Bulgasal: Immortal Souls (2021)

Romance aside, this is quite an enticing drama

Bulgasal has been on my to-watch list even before it aired and I finally finished watching it last week.

Overall an entertaining watch with layers of mysteries that are worth the wait, some might consider the pacing a tad slow. I enjoy the pacing, as it gives time for the world building and the writers in my opinion are great at saving mysteries as the week goes which helped create anticipation for the next episodes. With a lot of breathtaking cinematography, attention to details for multiple timelines and great introduction to monsters, the drama is pleasing to the eyes and quite insightful into the folklore of Korea.

The romance, however, is not really my cup of tea. While watching, I believe the drama will do equally as well, if not better, had they removed the forced romantic air between Hwal and Sang-un but it was later revealed that it was an important aspect of the final plot, which could have been a better motive. I also think that Sang-un's character seems a little airhead-ish as the story progresses when she was actually depicted as a more independent and strong character in the beginning, most probably to push for her dependent towards Hwal.

The main issue of the drama, later revealed in the last episode, was a bit anticlimactic for me. It feels a little lack of depth considering how well the anticipation was kept.

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A great watch

Overall, I think this drama is a must watch. The story is intriguing, there are plenty of twists and layers in the characters. The pacing sometimes felt a bit slow for my liking, but I still enjoyed the drama on the whole anyway.

Now, some elements of the show felt repetitive, like the monster of the week kind of feel. I personally like the framing of the story, and how the twist came into play. Though gotta say there were quite a few twists and by the end of it you're sort of expecting more twists are just going to come into play.

Anyway, I think the drama is well presented and it was definitely worth watching if you like the genre, though I personally wish there are more action.

My personal favourite is Eul Tae, there are so many layers to this character, which brings me to my next point...

***SPOILER***

I wish there are more build to Eul Tae's backstory, because it felt underplayed and that he didn't get enough build up on why he became the way he was, and why he was so obsessed with Hwal.

The ending was heartwarming, and it ties the big plot points, but I do question why they met again when it was established that Bulgasals don't reincarnate. I know it's nice to have a happy ending, but I feel this invalidate Hwal's sacrifice, and that why this happens requires an explanation. Also, if Hwal reincarnates, does that mean Eul Tae did too? It was Eul Tae's soul to begin with anyway.

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-_-

We focused on the "600 years ago" storyline for literally 80% of the series, when really the "1,000 years ago" story was all of the issue, which we crammed into the last two episodes. Also, I was *invested* in Sang Un and Hwal's relationship and it all amounted to a 30 second scene of reincarnated them some 50+ years later, where they have no memory of each other or the past 1,000 years that they just went through...-_- I understand that that was kinda their goal in the first place-- to break the chain of reincarnated agony and live as humans-- but BOI. I'm here for the fanservice...and I got nothing. :')

Also (and I literally complain about this every time I see it so I apologize in advance).....I have never seen an instance of time gap that I thought was necessary or even good. This was not an exception. I just feel so cheated after building up all this energy and emotion in a series and then having all that dissipate in one "50 years later" scene. ¯\_(ツ)_/¯

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Just get past episode 10!!

This show is genuinely one of my favorite shows I've ever watched. I love dramas/movies that make absolutely ZERO sense until the very end when it all clicks together. I can understand why some people wouldn't like a show like that, so I'm not saying this is a must-watch for everyone; HOWEVER, I have NO regrets from watching this. I actually think I'm gonna rewatch it again soon.

The ONLY complaint I have about this show is it's ending. I think this show would gain quite a bit if it added a second season. A little bit of explanation or a little more romance is what I'd ask for. 100% recommend!

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Prepare to be spellbound by Bulgasal: Immortal Souls – a gripping drama that weaves together elements of fantasy, mystery, and revenge in an epic tale spanning centuries.

At the heart of the story is Bulgasal, a man-turned-immortal who has endured six centuries of torment and anguish. Consumed by bitterness and rage, he sets his sights on a woman with a mysterious past and present, believing her to be the source of his curse and the key to his salvation.

