"I will go outside to see the world. I will fail and I will suffer!...

...I want to see what I can achieve in the end!"

There is so much to love about this drama. There is also surprisingly a lot I did not, and it only hit me when I got closer to the end.

It’s safe to say this is a perfect drama for all found family trope fans. Watching Li Jian Jian, Ling Xiao and He Zi Qiu support each other under the caring watch of Li Hai Chao was beautifully heartwarming. What amazed me the most was the fact these relationships were not idealized. All characters struggled with many internal and external issues that were well developed and presented. Themes like being scared of being abandoned, or being forced to abandon people you love. The constant feeling you need to act perfect, be perfect, never complain to be worth the support you are getting. That uncomfortable feeling when people who were close to you in the past feel distant in the present. All of these affected their interactions with each other and made the bond that much more meaningful and strong.

Li Jian Jian was such a force of positivity. I know some people disliked her as a teenager, but personally I loved her in all 3 stages of her life. She was adorable as a kid, fun and expressive as a teenager and mature, but still exciting to watch as an adult. She was the person that could be called “home” by many characters and the bond that kept them together.

Ling Xiao was the one who kept his scars hidden the most and it was painful to watch. At times it truly felt as if he gave up on himself - whatever happens, as long as people he cares about are safe. The most passive in response to trauma, the one that kept it all inside. Finding his salvation in Li Jian Jian.

He Zi Qiu who smiled, even if he was crying inside. Fighting his battles alone, not wanting anyone to help, not wanting anyone to pity him. Trying his best not to be a burden, wanting to protect people around him. So caring, so good, so well-natured with such a bright and radiant personality. He became an older brother to all the characters.

And you know what’s the best? The main characters were not the only ones with depth. All the supporting characters had well-defined personalities and individual struggles that were separate from their connections to the main cast. Ming Yue who was limited by her low self-esteem and overbearing mother, Tang Can who felt like she was stuck in place when everyone around her lived their best and successful lives. I loved how Zhuang Bei did not disappear after the high school timeline, how he truly became part of the friend group. Or how Qin Mei Ying was not just a plot device and accessory to Chen Ting.

And then we have the best father in all drama history: Li Hai Chao. He could be used as a gold standard on how to well-integrate adopted children into an already existing family. He made sure everyone felt welcomed without neglecting his own daughter. Being patient was his biggest strength that made all the kids trust him. Putting happiness and well-being over, often meaningless achievements. Purest form of support we all dream about.

Sadly, that’s the end of the short list of the good parents this drama presented, and one of the main issues I had with the show.

Yes, I did like Ling He Ping, but it’s also true that he was a rather neglectful father. Working a lot, not being at home knowing how bad the situation is. Later putting his son in the care of a neighbor.

Not going into details, at some point I found the level and the number of dysfunctional families in this show exhausting and unrealistic. All families have their problems, that’s true. The thing is, Go Ahead does not present your typical issues, it’s all on the level of: you need therapy, these are not disagreement, this is an abuse.

Then we have the issue of vilification of mothers. This one abandoned her child, another did the same. This one is overcontrolling to the point of abuse, this one uses her child to get money. There was literally only one mother without any major issues, who did not mentally torture her child, and she was a mom of the side character. It’s not like the dads were perfect, but their faults were never highlighted as much.

At the same time, the drama gives a rather painful and unhealthy message - no matter what, you cannot give up on your mother, you have to try and make the relationship work, no matter the abuse and how much you are suffering, because it is your mother. Abandoning your child is “a mistake”, but not helping your mother when she struggles is the biggest sin one can commit. Some scenes just made me feel uncomfortable. I know there are some cultural differences and China puts a lot of importance on family bonds and family relations, but there is a big difference between doing your best to fix a relationship with your parents and just accepting abuse for years.

I also feel like the drama unintentionally stigmatizes mental health issues. In some aspects they did a good job, showing how serious are the consequences of emotional abuse, trauma, neglect, stress, pressure etc. The fact it’s not just - I feel sad. How it can affect your daily life, how it will only get worse if you won’t seek help and try to change the situation you are in. On the other hand though, they did blame a lot of toxic and awful behavior on psychological issues. The sad truth is - some people are simply dicks, and they will act like one whenever they struggle with something or not. Some people are just egocentric and selfish and them getting help won’t change that.

My “favorite” part about mental health presentation? Two characters talking about how you cannot get better in just a few months when you struggle with serious psychological issues, while also showing how serious issues were solved in a short period of time without getting into any details on how. All I could do was laugh.

Going back to the good - PERFORMANCES! Personally I believe Zhang Xin Chen and Tu Song Yan stole the show. The strong and beautiful father-son bond these two were able to present was one of the best aspects of the drama. They also had the best overall chemistry with all their co-stars. Whatever these two characters were going through always hit harder and made me feel more compared to when I watched the other characters.

While I enjoyed Tan Song Yun and Song Wei Long for their individual roles, somehow I did not click with their scenes together as their characters became adults. I feel like they had more chemistry playing teenagers. When the three siblings were together, when they had their separate scenes with Zhang Xin Chen, the on-screen chemistry was great, but when it was just the two of them… something was missing.

I don’t really have that much to say about the production value. It was great, but great is kind of a standard now in the industry.

On the other hand, there is a lot to compliment about the soundtrack! There is not one bad song, not one mismatched track - every tune is in perfect harmony with their corresponding scenes. Every song enhances the moments I witnessed, amplifying the emotions.

Overall, I binge watched the whole drama in 6 days, I think that is a greatest proof Go Ahead is an amazing show. It makes you like and care for the characters from episode one, and with each minute you get more and more attached to them and their journey.

