The Trunk

LOVE IS TEMPORARY AND MARRIAGE IS A SERVICE

*The Trunk* presents itself as a romantic thriller steeped in mystery, symbolism, and emotional intrigue. Beneath its elegant surfaces, however, lies a story less concerned with crime than with the illusions people construct through marriage, trauma, and desire.

The series opens with a striking image: a baby-blue designer suitcase trimmed in vivid red resting on the edge of a small islet, surrounded by the dark waters of a lake at dawn. Later, a woman glides across the same lake in a red kayak, creating another visual disturbance in an otherwise tranquil landscape. These carefully composed images establish a recurring motif throughout the drama - the intrusion of hidden truths into seemingly orderly lives.

Visual symbolism plays a central role in *The Trunk*. Objects are imbued with meaning, from the titular suitcase concealing secrets to a glittering chandelier whose sharp glass fragments evoke both beauty and danger. While the mystery surrounding the trunk provides narrative momentum, it ultimately serves as a backdrop for the show's deeper examination of marriage as both a social performance and a mechanism for emotional manipulation.

Gong Yoo stars as Han Jeong-won, an insomniac music producer haunted by childhood trauma. Living alone in a sprawling mansion burdened by memories of paternal abuse and his mother's violent death, Jeong-won remains emotionally trapped following his divorce from Lee Seo-yeon (Jung Yun-ha), his longtime partner and first love.

Seo-yeon has moved on with remarkable speed, marrying the younger and disciplined fencer Yoon Ji-o (Jo Yi-gun). Yet despite her new life, she continues to exert control over her former husband. In a particularly unusual arrangement, she persuades Jeong-won to enter a one-year contractual marriage, promising that they will reunite once the agreement ends.

His new wife is Noh In-ji, played by Seo Hyun-jin, whose profession forms the drama's central premise. In-ji works for NM (New Marriage), a secretive organisation that provides professional spouses to clients under carefully managed contractual arrangements. At the beginning of the series, she is concluding her fourth marriage assignment as her terminally ill client approaches death. Shortly afterward, she accepts her fifth assignment and arrives at Jeong-won's home, carrying the now-iconic red-and-blue suitcase.

Initially distant and emotionally detached, In-ji approaches her role with professional efficiency. Jeong-won, still consumed by his feelings for Seo-yeon, resists her presence. However, NM's structured marital guidelines gradually force the pair into closer contact. Over time, In-ji's reserved exterior reveals an unexpected warmth that begins to transform Jeong-won's cold and emotionally stagnant existence.

As their relationship develops, Jeong-won experiences meaningful personal change. His dependence on sleeping medication diminishes, and for the first time in years he begins to find genuine peace. Ironically, Seo-yeon becomes increasingly unsettled by these changes, her possessiveness emerging more clearly as she watches her former husband move beyond her influence.

Atmosphere is undoubtedly *The Trunk*'s greatest strength. The series combines elegant cinematography, restrained performances, and a pervasive sense of melancholy to create an immersive viewing experience. Gong Yoo and Seo Hyun-jin anchor the narrative effectively, conveying complex emotional wounds through understated performances that often communicate more than the script itself.

Yet despite its compelling mood and intriguing premise, the series falters when required to provide substantive answers. In-ji's backstory, though occasionally convoluted, ultimately enriches her character and clarifies her motivations. Jeong-won's characterization is somewhat less developed, but Gong Yoo's performance successfully conveys his vulnerability and emotional scars.

The greater issue lies with the supporting narrative elements. Seo-yeon's motivations become increasingly opaque as the story progresses, making her actions feel more contrived than psychologically coherent. Similarly, NM is introduced as a powerful and influential organisation operating behind the scenes, yet the series never fully explores its structure, purpose, or wider implications. What begins as a fascinating concept remains frustratingly underdeveloped.

Ultimately, *The Trunk* is a visually sophisticated drama that excels at creating mystery, tension, and emotional atmosphere. Its exploration of loneliness, intimacy, and the performative nature of marriage is often compelling, and its lead performances provide a strong emotional foundation. However, when the narrative attempts to unpack the secrets it has so carefully constructed, it struggles to deliver the same level of depth and clarity promised by its premise.

