Kurihara Mia works for the public relations department of a company. She falls in love with her company’s vice president Miyoshi Kairi after he helps her locate her missing engagement ring during a business trip. Mia does not realize who he is until he comes to the public relations department as part of training. She finds herself having to work with Miyoshi as his trainer. He is severe at times and yet gentle at others. Mia’s heart is captured by him little by little. But Miyoshi already has a wife.
Eun Mo is back in her hometown, Paju after spending three years of soul searching in India. However, the reality she returns to is far from comforting as she is faced with a dreaded reunion with her widower brother-in-law, Joong Shik. Almost a decade ago when Joong Shik came to Paju as a student activist fugitive, Eun Mo never took a liking to Joong Shik who ended up marrying her older sister, Eun Soo. But she was forced to live with him when a tragic accident took her sister’s life. During a course of three years, Eun Mo gradually discovered she was carrying complex emotions toward Joong Shik. Having felt trapped, she decided to leave Paju. Eun Mo believed she had resolved all emotional conflicts in India, but as she digs further into her sister’s death, she becomes torn between the truth and her feelings for Joong Shik.
Yoshino Michi is 32 years old. She's been married for five years, but hasn't had sex for the last two. It's not as if she doesn't get along with her husband, it's just that the sex part is lacking. It was a bit unexpected, but one night when she when drinking with her colleague, Niina Makoto, she wound up confessing that her marriage had turned sexless. And then, a shocked Niina responded "My marriage is sexless, too," and smiled with a lonely look in his eyes.
Having lost her mother at a young age, Chisato grew up with her father. She married her university classmate Mayama Yuta, who is now the heir to a large company, and was meant to lead a happy married life, but instead finds herself treated like a “housekeeper” by both Yuta and her parents-in-law.
Then, one day, she witnesses her husband walking affectionately with a young woman, Mitsui Runa. When finding out he betrayed her, she explodes with anger at Yuta, but a struggle with Yuta leads to her getting hit by a car. When Chisato awakens in the hospital, she discovers she’s actually been reincarnated as Runa, and thus, she vows to dedicate her new life to getting revenge on Yuta.
Then, one day, she witnesses her husband walking affectionately with a young woman, Mitsui Runa. When finding out he betrayed her, she explodes with anger at Yuta, but a struggle with Yuta leads to her getting hit by a car. When Chisato awakens in the hospital, she discovers she’s actually been reincarnated as Runa, and thus, she vows to dedicate her new life to getting revenge on Yuta.
The drama, unlike the other versions, is told through the eyes of the main character, Tomoko, and not, as in the original story, her male protagonist Tatsuhiko. The title met with much criticism due to its excessive sexual load, which resulted in the dismissal of employees at Tokai TV.
The story focuses on the Asakura marriage, who involve themselves in a series of romances and complicated extramarital relationships. The whole situation begins to affect their relatives and family, where many tragedies, dramas, abuse, breakdowns of relationships and tragic choices begin to occur. Can anyone find a little happiness in such complicated circumstances?
The story focuses on the Asakura marriage, who involve themselves in a series of romances and complicated extramarital relationships. The whole situation begins to affect their relatives and family, where many tragedies, dramas, abuse, breakdowns of relationships and tragic choices begin to occur. Can anyone find a little happiness in such complicated circumstances?
Two people are just drawn to each other despite social norms dictating that they should not be together. The notion of do you stay loyal to your family or follow your heart is displayed in both dramas. Both dramas stars Takizawa Hideaki in his teens in Majou no Jouken & his 30s in Seisei Suruhodo Aishiteru.
