Lee Sung Kyung shows some of her best acting prowess in this drama; the way she unleashes her pent-up frustrations at how life dealt her hand, how the father she loved betrayed their family, how she has to hold back some of her emotions for the sake of her sister and brother, how she defends her actions as justifiable, and how she grapples with her growing feelings towards her sworn enemy.
The rest of the cast also pull their own weight in this mostly character-based drama, with the plot being secondary as a background. The events that unfold showcase how humanity or lack there-of can play in the decisions of some, like how some people are repentant while others are not, despite numerous chances given. We learn in this drama, that while some people are just plain horrible, it does not necessarily mean that their off-spring will be the same. Some just lack the basic human decency of treating others with respect and continue to become trash, but we should not be painting their relatives in the same brush because they can turn out to be really decent human beings with an unfortunate excuse of a mother.
If you are expecting a light-hearted, fluffy romance drama, this is not it as Call It Love meanders its way along the excruciatingly long road of life.
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Be patient
I loved the two main characters and I felt invested in their outcome. The reason I lowered the score has to be the directing.A lot of the shots are muted, almost as though gauze has been added to the screen and like the opening scenes of shadows the story is not too clear.
Yes there is an easily understood revenge from a girl who was heart broken when her father left the family for another woman. Her pain is exacerbated when she tries a confrontation at his funeral and then, as details are revealed, she becomes obsessed with payback revenge.
Unfortunately her target is the woman's son and the story gives a good build up to how he is being targeted by her and a very viciously jealous ex boss.
The complex cultural need to lump a families wrong doing onto other members of the family is hard for me to fathom. The gap of a year before her sister lets drop the information that the man our FL has fallen in love with has actually been accepted by her mother beggars belief. On that note why does the ML also not share this gem of information but instead wanders off for a year?
I was exhausted by the last episode as the director dragged out the slo-mo movements and ML leaving then coming back with flowers. It felt too contrived and less logical.
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Most beautiful slow-burn romance I have ever seen but so much than that…
I did not think I would love this show so much when started. It was finally a slow-burn done right! This how you do it, ladies and gentlemen…The story was simple but the characters were very well written so that is what made it compelling to the end. FL and ML very carefully thought out, the actors were amazing and directed very well. I loved the micro expressions and complex feelings they transmitted. I especially loved that Sim Woojoo was not the typical FL, she was though and conflicted, but honest. On the other hand Han Dongjin might just have became my favourite ML character. It is so hard to write characters that people honestly root for, and he was like that. He started to smile more starting from the 10th episode and he was truly happy in the final episode, it was such a joy to see him enjoy life finally after all tha hardships. Shim Woojoo on the other hand, I realized it only at the last moments of the 16th episode that that was the first time we actually saw her with a real wide smile on her face.
Excuse my chaotic review, but I just finished this drama and feelings are still all over the place. If you want a perfect slow-burn romance with beautiful character development, I can’t recommend Call it love enough!!
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BEWARE B4 U SPEND 16HRS ON THIS !!!
I am a BIG Lsk fan and so decided to try this out after so many 10/10 reviews. I have very painfully completed the series but there is very little enjoyment I have got out of it. Seeing all these reviews makes me wonder if its just not my cup of tea. But seriously I failed to understand the subtelty of showing everything in slow-mo with the characters wearing a blank face most of the time. They dont talk...they just sigh and look at each other. Are they DUMB? . I understand that things are sad but I feel they dragged this thing too much. The ML and FL might have good chemistry but its not explored at all ......they hardly talk with each other. They just stare at each other and silently walk. I can understand the initial shyness but this just goes on. On top of that they have very little screen time." SO THERES NO ROMANCE YOU SAY? The other things are good right? RIGHT? " NO ITS NOT!! ITS WORSE. The story premise about the house is good and innovative but IT GETS DRAGGED ON LIKE HELL . Everything was dragged on tbh. The GF arc , the president shin arc and these were not even that good of a story.
TLDR:-
>> The premise and first couple of episodes are good.
>> Without the slowmo and filler scenes this is hardly a 4 hr drama.
>> I had to skip those silences towards the end cause it was getting tedious
>> The main lead romance is not good at all. (IMO)
>> Theres a lot of camping business BS that i didnt get. Good luck to you.
>> Good for you if you like seeing people walking from A to B and having noodles 100s of times.
