. This way you would have two driving forces for their relationship clashing in an interesting way - them being drawn to each other by the past connection, but also driven away by the fear it’s not real. I guess this isn’t the drama’s fault, since it is based on the novel, but it does not change the fact that there weren’t really any stakes presented. They tried to introduce some struggle by the end, but since the set up was not strong enough, it failed to move me and make me care.

The mental breakdown Pharm had at the end was so ridiculous too. He knew the story, he had flashbacks showing exactly what happened. It’s not like finding the box in the previous episode gave him some new information. He knew it all… And sure, we can argue that the reality of it hit him the moment he saw the photos and the gun, but it still makes no sense pacing wise. Make it happen at least two or three episodes earlier so we can actually feel the pain of then splitting/taking a break. Give me that emotional journey not some cheap emotional thirty second roller coaster with some bullshit “three months later”.

Overall, I guess I was simply not convinced by Fluke and Ohm’s acting so the scenes that might have been sweet, emotional, sad… were, for me, boring. I was not connecting to their feelings so I could not bring myself to care. The moment I started to care, the pace slowed down so painfully, I was getting distracted by the fact nothing was happening. Sad conclusion to the drama I was so excited to watch.

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The horror of mediocre writing and directing.

If these directors are thought to be skilled in the art of scaring audiences, Thai horror has a long way to go…

7AM and Vengeful Spell - 4.5/10
These two are one and the same - extremely similar in all aspects: theme, writing, directing, the atmosphere, ending...
Both had a weird mix of cheap ghost horror, bullying and teen romance, all not blended well.

Beautiful - 8.5/10
Easily the best episode out of them all. It had a low-key modern dark fairy tale vibe to it with the way the scenes were shot and the music choice. It also focused more on the individual characters and not pointless drama between teens. There was still some rivalry between girls, but it was "smaller" and more realistic in terms of motivation. To put it simply - it made sense.

It also has quite a statement behind all the "silly horror" - how beauty standards and social pressure can truly mess up a young girl and how far she would be willing to go, to fit in and achieve what is thought to be the success.

Songsak Mongkolthong - you did a good job both directing and writing wise!
The effects were really good too. Minimalistic for most part - great choice. Put all the heavy work in the last few scenes - great choice. Proper use of practical effects for most shots - great choice.

The Book of Corpses - 6.5/10
Best part of this episode? Acting from Orn and the overall visuals. For sure one of the "prettiest" episodes (excluding special effects). The story was kind of basic and how it was shown was not exactly engaging.
The more they showed the supernatural, the more ridiculous and over the top it got. And cheap... And gross… One scene was just... unnecessary. Special effects, there was legit just one moment that looked good, and I'm sure practical effects had a lot to do with it

The Headless Teacher - 2.5/10
It was 40 minutes of a bullshit over the top slapstick horror comedy with bullshit plot, to end with pedophilia and sexual harassment of students.
Easily the worst of all episodes. This one I don’t even want to talk about. It was borderline offensive, distasteful at best.

Lunch - 5/10
When the episode opens with the main dude being a complete asshole, I kind of lose interest in watching in fear he might actually NOT die by the end. Ton being bad at acting did not help, I wanted the character dead even faster.
This could have been a lot better if they set up the plot twist in any way. They spilled the story with an opening shot, so there was no surprise later.

Curse - 7/10
By the time I got to this episode, I can’t be sure if it’s decent, or my standards just hit rock bottom. One thing I know for a fact - it was pretty and had a good atmosphere, even though the design of the nurse was mediocre.
Yes, the story was nothing new - the bullied student seeks revenge with the help of a ghost, just to get screwed at the end himself. We all know it, but at least it was presented well. Fiat’s good acting helped a lot to sell it too.

A Walk in School - 7.5/10
I think I need someone to explain the timeline for me, because it makes no sense.
That said, except for the confusing ending, it was fun. Had some simple ghost stories vibe, with low-key comedy. The dynamics between the non-believer Boys and believer Tum were great.
The emotional ending felt flat, but it might be because I was too focused on making sense out of it, so the “feels” did not hit me. The set up was good, just the execution left something to desire.