Elegant and engrossing for much of its runtime, *The Trunk* succeeds as a mood piece more than as a mystery. It invites us to open the proverbial trunk, only to reveal that what lies inside is less compelling than the anticipation surrounding it.

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When an 8 episodes drama felt like a 16 episodes drama.

Contract marriage is one of my go-to genres but the way they did it here was not your typical contract marriage.

The plot : The ex-wife (with issues) planned for her ex-husband (also with issues) to marry other woman while she herself marries to another. Thus began their mutual toxic relationship in the drama until the ex-husband met now his new wife (who also had her own share of trauma) which after living together her presence slowly become significant in his life. Then after facing a series of incidents together, began their process of healing.

For an 8 episodes drama you would think just how hard it can be to finish one. But it took me 7 days to complete watching. Even watching in 2x speed still feel too long. Plot got repetitive especially in the first half. Just when I feel like things started to get interesting , we are back to 0 again.

This was me while watching,

Ep 1 : Feel like the longest 1 hour of my life.
Ep 2 : Watching my cat sleeping is better than watching this.
Ep 3 : Still feel like the longest hour ever in my life.
Ep 4 : Why I am still watching ....
Ep 5 : Now things are getting interesting.
Ep 6 : We getting somewhere..
Ep 7 : Urgh. Not this obsessive woman again .
Ep 8 : Okay...

What this drama has :-

🔸️Contract marriage
🔸️Broken main leads
🔸️Toxic unhealthy marriage
🔸️Annoying unhinged ex-wife
🔸️Lot of stalking
🔸️Snailed-paced storyline
🔸️Okay mystery
🔸️Gong Yoo and Seo Hyun Jin who have great chemistry with each other

If you liked these elements in your drama well good news ,this is the drama for you.

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Unique and subtle.

It’s good, a worth watch. But I felt something is missing. I could feel what the director wanted to show, but it sometimes came off guard. The editing is not good, with many things cut out due to fitting it into 8 episodes.

The first half was superb, well-engaged, but later it gets a bit dull as scenes became repetitive without much progression. There’s also an issue with the screenplay—it could have been more intact and expansive. Instead, it felt very congested, limiting the story’s potential. I think it really needed some unanswered questions to be talked upon, so Season 2 is a must.

By the way, I loved this series so much—that’s why I talked a lot about its minor problems. I absolutely loved the performances, the cinematography, the production value, the score, and the direction. Well, that’s it about it.

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not a bad attempt

Some attempts to blend psychological thriller and romantic melodrama. It's a show that delves into the darker side of human emotions, exploring themes of love, obsession, betrayal, and the blurred lines between reality and fantasy.

The story centers around Han Jeong-won, a man haunted by his past and his toxic relationship with his ex-wife, Lee Seo-yeon. In a desperate attempt to escape her clutches, he agrees to a one-year contract marriage with Noh In-ji. As their lives intertwine, a mysterious trunk becomes the catalyst for a web of secrets, lies, and dangerous obsessions.

It's less about a traditional mystery or a guaranteed happy ending, and more about how troubled individuals confront their past traumas and strive for healing. It is a good journey.

The show features a cast of complex characters:

- Han Jeong-won: A tortured soul, haunted by his past and desperately seeking redemption.
- Noh In-ji: A woman with a guarded heart, who slowly opens up to Jeong-won's warmth and kindness.
- Lee Seo-yeon: A manipulative and controlling woman, obsessed with Jeong-won and willing to do anything to keep him under her thumb.

It's not your typical love story. The relationship between Jeong-won and In-ji develops slowly, with a focus on their emotional connection and personal growth. However, the undercurrent of suspense and the looming threat of Seo-yeon's obsession keep the tension high.

I think that the visuals are very on point, with its dark and moody cinematography and haunting soundtrack. Good uses symbolism and imagery to create a sense of unease and mystery. However, the show's pacing can be too slow at times, with some episodes feeling drawn out and lacking in significant plot development.

Pros
- Strong Performances: Gong Yoo and Seo Hyun-jin deliver compelling and nuanced portrayals of their complex characters.
- Intriguing Plot: Enough twist to keep up some momentum
- Stunning Visuals: The show just looks good.
- Thought-Provoking Themes: Love, obsession, and the human condition, prompting viewers to reflect on their own emotions and relationships.
- Unique Soundtrack: Adds to the suspenseful and emotional tone of the show.