From the very first episode, viewers are drawn into Bulgasal's world of darkness and despair. His quest for revenge is fueled by centuries of pain and suffering, making him a complex and compelling anti-hero.

But it's not just Bulgasal's story that captivates – the woman he targets, with her enigmatic past and present, adds layers of intrigue to the narrative. As their paths intertwine, secrets are revealed, alliances are tested, and the true nature of their connection becomes increasingly clear.

What sets Bulgasal: Immortal Souls apart is its rich tapestry of mythology and lore. Drawing inspiration from ancient legends and folklore, the series creates a mesmerizing world filled with supernatural beings, mystical powers, and ancient prophecies. The production values are top-notch, with stunning visuals and breathtaking cinematography that bring the fantastical elements of the story to life.

But it's the characters that truly shine in Bulgasal: Immortal Soul. Dan Hwal, portrayed with intensity and depth by Lee Jin Wook, is a tragic figure torn between his desire for vengeance and his longing for redemption. And the woman he pursues, with her own secrets and hidden agenda, keeps viewers guessing until the very end

Special mention must be made of Lee Joon's portrayal of the villain. His character, though antagonistic, evokes a sense of pity from me. Lee Joon brings a nuanced performance to the role, making the viewer feel the depths of his character's suffering and despair.

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In Pursuit of the Cursed Soul °6.1° °great elements, avg writing°

The short review: BIS has an all-world soundtrack, great acting, excellent artistry, and solid directing. It's the writing that fails to transform this monster into something worth protecting. The plot is a haphazard mess and the dialogue is nothing special. If you are a fantasy junkie, you'll probably tolerate it well, but for all others it's a mangled mess. If romance is your thing, you will be sorely disappointed.

We've got a three episode set up, folks. So let's gouge into it. BIS opens 600 years ago. We get a brief look at the life of a Bulgasal and move on for a peek at the regular folk, who are terrified of such creatures. When Hwal is born, his mother insists that he's cursed and hangs herself. The shaman affirms that the Bulgasal has a grudge against this cursed child from a prior life. Since Bulgasals are immortal, it will pursue this baby forever. What in the crazy world is a Bulgasal? An immortal. A monster. A flesh eater.

Next we see that it's people that are the true monsters. Young Hwal is shunned by everyone and cruelly despised. Under the shaman's bidding, the village surrounds the boy and tries to kill him, but the military is passing by. The general intervenes and adopts the boy, raising him to be a warrior. A monster killer. When he's grown, he's the best of the best. Now people say that he is blessed by the Bulgasal.

The very last monster Hwal must eliminate is that Bulgasal. What happens instead, though, is that during their confrontation, the Bulgasal steals Hwal's soul and turns HIM into the Bulgasal. This begins Hwal's centuries long quest for revenge. Not merely revenge but a reversal. A quest to make things right - he wants his soul back! During the Japanese invasion of 1593 Hwal learns that the ‘Bug’ who stole his soul also stole his ill fate. All the monsters that Hwal killed are reborn and seeking revenge. They're all going after /her/ because she possesses his soul. This former Bug has been living life after reincarnated life of fear and misery while being relentlessly chased by gruesome monsters. A human soul has brought her no pleasure whatsoever.

Before ep2 is halfway over, we make it to 2006 where she has morphed into a set of twins and the show's logic morphs into them sharing a single soul with no plausible explanation. One twin is darker skinned, darker tempered, and remembers everything, while the other one, the sweet one who is the shade of a kleenex, is oblivious. She thinks her sister’s weird. Failure to heed her sister's warnings turns into another tragedy. And that'll bring us to present day. The chess pieces have been realigned with many of the same cast from the past reincarnated & together again at last.