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In the name of Jesus Christ I command you to choose your line.

So much was happening, but also nothing was happening, and how is that even possible?

If we talk about the actual events, this is a 40 minute movie at best. Exorcism, chat, death, chat, exorcism, chat, exorcism - more or less the plot. But if we take into consideration the topics introduced in said chats - that's a one semester lecture for you. Lack of faith in the men of faith. The misogyny in church and the lack of equality between men and women. Nuns doing tarot readings? Sure. Also a power team of nuns and schaman doing exorcisms. I guess. Then we have illness, I guess shame, but that was not explained at all. One could say this was a women empowerment movie, but was it really? And then the whole final sequence, as beautiful as it was, was also painfully dumb.

Even Song Hye Kyo was a hit or miss depending on the scene. Her nonchalant and confident scenes were great, but every time she tried to be more angry domineering and scream it just felt painfully flat. I feel like at least for some lines, if they switched her raised voice to a really chilling whisper with the music going quiet, it would have far more impact.

Moon Woo Jin did an amazing job holding back laughter, because that performance was just ridiculous. In a good way. It was exactly what the director and writer wanted, that's clear.

Lee Jin Wook was there, acted like an asshole. Was gone. He is not the main role, that I can tell you, and Jeon Yeo Been, while definitely more prominent, had to somehow deliver a character that brought nothing on the screen.

What's good? The movie was beautiful. Quite a few breathtaking scenes and good use of special effects.

Overall, pass - in both senses of the world. I'm not mad I watched it, it passed. But also, don't waste your time, pass.

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I am tired of dramas giving me plot points, rather than plotlines.

I honestly do not understand why writers, directors, producers - anyone and everyone who has any say in the final product, are so stubborn into adding so many unnecessary plot lines and characters, when the majority of the short shows would work so much better with minimal effort, serving just the good vibes.

What I enjoyed about the show: the dynamics between the leads. The tiny twist to “enemies to lovers” trope was done in a refreshing way - adding both the tension and comedy depending on the situation. I liked how consistent the characters were. Best example - the difference in their dreams, and how it then corresponds to reality. Tiny details that just made sense. I liked how they both had clear internal issues they had to work through, and how they unintentionally helped each other deal with them.

I also liked the initial disagreements in the team based on their completely different goals and motivations. Them slowly starting to work together when they understood they can both benefit from cooperation was for sure one of the highlights.

And that would be enough for an 8 episode drama to be good. Focus and develop just these two aspects of the plot. But no, you need to make it more complex than it needs to be, add more unnecessary external drama. Create a huge issue just to solve it in 5 minutes. Why? I am tired of dramas giving me plot points, rather than plotlines. Nothing is developed or truly explained, because there is not time to do that.

I love how the poster makes it seem like it will focus on football, and have a rather big cast of important characters, when in reality the football did not matter at all and half of the people we see in the poster are there to fill the space so the locker room will not look too empty. They used their phones to film content more often than they kicked ball. Where was the balance?

The performances were rather good. Nothing too amazing, but I partially blame it on choppy editing and not so smooth storytelling. For a tiny budget it apparently had, the production was good. For sure did not stand out in a negative way compared to the majority of the other k-bl from the past few years.

Overall, it was not bad, but it was not good? The type of a show you won’t regret watching, but it’s not exactly something you would recommend others to watch either.

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Right or wrong is only a matter of perspective.

I love a show that makes me engaged. That makes me think and question presented topics. That makes me want to think how I would react if I was presented with the same ideas, what would be my questions and doubts, and who would I side with. That makes me analyze the statements of the characters trying to figure out what flaws they might have, and in what aspects they are correct. Three-Body is all that.

I saw quite a number of people say that you need to be patient with this show to enjoy it. I would honestly disagree. Being patient means you need to tolerate something negative, and I see no such a thing in the show. Slow pace? For me it added to the charm of it. The even pacing, how each time they dropped a new hint, they added a few more questions, the mystery of it all, the lack of answers - for me, these are exactly the things I loved about it. So if someone finds these annoying, I don’t think any level of patience will make them like Three-Body in the end.

