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This is also a family with superpowers hiding their abilities. It’s comedy, drama, romance. Good for the whole family.

Kosaka Ren arrives in Japan to take up a special temporary lecturer position at an art university in Kamakura, Japan. He is a young and talented artist, who has a certain aura about him to make people want to get closer to him, but he also keeps a certain distance from everyone around him. Like butterflies that surround a flower, he is surrounded by other people. One day, he meets a certain woman and, because of her, his emotions begin to change. Even though he knows it will hurt ... nevertheless.

Same director and screenwriter. Both share the premise of an inspector investigating a series of serial killings with his lover being a prime suspect in the murder cases.

In both seasons students of top universities compete with each other to win the battle of brains



.

Both "Peaceful Property" (series) and "Midnight Museum" (film) are Thai-style horror comedy. While "Midnight University"'s ghosts are much scarier (the make-up is gorier, and the scenes with them are actually suspenseful), and it's humour is a bit more on the slapstick-y side, both tell stories about why spirits can't move on and have universal themes of human life at their core.

- Multiple couples
- a good Rom-com
- college/university theme (engineer, fine arts, medicine students)
- friendship and love interest

Both films have a similar setting, a small local hotel near the seaside with a recent occupant looking for the pieces of their lost love one in and around the area. They are filmed with different emphasis points on the human experience, and in the grieving process for both male leads. Both in their own brilliant takes on about what it means to look for someone lost, despite knowing they will never be fully 'found'.

Both FLs grow up as sweethearts with a man who to protect them wipes their memories and sends them to marry another man, continuing to support them from the background. In PS the FL ultimately falls in love with someone else, in TLLTM she returns to him. Both dramas have palace scheming.

Both FLs lose their memories and start entirely new lives, while the MLs who loved them re-enter their lives and help them.

Both series are revenge stories where the main female lead becomes the teacher of the child of the person/people she is exacting revenge against.

Drop is the prequel to Out, focusing on Hiroshi and how he met Tatsuya and joined his delinquent gang

An upper class Caucasian woman living in New York is unable to conceive a child with her Korean-American husband, who is sterile. After her husband attempts suicide, she contacts a young illegal immigrant from South Korea to pay him to have sex with her, so that she might get pregnant and save her marriage.

At her Marie Antoinette-themed birthday bash, Michelle loses her head after a few drinks and wakes up dishevelled in a hotel room. Forty days later, she discovers she’s pregnant and sets about finding the culprit. Michelle narrows it down to three suspects who turned up at her shindig: the figure-skating teenager. Jeb; the seafood-sauce tycoon. Tiger; and her Harvard-educated Chinese-American boss, Bill. Their confrontations provide ample opportunities for overdone slapstick and naughty sexual innuendo, but there’s also the matter of her incompatibility with any of them, poignantly addressing the harsh reality that she’s not exactly long-term relationship material in their eyes

Even in modern-day Taipei, women feel the societal pressure to get married and have children before the period to have them.
Thankfully, there is a solution: freeze your ovum and prolong your fertility.
Zeng Mei Bao freezes her ovum and looks for the right man to start a family. In the pursuit of this man, she ends up in a wintry Swedish Province, where ice and snow becomes a metaphor for the unborn child who is waiting to be born.

At her Marie Antoinette-themed birthday bash, Michelle loses her head after a few drinks and wakes up dishevelled in a hotel room. Forty days later, she discovers she’s pregnant and sets about finding the culprit. Michelle narrows it down to three suspects who turned up at her shindig: the figure-skating teenager. Jeb; the seafood-sauce tycoon. Tiger; and her Harvard-educated Chinese-American boss, Bill. Their confrontations provide ample opportunities for overdone slapstick and naughty sexual innuendo, but there’s also the matter of her incompatibility with any of them, poignantly addressing the harsh reality that she’s not exactly long-term relationship material in their eyes