Cons
- Inconsistent Pacing: The deliberate pacing can drag at times, with some episodes feeling slow and lacking significant plot development.
- Anticlimactic Ending: The payoff just didn't feel like enough to me.
- Uneven Character Development: Some characters, such as the supporting cast, feel underutilized and underdeveloped, while others, like the main leads, receive disproportionate attention.

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It's good but slow... I mean very slowwww

A story where two flawed and broken people find happiness(not the usual kdrama happiness where everything is fluffy and cute and cringe). It is a story which revolves around two people their crappy ex. Korea has a thing of contract marriages this year have seen many contract marriage dramas..
The trunk was an highly anticipated drama of 2024 and for all this anticipation it did disappoint me a little:( the drama was sooo...how do you call it?? It did not have that x factor which pinned me on my sofa to watch it.. I hope you got what i meant;) I was about to drop it but for Gong yoo i gave it another chance.
The performances by all the actors was above par they all did the best they could for what was provided to them. I love slow burn romances but this was a slow as a snail:/ I felt like the male lead is a baby with a lot of attachment issues in a big man's body and the female lead who is not ready to move on from her past.
The cinematography is commendable and the background score is also good. All of male leads cars are soooo god;]
So if you like slow burn romance with dark themes go for it it is a good watch

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Gag. Couldn't finish it fast enough

Some series are so bad I just stop watching them. Because this one was only 8 episodes I convinced myself to blaze through it in the hope that something good would happen. Nope. Train wreck. The uncensored sex scene didn't add anything cuz if I wanted that I know where to find it. The timeline bouncing around was a distraction. I feel like the writer has had a difficult life and this series represented some kind of catharsis. No likeable characters. Few happy moments. I guess there is an audience for this kind of show but it ain't me. Someone commented that it should have been a movie. I guess the powers that be recognized it sucked so it was limited to 8 episodes. One episode would have been plenty.

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Boring, Bland, and Unfulfilling

What is there to say about The Trunk? Normally I start my reviews with a brief summary of the show so people who haven't seen it may know what to expect. But I have no idea what to put here because honestly this show is just...nothing. The official premises provided on MDL, wikipedia, and even Netflix promise a mystery show about unraveling murder and a powerful company. Yeah, no, don't expect any of that.

I think that is where a big issue of this show lies - it is not what it is promised to be at all. The fact that this show is advertised as mystery is to me, false advertising, especially in regard to 'a whirlwind of secret behind the NM company' when in reality the murder is really second fiddle, and the NM company is practically not involved at all. Instead the show focused on the twisted relationships between four people - the ML, the FL, the ML's ex-wife, and her new husband. The problem is that it's really not written well. The relationship between the ML and the ML's ex-wife is particularly written as though it should be complex, but instead it's infuriating. The ML's ex-wife's actions are bizarre, and unjustified, and considering she is the driving force between a lot of the show it's hard to enjoy it when she's constantly on screen being a terrible person.

The other selling point of this show is supposed to be the relationship between the ML and the FL. This has the same issues as the plot does in that is underdeveloped. This show clearly suffered from being 8 episodes - it either should have been shorter (like a movie) so it didn't meander so much or way longer (like 16 episodes) so it could actually explore what it wanted to. Instead its stuck in this in between where nothing it touches on really gets fleshed out, and man does it want to talk about so many things. The ML and the FL's relationship is especially rushed - we don't really get to see why they work for each other, why they click aside from that they help each other heal (kind of). It isn't unique to them - you could replace one of them with a different person and the love line could stay practically the same.

On the technical side I will say the cinematography is gorgeous - it is certainly a beautiful show to look at, but that's really the only thing about it I can say was positive. I was very disappointed by the soundtrack, especially because the ML is a music producer. Maybe it is on me for expecting that that would mean more care is put into the music, but there was nothing noteworthy about it. It would have been a great way to weave the technical with the story - if the ML is a music producer you can use music to symbolize his feelings, his life, but there is none of that. It's just another aspect of the show where you can see so much potential in it, and then its just...not used.