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Slice of life with touch of investigation and grim undertones.

Technically The Silence of the Monster had all the typical slice of life elements - a group of characters creating a bond with each other, learning many useful and meaningful life lessons and learning how to overcome their struggles and traumas. It was cute and fun to watch. And yet, the drama managed to add the darker twist to it all, making it seem like the happiness was diluted, and the bubble could burst any time.

It was all possible thanks to the characters and how they were portrayed - especially for Luo Bin and He Chu Feng. The events of their past were still haunting them in the present, and even though they tried to move on, sometimes you need to face the tragedy, before you can build your happiness.

Luo Bin and Chu Feng had a great dynamic going on - one more reserved, the other not being able to stay still and quiet for more than a few minutes. What the show did well was giving small tweaks to who we thought the characters were. Chu Feng was not really this cold and quiet type, and Lou Bin was not as happy and carefree as it seemed.

On the other hand, while I enjoyed Sui Yi a lot, her character had nowhere near as much depth and complexity as the two male leads. For me, she represented the normality in the show - pretty, smart, hardworking, good natured. She brought the sunlight and warmth to Monster Vintage.

But then, we have Xiao An, whom I would not even consider one of the main characters. She showed up really late, she had little to no personality and presence on the screen. The development of her relationship with other characters was poorly paced and she never truly seemed like a part of the team for me.

The plot of The Silence of the Monster might seem like an investigation focused story, but for me, playing Sherlock Holme was more of a means to deliver the messages. It never felt like the focus was on the cases themselves, but rather on the people involved, especially the victims. Through the investigation, the drama presented many important social and personal messages. It tackles subjects like stalking and cyber crime, prejudice, animal cruelty, divorce/remarriage and the impact it might have on the child, mental health issues, trauma, the consequences of the white lies, and many more.

Sadly, plot wise, around episode 20 it all slowed down and I started to lose interest. The cases were nowhere near as interesting as the ones at the beginnings, the transition from the case by case scenario, to linking them to create a bigger picture was questionable. And the big bad guys were simply laughable.

The performances in most cases were great. I especially liked the raw emotions Annie Sun showed in the last few episodes. Both Bi Wen Jun and Zhu Zheng Ting had a strong delivery throughout the whole show. Ye Peng was capable of portraying Gu Nam in a way I had moments when I did empathize with him, even though I completely disagreed with his actions. The only performance that did not convince me at all was Baby Zhang, but it’s hard for me to judge how much was it the actress's fault, and how much I should blame the writing of the character.

The thing that stood out the most in a positive way were the costumes, styling, set designs, sceneries and the soundtrack. The whole show seemed like a piece of art, proven by 468 screenshots I took. I loved the vintage vibes they used, that felt stylish and not outdated. I liked a lot of the wide shots with the focus point not being in the center, but rather on one of the sides.

Soundtrack wise, I think Clare Duan - Tao Hao was my favorite song, but honestly speaking, literally every song was perfect and a gem worth adding to the playlist. Well fitting the drama, the scenes and the atmosphere created by the visual means.

Overall, it was a great watch, but the few complaints I had, had quite an impact on the overall quality of the show. It’s still worth watching and diving into the mysterious, but somehow welcoming and warm world of Monster Vintage.

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Predictable and rather simple, yet surprisingly charming.

Not gonna lie, this is not the most complex story I have seen. It’s the same old crime for greed dressed in fantasy elements. Yet, this fantasy set up makes it stand out compared to other shows and make the watch more enjoyable.

I honestly don't care much about the investigation, if it was not directly linked to finding the bodies of the people living in Duon Village. Sure, the mystery was well crafted and had great pacing, but I honestly don't care about the living people involved with it. The plot shines the most when it focuses on the residents and how/why they died.

Some of the characters I liked the most were Thomas, Jang Pan Seok and Baek Il Doo. Most of the cast had a great chemistry between each other, and the friendship between Wook, Pan Seok and Thomas was fun to watch.

Sadly not all characters had much to offer. Personally I found Choi Yeo Na painfully annoying, and at times quite selfish. She had little going on as an individual character, and mostly served the role of delivering exposition and motivating other characters to do some work. There was nothing interesting nor entertaining about her.

No complaints about the production. Maybe some of the cgi was questionable, especially when the residents were leaving the village - the more detailed, longer and more close up the scene were, the worse it looked. That said, Missing: the other side was a beautifully crafted show with quite a number of screenshot worthy moments.

Overall, a fun and easy to binge watch show. I took my time with the first half, but watched the second in one sitting. While there will be a second season, this one can be easily watched as a stand alone, as it provides all the necessary closure.

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Entertainment over quality… repetitiveness on the rise.

Don’t get me wrong though. It’s not necessarily bad quality, rather… basic? I’m gonna write a few criticisms I had with the show, but I want you to know, I still enjoyed it quite a bit - I would drop it otherwise.

Starting with the short points, I will elaborate on them later.

So what’s good?
◽ The characters’ personalities and the chemistry between them. The variety of amazing interactions we’ve got depending on who was on screen was perfect.
◽ The comedy was to die for. Even if some episodes felt like fillers, I was still mostly okay with them because I got to laugh a few times. Especially any scene with the Crown Prince and Mu Deok was a comedy goal.
◽ The lore. For the first proper high budget Korean fantasy drama like this, they did quite a good job with creating a believable and detailed world. Yes, they broke some rules they set themselves, but overall, in this aspect the writing was rather consistent.
◽ The production quality. This show is simply beautiful. I have no complaints about CGI either, which is a surprise, since I always complain about some details related to it.
◽ The acting from the majority (but not the whole) cast.

