A psychological thriller set in the post-COVID Tokyo. The film follows a woman looking for her missing son, and a shady young man who approaches her, claiming to know her son. (Source: TIFF) Edit Translation
- English
- Ελληνικά
- Français
- magyar / magyar nyelv
- Native Title: 親密な他人
- Also Known As: Shinmitsuna Tanin
- Genres: Thriller, Psychological
Cast & Credits
- Kurosawa AsukaIshikawa MegumiMain Role
- Kamio FujuInoue YujiMain Role
- Uemura Yuu Support Role
- Sano Shiro Support Role
- Oka Mitsuko Support Role
Reviews
The concept was quite enticing, but completely predictable. I already knew what had happened and also how it was going to end quite early on. And it was quite on the shorter side. I do think they could've tried to expand it just a bit and made it slightly longer. And even though I saw a lot of it coming, I was still very interested to see whether it would end in the way I had predicted.
There was quite a bit of symbolism that I did not understand. There was a blue feather which the MC does explain, I just don't remember what he said about it. There's also a painting involved. And I'm sure if I knew the painting, I would understand the film much better. There was also some stuff around motherhood from two different perspectives - a mother, and someone who doesn't have a mother.
Some moments/things I want to mention:
- towards the beginning, the MC says something like, 'your otaku son is really weird yanno. He only ate curry. Who does he thing he is, an Indian?' It caught me off guard so I had to rewind it so I could laugh for a two minutes straight. (I am ethnically Indian btw)
- +1 for the otaku son having the same DS as me
- +1 again for the otaku son's mother crocheting in the film. I had my own project next to me so I picked it up so we could crochet together lmao, but we hold our hooks differently.
I found it quite uncomfortable at times, but I liked that. But it wasn't out there enough for me, personally, I enjoyed the process of watching it, but I don't have much to discuss beyond that.
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