Speaking of potential, this feels like a real waste of good actors. I do think that Seo Hyun Jin is particularly stand out from the cast when it comes to acting - she was amazing in her role. On the other hand, I expected more from Gong Yoo. But I don't think that's necessarily his fault when he is given a character who's default mood is 'miserable.' I've seen better from him (even his cameo in Squid Game was more intriguing than this), but again, I think he did well for what he was given. The other actors are fine, but again, it feels like a misuse of a lot of talented people who could have devoted this time to far better projects.

At the end of the day The Trunk is immensely disappointing, especially if you went in wanting to watch it for the mystery aspect (don't even bother). If you watched it for the drama you may enjoy it more but even then things are so contrived and frustrating it's hard to get through. The only reason I can think of to watch this kdrama is if you want to be mad? Like if you really need someone to hate and get angry at this will be perfect, but otherwise don't waste your time - there are far better kdramas with these elements. There isn't anything unique to this drama that you can't find done somewhere else with more nuance and better writing.

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amazing acting, wasn't the biggest fan of the story

I was hoping that I would like this more. The premise is interesting enough: two people with trauma from their ex relationships forced together by an obsessed woman who gets off on controlling her ex-husband. As the headline says, the acting was absolutely remarkable, but with a cast like this, that's to be expected. So I will talk about the story, because while I see everyone here praising it, I didn't enjoy it so much.

There is a dead body, and it's connected to everybody. Honestly, I didn't really enjoy that part. It was a weird decision to add murder mystery to an already complex plot with a messy, broken marriage that has left a man reliant on drugs to sleep to a runaway groom who left without another word after being exposed as bisexual. The murder mystery didn't even feel like mystery because I literally could not give a damn about it lol. A 30-second clip of an interview isn't going to make me engrossed in a death story that has nothing to do with the main plot of the show...

Since I've mentioned the runaway groom, lets talk about that. What the hell was that? Guys like fr how is this good story telling? He appeared for a grand total of ONE episode after being made into such a big deal for the FL and then he just poof! Disappeared! Gone into thin air! An afterthought! He stabbed a man! Stabbed a man! ON THE TOPIC OF THAT MAN. He is an obsessed stalker. We don't know why he's obsessed; there is never a reason given. We don't know what's wrong with him. He literally makes NOOOO sense as a character I'm so sorry like literally none of his actions made any sense??? OPEN THE TRUNK. OPEN THE TRUNK. ONLY I CAN HAVE HER. WHAT DOES HER MISERY HAVE TO DO WITH MEEEE?? dog water writing sorry that upset me

The ex-wife. I understand she is obsessed. I don't understand why they justified her trying to kill herself while pregnant because her husband was soooo happy to have a baby. The real reason she tried to kill herself is because she couldn't bear the thought of his attention being taken away and given to their child. She's selfish. Simple as that. Not an ounce of pity for her in my mind.

I also found the music really weird sometimes. I think it was the MLs music? But they'd play it during like a serious aerial shot, and good god I could not take it seriously lol. This is ultimately a bland story, which saddens me because it had lots of potential. The trunk was irrelevant, which is funny because this drama is named The Trunk. Could have done just fine without half of the extraness they did, could have been developed better without it. I rest my case.

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mistakes pretentiousness for style

this drama definitely felt like it was at least 12 episodes long.

the pacing is GLACIAL. you'd think that a drama that opens up with (1) a suspicious-looking trunk getting fished out of a lake,(2) a murder, (3) a contractual marriage company with an unclear agenda, and (4) fucked-up character dynamics would have no lack of suspense and momentum. but the show does so little beyond unraveling the characters' dynamics, and it is, at best, mediocre at doing so.

the trunk really went for that understated, sad, cold, empty vibe, and THATS FINE BUT. the direction just takes itself too seriously and overestimates its own artsiness, leading to a plethora of unnecessarily drawn-out scenes. 2 seconds of silent brooding in a static shot (that is NOT in reaction to any event) is more than enough. we don't need 10 to get the gist. honestly, the cold color schemes, the emptiness of the house, and the glaring lack of background music/sounds are more than enough to establish the lonely atmosphere, so a LOT of these scenes feel self-indulgent and add literally nothing to style or characterization or plot or enjoyment. episodes 1-3 could have easily been cut in half and the show would have lost NOTHING while gaining a much more engaging pace. this drama is in desperate need of more editing.

