What to Say (2023)

A one-sided love of a boy for a boy

Dong Young (Kim Dong Young) has been secretly in love with Jung Min (Lee Jung Min), his best friend, since he met him 10 years ago, and he has come up with an idea to finally declare his love.
Romantic dramas, no matter how short in duration, achieve immortality when in a single scene they manage to convey the spirit of the central bond.
'What To Say' (뭔말 Mwonmal), by South Korean filmmaker Kang I Deun, has a sequence of overwhelming subtlety, in which we witness how a young man assures his best friend that he will make a film, and to the astonishment of This will reveal the scenario written in the script to be captured in moving images, which is none other than the same story of the friendly relationship that has existed between the two friends and how the main protagonist of the film to be produced would like to carry that bond on another level, even knowing that it is "a cliché story where Woo Joo's first love (the name he gives himself in the future film) ends unsuccessfully."
With a precise, contained and melancholic narrative, Dong Young will know the answer, which will leave him devastated by heartbreak.
I am not issuing a spoiler: the same trailer for the short film on the AYDENSTORY channel assumes that we are in the presence of a unilateral love of a boy for a boy, and how this secret love follows them until one declares, with subtlety, naivety and creativity, their feelings for the other.
That statement highlights the purest love that Dong Young feels for this man who will never want (or be able) to live up to such a naive and immaculate confession.
The main reason why I recommend the film and give it a perfect score is that the director conceived flesh and blood, complex and human characters, who go beyond stereotypes. In this way, the young man who resorts to fantastic narrative to declare his feelings is not superficial by any means: he is simply a man who fell in love with another man. Following this line, the character played by Kim Dong Young is endearing because he has finally had the courage to take that step that has cost him a large part of his existence, although this presupposes the risk of not only losing the love of his life but also to the childhood friend.
The director himself has stated that the objective of the film is to expose "the long hesitations and great worries, brief confessions and small consolations. I hope that all the universes of this world are happy."

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