What's abundantly clear by the end of ep4 is that our female lead thinks she knows something, but she knows virtually nothing. That goes double for her sister. Our male lead knows a whole lot more, but there are clearly players and motivations afoot of which he knows nothing. Thus, the viewer's gaze remains shrouded, and they never do give us a clear picture. I always felt like the show was a moving streetcar that I ran to catch but never successfully boarded. Just like Hwal and Bulgasals are outsiders, the audience is also left on the outside. If a person wants to own a horse, s/he will feed it, maintain it, care for it, and nurture it. BIS tries to skip all of that, go to the butcher shop, buy random parts, and sew them together. That ain't gonna work.

BIS is a 2021 release that is rated 92 on AWiki. It is 1 season consisting of 16 60ish-minute episodes. Ep1 is depressing. That heavy feeling never lifts. Lee Jin Wook (Sweet Home-8.4) plays Dan Hwal/the Bulgasal. This dude was born to act in period pieces and wear ancient armor with his hair in a bun. It's not that he doesn't look good with short hair and a modern day look, but he looks right at home as an old time warrior. He believes he's the only Bulgasal left. He also believes immortality is a curse. Jung Jin Young is the general who adopts him when the village tries to kill him. Boy, is this actor different as the father in My Unfamiliar Family-7.9. The lovely Kwon Na Ra (My Mister-9.5, Itaewon Class) is Min Sang Un, the original Bulgasal that steals Hwal's soul. Lee Joon (My Father Is Strange) is Ok Eul Tae, the bad guy. He does a nice job. (It's possible that I think that because his voice is so mellifluous). Gong Seung Yeon (Flower Crew: Joseon Marriage Agency-7.4, My Only Love Song-8.7, Introverted Boss-6.5) portrays Min Shi Ho, who was Hwal's wife in the past and is Min Sang Un's little sister in the present. Lee A Ra (Kairos) is yet another fabulous Korean child actor. She plays the 2006 version of Min Shi Ho. The screenwriters are Seo Jae Won & Kwon So Ra who co-wrote The Guest, and the director is Jang Young (Woo Queen of Tears).

Let's munch on the good morsels and leave the substandard scraps for later. It is not the worst watch. Many things are done well and the characters are likable. There's gorgeous cinematography. The soundtrack is easily K-top-10 for me. Some of my shazams: Kim Kyung Hee's ‘Floating’, ‘Leave,’ by 4MEN, and ‘Beyond The Time,’ by Janet Suhh. Not only is this soundtrack a monster, but the sound in general is excellent. They come up with all kinds of unique delicacies for the ear, such as creepy scritching sounds.

The good is not enough to save us from the horror of Bulgasal, however. Their past, covered in the first couple episodes, is cruelly heartrending. It's really too much to process. It's more like an alternate timeline where everything is wrong and out of balance. They don't plant seeds or hint at another layer of backstory, early on. Therefore, in the final third of the show, when they spring a couple surprises, it is impossible to tell if developments were always intended or if they are making it up as they go. They do drop weak hints at something more, but it's feeble. That always feels sloppy. Killing off the kid is horrible. And they do it …twice… or do they? Ep13 gets alittle irritating and smells suspiciously like filler with the protags vacillating and having unexplained, out-of-character outbursts.

It starts to feel a bit incestuous. In the present, he encounters his father, his wife, his son, and his mortal enemies from that past. However, in the present, he seems to be attracted to his mortal enemy, his wife and his son seem like they could have a thing starting up, one of his former adversaries is now like a daughter to him, and his father is an outsider for much of the show. Perhaps everything was aligned wrong then and it'll be aligned correctly now? The questions and annoyances built up without enough positives to balance them out. The big reveals at the end were a bunch of hooey. Too little. Too late.

While they tack on a hopeful ending, BIS is dark, bleak and sad. There is very little romance and an overabundance of heart-stomping. They are loose with the rules that they laid down and the backstory, when finally revealed, is not convincing. Knowing what I now know, would I still watch it for the first time? My health has been such that I can't do very much but watch TV. Even given my ample time to spare, this is a tough question. I'll say “yes” with 50.00001% certainty. If your time is limited, there's so many better things to see. Don't be buggin over this one unless you have an unquenchable thirst for fantasy. .