the meat of the show is indisputably the interpersonal affairs of our main characters. ALL of them are deeply damaged by some past traumatic event and are consequently in varying shades of fucked-up. sometimes, it feels like the writer is just trying to one-up themself with the characters' traumas and twistedness. is gratuitous fucked-up-ness a thing? it sure does feel like it.

the plot is your run-of-the-mill, fucked-up people do fucked-up things and have intense emotional reactions kind of shit. the ex-wife did most of the heavy-lifting here, almost single-handedly advancing the plot with her antics, until the stalker stepped in and took that responsibility. none of it particularly stands out; we already knew these people were deeply damaged. i'm glad the leads eventually found healing in each other, but even that seems more like a bond formed over their collective efforts against the batshit-craziness of the ex-wife. speaking of, the ex-wife is adequately established as a pathologically controlling character, and while her motives are explained, her decision to force the male lead to re-marry never made much sense to me. why did she feel like that course of action was the best way to complete her interests? it's a counterintuitive move, for sure. this circles back to the observation that her derangedness is one of the very few driving forces for the plot, but plot devices are rarely good for characterization, and it's an even worse offense in a character-driven show such as this.

finally, let's talk about how much the titular trunk barely had any role in this show. look, i know the trunk + dead person symbolizes the main characters' dark pasts/emotional baggage. but what is the point of bringing this allegory to the screen if you're not going to elaborate on the metaphor further? the show basically treats this as a plot point in the most half-assed way, as an afterthought to all the character drama going on. it is honestly more like a badly handled plot point that ends up as a loose end than some thoughtful symbolism.

bottom line: a show that thinks it's much more profound than it really is.

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I'm not mad, I'm just disappointed.

Maybe I should have watched Dune: Prophecy.I don't know.

I absolutely adored the aesthetic of the show. The house, the lake, and the colors. I thought the aesthetic was the most creative part of this series.
I was ready to rate this 6 stars because the visually is beautiful and the music is amazing, but as I kept watching, the story lacked too much to retain my interest.
A dark tale of grief, mental health and loneliness. The concept was really good but the execution just didn't do it for me. Maybe my expectations were too high. But nothing can change the fact that this was a very unsatisfying series. There were parts I enjoyed ( but it wasn't enough to keep me on the edge of my seat) but there were parts which were simply put- so bland.
5 stars - because of the artists & the beauty.
It's always hard for me to give a low score, but... I guess I can't give more.

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Well-acted, beautifully directed story that fell apart due to poor writing execution

SUMMARY:

Strengths:
- There are some really subtly romantic scenes and moments + some really spicy scenes that had emotional weight
- Despite all the mental illness, the ML/FL/2FL/2ML dynamic was more refreshing and mature in its presentation than you'd fine in other dramas
- Gong Yoo.
- Stunning visual storytelling -- beautiful framing, colors, sets, lighting.
- The background and groundwork of the emotional arcs of the characters were interesting and well thought-out
- Explored the ideas of marriage and what it means to society in a thoughtful way
- Music was PERFECT

Weaknesses:
- Plot fell apart by the end, characters emotional journeys were rushed or sloppily handled and in the end unsatisfactory
- Some uneven acting at times (though not anything truly awful)
- Some use of silly cliche tropes that had no place in a mature drama like this
- The romance ended up feeling somewhat flat overall, and inconsistent, as sometimes I felt little chemistry and other times a lot
- The thriller plotline was not well integrated, and didn't really hold interest or have a strong place in the story

Watch if:
- You can easily get lost in visuals and ascetics (cinematography/directing/music/sets)
- Have a fat crush on Gong Yoo,
- Are interested in the topic of marriage and what it means to society today
- Enjoy romance with a slight thriller element
- Aren't as picky about the plots or character arcs being perfect, you're in it for some entertainment and to enjoy the ride
- Enjoy merely exploring emotions and what is underneath various mental illnesses or addictions or personality types

Skip if:
- A realistic emotional journey of a character is really important to you in a story
- You feel unsatisfied if the plot doesn't come together well in the end
- Don't like open endings
- You are looking for a squees and butterflies crack drama type of romance
- Not really into thriller or depressing themes like abuse -- OR really into thriller elements (as I don't think they were well executed here)
- You don't wanna see boobies on screen (there is one nude scene, though I feel it was used well as a way to highlight the mindset and emotional state of one of the main characters. Did not feel egregious).