>> Good if you can read facial expressions and need no talking. ( I cant ,sorry )
>> Sit with loads of coffee if you wanna stay awake.
>> I am ranting at this point. Have a nice day and I hope you enjoy this drama. I SURE AS HELL DIDNT.
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A weapon that could even turn the deepest revenge, you ‘Call it love’!
When someone is yearning for love, it means that they are lonely. Because love means care, affection, something with which your every pain, sorrow, happiness and joy is shared. When there is no love, you are lonely, even when a million things exist around you, you are lonely. That’s why the story opens up, “to understand the loneliness of others, for me, it’s the beginning of love.”Han Dongjin and Shim Woo Joo, I don’t know if they were yearning for love at the time they met but they were definitely two lonely beings bearing with the timeless and indefinite unwelcoming fate that’s inter tangled up between them without their littlest acceptance. She spent her days wanting to ruin that woman and he passed those same days wanting to repair those ruins of that same woman.
Hell must be angry on itself for what it has done to the two of them, so it tried to reconstruct the web, this time with love. The woman who made them enemies, is the women who’s the reason who made them mates, is the woman who made them strangers, is the woman who’s the reason who made them soul mates.
Soul mates indeed! His back looks sad and her eyes look gloomy. He never goes down and she gets up every time she falls. They say opposites attract, but Dongjin and Woo Joo aren’t exactly like that or at least, it’s not the reason they get attracted to each other. They are not each other’s missing puzzle piece rather two puzzled up puzzles themselves, who for a long time of their lives, tried putting their own pieces together until they meet each other, now trying to put pieces of each other with their own perspectives, still summing up to be complete. However, both are surviving the present, picking shattered bits of the past with a hope to mosaic a fine picture in the future. She is a 10 but she thinks creating havoc can settle things. He is a 10 but he thinks bearing everything will settle things. Both wrong but a right together.
This is probably still a lot less which explains the emotion that ran through my soul throughout the drama. For it is rather felt than said.
I would only say one thing if you are here and searching the reviews to watch it or not. Do you like a Slow-burn? No? Skip. Yes? You will be here writing your heart out after you complete watching this!
Both Dongjin and Woo Joo’s characters are very unconventional. Not your typical bubbly female lead and the hot CEO male lead. These guys are built different! More human, less k-drama. The story might be, to some extent, unrealistic but these characters aren’t. Fresh air of reality.
Dongjin and Woo Joo breathe air through Kim Young Kwang and Lee Sung Kyung. They hold all of Dongjin and Woo Joo’s emotions in the heart. Eyes speak. Speech conveys. Actions felt. Not one time did I feel what’s reeling isn’t real. I was always a fan of their works, now I’ll be even more.
Joon, Hyesoeng, Jigu, Sunwoo, Minyoung, Heeja, Hyunjoo……. Characters not left but travel together with the story. Simple yet complex, chaotic but pleasant, not the whitest whites but the less greyer greys and the more greyer greys. Not just there but heard, felt. All the actors who played their respective parts, didn’t just play but pleased.
The direction, story, screenplay and cinematography…. One word- Nonpareil. Like no other was, is, will be. They just deepened my love for slow burn shows.
The OST’s wrapped all the beautiful parts of this drama carefully like flowers in a bouquet. Isn’t a necessity but beauty. Beauty that makes you wanna make it a necessity.
Although I might have been too poetic praising it, it still has its flaws. The slow, at sometimes, feels slower. Every so often, I wished I could get in and push a few. Some towards each other and some from the hill! So I bet people who are not interested in the slow pace will be skipping this away from the first episode. This drama is a love story but not your typical one. It is a revenge story but not your typical one. It has the family element but not your typical one. So if you’re looking for some typical stuff, you are on the wrong side of the track.
Anyways, now that you’ve read this much, it means you wanna watch it. So, WATCH IT AND CALL IT OFF AS LOVE!
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Angst done well
Excellent on all fronts. Didn't expect to like this drama as much as I did but I did. This one's a bit of a slow burn -- lots of stretches of silence and meandering shots -- but it hits hard emotionally. Best of all, the angst completely makes sense.Especially enjoyed the writing. Every character is a little bit annoying (some more than others) but also a little bit of a joy to have around on-screen. Everyone just feels very human. Really appreciate how the writer wrote every character's misery with care.
Also, really really love the fact Woojoo and Joon were completely platonic.