〰? IMHO

RATINGS
Directing 7
Writing 5
Acting 7.5
Romance 3
Flutters 5
Art 6.5
Sound & music 8.8
Ending 7.9

LEVELS
Warmth 3
Action/ Excitement 5
Laughs 2
Tears 5.3
Fright 5.3
Tension/Anxiety 3.5
Gore 5.5
Thought provocation 2
Snores 0

?7 ?5 ?7.5 ?3 ?5 ?6.5 ?/?8.8 ?7.9 ▪ ?3 ⚡5 ?2 ?5.3 ?4.3 ?3.5 ?5.5 ?2 ?0

Age 15+ for violence and gore. This would be too scary for younger children. It opens to a knife fight and then a body floating in the water. Monsters eating bodies. Hwal sets his own compound fx.

Re-??
This one's in the okay-to-pass-the-time category, but I refuse to pass this way again….


In order of ~lite&trite~ to ~heavy&serious~ here's a list of better time spent ventures:

Modern Day -
Love to Hate You 8.9,
Crash Landing On You 9.1,
Oh My Ghost 10,
Descendants Of The Sun-8.3,
The Golden Spoon-8.1,
It's Okay Not To Be Okay 9,
My Mister 9.5,

Historical/Period -
My Only Love Song 8.7 ~ excellent comedy,
Mr. Queen 8.5,
My Sassy Girl 8.5,
Saimdang 8.5,
The King's Affection 8.3,
Mr. Sunshine 9

Action/Crime/Sci-fi -
Glitch-8, The school nurse files-7.6,
Mystic Pop-up Bar-8.2,
Uncanny counter season-1 only °S1-8.4 S2-4, K2 8,
Private Lives 8.1,
Inspector Koo-8.4,
When the Camellia Blooms-8,
Vagabond-8,
Sisyphus 8,
Tunnel 8.5,
Signal 8.6,
Blood Free-8.5,
D.P. -8.4,
The Cursed 8.3,
Flower of Evil 8.9,
The Wailing-8.8,
The Man from Nowhere 8.9,
Parasite-9,
Black 9,
Squid Game 8.4,
Kingdom 8.3,
Sweet Home 8.4

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It's a MESS

I feel sorry for the antagonist , the male lead took the soul from him, had to live 1000 years with human blood, did what the ML asked him to do, actually protected the ML?.All he said was I'm going to kill your family but couldn't do a thing until the last episode.
Also I kinda dislike the FL like when she left the ML for the Humans she couldve atleast informed him about their situation. Also when the ML comes looking for the FL in the village and finds her struck down to the ground with a sword piercing her, ofcourse the ML gonna be MAD. But the FL gangs with the villagers to kill the ML like NOOO. I actually empathized with the ML(good acting) and felt his pain.
Also one thing I didnt like about this drama is the makeup. Like they are immortals and all but how come they have such good makeup while living in the cave. I ignored the makeup for a few times but the repetitive mistakes make me lose interset in them. like you could atleast make us believable.
Also this is my first review so keep that in mind. Now then again the SFL is also useless , like she can read the pasts but so can the FL can remember on her own. She always needs to be protected, and she didnt even remember she was the wife of ML in the past life. She only got flashbacks of her blind son dying but it didnt have much impact in the overall series.
Also in the end when the bulgasal(ML) is dying he tells that he is sorry and all that to the FL and he cannot be reincarnated again, but just for the sake of an good ending, we see him again in the next life. Like come on guys, just stick to the plot.
The series is bingeworthy but gets repetitive at times. IMO the FL is too pretty in the series, like she should atleast look haphazard in the series. All in all its good but the series should have been completed within 12 episodes

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Great Story, Ambiguity Improves

