In Love and Deep Water (2023)

Interesting film. Not sure it worked.

After skewering the tropes and conventions of mysteries in last summer's series, Hatsukoi no Akuma, it's clear that Sakamoto understands the genre and could have written a satisfying, bog standard mystery set on a cruise ship. But, instead, he seems to have chosen not to, and it makes me wonder why.

Our intrepid, ersatz detectives are Ubukata and Banjuku who have a meet-cute as the cruise ship is leaving the dock in Hokaido for a 45 day cruise to the Aegean and back. Banjuku is trying to track down the woman she suspects of cheating with her boyfriend and who happens to be Ubukata's girlfriend, and somehow ends up on board with no ticket and no luggage but manages to have a week's worth of fashionable wardrobe to wear throughout the film. There are TONS of little details in the film like that which make no sense at all. None of them are insurmountable, but the filmmakers do not even seem to care. And so do not come to this film expecting to find a tightly woven thriller where every detail was intentional and counts towards the "solution" to the mystery.

But does it work as a romcom instead? Eh... There is SOME chemistry between the two leads, and Ubukata has some character growth, but Banjuku is just sort of an MPDG tugging that growth along, and we really do not get much a backstory and motivation for her other than her suspecting her boyfriend of cheating.

And so it's not much of a mystery and not much of romcom? Is there anything here to salvage the film? Well, you know: it's Sakamoto, and he generally does have things to say. (See, for instance, my coverage of his oeuvre through 2021 here on MDL: https://mydramalist.com/article/a-watcher-s-guide-to-the-series-of-sakamoto-yuji)

In this film, he touches a bit on classism and the divide between the haves and the have-nots who serve them, and, as usual, he questions the reductivism of eat-the-rich, and, while he does condemn all rudeness and abuse, he weaves a bit of complexity into that dichotomy by focusing on the resulting relationships and how they can bridge the gap between social classes.

He also considers at length the importance of people's intentions over their actions. Does it matter if someone intended to cheat, but did not in fact do so? Does it matter if someone intended to murder, but did not in fact do so? I do think Sakamoto intends to say yes and always. But I'm not sure that thesis is enough to bring this film up to his usual standard.

If you're looking for what Sakamoto has to say about mysteries go seek out Hatsukoi no Akuma: it's fun, and the acting is off the charts in that last episode. If you're looking for his views on romance, I'd probably go with Saikou no Rikon even though it's explicitly set after the bloom has come off the rose.

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Movie-length commercial for MSC Cruises

This movie was literally the middle of the road for me. To me, it had more wrong than right, but I'll just give it a 5 and move on.
I really struggled with this movie, as it didn't seem to know what it wanted to be. Was it a comedy? A mystery? A farce? Except for the main characters, everyone else's hair, makeup and clothing were WAY over the top. A lot of the characters just seemed like caricatures of real people - that makes it hard for me to feel like I'm getting to know them and to feel empathy for them. Most of the characters were a little creepy, including the children. Was that so that we couldn't figure out who the "bad guy" was?

I think the biggest question I had while I was watching it, how did the FL get on board the ship without a ticket, how was she able to remain on board once the ship left (the ML knew she didn't have a ticket), where did she get her wardrobe since she didn't have luggage? And I could be mistaken, but when we first meet her, I don't think she even had a purse on her.

All-in-all, for me this movie was too "campy" and difficult to take seriously.

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