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I wanted more Chemistry between the Leads
Subjective Gut Rating - 8.25“Call It Love” is a melodrama through and through. The pacing is slow, the conversations are meaningful, and the romance is slow burn and quiet. South Korea really likes its revenge drama in all genres. However, what differentiates “Call It Love” from other revenge dramas is that love, healing and forgiveness are more central to the plot, than revenge itself.
I had high expectations before I watched this drama. Kim Young Kwang was the main attraction and he did not disappoint. What a versatile and amazing actor he is! From an adorable and sexy CEO in “The Secret Life of My Secretary”, to a psycho serial killer in “Somebody”, and now a lonely and sad CEO, he was just perfect for the lead role. Han Dong Jin (ML) is a man of few words and walks with a sad and slightly crouched posture. He exudes loneliness, yet his caring side shows when he’s with FL. Kim Young Kwang is able to portray subtle facial expressions and looks/eyes that can convey all he wants to say without actually speaking the words.
On the other hand, I have mixed feelings about Lee Sung Kyung’s portrayal of Shim Woo Joo (FL). I am happy to see her venture out of the rom-com genre and challenge herself to play this role. Shim Woo Joo is another sad and depressed character. However, I find Lee Sung Kyung’s acting one-note throughout most of the drama. She often maintains that one facial expression - a sad and bland look/gaze. I actually like her character in the first ⅓ of the drama. Woo Joo speaks her thoughts with no filter and no reservation. I like her no nonsense approach and doesn’t care what other people say. But then, she seems to lose that straightforwardness and barely utters a few words.
Another reason I want to watch “Call It Love” is because I was craving some angst and melo-romance. I thought this drama would satisfy this urge of mine but I am disappointed. The first few episodes reminded me of “My Mister”. When the romance starts to slowly build up, I was hoping for the angsty, sizzling chemistry similar to Mr. Gu + Yeom Mi Jung in “My Liberation Notes” or Lee Boo Jung + Lee Kang Jae in “Lost”. Unfortunately, I did not feel that tension and longing in Han Dong Jin and Shim Woo Joo. I do like how honest and open they are with each other (in their own introverted way). I enjoy the depth of their conversations. Without really having long conversations, they are able to speak their minds succinctly. But they don’t move me. I wasn’t sad. I didn’t cry for them. I didn’t pray that they could live happily ever after. The chemistry was not bad, but did not live up to my expectations. I am sure many feel very differently and am in love with the leads.
“Call It Love” does explore the message of healing and forgiveness. I do think the drama does a good job by showing the effects of the father’s betrayal and the mistress’ calculated scheme. Oh yeah, I hated ML’s mother but I’ve seen worse parents in K-dramas. However, the secret was so long drawn out. At times, I wanted ML to know the truth already, so we can deal with the aftermath and damage control. On another note, I like the somewhat dysfunctional Shim family and the love/hate sibling relationships. I love what Shim Hye Seong (eldest sister) said to ML that, their family doesn’t know how to comfort each other, and feels awkward consoling someone, thus, they went out to karaoke and party hard instead.
Love triangles technically don't exist in this drama and I’m glad a couple friendships did not turn into unrequited love. Men and women CAN have platonic relationships. I’d rather see more of the bromance between ML and his fellow CEO buddy, than the lukewarm secondary romance. I find Shim Hye Seong (sister) a little annoying in the beginning but I understand why she acts that way once we get to know her. Once the forced smiles are gone, she becomes so much more tolerable. Yoon Joon (pharmacist 2ML) is a great and loyal friend to FL, and I’m glad to see Sung Joon plays this role after being introduced to his handsome guy in “I Need Romance 3”.
Many commented on the pink tone and the use of different colored filters. It doesn’t bother me, nor does it add to how I feel about the drama. It just doesn’t matter to me, but it might to you. I also quite enjoy the OST.
Overall, this is a good melodrama if you are in the mood for a very slow burn and slow-paced romance. I just wanted more in the chemistry department to give this a solid 8.5+ rating.