Min Sang Un (MSU)’s dual suicide attempt should have ended the Bulgasals’ time on Earth. Dan Hwal (DH)’s last second Hail Mary Pass kept them alive but created an unstable unbalanced situation dominated by strong dark emotions among the three Bulgasal demigods and human souls entangled in their karma. DH 1,000 years ago was motivated by love which turned to great anger at her betrayal (in his eyes) which gave rise to mutual curses and DH’s creation of the sub Bulgasal Ok Eel Tae (OET) to evade MSU’s dual suicide attempt. This imbalance generated by hatred remained festering for the 1,000 years until at the end, DH rediscovered his love for MSU, and realizing the harm he had caused in his angry reactions a millennium ago, sacrificed himself to prevent any more harm to his human family. The DH that sacrificed himself for the same humans he had cursed so many years before was a different character from the angry Bulgasal at the beginning. And the loss of memories in her last reincarnation allowed MSU to let go of her dark emotions generated by the past events and become willing to sacrifice herself to save DH, another major character arc growth.

DH accused MSU of trickery in having herself reborn as twins and he didn’t believe, at first, that she couldn’t remember prior life events. OET made the same accusation and also, at first, did not believe MSU could not remember. From the story we know that in fact she could not. The messy bickering continued over 1,000 years until some higher power perhaps decided the suffering punishment for DH and MSU had gone on long enough and motivated by the desire to have them find their original love intervened by having MSU reborn as twins, one with the bitter revenge filled memories against DH and OET, and the second containing the hidden power (see below) but no memories. The first twin is killed as expected as normal, but the second survives to be discovered by DH who keeps her alive to uncover the mystery hidden by her lost memories. The struggle between them eventually turns from adversarial to one of friendship and finally a rediscovered love from when their immortal relationship ended 1,000 years before.

Why did MSU die? She was shown twice to have special non human powers (further below) reflecting an echo of her original Bulgasal form. But she was very much a part of the original web of mutual curses that bound the three’s existence together, and when the two Bulgasals died her emanated special power ended and she was also fated to pass over from her wound (similar to Do Yoon who survived). That she would die was hinted at in Lee Hy Suk(LHS)’s prophecy that spooked OET to kill the shaman when she said, “The soul will go back to its owner.” In other words OET’s soul would be returned to him from MSU or i.e. she will die.

Do these demigods have souls? Probably not human souls but perhaps something else. And whatever higher deity intervened to bring about the end of the Bulgasal feud, when DH sacrificed himself for the human family he cursed 1,000 years before, when MSU returned to confront OET and sacrificed herself, that triggered the final stage. They all three died, and the original two demigods were allowed to be reborn into human reincarnations, find each other, and hopefully make better choices.

Bulgasals are immortal demigods. The concept of a human soul and who has one becomes important because Bulgasals lack them. There is one human soul first transferred from OET to DH 1,000 years before, and later from DH to MSU 600 years ago.

An aspect that is key to understanding the ending and that is included in the story but not highlighted is that humans who used to be Bulgasal have special powers. We see this three times in the story.

The first example is that of the human DH who 600 years before seemed to have super human abilities to kill monsters beyond anything displayed by his peers. In the womb he scared off the corpse eating monsters and then survived a birth from a dead mother. His childhood was difficult. As an adult the soldiers first said he was cursed by Bulgasul then that he was blessed by Bulgasal and that the monsters feared him as much as they fear the Bulgasul itself.

MSU provides two other present day significant examples. One occurred in an early episode (E3 1:05) when DH was rushing back to the laundry factory to stop a human monster from killing MSU with a knife. He was too late. The monster knocked MSU to the ground and we see the monster prep for his attack, only hesitating to gloat. The scene abruptly shifts from her prone on the ground to the monster sitting on the ground bloodied, battered and cut up with MSU standing over him holding his knife. She abruptly returns to her meeker self and drops the knife which the monster picks up for another try. Only then does DH intervene. MSU doesn’t seem aware of what she did.

The second is much later (E12 minute 43) when MSU is waiting alone in a car in a remote woods for DH to find OET and return. OET managed to phone one of his police henchmen who shows up and attacks MSU stabbing her in the exact place of her twin’s birth scar on her shoulder. (This initiates incremental memory recalls.) DH shows up but again he’s too late. MSU has been stabbed but she fought off the policemen and stabbed him badly. The henchman later says to OET, “She suddenly became strong. She wasn’t herself.”