My favorite aspect of the drama was how it exposed the limits of human’s perception and cognition. How limited we are by our beliefs, hopes, motives, experiences and even biological aspects. We are painfully biased towards our own species. But it also shows how normal that is and that it can be, at least to some extent, overcome.

Not to mention the diversity of the characters in terms of their personalities, motivations, moralities. It’s truly an art how they slowly showed all the layers of the characters, their perspectives and plans. It was a perfectly crafted journey. They knew exactly when to disclose different information to keep the interest of the viewers.

How hard is it to understand the show? I’m not gonna lie, it’s not an easy watch, but that comes from someone who knows exactly nothing about physics. I had to rewatch a few scenes to understand the theories, some google searches also helped. All that is not needed to get the big picture, but it adds to the viewing experience.

Were there any things that bothered me or could potentially bother others? Yes. Since the drama invites you to analyze everything and pay attention to all the details, it’s also easier to pick up some inconsistencies. That said, a lot of them can be excused by the unreliable narrator at any given moment and their own goals in sharing some, but not all information, and at times even distorting it.

What’s more - we don’t get clear cut answers for a lot of questions asked. Some of it might be the result of the drama being based on just the first book in the trilogy, but some seem to be left vague with no hope for solid answers even in next installments. I can clearly see how this could piss off many people, me being weird, I actually enjoyed it. The fact that I had to form my own theories on why some things happened based on the hints and bits of information was an additional entertainment for me.

There were two moments in the drama that made me go: okay, that’s dumb. That said, two scenes in 30 episodes is a ration of dumbness I can easily ignore.

Last criticism I have is the whole existence of Mu Xing - she did not bring anything new or important to the table. She did not offer an interesting perspective nor a unique take on the events happening. She was there as a plot device and I find it a bit disappointing.

For the performances - some were better than others, but all were great. Chen Jin and Wang Zi Wen did an amazing job portraying the same characters in different moments of her life. You can see the changes in her, but she still seems like the same person. I loved Yu He Wei as Shi Qiang and he easily became my favorite character. I loved his bond with Wang Miao, and even though they could not exist in more different worlds, they formed a perfect partnership.

One performance that seemed a bit flat was Li Xiao Ran as Shen Yu Fei - she was supposed to be this driven woman with a mission, but she overall just seemed numb and detached.

The production value was perfection. I truly have zero complaints. I loved the small animation bits explaining the Farmer and Shooter theories, I loved the game graphics, I loved the set designs. I especially loved everything about how the past story was presented. So many aesthetically beautiful moments.

Talking about Three-Body, I need to mention the soundtrack. I was in awe from the first seconds of any of the songs and even just the ambient sounds used for many scenes. It added so much to the storytelling and perfectly built the atmosphere.

Overall, I could not recommend it more if you like complex stories that require full attention and some additional brainpower for theory making, since they don’t really spoon feed you all the answers. How much you can enjoy the show depends on how much you are motivated to figure out the mystery and story behind the characters.

Ps. Can it be viewed as stand alone? Kind of. Depends on how much of a closure you are expecting.
Ps 2. I need 2nd season yesterday.

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Great moments, but moments only.

Who likes a healing show about a timid female lead who moves away from the toxic environment to end up in another toxic environment and receive close to no character development? Not me.

Like many other slice of life shows, this one also has little to no plot, which is completely fine. These are not supposed to give you thrills and excitement, they are supposed to be relaxing and warm. When I go into slice of life, I’m getting ready for a little bit of life lessons and characters I want to befriend, ones that make me want to root for them. Did this show deliver any of these? Not really.

Starting from Lee Yeo Reum - doormat, timid, no self love nor self respect. No issue with that. I wanted to go on that self improvement and self discovery journey with her. But damn this girl got on a merry-go-round and ended up in the same circle of self pity. The moment I thought she learned her lessons, she went back to the old ways - ready to blame herself, ready to take a step back, ready to run away. Trying to fix it all in the last episodes is not the way to go.

