Sports writer Nishiwaki Tetsuro got married to Risako who was the manager of the American football club which he belonged to as a university student, but they are not on good terms. One day, Nishiwaki is on the way home after a reunion with American football club teammates including Hayata Yukihiro and Sugai Makoto. He and Sugai sneak into the university grounds and run into Hiura Mizuki who was a former manager of the club. He radiates a strange aura. Then he makes a shocking confession to them, “I killed a person.” In addition, at Nishiwaki’s house, Mizuki reveals to Nishiwaki, Sugai and Risako that he has gender dysphoria and is living as a man. He works at a club as a bartender and killed a customer who was stalking a hostess Saeki Kaori at an unseen place. At first, the three of them feel disturbed and at a loss for words. But together with Nakao Kosuke, another teammate who was also Mizuki’s ex-boyfriend, they make the decision to protect their brilliant youth and friend. Then Mizuki goes missing. In the course of searching for him, Nishiwaki is faced a series of distressing facts. What decision will Mizuki and the team members reach?
~~ Adapted from the 2001 novel "Kataomoi" by Higashino Keigo. Add Synopsis In Portuguese
Cast & Credits
One of the motifs is a Möbius strip, which technically has both one and two sides, which is also why I think the correct English translation of Kataomoi should be the more literal One-sided Love (I think the title is meant to have a double meaning). The story does have many "unrequited love" situations, but that's not the theme—it's about much more than that, about loving more wholly and unconditionally in spite of not understanding every side of the other.
While the story is based on a Higashino Keigo mystery novel (for those who don't know, he's one of Japan's most popular writers), the tone of this series is not that of a detective/crime/investigation drama (although there are elements of investigation), but rather, a thoughtful relationship-focused friendship drama with a cloudy murder mystery plot that weaves together those relationships. It's relatively slow-paced compared to another kind of genre you normally see mysteries filmed as, but it's extremely compelling and could really be marathoned in one go if you had the time!
It's rather artfully filmed at points, including the end sequence of the first episode, as someone mentioned. I almost feel this could have been a better feature film with a higher budget, but it's really well-made and was the perfect length for the story at six episodes.
As for all the hand-wringing about how they'd handle transgender identity issues, it's done in a sensitive and compassionate way without being maudlin or overkill like you might expect from Hollywood. Honestly, I wasn't surprised at that at all, but I did find it refreshing and insightful without being preachy or telling audience members how to think. While it's a huge part of the story and is discussed at length, it isn't The story. There is the mystery, but the story is ultimately about friendship, and each character is wrestling with many questions about relationships in their own way.
What some viewers may take more issue with is the ending, but in context I found it satisfying. It's certainly very Japanese in its embracing the ambiguity of many technically explosive moral situations, and recognizing sacrifice as part of love. Okay, I just made some sweeping generalizations there, and it may come off as a judgment/rationalization of those situations, but it's not, at all. I just wanted to mention these things, as I sometimes feel like certain elements of many J-dramas get a bad rap because they're seen through a different cultural lens...
The casting is great, as all the team members featured in past and future are totally believable both at age 20 and in their mid-late 30s, even though some of the actors are pushing 40 or over. (Miki is even shockingly convincing as a high school-aged Mitsuki in one brief scene! And not just because her make-up artist was great!) The three main actors (the Nishiwaki 'couple' and Mitsuki) showed a huge range and a depth of emotion that gave me the sense they truly put their all into their characters. While Kuninaka Ryoko plays a role similar to others she's done [the emotionally complex wife who looks sweet but is tough], it's because she's so good at it. She plays off of both Kenta and Miki's characters wonderfully and somehow makes the weird tension (that isn't even what we'd think) actually believable.
I'm not an avid rewatcher at all, especially when it comes to a story with a mystery plot, so normally I can't figure out a score for this! However, I think Kataomoi's rewatch value is high as you'd likely be able to better appreciate some of the great little symbolic touches, as well as the psychological aspects of what characters are going through at various times (that were initially more of a mystery). Most of all, probably Kenta's role as it's a subtle emotional character arc that only becomes more meaningful later in the story. On the other hand, this is a story that stays with you, so you'll probably still be thinking about it later and retroactively appreciate these things!
Music was on-point as usual, with a great theme and emotive score. It almost never got sentimental or emotionally manipulative, but rather added complexity and mood. I feel like the end credits song has for sure been used before...if so, anyone remember what drama? I can't remember, but it's evocative and a perfect fit.
NOTE: For those wondering about the sex scene in the first episode, it isn't graphic/realistic but more atmospheric, is short, and serves a purpose. It's not jarring and you can see why it happens. But 'mature' is still a valid tag because the themes in this may not resonate for perhaps younger teens as the characters are nearing midlife and dealing with many of the emotional, relational, and identity issues of that age.