Completed: 4/18/2023
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This review may contain spoilers
profound <3
personally I adored it.it was simple and beautiful from the first to the last episode, it was magically slow often, it was painfully heart-wrenching at times - it made me feel so many emotions. we’ve all experienced loss, anger, longing and sorrow and this drama depicts those feelings so well. 😭❤️
really wonderful acting from the main leads and very poetic cinematography - you cannot stop feeling all of the feelings thanks to both.
like most kdramas it was a little predictable at times but it doesn’t make it any less wonderful. The ost and support characters added charming touches throughout as well.
love is so many things at once. the main leads went through so much and them connecting was not without its load of pain but the healing that came from it was a wonder to witness. all these complex emotions were portrayed so well by the actors. thank you to everyone involved in Call it Love!!!
of course i highly recommend it - not everyone will appreciate this drama but if you do, i hope you feel as much as I felt.
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Teaches you that revennge is not always the best option
I have this on my playlist for awhile and readin reviews,it gave out "My liberation notes" which is also on the list.If you want something fast and furious drama,this is not your drama.its one of those quiet,slow burn,with a melo music
The storyline is beautiful,the characters are recovering from the sins their parents commited
one is out to revenge the other is runing away from the past and they meet in the middle and it turns out to be an epic
journey that leaves you at the edge of your seat.
I loved the growth of both characters,one made the other come out of his shell and the ML made her heart soften
It was really a match made in heaven.
To be honest I dont have much to say about the cinematography and the OTC cos i was so emmersed in the story that
I hardly noticed.. That's how deep this drama was.
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Goodbye Concentration Camp ⛺️ Hello Glamping °8.4° °excellent°
CIL is a show that shows us what happens when a stormy cloud latches on to a gloomy front and electrifies it. It brings together the manic and the depressive in nature's way of bringing balance to the force. Sim Woo-Joo hates her father, who had abandoned them (her, mom, sister/Sim Haesong, and brother/Sim Ji-Gu) for his mistress (THAT woman) years ago. Watching her is like watching the backstory of a supervillain. If she had a theme song it would be The Rolling Stones’ Paint It Black. She attends dad's funeral. (in a leopard dress and red spiked heels) and lets it be known. Han Dong-Jin is a slumped pile of suffering on long legs. He exudes depression more than Joni Mitchell or Radiohead. More than Eeyore, even. His one love is camping. His company brings together vendors for outdoor living fairs and exhibitions. (He does all the work and his partner does all the golfing). He is also the son of THAT woman. Crashing the funeral wasn't enough. SWJ decides she's bringing HDJ down.Soon, SWJ realizes she'll have to queue-up to bring HDJ down. He's down already because of his ex. The only thing he has going is his company. The crows and raccoons have rifled through most of that already. As she's implementing her plan she grows more uncomfortable with her goal. HDJ is not the bad guy. All the critters around him are. Though morose, here's a handsome, perfectly good man. He's been dropped in the dirt, but all she needs to do is brush him off alittle. To begin, all she needs to do is take his hand…
CIL is a 2023 release that is rated 90 on AWiki. It is 1 season consisting of 16 60ish-minute episodes. The directors are Lee Gwang-Young (The Secret Life of My Secretary) and rookie Kim Ji-Yeon. The writer, Kim Ga-Eun, is another rookie. If this is what they can do right out of the gate, we can look forward to great things from them.
SWJ is played by Lee Sung-Kyung (She's marvelous in Cheese in the Trap as the borderline Baek In-Ha). SWJ let heartbreak make her hard and mean. She decided to be hateful. Sis, Haesong, put her efforts into becoming lovable. She looks to boyfriends as substitutes for her father's love. Brother, Sim Ji-Gu, is played by Jang Sung-Bum, who has a voice like an angel. He's the baby and is somewhat insulated from the pain by the women in his family. He dreams of a singing career while SWJ insists he spend all his time studying for the Civil Service exam. THAT woman is portrayed by Nam Gi-Ae. She's a force. Playing #313 guest in 2015's Oh My Ghost10 led to 25 mostly bit parts. Next, she is the ML's mother in When the Weather is Fine9 & quite a different Oma in 2020's Flower of Evil8.9. Since then she's been in 19 not-bit-parts >8/yr. I'm not the only one who thinks she's capable. HDJ is played by Kim Young-Kwang. His hands are often bleeding. He's always getting cut. His mother abandoned him when he was a kid and his GF dumped him a few years back. He's been slowly bleeding out for most of his life.