While An Dae Beom was better and for sure a stronger character, he also got easily manipulated by others, mostly by Ji Young. At some point I started to question myself - am I liking the character or am I just completely biased towards Yim Si Wan and I will just buy anything he sells?

Then we have all the other characters who either: started well and ended annoying, started annoying and miraculously became nice in between scenes, started annoying and ended annoying. There was honestly barely anyone to root for… Which is a true nightmare for a character driven slice of life drama.

To be perfectly honest though, I can deal with annoying characters, but I cannot stand conflicting messages. Yeo Reum tells herself to only think about what she wants and feels and not care for others, but also tells Bom to put her grandma and her family before her own emotions and well being. Protecting an alcoholic and abusive father is fine, but protecting your son with developmental issues makes you the top enemy. I am sorry, but what am I supposed to learn from this show? What is the message? What does the writer want to present and tell me? For me, it all made no sense.

Yes, the ending message was great - appreciate what you have, find happiness in little things, you don’t have to excel in everything, just being happy is enough of a reason to be alive and enjoy the moments. IT’s all great, but why did they fail so badly with all the other issues they talked about?

And I know how some people will scream “realism” as an excuse for some of the topics. Sorry, but you cannot explain some awful takes with it, while also ignoring the complete lack of realism in other aspects. You can’t have both.

Last, but not least plot wise - the “mystery”. When the characters have to explain EVERYTHING to me through the dialogues and flashbacks, it means the writer completely failed to set it up. I should be watching and connecting the dots myself, not get everything served with a narration.

From the acting and production side, it was great. Kim Seol Hyun improved greatly since her debut, and everyone knows Yim Si Wan is one of the best idol turned actors. The teens did an amazing job too, I especially liked a.mond’s performance - cheerful and hyped, but with hints of sadness and tons of loneliness.

Visually, Summer Strike is beautiful, I cannot deny it. They used the environment they were filming in to its full potential. What’s the point though, if the story is not on the same good level of execution? This year we had a holy trinity of dramas with amazing and beautiful moments, but also poorly executed overall plot and character’s development, and laughable villains - Today’s Webtoon, Cheer Up and Summer Strike.

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Slice of life with touch of investigation and grim undertones.

Technically The Silence of the Monster had all the typical slice of life elements - a group of characters creating a bond with each other, learning many useful and meaningful life lessons and learning how to overcome their struggles and traumas. It was cute and fun to watch. And yet, the drama managed to add the darker twist to it all, making it seem like the happiness was diluted, and the bubble could burst any time.

It was all possible thanks to the characters and how they were portrayed - especially for Luo Bin and He Chu Feng. The events of their past were still haunting them in the present, and even though they tried to move on, sometimes you need to face the tragedy, before you can build your happiness.

Luo Bin and Chu Feng had a great dynamic going on - one more reserved, the other not being able to stay still and quiet for more than a few minutes. What the show did well was giving small tweaks to who we thought the characters were. Chu Feng was not really this cold and quiet type, and Lou Bin was not as happy and carefree as it seemed.

On the other hand, while I enjoyed Sui Yi a lot, her character had nowhere near as much depth and complexity as the two male leads. For me, she represented the normality in the show - pretty, smart, hardworking, good natured. She brought the sunlight and warmth to Monster Vintage.

But then, we have Xiao An, whom I would not even consider one of the main characters. She showed up really late, she had little to no personality and presence on the screen. The development of her relationship with other characters was poorly paced and she never truly seemed like a part of the team for me.

The plot of The Silence of the Monster might seem like an investigation focused story, but for me, playing Sherlock Holme was more of a means to deliver the messages. It never felt like the focus was on the cases themselves, but rather on the people involved, especially the victims. Through the investigation, the drama presented many important social and personal messages. It tackles subjects like stalking and cyber crime, prejudice, animal cruelty, divorce/remarriage and the impact it might have on the child, mental health issues, trauma, the consequences of the white lies, and many more.