What had a potential, but could be improved?
◽ The villains. While on paper everything adds up - they had proper goals, motivations, plans, enough power for it to be believable, the presentation left quite a bit to desire.
◽ Love lines. There were just too many. Cutting off half of the love lines, and exploring more the ones that are left would be a huge improvement.

What did not work out?
◽ The female characters. They told us how strong, smart, brave, driven they are, but then relegated them to be some sidekick characters or just a background for the story to unfold. Including the female lead.
◽ The present plot and pacing. Having such an elaborate lore and using so much time to explore and explain the characters and their background, sadly hurt the current plot a lot. Too much repetitiveness, too much narration and filler scenes, that, while entertaining, did nothing to move the story forward.

Getting into more detail now.

So, what’s up? It was built on extremely basic and boring tropes. And while I love everything around it, the core is still... basic. Especially in terms of Jang Uk's writing - a special boy, with his special powers and special fate. Magically learning all the magic that he needs at any given time. There are literally no real stakes with him - we know he will somehow get out of all the issues with no real long term consequences.

The worst crime this show committed was reducing the revenge seeking, confident, skilled female lead into nothing more than a love interest for half of the young male cast. Girl just gave up her goal at some point and was nothing more than Jang Uk’s maid. How sad it is, when she opened the whole show with a bang and badass fighting moves. Realistically speaking, she was a far more interesting character than Jang Uk, and yet she was pushed to the sidelines.

I feel like the drama overall failed its female characters. For example, Jin Bu Yeon was an extremely important character, and yet the majority of viewers shared the “I don’t care about the oldest daughter plotline” sentiment. What does it tell me? Hong sisters and Park Joon Hwa failed to convince us it’s worth following the story. They failed at setting it up in an interesting way and failed to show how connected it is to everything happening. Which is sad, because from the few scenes we have seen with Jin Bu Yeon, she seemed like an extremely strong, brave and worth watching character.

There is another interpretation of Jin Bu Yeon’s wasted potential - Hong sisters from the start did not care about her character and never planned for her to be anything more than just a background story. And this just makes me sad to even think about. She is literally one of the most interesting characters in terms of her story - one of the most complex backgrounds and connections, and yet she was nothing more than a background?

Honestly speaking, the majority of the characters lack the complexity and depth, but they make up for it with the extremely well written and directed chemistry. There is a huge variety of different relationships (not all romantic) that are entertaining to watch. Some of my favorites are - Mu Deok and the Crown Prince, Mu Deok and Yul, Crown Prince and Jang Uk, Master Lee and basically everyone, dumb Scooby Gang aka Crown Prince, Yul and Dang Gu.

So, we know there was a high entertainment value in terms of the characters, but also some painfully unused potential. What about the plot?

The pacing was awful. Honestly tragic. They did an amazing job with expanding and explaining the lore and character’s backgrounds, but as for the present plot - it was barely moving. We were getting closer to the end of part one, but I felt like we took maybe two steps forward, and mostly just ran in a circle. And the precious screen time was wasted on random comedy scenes (which were great, does not change the fact they mostly added nothing to the plot), romance EVERYWHERE, and side plots that a lot of viewers, me included, did not care about.

The romance? Jesus Christ, you think love triangles are annoying? Wait to see all the love lines and all the geomatics love shapes. Everyone is somehow related to everyone in a romantic way - be it past relationship, present relationship, arranged relationship, one-sided crush etc. At times I felt like the love lines were more complicated than the actual plot.

What exactly was the villain's plan? They had literally everything they wanted and needed to take over… but they didn’t. Because, reasons? They were just chillin doing the bare minimum waiting to get caught.

AoS tries to set up quite a few plot twists and big revelations, most are sadly predictable for anyone who watched even a few wuxia shows. It just follows the most stereotypical story with the most common tropes leading the way. They also kept explaining things that were already revealed and explained - the plot is not THAT complicated so I would need a constant reminder about each and every plot point.

Production quality and acting were good. What many fantasy shows fail at is the over the top, complex CGI. AoS did a spectacular job with it. Everything crafted to make the show pleasant to the eye.

Acting wise, I have to talk about Jung So Min. She is one of my favorite actresses and I knew she could deliver any role, but I was still surprised how she was able to manage so many personalities and shift her acting to fit specific scenes. I’ve also been a fan of Lee Jae Wook since his debut as Marco in Memories of the Alhambra, and knowing how diverse the roles he took so far were, I did not worry about his performance at all.

I’m also quite impressed with Shin Seung Ho. The Crown Prince was not an easy role since the character has quite a few contradicting qualities, that could seem ridiculous with the wrong delivery.

Overall, being perfectly honest, I did enjoy it for most part, but I would not recommend it. At some point I had more fun ranting about it on feeds with friends than watching. Not sure if the few entertaining scenes here and there truly make up for all the mediocre and bad aspects. I might just be biased because I love the cast so much. And since this is basically a 30-episodes long drama, is it worth it to spend 40 hours watching it just for the interesting set up?

Taking 0.5 from the rating for the fact it was split into two parts for no reason whatsoever.

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Let them stay bad and cunning - for that I am grateful.

To sum it up: great pacing, interesting and likable characters, solid chemistry, thrilling schemes, problematic gege throwing hands at both his enemies and his lady (which in this drama was perfection, don’t call me out). On the other hand, I was not crazy about how all the romances developed and in some areas, the acting could have been better.

Still, top level of solid entertainment. Thank god I was watching it as it aired - otherwise I would not be able to stop and binge watching all of the episodes would simply kill me - I’m too old for it.

