Recent Discussions
-
Waiting comments47 minutes ago
-
BL Drama Lovers Club57 minutes ago
-
Reverse Harem...but platonic?4 hours ago
Both are about a couple who break up while the FL is pregnant with their daughter, only to reunite five years later. The ML instantly suspects that the child is his and gets a DNA test to try to confirm it. There's a SFL chasing the ML who becomes involved as well. Both MLs are wealthy.
Both are a gender-flipped version of each other - the FL vs. ML believes their baby died, causing the couple to break up. The other parent (father vs. mother) raises the child alone and five years later they cross paths again, with the other parent suspecting and trying to confirm if the child is their's.
Both are dramas in which the ML treats the FL coldly, blaming her for something she didn't do, and the two separate, with the FL giving birth to and raising their child alone. Both have rich ML/poor FL, a SML pursuing the FL, and scheming relatives of the ML.
Both couples break up due to the ML's family's manipulations and misunderstandings, with the ML believing the FL had a miscarriage. Five years later, the couple meets again, with the ML discovering the baby lived and he has a child.
female lead in SOKP and OAO is Bai Lu, both dramas are chinese historical drama adapted from a novel
SOKP intro: A fallen queen, Jiang Xue Ning, who aspired to have the highest power and authority in her life was held hostage by rebels after the king, Shen Jie, was poisoned. In this life she used everyone around her to reach the authority of the queen but at the end she remained under house arrest and Xie Wei slaughtered the entire city. Later, she received the decree to be buried with the emperor. She got a second chance to change her fate by not entering the palace but when she woke up after rebirth, she was already messing around. Even though she vowed not to enter the palace, certain turn of events again entangles her with the palace and Xie Wei whom she hated the most.
OAO intro: Zhou Sheng Chen was raised by his brother, the Emperor, until the age of thirteen, when he set out to defend the border and establish himself as a loyal and accomplished general. Cui Shi Yi, the well-read daughter of an esteemed family, has been betrothed to the Crown Prince since birth. However, political scheming and tragic events result in Cui Shi Yi falling mute, her former fiance becoming a child Emperor, and Zhou Sheng Chen returning to the capital amidst a cloud of political turmoil. Against the Cui family's protests, the Empress Dowager Regent changes the terms of Cui Shi Yi's betrothal. Her new fiance is the Emperor's sickly, young companion and the future Crown Prince, if he can survive long enough to come of age. Zhou Sheng Chen accepts Cui Shi Yi as his disciple to resolve lingering animosity between the royal family and the Cui family, and Cui Shi Yi suddenly finds herself leaving her sheltered life in the capital for Zhou Manor in the Western State. Despite their differences as a mute and sheltered young noblewoman from the capital and a battle-hardened general, Zhou Sheng Chen and Cui Shi Yi soon form a strong bond as master and disciple. However, their relationship is impeded by their respective principles and responsibilities, while the ongoing power struggle in the palace constantly threatens to entangle them both once more.
SOKP intro: A fallen queen, Jiang Xue Ning, who aspired to have the highest power and authority in her life was held hostage by rebels after the king, Shen Jie, was poisoned. In this life she used everyone around her to reach the authority of the queen but at the end she remained under house arrest and Xie Wei slaughtered the entire city. Later, she received the decree to be buried with the emperor. She got a second chance to change her fate by not entering the palace but when she woke up after rebirth, she was already messing around. Even though she vowed not to enter the palace, certain turn of events again entangles her with the palace and Xie Wei whom she hated the most.
OAO intro: Zhou Sheng Chen was raised by his brother, the Emperor, until the age of thirteen, when he set out to defend the border and establish himself as a loyal and accomplished general. Cui Shi Yi, the well-read daughter of an esteemed family, has been betrothed to the Crown Prince since birth. However, political scheming and tragic events result in Cui Shi Yi falling mute, her former fiance becoming a child Emperor, and Zhou Sheng Chen returning to the capital amidst a cloud of political turmoil. Against the Cui family's protests, the Empress Dowager Regent changes the terms of Cui Shi Yi's betrothal. Her new fiance is the Emperor's sickly, young companion and the future Crown Prince, if he can survive long enough to come of age. Zhou Sheng Chen accepts Cui Shi Yi as his disciple to resolve lingering animosity between the royal family and the Cui family, and Cui Shi Yi suddenly finds herself leaving her sheltered life in the capital for Zhou Manor in the Western State. Despite their differences as a mute and sheltered young noblewoman from the capital and a battle-hardened general, Zhou Sheng Chen and Cui Shi Yi soon form a strong bond as master and disciple. However, their relationship is impeded by their respective principles and responsibilities, while the ongoing power struggle in the palace constantly threatens to entangle them both once more.
Historical chinese drama, both male leads are generals, cold to everyone but only warm and soft for their female lead
The way the ML in You're Beautiful spoke reminded me a lot of the ML in The Greatest Love, the SML is also similar. Both are also about entertainment industry and faking/hiding relationships in front of the public. I did personally find TGL o lot better than YB. TGL is probably intended for more mature audience, YB for younger.
There aren't many or any similarities in both shows however, the cinematography are almost on par. The Eighth Sense is more like dealing a trauma.
The both drama represents patriotism towards the country as the lead actors fight from the Japanese for freedom of their country.
Both are realistic slice-of-life dramas. The cinematography is beautiful, and Soundtrack fits perfectly, and the acting is amazing. both are very calming dramas. Both dramas involve a realistic portrayal of people who trying to cope and keep up with the demands of life.
Both are family shows. There is comedy and lessons to learn.
?????????????????????????????????????????????????????????????????????
?????????????????????????????????????????????????????????????????????
I wouldn't say that the couple in these two dramas have similar relationship but these dramas both:
- main couple have different career but they kinda work side by side with each other
- one of the main characters is very optimistic
- good friendship (Momoka with Miyuki & Issei with Haru)
- have a couple of goodhearted people that sometimes you question how is everyone just so good-natured that there are rarely indifferent people, tbh some may find it off putting but these people are good role models that I want to emulate them.
- main couple have different career but they kinda work side by side with each other
- one of the main characters is very optimistic
- good friendship (Momoka with Miyuki & Issei with Haru)
- have a couple of goodhearted people that sometimes you question how is everyone just so good-natured that there are rarely indifferent people, tbh some may find it off putting but these people are good role models that I want to emulate them.
Has that same ominous and sad feeling to it. Both are about tragic accidents, and both feature people who died and came back to life.
I feel the movie a little bit similar, like in the end of Theathe and in the end of Parks and i had the same emotion, in Theatre is more explained there, but in Parks is more mystery about. The 2 movies are something that makes you thinka about it.
About a woman named Hye Jung who moved into a new apartment into a new city, dreaming of a new life, and her conflict with the residents over the discount sale.