These three examples point to humans who used to be Bulgasal having unusual latent powers. The incidents involving MSU could have been written around easily. In MSU’s first incident DH could have arrived early enough to intervene. In the second DH could have arrived again soon enough to save her after the first stab wound. This aspect implies that although MSU isn’t Bulgasal now that she once was leaves her more than an ordinary human and very much a part of the Bulgasal triad.

A review of key events at 1,000 years and again at 600 years before.

The first key event occurs 1,000 years ago when a series of misunderstandings between the two Bulgasals - DH and MSU - result in both near death with wounds to their hearts. MSU’s was self inflicted and DH’s brought about by three humans. DH curses all three humans - one to be reborn and suffer the loss of his arm, the woman to never be able to give birth to healthy children, and the boy to always be reborn into blindness. OET, whose machinations brought about the violent clash, the deaths of many people and the looming end of the two Bulgasals, shows up and leads the dying DH away. A desperate DH takes OET’s soul making OET a Bulgasal (whose heart is unwounded). Before DH dies he orders OET to find him when DH is reborn as a human and make him a Bulgasal again, and to ensure he complies he puts a curse on him leaving him with the dark bleeding hole in his chest and in constant pain.

Another 400 years goes by. We do not know how many times DH is reborn during these four centuries. However, rewatching the events in E1 with the knowledge gained in the E16’s flashbacks an ongoing 400 year struggle between MSU and OET is hinted at. DH was reborn repeatedly. While OET probably did not dare attempt to directly kill DH at any age because he feared triggering another switch back into his original mortal form, he seems to have searched for, found, and then begun murdering the people around the young DH to induce the humans to kill him. MSU, as reluctant to kill humans as she was 1,000 years before, acted to protect DH when she could up to taking a knife in the back and feigning death. This repeated cycle probably angered MSU. She would likely direct her anger at OET for all the killing of humans and at DH for the starting the whole mess to begin with. During DH’s last human life MSU saves him at least twice until this cycle is broken and he is rescued by a passing general (one of three cursed by DH 400 years prior). DH grows up and marries the general’s daughter (the second human cursed by DH) and she bears a son who is blind (the third cursed).

The adult DH, as the adopted son of the general, undertakes a campaign to kill any and all monsters around. Initially his men see him as an evil spirit cursed by Bulgasal and then as he kills many monsters they see him as an evil spirit blessed by Bulgasal. For reasons unclear all of these monsters will only be reborn as humans (and lean toward serial murdering) and hold a grudge to kill anyone carrying DH’s soul (i.e. MSU).

To kill the Bulgasal (DH only knows about one) and remove the curse from himself, his wife, and his son, DH leads a troop to the mountain where the Bulgasal is rumored to reside. This does not go well and most of his troops are murdered by OET along with his wife and son. While grieving over the corpse of his son, MSU approaches from behind and stabs him fatally in the back. While MSU holds the sword in his back we are shown the soul transferring from DH to MSU. DH becomes a Bulgasal and MSU a human. DH in turn stabs MSU twice and there are some more harsh words exchanged (with no explanation as to why she stabbed him, or her connection to the murder and mayhem all about). MSU dies as a human but in the same way that DH did 1,000 years prior when he became human just before his death.

Why she stabs him is the weakest link of the overall series plotting. This weak link is also the main driver for much of the later plot twists. The few words exchanged in the moments before MSU dissolved don’t explain why she protected him before this but tries to kill him now. How did she miss the presence of OET accomplishing all the slaughter finished just moments before?

DH: Why did you do it?
Why did you have to kill my innocent wife and son?
Tell me why.
Tell me why!
MSU: telepathically (This was all your doing.)
(What have you done?)
(You have created more bad karma.)
(And you have brought upon < > another retribution.)
(I despise you.)
(I truly despise you.)
DH: What do you mean?
MSU: (I will be born again with this scar that you have given me.)

Many questions could have been answered in this exchange but the writers (deliberately) left things vague. To begin with DH’s question - Why did she do it?