It truly surprised me how much I enjoyed the pity palace drama. Usually I’m barely stopping myself from skipping this type of scene, but here they were some of the best aspects. I appreciated glorious slaps, calling out stupidity even on your own team, backstabbing for survival - it all sounds so dramatic, but in the drama itself, it’s presented in an engaging, but palatable manner.

What’s more to love are all the women in the drama. Variety of the characters, personalities, strength and weaknesses - exactly what I want to see. You don’t just get your typical - smart and cunning, and dumb, but loyal. They nicely mix it up. We get the asshole who overestimates her abilities, we have a smart and loyal friend. We saw women who push their limits and ones that prefer to not push them. We have bad, good and morally gray.

On the other hand the drama lacks quality men. Those that are fun are not developed enough, those that are developed more are annoying. Xie Wei being the only true saving grace. Yes, Zhang Zhe is cute and righteous, but that’s all he is. Yan Lin might be fun and good at fighting, but he is the definition of the “supporting from background while having little to no individuality”. I enjoyed them as I was watching, but by the end of the show I had little to no thoughts about them.

I’m glad plot wise the overall arc was well explained. I understood the motivation of all the characters, why they made the choices they made and what was their goal. Some strived for power, some for survival and some for redemption. I do wish the drama was longer. While they wrapped up everything quite skillfully, I still wanted to see more. Especially in terms of romance.

And that’s my biggest regret. Not even a flaw, since the final execution was done well, it just made me crave for more. All the romance driven plot lines were quite sidelined, so by the end, they tried to put 20 episodes worth of development into maybe 8. I enjoyed every second of it, but I wanted more.

Acting was good. Bai Lue did what she does best. In no universe she could fail delivering a character like that - it’s made for her and her only. Zhang Ling He was great in some scenes, not so great in others. Wang Xing Yue and Zhou Jun Wei both did not really have a space to show any skills - how the characters were written did not really allow that. I’m glad that the whole cast had a great chemistry though - be it platonic, romantic or rivalry. And them kissing scenes… we do not get kissing scenes like that often.

I know many people complained about the make up, personally I liked it. The over the top magical red eyeliner that showed up when Xie Wei turned into his toxic hot gege persona. Yes, the eyebrows for the female characters were… a choice, but after a few episodes I just stopped paying attention to them.

Overall, high level of entertainment. Story of Kunning Palace has such a high binge watchability, it’s actually scary and could be a health risk if you are not careful. It’s both exciting, but approachable - balances well between how dramatic, but also easy to digest it wants to be.

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Why did I even bother?

Usually hate-watching means the show is so bad it’s actually entertaining. Here, it’s just bad, with the characters so annoying it’s hard to find someone to root for. Truth to be told, if I knew the ending before I started the show, I would not bother with watching at all. I was intrigued by the interesting beginning, and not smart enough to leave when I saw the first red flags warning me, this leads to nothing good. One could say I’m Na Bi, and this show was Jae Eon - leaving me angry, annoyed, frustrated and exhausted.

What seemed like a promising portrayal of a toxic relationship, ended as nothing more than another angsty young adult love story, that is even more pretentious than I could ever expect it to be. When in fact, it’s just fancy trash with pretty actors in it.

The main plot is the relationship between Na Bi and Jae Eon. Here’s the thing though - the relationship makes no sense. At first it’s presented as a strong sexual attraction, but it never really moves to anything more. Whenever the writer tried to incorporate any strong feelings from either female or male lead, it made no sense. What are these feelings even based on? By episode 4, the main romance became extremely repetitive and boring. How many times can we see Na Bi cry and Jae Eon be a jerk?

Na Bi was just painful to watch. By the end of the show I felt like she literally learned nothing. There was no development and no progress. The moment I saw some change, she took a U-turn into a crying mess.

Jae Eon was one dimensional and an empty shell. Don’t know what the writer was thinking, but you cannot develop something that does not exist. Giving him a last minute character development, when from the start he had no character or personality was a miracle in itself.

Bit Na and Gyu Hyun were more fun to watch, since both characters were stronger and had more of prominent personalities, but even they ended up on the rather shallow note. While they could have addressed some more interesting ideas about relationships and be a good mirror to Na Bi and Jae Eon’s relationship, the writer left me with little discussion and no real conclusion.

The only couple I truly did enjoy watching was Min Young and Kyung Jun. They were funny, sweet and relatable in all the best and heartwarming ways.

Except for them, there are exactly two things that Nevertheless, did well - LGBT representation and the amazing soundtrack.

While we’ve gotten more and more gay relationships in k-dramas lately, rarely ever we see lesbians presented in any way. At best it’s vaguely suggested or mentioned as a “personality trait”. It’s good to see a side story that truly explores the romance between two girls, and how they both deal with growing feelings. Sadly for me, I could not enjoy their ploy, since I could not stand Ji Wan as a character.

No matter how much I might dislike Nevertheless, the soundtrack is full of amazing bops. I listen to Butterfly and Love Me Like That daily - some of my favorite songs from 2021.

Overall, I could easily write a whole essay on why this show was basically a writing failure, but I honestly do not want to waste any more precious minutes of my life on this title. Let it die on my completed list, never to be visited again.

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Great moments, but moments only.

Who likes a healing show about a timid female lead who moves away from the toxic environment to end up in another toxic environment and receive close to no character development? Not me.

Like many other slice of life shows, this one also has little to no plot, which is completely fine. These are not supposed to give you thrills and excitement, they are supposed to be relaxing and warm. When I go into slice of life, I’m getting ready for a little bit of life lessons and characters I want to befriend, ones that make me want to root for them. Did this show deliver any of these? Not really.

