Details

  • Drama: Shiroi Kage
  • Country: Japan
  • Episodes: 10
  • Aired: Jan 14, 2001 - Mar 18, 2001
  • Aired On: Sunday
  • Network: TBS
  • Duration: 46 min.
  • Rating: Not Yet Rated

Statistics

  • Score: 7.7 (scored by 40 users)
  • Ranked: #99999
  • Popularity: #99999
  • Watchers: 92

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Shiroi Kage
7.7
Your Rating: 0/10
Ratings: 7.7/10 from 40 users
# of Watchers: 92
Reviews: 1 user
Ranked #99999
Popularity #99999
Watchers 40

Nobuko Shimura is on duty for the first time at Gyoda Hospital. The duty doctor is Yosuke Naoe. After 9PM Jiro Toda, a childhood friend of Nobuko' s, is brought in with a cut to his forehead from a fight. But Naoe has gone out for a drink, and can' t be found. Both Toda and the ambulance crew become angry and demand to know where the doctor is. Naoe returns and seeing the commotion, he orders Toda be locked in a toilet until he calms down. Nobuko is horrified by Naoe' s attitude but is later impressed with his ability as a surgeon when treating Toda' s injury. This is their first fateful meeting... "--TBS" Add Synopsis In Portuguese

  • Country: Japan
  • Type: Drama
  • Episodes: 10
  • Aired: Jan 14, 2001 - Mar 18, 2001
  • Aired On: Sunday
  • Network: TBS
  • Duration: 46 min.
  • Score: 7.7 (scored by 40 users)
  • Ranked: #99999
  • Popularity: #99999
  • Rating: Not Yet Rated

Cast & Credits

Reviews

Completed
mysecretsoul
7 people found this review helpful
Nov 10, 2014
10 of 10 episodes seen
Completed 2
Overall 8.0
Story 8.0
Acting/Cast 8.5
Music 8.5
Rewatch Value 7.0
We viewers often stroll headlong into the drama experience unequipped. Perhaps a familiar face guides us onward, or an expressive review serves as the final push. Sometimes all it takes is the synopsis to start us down yet another unknown road, little more than new characters, sights, and sounds to accompany us. We might end up anywhere, either regretting or rejoicing that we ever ventured. There are dramas we cherish and recall, others we shudder and long to forget. Shiroi Kage, should you decide to wander its somewhat obscure path, may be one you choose to remember. Or perhaps, like me, you’ll find each step ingrained in memory regardless.

Please do not allow the hospital setting to frighten you away. Despite how one might find Shiroi Kage described, romance stands at its essential core. There are no episodic cases to suffer through, but rather three long term ones; each is a parallel to or foreshadowing element for the main plot. This then centers on the growing love between a secretive, Byronic doctor and the gentle nurse he first met—as if destined—at a riverbank beloved by both of them. Fear bars the way to happiness, but something direr might be lurking to separate the two forever. And no: it isn’t a family member, birth secret, or anything that springs up on you out of left field. The cues are laid out on the table early on, leaving the viewer to an involving “will they, won’t they?” that will leave one saying “Please do!” regardless of perceived consequences.

The couple in this series truly touched me. It helps that the drama itself seemed to indulge my desires in certain things. If I was think-shouting something (“Go after her!,” “Hold her, fool!” “He’ll be there when she turns around, watch,”) often it would come to pass. So many scenes between the two are memorable, enough that this series might have the most of any romance I've seen to date. Whether at the river or dredging up transient dandelions, I doubt I’ll forget any of them soon. Some even made me cry (just ask the poor friend who had to listen to my sniveling). There’s a certain feeling reminiscent of classic romance literature—specific character types, big emotion, grand gestures, ambitious theme combinations. But more than anything, through this pair, viewers will experience an elegant passage across the delicate issues of love, life, and death.

Shiroi Kage marks my second drama with both leads, Nakai Masahiro (Naoe-sensei) and Takeuchi Yuko (Noriko). As pleasurable as each first meeting was, in seeing them together I can be sure in my enjoyment of both. Here Nakai-san plays the type that weakens my knees—Byronic, dark, but loving and even vulnerable. He’s very much the “white shadow” of the title, both figuratively and literally; he wears a white lab coat, and is a decent person who seems to be hiding behind his own emotional darkness. Perhaps Nakai doesn't match my taste physically, but that never once stopped me from finding Naoe-sensei attractive. Takeuchi-san plays a character that snaps together wonderfully with the puzzle piece that is Naoe-sensei, but cannot be called complicated herself. Her Noriko is almost stunningly adorable and easy to like, yet she also exemplifies the female lead who often accompanies the Byronic hero. She is sweet, pure, constant, and a little bland—though there are moments of brilliance from the excellent Takeuchi-san. The rest of the cast does well enough, though I hate to say it: with the lead couple wonderful as they are, you may not notice much else.

I enjoyed the music for the most part. Though some of it is a bit dated, almost everything fits as it ought and the scenes are tied together nicely. My favorite instances are both vocals. First, the use of Neil Sedaka’s classic “Solitaire” was a genius choice. I cannot remember the last time I’ve heard an English song so well-utilized in a drama. Second is Shiroi Kage’s own theme: Mayonaka no Nightingale (“Midnight Nightingale”) sung with bittersweet passion by Takeuchi Mariya. The outro video which accompanies this song is exquisite—I caught it before ever starting the drama, and was impressed enough to expedite my watch plans.

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