She clearly states she despises DH which may explain why she blamed him for the murder and mayhem and stabbed him in the back. Perhaps she saved him when he was a child because she has a soft spot for kids who have not yet made bad choices in life - the potential for good. When she encountered him in this situation she concluded he made bad choices and decided to end his human life to be reborn and try again. Much of the later story hinges on this deliberate ambiguity, but the overall story framework would have worked better if at the end we were provided a clear motivation for her decision at that moment to plunge the sword into DH’s back.

Why does she believe this was all his doing? And what is this ‘this’ that he did? The current killing? Or all the bad for the last 400 years? Perhaps she is aware of all the effects on the humans his curses have had for the last 400 years? Did MSU believe that DH killed all those people - his own soldiers and family?

Perhaps the three - DH, MSU, and OET - became bound in a web of curses tying their destinies together such that the only solution to end the bad karma was for all three to die. Humans who were once a Bulgasal retain some shadow of the power and also remain in the web of curses. The human MSU was tied to OET because she had his original soul which was further tied to DH’s original curse on OET (i.e. his dark hole) and when the two of them died any protection that had been extending to her failed making her succumbing to her wound inevitable.

There was an imbalance created by DH’s taking of OET’s soul to evade the end of the two Bulgasals. That was further complicated by OET’s attempts to evade taking back his soul and even more so when MSU (either by accident or design) stepped in to switch with DH turning him back into a Bulgasal.

If she reincarnated eight times in 600 years then it is likely that the human DH over his 400 years would have reincarnated several times also, but OET failed to seek him out and change him back into Bulgasal probably because he did not want to become a sickly mortal human again. Instead he seems to have deliberately sought DH out and induced humans to kill him. DH seems to have foreseen this reluctance and layered his curse so that OET could not relieve his suffering by retaking his soul back from anyone other than DH. This is the likely reason that whenever OET tries to crush/break MSU’s (OET’s) soul he feels crushing pain. However, he can kill her which does nothing to relieve his suffering and she just reincarnates.

There’s lots of sand in the destiny gears. Over a 400 year period OET failed to restore DH. It’s possible that MSU deliberately (or accidentally?) stepped into the stalemate between OET and DH by taking DH’s OET soul herself. Once this happened OET needed (or eventually ((600 years)) came to believe he needed) the renewed DH Bulgasal to intervene somehow. OET believed that if DH killed MSU then that would somehow remove his dark hole and allow him to attain his goal of remaining as Bulgasal with DH as Bulgasal. More likely DH’s original curse prevented OET from ever resolving his dark hole problem even if DH had cooperated.

In E13 the shaman LHS delivers a prophesy to OET which triggers him to kill her. This prophecy ties together elements from E1 through events in E16. She said,
1) An evil spirit will come from the dark hole.
2) The evil spirit that fed off its father’s blood will rise up from the dark hole.
3) The evil spirit opened the dark hole.
4) And now, it is coming to close it.
5) The soul will go back to its owner. x 2

OET only knows and is obsessed with the dark hole that DH gave him 1,000 years ago. But we having seen the final episodes know that the line #1 dark hole is probably the well that DH will be thrown into. DH is the evil spirit (in E1 600 years ago his soldiers called him the evil spirit who kills monsters) that will feed off his father's blood and then rise up from the dark hole i.e. the well. DH is the evil spirit that opened the dark hole in OET's chest 1,000 years ago and whose actions will soon close it. The soul that will go back to its owner is OET's soul currently residing in MSU. This line prophesies her death so that OET's soul can return to OET in the afterlife.

Weak points aside I have no complaint about the overall story in part because the deliberate ambiguities make it more interesting.

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Great potential but wasted as usual-_- Still lovable if watched with limited expectation.