Starting from Lee Yeo Reum - doormat, timid, no self love nor self respect. No issue with that. I wanted to go on that self improvement and self discovery journey with her. But damn this girl got on a merry-go-round and ended up in the same circle of self pity. The moment I thought she learned her lessons, she went back to the old ways - ready to blame herself, ready to take a step back, ready to run away. Trying to fix it all in the last episodes is not the way to go.

While An Dae Beom was better and for sure a stronger character, he also got easily manipulated by others, mostly by Ji Young. At some point I started to question myself - am I liking the character or am I just completely biased towards Yim Si Wan and I will just buy anything he sells?

Then we have all the other characters who either: started well and ended annoying, started annoying and miraculously became nice in between scenes, started annoying and ended annoying. There was honestly barely anyone to root for… Which is a true nightmare for a character driven slice of life drama.

To be perfectly honest though, I can deal with annoying characters, but I cannot stand conflicting messages. Yeo Reum tells herself to only think about what she wants and feels and not care for others, but also tells Bom to put her grandma and her family before her own emotions and well being. Protecting an alcoholic and abusive father is fine, but protecting your son with developmental issues makes you the top enemy. I am sorry, but what am I supposed to learn from this show? What is the message? What does the writer want to present and tell me? For me, it all made no sense.

Yes, the ending message was great - appreciate what you have, find happiness in little things, you don’t have to excel in everything, just being happy is enough of a reason to be alive and enjoy the moments. IT’s all great, but why did they fail so badly with all the other issues they talked about?

And I know how some people will scream “realism” as an excuse for some of the topics. Sorry, but you cannot explain some awful takes with it, while also ignoring the complete lack of realism in other aspects. You can’t have both.

Last, but not least plot wise - the “mystery”. When the characters have to explain EVERYTHING to me through the dialogues and flashbacks, it means the writer completely failed to set it up. I should be watching and connecting the dots myself, not get everything served with a narration.

From the acting and production side, it was great. Kim Seol Hyun improved greatly since her debut, and everyone knows Yim Si Wan is one of the best idol turned actors. The teens did an amazing job too, I especially liked a.mond’s performance - cheerful and hyped, but with hints of sadness and tons of loneliness.

Visually, Summer Strike is beautiful, I cannot deny it. They used the environment they were filming in to its full potential. What’s the point though, if the story is not on the same good level of execution? This year we had a holy trinity of dramas with amazing and beautiful moments, but also poorly executed overall plot and character’s development, and laughable villains - Today’s Webtoon, Cheer Up and Summer Strike.

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I appreciate the attempt, I question the presentation.

I’m not sure how I feel about this drama. Being romance driven, I cared about romance the least. While I loved the gradual healing on Uea’s side, I do believe the level of trauma this child had to face in such a short period of time (screen time wise) made it a bit ridiculous for me. By the 3rd toxic person in his life I just started to laugh… And it’s not like this scenario is completely unrealistic - many people who were victims become victims more than once. That said, the way they presented it with lack of good spacing in time and pace, I just could not take it seriously. The presentation was just lacking too much.

I also could not get on board with how Uea treated King a few times closer to the end. Everything that happened at first is understandable - miscommunication happens, especially if you don’t trust the person yet. At some point though, it felt more like Uea testing King for no other reason than enjoying watching King plead. Even that would not bother me if they established it’s something King is into, but they did not. So it seemed like a mind game when King had to constantly prove how much he loves and respects Uea to the point of asking before he can touch him (and I don’t mean in a sexual way, I mean literally any way) and being denied by Uea with a smirk on his face. That’s when I started to think - maybe Uea is truly completely not ready to be in a healthy relationship and needs to book a visit to a therapist first. It’s not like it happened a lot, but enough for me to feel a bit uncomfortable.

While I loved King, I also find him painfully underdeveloped and one dimensional. Net did a great job with acting, but the writing of the character itself was empty.

As for the nsfw scenes - let’s say I’m glad I watched the cut version, because even that was a level of cringe I could barely handle. Most of the bed scenes made me laugh, some skipped completely.

Acting was decent - big props to all the villains, perfect presentation that made me hate them with a passion. Net did great with some vulnerable scenes, but James sadly does not have enough skills yet to truly deliver the pain and suffering Uea as a character was internally going through.

Production was okay. Lately a lot of BLs are truly overdoing it with the blur filter on actors faces making them look like Barbie dolls - ain’t fan of that. Last episode was more like a bonus than the continuation of the plot - everything was concluded and there was nothing left to add. Personally, I was kind of bored watching it.

Overall… I don’t know. I kind of enjoyed it? It led to a few interesting conversations I had with folks on mdl, but I find it sad that most complex ideas came from the community and not the show itself. A lot of things were truly basic and simplistic, and by now I think we can expect a bit more nuance from the genre.

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You really have to turn your brain off before watching.

Is the chemistry between Jae Hyun and Jimmy good? Sure. They are cute. Yoon Oh and Peach as characters have good dynamics with contrasting personalities. But is this enough to watch the show?

I feel like the show tried to portray the subjects of loss, regret, miscommunication/lack of communication. How some people can be so focused on their own feelings, they can’t see other people and the truth that is there. It all felt extremely flat though. Having not much screen time, it’s not wise to add many plot lines and side characters. Pick one main and one side plot and develop them as well as you can - that’s the way to go.

Quite a number of things make no sense. Peach staying at his dead friend's house, and no one questions it. The investigation of the police was a joke itself. Yoon Oh can manipulate objects in real life, since his mom heard him playing the guitar, but it’s not really brought back for them to communicate with each other in any way? Give him a laptop, making him type! Peach flirting with the air with the people around him. These are just a few things that happened without proper explanation, and were there just for the sake of the plot progression, even though they made little sense.

