Strangers Again (2023)

A wasted premise

[UPDATED] As a Jang Seung-jo fan, I was desperate for "Strangers Again" to work. I ignored all the misfires and the lapses in logic and stayed with it until the 12th episode. But when the ending rolled in, I realized that there was a basic flaw in the character development of the leads.

I don't mind flawed characters. I especially love flawed characters who grow stronger in the broken places. The male lead started out well enough as a divorced divorce lawyer whose life is a mess. His ex-wife is also a divorce lawyer who seems to have come out feistier and richer. All the ironies were in place.

But no, after laying a solid foundation for what could have been a smart commentary on life, love and career, "Strangers Again" proceeds to self-destruct.

Jang Seung-jo's Eun-beom is so badly drawn, I suspect he was written as a plot device for Ha-ra's journey. His characterization is utterly illogical: a formidable intellect in court, he doesn't make sense in everyday life. He loves Ha-ra but concocts a hare-brained scheme to break-up his marriage, sets up his ex with his best friend so he stops paying alimony, never told her about his childhood traumas while she was his wife, and turns out to be a serial relationship killer. His redemption is a short footnote in the last episode via a Google search and a trip to the therapist's office. The writer was not interested in his evolution – only the havoc he creates.

Kang So-ra's character Ha-ra is better fleshed-out and is obviously the real center of the series: she may be cut-throat in court but she's not unscrupulous, she genuinely wants to help her clients, and in turn learns life's valuable lessons from them. She not only gets the best lines in terms of self-discovery, she also gets the best meltdowns.

The second leads' story trajectory is hands down the better romance in this series. From irritating characters, the liberated noona and the political conservative blossom into relatable characters as they learn to own up to their mistakes, communicate, and compromise.

Hyperrealism is no excuse for bad storytelling. I want characters with depth whose motivations are well-established. I want a plot that makes sense, even if it is imitating life.

Law practice, love, and divorce are potent ingredients that could've given us an unforgettable series – that's the wasted premise. I was expecting a Matryoshka doll with layers of meanings. Instead I got Barbie and Ken in power suits who are trapped in their own drama.

Read More

Life, love, relationships, and how we handle it.

Again, warning, spoilers.

There are spoilers because it is what this show is about.

…

Final warning. Spoilers.

…

…

As the title says, “Strangers Again”, so you shouldn't be surprised what the story is about: break-up.

This is a very rare topic in TV series, after all, who wants to be reminded of their painful memories? Thus, I applaud the entire team for taking on this project even though there is risk it may, or may not, become a success, maybe forgotten after a few months.

However, it is important to note that there are lessons in this story, and here are some of it:

1. Love is not as simple as we assume it to be.

2. People are unique.

3. Relationships are not easy to handle.

4. Yes, break-ups are painful, but how you handle it defines if you are a mature adult.

5. Moving on is not about hating each other, not wanting to see each other's shadows, rather it is about if you can become “Strangers Again”.

Another winning aspect of this show. It is rare to see the Second Leads end up happy and the Main Leads go on their separate ways. In many stories, not only K-dramas but in other countries as well, the title points to one thing then still end up with “they happily live ever after”.

This show? The title is what it is about, “Strangers Again”. Huge plus for me.

If you want to learn something about life, love, relationships, breaking-up, and moving on, then put this show in your list. However, if you are looking for a fantasy, this is not it.

Read More