I fell in love with the drama after watching the first episode...it had that genre-bending feeling. 2nd and 3rd episode retained that horror, mystery element. And though things changed afterward, I still enjoyed it till the 8th episode. Then it faltered. I admire that they tried to stretch the story to the end but so not effectively that it hurts! Unlike many, I was waiting for the romance and Lee Jin-uk and Kown Nara have a really nice chemistry in my opinion and that is despite the vague writing that they got.
The idea of reincarnation is tricky and if not dealt with tact, feels stupid. Without their memories, none of the characters are what they were in their past lives. The 1000-year timeline is so long that it minimizes the connections in between. The relationship between Dan Hawl and Sol could have been explored more. The romance of Hawl and Sangun could have been more mature and direct, after all, they are grownups and the fatalistic outlook towards their relationship felt weird to me. I don't know if Lee Joon worked too hard for a character that is written in such a lackluster fashion, but he created a buzz that the story couldn't justify, so all his eccentricity gets reduced to a certain sort of nuttiness! No motive just wishful thinking and an unbelievably adamant belief in his victimhood. The monsters had no underlying plot, they just exist and Hawl just kills them...for episodes of running from them, this is disappointingly underwhelming. By episode 12 I sort of lost hope about how they'd wrap it in only 4 episodes and rightfully so.
But they did provide some nice moments- especially Hawl's revisiting of Ms. Lee's life and Sangun's following comforting scene is a highlight of mine from the later episodes. What I don't like in many k dramas is how the story ends long before its runtime (maybe I haven't watched many) so, I liked how they were keeping the plot tight but who knew that would be a double-edged sword?-_- The only redeeming quality is the performance of the cast which I thoroughly enjoyed. Even in the most childish scenes Nara and Jinuk had a gravity, their 1000 year past selves weren't even given any time, they just stand and stare at each other and it still worked!
It started off with such a promise and went on with this gusto that I hoped they have something decent for us in the end but that was a misplaced hope. 50 years from now is stretching it so far that it literally doesn't make any impact. The ideal ending would have been in the present. Everything turned so flimsy in the end, I feel like if 1000 years ago Sangun told Hawl that she's leaving him for 20 something years and would come back later- none of this would have happened...or if Hawl tasted a drop of blood somewhere he could have remembered everything much easier and early. And now that I'm thinking I don't know why Ok Eul Tae couldn't kill this version of Sangun, what was the catch?
I guess the victory of the show is in the fact that after this myriad of complaints, I'm still going to say that I mostly liked it. I liked the initial suspense, the pretty visuals, the amazing OST and mostly, the acting. I wish they had done justice to all these great elements by writing a decent plot that in the end wouldn't just fall flat like this.

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Tedious

It’s inevitable that viewers will compare Bulgasal with Goblin seeing as both are premised on immortals who live solely to settle a few scores AND find the woman who’s fated to restore their mortality. Perfect fodder for anyone interested in lore and ill-fated romance but while Goblin was a sensual feast of color, opulence, and an array of gorgeous men; Bulgasal was seeped in sepia, literally. A perfect analogy for the despair that permeated the lives of all the characters.

Were I to rate both dramas on the motivation of the lead characters -which is the major plot driver-, Bulgasal is the inferior because Dan Hwal, our lead male, had so many instances where he could have killed Sang Un, the FL, yet all were squandered in exchange for last minute talking and reflecting during which someone would always arrive just in the nick of time to save her. More nonsensical was when he actually saved her from being killed by others because and I quote “no one gets to kill you but me”. Okay, fine, he wanted his soul back. Whatever. But did he need to prevaricate for so long instead of just cutting her head off and being done with it?

My understanding from reading other reviews is that there’s much more that will eventually be unveiled as we progress. The thing is I’m only at episode 4 (of 16) and the thought of having to see Lee Jin Wook (ML) walk around in a hoodie with that expressionless face is a punishment no one should bear. Likewise, Kwon Na Ra (FL) put as much gusto into her character as a balloon without air.

That being said, I will persevere or maybe I’ll just skip to the last two episodes and be done with it.

Edit: Skipped from episode 4 to 15 which, coincidentally, was the number of times I rolled my eyes at the melodrama that was the last two episodes. The sheer idiocy of the catalyst for what transpired over the course of their thousand-year history makes a mockery of the audience and the actors alike.

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