The biggest let down was Yoon Oh’s relationship with his mom. It would be an amazing plot for his character development and driving force of the show, but they decided to just… resolve it in the first half of the show and bring it back at the end. This should be the focus!

The quality of the acting depends on the actor. Jae Hyun for sure does well in his role, while Jimmy struggles quite a bit. He has improved a lot since his Why R U days, but I don’t think he has yet reached the level worth compliments. Got to love them dry crying scenes.

The drama is for sure pretty. Saved quite a few screenshots. The cafe scenes were just aesthetic heaven for me. The soundtrack was also one of the better aspects of the show. All songs were fitting the scenes they were used for.

Overall, it was all just misdelivery. Not once have I felt sad, even with such an emotional topic. Yoon Oh vanishing Thanos style made me laugh my ass off at the end, especially with how they robbed fans of that kiss.

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"But there must be a reason behind it all"

"Do you want me to teach you how to be good at work? Don't ask yourself: Why?''. I think this whole show was a commentary on how we stay in the well known patterns, even if they are not productive, simply because things have always been this way or they bring us monetary gratification. But why do we even care so much about money? Because this is what society tells us is important. A vicious circle of bullshit.

Trying to suggest change is scary, and since everyone accepts the current state, it means it's working so why would anyone even try to challenge it? Everyone cannot be wrong, it's more likely I don't understand why it's like that. Stuff like the Milgram experiment or Asch Conformity Experiment explain it well. Both good examples how awful people are at going against:
1. Authority
2. Groups of people.

And if you add actual reward (money) for the conformity, people will do a great type of mental gymnastics to justify the current state.

Like drawing the circles, then erasing them and doing the same with x, just because the boss said you have to do it. I'm sure many of us did things we knew were pointless, but they were orders we just had to do. You can think you are not part of the problem, but you most likely are. Not to the same extent as the characters in the show, since everything was over exaggerated, but as long as we participate in the society, we do stupid things for the sake of some kind of benefit - money, popularity, recognition from strangers. But why do we care?

Each episode presents us with different takes on what one can sacrifice for money: pride, self-esteem, time, family, morality. It also shows what we truly want - connection, love, freedom, a feeling of belonging, self-worth.

The show opens with the best episode, so keep that in mind. On one hand it sets up the story well, but it also makes the remaining episode have less impact. Each short story is connected to each other, even though they changed the main character. Personally, my favorite episodes were “Dancing on the sand” and “Family Vacation”. Both had strong messages that resonated with me and my experience.

The production and the acting were phenomenal. Truly would not change a detail. The short duration of the episodes (most were a bit over 20 minutes) made the show more digestible and left some room for interpretation and reflection for the viewers. I feel like depending on your own life experience, perspective and expectations, you will see something else in each and every story.

Overall, great watch, but not for everyone. It’s weird and symbolic. While on the surface the overall message is easy to understand, there is far more than “what people will do for money” if you start digging deeper. It’s also an impactful watch if you are willing to reflect on how the messages fit into how you are handling your life.

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Non linear storytelling at its best (with few "flops").

Undoubtedly thrilling and unique story that does not give you a minute of a break - fast paced, well packed with both the plot and the action. Cleverly showing you just bits and pieces of a larger context, uncovering the whole story with each and every episode. While A Shop for Killers had a few issues, it’s still a title worth checking out - perfect for weekend binge watch.

One could say it opens like a fish out of the water type of scenario. Not quite. From the start we can see that Jung Ji Ahn is far from being a defenseless young woman, even if she herself is not quite aware of it. Personally, I found the story of her growing up under the careful watch of Jeong Jin Man the best out of the whole show. The bizarre, but obviously strong bond they had, the silent understanding. It was amazing to watch her connect the weird training from the past with her current situation, and use said lessons to survive.

At the same time, Jeong Jin Man’s past seemed a bit messy and did not get the conclusion that fitted the initial tense atmosphere surrounding it. By the end of episode 8, I had to rewatch certain scenes just to make sure I did not miss anything. Where are the answers? Nowhere, just more piling up questions.

Another aspect that was a bit frustrating was how they at times utilized the non linear storytelling by repetitive usage of scenes. The show was short. There were some scenes that truly expanded on what was previously shown - giving us the whole context and full story. At the same time, there were some moments where the “already shown” part was simply too long. I’ve already watched these scenes one episode ago, you do not need to show it to me from start again. I could not stop myself from skipping minutes of the drama, just to get to the point where the story moves forward.

Performance wise? Amazing. Some actors were a bit typecast, which made it easier to guess the their intentions and possible actions, nonetheless - everyone delivered. Personally, I am a fan of Lee Dong Wook in dark roles, so this one hits the spot perfectly. Jung Jin Man is obviously not a good person, not a good character, but there is good in him and that’s what differentiates him from some of his, let’s say “co-workers”. Seeing these detailed differences was an interesting experience. They are both bad, but are they equally bad? How much of someone's actions is understandable, can be explained and excused, where is the line that should not be crossed?

Kim Hye Joon was amazing as Ji Ahn. Well executed character development. Loved the strong and raw emotions she was able to present when Ji Ahn was cornered and truly exhausted with the dangerous situation she got dragged into. Loved the more soft scenes of her as a carefree child and teenager. Loved how Kim Hye Joon was able to present the duality of the character in such a great manner.

Shout-out to the cute guy who helped Ji Ahn when she was a child, if you watched, you know.

Production was great - the soundtrack was full of bops, the fighting scenes had amazing choreographies, the practical effects of blood and other painful “things” were on point.