The Romance is a tranquil campsite with a warm kindling fire... And a river of lava flowing 10ft beneath the surface. The two leads are under a weight of grief. There's a China-sized wall between them. She's been out to destroy him over his mother’s transgressions. He promised himself he would not be hurt, nor would he be abandoned, ever again. Will we get to see them smile freely? The audience knows her secret, and we know that the truth will come out. As we get to know all the characters more, the more wary we are of the truth being told - It is going to hurt. The more we know, the more we know it will hurt. Romance is in the eyes, more than anywhere else. In ep15 he manages to go from gloomy eyes to lovey-eyes - he does it better than my cat, and that's saying alot. My kitty has the best lovey-eyes. In ep16 we get to see some smiling eyes.
CIL is a thoughtful commentary on human relationships. The show is quiet. The viewer feels like s/he is watching the grazing heard from the quiet of the woods. Wolves are prowling while the prey are tending to their daily routine, mating up, and vying for power. The themes revolve around hurt, revenge and weakness - and the enslavement those bring - but also endurance and forgiveness, with the freedom they bring.
Revenge. ‘Do you crash your ex's wedding?’ He sincerely wants to know. Her: ‘Yes, you get revenge by any means possible. You trip your ex if you have a chance.’ Him: ‘No, you'll have to live with that horrible memory and that empty feeling the rest of your life.” Oprah is attributed with stating that if you're 40 and people call you “nice” there's something wrong. “Nice” is often substituted for “weak”, and weakness invites aggression. She tells him this. She tells him people are trying to take him down and pick his bones because he's too easy. He's been focused on pain. Endurance. Pain. ENDURE! “I keep going back and forth.” “Just deal with it,” she says. Athletes know all about it, she'll tell us. So does he.
CEO Shin let wounded pride fester inside of him. He, perhaps unwittingly, let a desire for 1up-manship take over his life. He was the original malefactor. HDJ simply reacted accordingly and left his company. CEO Shin then let a desire for “revenge” take over his life. He allowed HDJ to live in his head which prevented him from moving forward freely. HDJ enslaved himself in grief. SWJ enslaved herself in rage, grief, and vengeance. CEO Shin enslaved himself in pride and vengeance - false vengeance, at that, as he had no valid complaints. “I've been living like a crazy person as if I was possessed by something. I ended up coming this far. I wanted to stop, but… I don't know what else to do with life. I'm so terribly sorry.” In the end he was left with regret, which leads us into ~>
Forgiveness. CIL is satisfying and inspiring and as good as it is because it has a true and positive message. It offers solutions that we all can use. All of our protags are called upon to forgive. They aren't called on to forgive small things, either. We see how forgiveness brings release, Forgiveness doesn't mean we let go of justice or proper punishment - That is not a requirement. Forgiveness is us releasing ourselves along with the offender. It's stepping out of the cage of bitterness and hate. It is freeing ourselves, though it ain't easy. I find that trail too rocky and difficult without a lot of prayer and divine help.
Our leads are no lazy slouches and neither are the directors. The filmcraft is excellent. CIL drops tasty tidbits along the trail to keep us following along. There's connections made with good use of dialogue, camera shots, and the actors themselves. Many lines have double meanings. Juxtaposition is used cleverly. CIL is often accompanied by pensive, somewhat melancholy piano and the whole show is like a concerto of such music. It's sad, hypnotic, emotional, and oddly relaxing. What Can I Do, by Hyunji, is Spotifyable. They do some fun shadow animation as HDJ conjures up some of his favorite camping memories. The well-off people drink at a bar that looks like it's on the inside of a cob of roasting corn. “I think I'm going to cry,” Haesong says happily, because she sees SWJ holding a man's hand. The camera pans to a woebegotten pharmacist… In one episode, Haesong is wearing a top that has two fabric straps hanging from her left shoulder, and her work name tag is pinned in such a way that they make a big “A” on her chest, resurrecting Hester Prynne from The Scarlet Letter. Haesong has dated alot of men. She is looked at, by some, as tarnished. By ep15, Jun and Haesong are unconsciously matching their clothes. Quality touches such as these turn a good feature into an excellent one. CIL is excellent.
As moody and methodical as the pace is, there's smiles to be found. “His house is big, but there's nothing in it. Just like him.” HDJ‘s misery is reinforced to the point of humor throughout the show. “How could you 3 make so much drama every day? You guys make trouble one after another. It's almost like teamwork, ” remarks Jun. SWJ isn't much of a people person. “I'll pretend being ignored is all in my head,” is cheerful CEO Sun-woo's response to her non-response. ‘It's good to be gathered with you all - You who trust me least in this world, but cherish me most,’ Jiju quips at one point. It's all good for regulating the pressure valve and providing sufficient release.
