Café owner Kato discovers that his PC monitor shows what will happen two minutes in the future. Another screen downstairs in his café shows the past of two minutes ago. His friends decide to place the two mysterious devices opposite each other, which creates a loop to see into the future. Naturally, chaos ensues. A unique and original film, shot in “one take”-aesthetic. (Source: NipponConnection) Edit Translation
- English
- 한국어
- 中文(台灣)
- Português (Brasil)
- Native Title: ドロステのはてで僕ら
- Also Known As: We are at the end of Droste , Dorosute no hate de bokura , Droste's End , Droste
- Screenwriter: Ueda Makoto
- Director: Yamaguchi Junta
- Genres: Comedy, Sci-Fi
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Cast & Credits
- Tosa KazunariKatoMain Role
- Asakura AkiMegumiMain Role
- Fujitani RikoAyaSupport Role
- Ishida GotaKomiyaSupport Role
- Sakai YoshifumiOzawaSupport Role
- Suwa MasashiTanabeSupport Role
Reviews
Feel-good time travel story that leaves its viewers smiling.
A seemingly one-take sci-fi comedy that makes up for the lack in budget with creativity and lots of charm.I had the best time watching this hidden gem. Starring a bunch of actors from a popular theatrical troupe and directed by Junta Yamaguchi, who doesn't have many credits to his name yet. The fact that this movie accomplished so much with so little is what made it so outstanding to me.
Given the time loop setting, it's a bit repetitive at first and takes some time to get into its flow since all characters have to understand the whole concept first. But as the movie progresses it just keeps getting more inventive, hilarious and absurd in the best way possible.
A compelling and whimsical take on time travel shenanigans proving that sci-fi doesn't always need a big budget.
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Christopher Nolan eat your heart out!
This is a great film set around a seemingly useless time warp: a two minute gap between two computers. But it becomes very interesting and funny. None of the mind binding time manipulation of Intersteller or Tenet. This must have been so difficult to script, but the film flows as if it was the most natural thing ever.During the closing credits we get to see some "making of" footage. Amazing the film was recorded on a mobile phone! And I think there were very few edits.
I look forward to watching it again sometime.
(Seen at Camera Japan, Amsterdam, 2021)
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