Overall, left a lot to explore, by the end felt like a borderline bait for possible second season with quite a few aspects not being fully explored. And yet, I’m not mad. It was highly entertaining, had many interesting characters on both the good and the bad side (and let me tell you, the bad side is BAD). Keeps you interested and engaged from episode one till the last scene of episode eight.

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Great concept, confusing storytelling.

On paper I understand what I’m supposed to get from the story, but I am not sure the director did a good enough job for me to say the idea was translated well on screen. It ended up with me feeling like everyone is unhappy, because of the choices the female lead made.

While the movie had many great and poetic moments, I kept getting distracted by my own feelings which were: I felt extremely bad for the husband. Especially during the bar scene - whatever charm the scene was supposed to have, lost for me coz I kept thinking about the husband and how awful the whole situation must be for him.

The performances were great, though I was just not that into how the characters were written. Personally, I did not find Nora either likable or interesting. Not sure if I liked Hae Sung or just Yoo Teo’s pretty eyes and face, but he for sure aced the melancholic nostalgia feeling.

There was one scene that I really liked, and it was the “waiting for uber” one. I felt like it perfectly sums up the themes of the movie - connection, timing, hesitation. Would prefer if the movie actually ended there.

Overall, kind of enjoyable, but you truly need to completely ignore the husband and his side of this whole story not to feel at best awkward, at worst awful.

Side note - Polish subtitles in the cinema were awful. Maybe Korean phrases were translated in such a weird and “strong” way as if the characters were swearing left and right, when the meaning was supposed to be much lighter in tone.

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Hate to love scenario between me and Jung Woo. Damn, I disliked his little smug face so much in the first two episodes, I thought it would be impossible for me to jump on the ship in the future. While I warmed up to him in later episodes, I never sailed with the two dudes.

The biggest flaw of the show is the fact we truly know nothing about the characters. What are their motivations? Why do they do what they do? Why is Jung Woo working with Laura? What is his goal? Why is Do Gun so into keeping true to the basics and so against the innovations and new ideas? Why is he obsessed with working at Laura Dining? What is Laura’s deal? They did not explain anything. Literally not one thing. Who is Jung Woo anyway?

It’s also the first time I felt exactly zero romantic chemistry on screen between the main leads in BL. While I enjoyed their bickering and them having fun, their romantic scenes just made me feel slightly uncomfortable, because it felt like they were not that into it either.

The acting was good. Both Jang Eui Soo and Lee Chan Hyung have acting experience to back up their performance.

Production quality is what we usually get from k-bls: indie web drama vibes. Personally, I truly enjoy these aesthetics.

Overall, fine to watch when you are in between BLs and have nothing else to watch. Would not prioritize this over other shows though. It’s like a filler show.

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The plot had so much potential with the reincarnation trope leading the story, but it was never really used. While I enjoyed the beginning episodes quite a lot, at some point I was questioning myself for watching it. It wanted to be deeper, more dramatic and moving, but used all wrong directing choices to achieve it, and in the end, it did not work for me.

CHARACTERS/COUPLES
Truth to be told, I was far more interested in all side/past couples than the main one. I didn’t feel that much chemistry between them. Don’t get me wrong, there were moments when I found them as cute as possible, but I always thought it was more about good directing and not their acting. The romance scenes were simply well written and shot. I still believe Pharm and Dean’s first kiss was filmed in a fantastic way.

I truly loved the fun and entertaining chemistry going on between Team and Win and I wish we could have seen more of them and how they developed feelings for each other. We kind of knew they would end up together… and then they did. Not much of that development was really shown.

Earth and Kao were really good in their roles and I truly did feel the pain and desperation watching their scenes. Wish we could have a prequel telling just their story in greater detail.

Sadly, I felt like Ohm had the same facial expression 90% of the drama, with Fluke showing a bit more diversity: happy grin, shocked grin, massive crying (+ the quite well acted total meltdown in the last episode). While at the beginning I did not mind, at some point I was just bored by their scenes and performance.

Character wise, both Dean and Pharm were nothing special. I mean… Did Dean even have a personality? I did enjoy their relationship though, because, they played off of each other's characteristics well - Pharm being on a shy note and Dean leading the interactions, but as separate characters… they had close to nothing going on.

THAT SAID, I have to applaud the drama for one specific scene. We got some good representation of setting boundaries. When Dean gets a bit too touchy with Pharm, but Pharm quickly puts him back in place, clearly says it was unwanted and it must never happen again. We don’t see scenes like that a lot in BLs.
Also, justice for Manow. Poor girl was literally forgotten at some point of the drama.

DIRECTING
Oh boy. All the long, slow scenes of them doing literally nothing, like… looking at their phone, or cooking but without interacting with each other. The dialogues with way too many pauses. They literally took breaks every 2 or 3 words. There were many scenes that just felt like fillers. Few seconds here, few seconds there… but no content to be found. It made the drama look more aesthetically pleasing, but at the same time, I could not move my finger away from the right arrow on my keyboard, because I was sure there will be more than one occasion I will want to skip the next 5 seconds of them doing nothing.

As I was watching and the story progressed more and more, I could not wait for it to end. It dragged so badly and it was so amazingly slow. Everything was slow. They talked slowly, the shots were slow, the background music was slow, how they moved and walked was slow. I was honestly getting sleepy and tired after watching. The fact that, by an accident, I was able to watch 2 parts of an episode set on 1.5x speed and did not notice says a lot about the directing.

The violin soundtrack started to drive me nuts at some point. It made it seem like every scene was so profound and important and had deeper meaning… most of them did not. The overuse of it made it not an asset, but an annoyance in my eyes (ears?).