DETAILED BREAKDOWN:

--Story: 5/10

This drama fell prey to a fatal flaw common to k drama romance/thrillers. Despite the writer framing the story as if they were tied together, the thriller/murder plotline was almost wholly unrelated to the relationship and characters emotional plot arcs. But the writer played out the drama as if they were inexorably intertwined. In fact, the writer could have taken the entire thriller plotline out, and not only would it not AT ALL have changed that main relationship or character plot-lines, it would have actually made the story BETTER.

What does this mean for the show? It means that when the plot-lines for the character arcs (for the FL it's fully grieving her fiance abandoning her, for the ML its coming to terms with his mother's suicide) naturally progress and resolve, instead of being able to move forward with their new emotional states and understanding the world, and move their relationship to some sort of new place because of it, the characters revert back and get stuck in the very same emotional states they should be past now. All because the thriller plot arc has not yet resolved, even though the tie to their emotional arcs is flimsy at best.

So we get silly tropes like noble idiocy and a FL who suddenly throws her entire emotional journey out the window to act exactly like she had at the very beginning of the show, before any growth had happened. And we get one of the main side characters going to prison instead of getting any sort of satisfactory emotional end to his character, all because SOMEONE needed to have killed the stalker. And that's where the show ends.

This all played out as a final third that fell so emotionally flat I stopped really caring about the characters. I was gonna write this review immediately after but genuinely forgot the show even existed for a week. It didn't leave an impact on me because of the way the writer mishandled the story. Which is truly a shame.



--Acting: 9/10

Gong Yoo's Jeong Won was so human, and I loved how he did not try and overplay him as an unrealistic suave ML character to make him appealing, but instead he tried to show the parts of JW that made him lovable, even if those parts were also what contributed to his weaknesses and flaws. Gong Yoo always brings such a great vulnerability and groundedness to his characters. He really was the heart of this show.

Seo Hyun Jin had some great moments, and is clearly talented, but I often found her portrayal too robotic in trying to show the withdrawn, coldness of No In Ji. I wanted to see more subtle moments of the fire and pain just underneath the surface, which we got sometimes but were blaringly absent at others. Without those I felt detached from her character, and really only felt her show her underlying humanity in scenes with Gong Yoo, I think because he brought out more warmth in her from his acting style. And really, their chemistry works mostly because Gong Yoo completely sold being madly in love w her. She often seemed indifferent to him, and again, without those little micro-expressions and tells that show she actually cares deeply but is hiding it. She also never seemed to really get a handle on her character, but I chalk that up in a big part to the inconsistent writing. By the end of the story she has not grown at all, which derailed the impact of the whole show. And I can't help. but think a different actress may have been able to bring it all together better despite the flawed writing.

Jung Yun Ha did a good job of keeping ex-wife Lee Seo Yeon from becoming a cliche psychopath crazy bitch character, she always kept the character grounded in deeply buried pain and sadness. I fully bought that she believed everything she was saying, and was deluding herself as much as everyone else. I felt enough sympathy for her to be able to enjoy her story arc, even if I still did not like her or approve of what she did. I also felt she was too ignored in the last few eps (because of the boring stalker plotline) and they wrapped her character up too quickly and sloppily. But the actress managed it well and her performance also stood out to me.

The other actors did fine in their roles, though no one stood out to me as going above and beyond. But no one was bad enough that it took me out of the drama. Overall the ensemble was well cast and performed well.

--Visual/Directing: 10/10

Truly gorgeous sets, framing, lighting, etc. I am glad I watched this show just for the beauty of the visual storytelling. I think it elevated the writing well above where it could have been in less deft hands. Truly a talented team working on this aspect of the show.

--Music: 10/10

Love the OST, really love the score and use of horror/industrial music. Flawless soundtrack overall.

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