HDJ and SWJ are seen walking alone in every episode. One beautiful irony is that his mother had been an obstacle in all of his relationships, but she ultimately brought him together with SWJ. She is the broken road that led them to eachother, and forgiveness paved the road. God bless that broken road - They don't have to hike alone ever again.
〰️QUOTES〰️
Do you know what the most loyal thing in the world is? A sense of foreboding. Animals know that an earthquake will happen and take shelter. Even animals are able to protect themselves.
If an issue can be solved with money and time then it's not a problem.
Nobody cares about loyalty anymore, so why should I? It only stabs you in the back.
✏〰 IMHO
RATINGS
Directing 8.3
Writing 8.5
Acting 8.5
Romance 7.7
Flutters 7
Art 6
Sound & music 7.8
Ending 8.5
LEVELS
Warmth 6
Action 1
Laughs 3.5
Tears 4
Fright 2.5
Tension T Anxiety 4
Gore 2
Thought provocation 6.5
Snores 1
📣8.3 📝8.5 🎭8.5 💓7.7 🦋7 🌞6 🎨6 ⚡1 🎵/🔊7.8 😅3.5 😭4 😱2.5 😯4 😖2 🤔6.4 💤1 🔚8.5
Age 13+ with the following cautions: This is an adult romance that is mostly quiet and respectful and conservative. The benefits outweigh the liabilities. Not much physical contact is even depicted throughout its entirety, but we do see couples kissing in bed. A man invites a woman to spend the night. There is violence that is depicted without being fully shown as the screen goes black. The ML's mother always has a man in her life. Language: PG-13 here and there.
Rated TV-14: Parents Strongly Cautioned.
Re-watch? Very likely
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For Lovers That Bloom In Spring
Lee Sung Kyung & Kim Young Kwang have completed their circle of genres as professionals (in my opinion) and Call it Love is one of the most interesting additions. It starts off as a revenge tale that slowly turns into one of the best slow-burn romances that I think we will have the privilege of watching this year. It was a soft piece to help transition from the winter blues into blooming spring, showing healing in the most aesthetic and healthy ways possible.One thing I loved was the writer's ability to portray relationships WELL, in every aspect I think the dynamics were fully met. It showed the dynamic of siblings in a home of infidelity and divorce, how it affected their relationship with each other, how it's impacting their current lives, and their ability to love others. The toxic yet endearing relationship of Dongjin and his mother (whom i hate with passion) and the amount of things he had to give up because of it. The love and understanding of a family allowed time to heal their wounds and move on with their lives without holding on to the past and the grace that comes with honesty to oneself and to the ones they love. More importantly, the character growth was the chef's kiss! you could see how they changed over the course of the drama and how they re-discovered themselves in a place of peace and stability, for Woo Joo it was finally letting go of the pain and desires of revenge and for Dongjin, it was living the best way he could, for himself. That growth allowed them to heal fully from the evident pain that they had at the start of the drama.
At first, when I began it bared a too similar resemblance to My Liberation Note, with the 3 odd but fascinating siblings, an older sister who longs to find romance at every corner, and a brooding but intriuging male lead. I am happy to say it is nothing like My Liberation notes. But its nothing of the sort, in its own right it is beautiful and engaging, more than I would've thought
The color grading in this drama is one of the best I've seen so far, and how it changes as the characters warm up and fall in love was storytelling to the next level. And the quality as well!! Damn, everything a close-up was shown I had to search what camera it was filmed on. Apart from the quality of the performances and cinematography, the music was also top-tier, not any to my taste but it was the best use of a soundtrack so far this year. Watch it, it will not dissapoint.
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My
After a long time, a series attracted me and I finished it in two daysIt's a light melodrama that I think you have to be in the mood to see
For months now, no series attracts me, not even one episode
But this series was interesting to me from the very beginning...
The acting of the actors was very good, even the secondary roles
The good thing about this series was that it cared about my subs and treated them well.
The main roles were great for me, who was not a fan of Lee Sung Kyung at all and I always saw her in the role of squealing girls, this series was great.
Symbols, color of clothes, lighting, everything comes to the series
It reminded me of Liberation Notes, but I personally did not like the story of that series at all (some things were similar).
Overall, I would like to give a score of 9/10
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