WRITING/STORY
I feel like the planning just failed. With the minimum of Team and Win scenes, they should just cut them out completely and make a sequel showing their relationship from the beginning. Focus only on Dean and Pharm and the past story of In and Korn. Show us in more detail how they slowly connected all the dots and accepted their past and current selves.

What’s most important, introduce a conflict AND NOT IN A LAST EPISODE. With the reincarnation trope, there are so many ways to go about it. Giving me Pharm questioning his love for Dean, not being sure if it's real or it's just reminiscence of the relationship In had with Korn, it’s awesome. What’s the point of shoving it in our faces in the last episode? It could have been gradually introduced. The more Pharm knew about the past, the more he would start questioning his feelings for Dean. This way you would have two driving forces for their relationship clashing in an interesting way - them being drawn to each other by the past connection, but also driven away by the fear it’s not real. I guess this isn’t the drama’s fault, since it is based on the novel, but it does not change the fact that there weren’t really any stakes presented. They tried to introduce some struggle by the end, but since the set up was not strong enough, it failed to move me and make me care.

The mental breakdown Pharm had at the end was so ridiculous too. He knew the story, he had flashbacks showing exactly what happened. It’s not like finding the box in the previous episode gave him some new information. He knew it all… And sure, we can argue that the reality of it hit him the moment he saw the photos and the gun, but it still makes no sense pacing wise. Make it happen at least two or three episodes earlier so we can actually feel the pain of then splitting/taking a break. Give me that emotional journey not some cheap emotional thirty second roller coaster with some bullshit “three months later”.

Overall, I guess I was simply not convinced by Fluke and Ohm’s acting so the scenes that might have been sweet, emotional, sad… were, for me, boring. I was not connecting to their feelings so I could not bring myself to care. The moment I started to care, the pace slowed down so painfully, I was getting distracted by the fact nothing was happening. Sad conclusion to the drama I was so excited to watch.

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Top level of entertainment. Can’t say the same about the quality of writing.

I want to start by saying - I did enjoy the show a lot, almost till the end. I watched the episodes as soon as they dropped. That said, I’m not gonna pretend like it’s some writing masterpiece - it’s not. It often hits the “teen’s first fanfic” level. Did I mind? Not really. I went into it for the Dear Daddy Devil and Bai Lu’s acting, and these two aspects were easily 10/10.

What did the drama do great? Tantai Jin’s arc. The questions of predestined path, freedom and choice, the importance of having the supportive community and people that trust and love. How much of where we end is on us, and how much can be explained by how others treat us? At which point we should take responsibility? Is revenge and justice the same? What’s more important - trust or perceived truth? Surprisingly a lot of depth in his story. Sadly, the writers had some issues with keeping Tantai Jin's wits and cunning nature and also progressing the plot - which led to quite a few moments when his brain must have been turned off to make such dumb choices.

Luo Yun Xi in the role? Pure perfection. The emo angst fits him so well, I was in awe. Whatever you ask from him - he will deliver it and more, in the most beautiful and heartbreaking way. I never knew an actor who presents suffering in such a stunning way.

Then we have Li Su Su played by Bai Lu. What a performance. She did great as a more idealistic and naive Su Su, desperate and driven Xi Wu, and the duality of Sang Jiu. Each character/persona was easily distinguishable with the portrayal. The angst and pain Bai Lu can deliver - be it extreme or subtle - was just phenomenal and truly breaking one’s heart. I don’t think the character herself has much to offer though. Any weaker performance than the perfection Bai Lu presented, would make Li Su Su either boring or insufferable. I just feel bad for the girl, because the writers obviously did not give a fuck about this character… She was this great thanks to the actress and the chemistry she had with Luo Yun Xi.

And that chemistry should be illegal. How can such a questionable and build on a toxic fundamentals relationship still seem so amazing, beautiful and perfect? Love, hate, hope, trust, doubt, protection, resentment, fear - what a mix of conflicting emotions and motivations. And that complexity was what made this duo so entertaining and such a blast to watch.

Beside the main characters, I want to give big props to Chen Du Ling who played Ye Bing Chang. How much I hated this character, how much I loved the performance. It’s also impossible not to appreciate Pian Ran - stunning arc as a side plot, amazing conclusion fitting the plot, great performance by Sun Zhen Ni.

Talking about the characters, it’s time to talk about the biggest sin this show and the writer committed - they made everyone so dumb, I did not even care who will win and who will lose, because I did not see a bright future no matter which side gets the victory.

So many things did not make any sense, but you cannot really call them plot holes, because they kind of had an explanation - lack of working brain cells. At first I found it amusing, but at some point it just frustrated me on a whole new level. You don’t know how to write a proper conflict and the origin of it, so you just make your character dumb for a few scenes to set it up.

That also led to repetitive scenes and arcs - just rewriting the same moments we have seen a few episodes ago, with small changes here and there. Refusing to give your characters’ proper character development can only lead to them making the same mistakes over and over and over again. This is one man show, and all the other characters are just a background for his story.

I have to say though, I’m quite impressed with the directing and editing taking into consideration how much of the plot and scenes had to be cut down to fit the 40 episodes format. Yes, there were many moments that the pacing seemed like a car chase, but the overall story was still relatively easy to follow and understand. On the other hand, the make-up artists need to change their careers, because the thing these actors had on their faces should be illegal to present to the public. Loved the costumes, liked the set and magical objects designs. Loved how they Sailor Moon changed their clothes when they reached new powers.

The soundtrack had some good moments, but there were also “oops” bits like them playing a pop royalty free facebook ads like music in the background in the last episode.

Overall, I had a lot of fun, later I had less fun, by the end I had a lot of fun ranting. One could say it’s a full on personal journey I had with this drama, and they would not be wrong.

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