Sadly, plot wise, around episode 20 it all slowed down and I started to lose interest. The cases were nowhere near as interesting as the ones at the beginnings, the transition from the case by case scenario, to linking them to create a bigger picture was questionable. And the big bad guys were simply laughable.

The performances in most cases were great. I especially liked the raw emotions Annie Sun showed in the last few episodes. Both Bi Wen Jun and Zhu Zheng Ting had a strong delivery throughout the whole show. Ye Peng was capable of portraying Gu Nam in a way I had moments when I did empathize with him, even though I completely disagreed with his actions. The only performance that did not convince me at all was Baby Zhang, but it’s hard for me to judge how much was it the actress's fault, and how much I should blame the writing of the character.

The thing that stood out the most in a positive way were the costumes, styling, set designs, sceneries and the soundtrack. The whole show seemed like a piece of art, proven by 468 screenshots I took. I loved the vintage vibes they used, that felt stylish and not outdated. I liked a lot of the wide shots with the focus point not being in the center, but rather on one of the sides.

Soundtrack wise, I think Clare Duan - Tao Hao was my favorite song, but honestly speaking, literally every song was perfect and a gem worth adding to the playlist. Well fitting the drama, the scenes and the atmosphere created by the visual means.

Overall, it was a great watch, but the few complaints I had, had quite an impact on the overall quality of the show. It’s still worth watching and diving into the mysterious, but somehow welcoming and warm world of Monster Vintage.

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Enjoying the angst that comes from misplaced revenge.

Call It Love was emotionally aesthetically pleasing. What I mean is, even the sadness, anger, frustration, regret - all were presented in a way that did not make me feel emotionally exhausted and tired. I was relating to and appreciating the sorrow.

What the show did an amazing job with was showing different sides of psychological issues - for some people it makes them completely detached from social interaction, for some it makes them forget about their needs, others would focus on the negative emotions as their driving force, some would be able to accommodate their lives around their issues. Depending on the character, their personality and past experiences, we saw all the different sides of how we as humans deal with difficult emotions.

About the cast - we got blessed with some well written and complex characters and well delivered portrayals of them. How the same people could be victims and perpetrators. How everyone had to learn from their mistakes and figure out how to set boundaries, but also respect the boundaries others set. How to understand yourself and be able to communicate with others. How to move on from past, how to move forward with the future, how to find happiness and peace.

Were all the characters well written, with many layers? Not quite. While Ahn Hee Yeon did a good job with her performance, Kang Min Young did not exactly have much to offer except from being yet another external factor the leads had to deal with. Similarly, Choi Sun Woo existed only in the context of leads’ issues and struggles, and presented no personal plotlines.

Cast wise, Kim Young Kwang ate the role. One of the most versatile actors we get in mainstream shows. Can do drama, action, comedy, romance, thriller - you name it and you will get it in one of his roles. In Call It Love he presented so many raw emotions from Han Dong Jin. Even though the character was not an open book, not the most expressive guy out there, it was still clear for the viewers what he was going through, what he was thinking and feeling.

At the same time, while for most scenes Lee Sung Kyung did great (it’s a role we have not seen her in yet), there were just a few moments where her delivery was too monotone and at times felt empty.

As for the production - I loved it, but I can see why someone else could hate it. The colors were not saturated enough and the whole show was presented in this pink/purple filter. For me, it perfectly fitted the overall mood of the drama, adding to the melancholic and stoic feeling. What also caught my attention was how the shots were centered vertically. In many the characters were presented in only 1/3rd of the screen. For me it seemed like the same way they were not centered in the frame, they were also not centered in their lives - still unsure about their place, a bit lost in their surroundings.

All that said, it’s a typical “you either vibe with it or not” drama. The same visual aspects I loved could look ugly and weird for others. The same characters I related to and enjoyed analyzing could be frustrating and unrealistic for others. The same dialogues I found touching, others could see as faking profoundness with no depth.

Why not a perfect 10 from me? I did not like some of the conclusions and I wished a few characters were developed better. For such a complex situation the drama presents, some aspects just lacked nuance.

Overall, I already miss this drama.

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