H19279:Xiao Yao ran away as fast as she could and in a second she ran from Qing Qiu to Qing Shui Town. Xiao Yao jumped in the river and swam towards the vast blue ocean. She could see endless horizons and the joy of swimming freely, but she was so so tired! Where could she go in this entire world? Fang Feng Bei appeared on the surface and he sat on an all white clam shell smiling at her with his black hair flying in the breeze. Xiao Yao swam towards him but in a second his hair turned all white and he became Xiang Liu coldly staring at her. White clam shell, all white Xiang Liu, it was like an ice mountain floating on the ocean surface.
I like this part. It makes me think of my contention / head canon that the man that XL adds to the crystal ball is him. :)
H19279:One more reason that she needed Jing is to supress her feeling for another man who she always kept hiding deep down her heart. Miao Fu or Left Ear could not help her with such. She knew that she had a bit of stirring for XL, she kept reminding that he was CX's enermy but she still hung around and protected FFB after knowing his real identity. Absolute distancing from XL/FFB seems imposible for her. Taking Jing is her solution to restrain her real desire.
This is a great point.
Kokuto:Aren't these characters are more supernatural and mythological, than pseudo historical? I mean, they are gods and monsters.
I think that there are inconsistencies in the revised edition as to which characters were renamed, and which ones retained, not simply based on which ones are historical vs mythological. From the choices made, it appears that prominent characters (historical or mythological) are mostly renamed to avoid misconception. However, those whose names are retained are not necessarily mythological.
Out of the 5 gods in mythology, 2 were renamed (Zhu Rong, Hou Tu) while the other 3 were retained (Ju Mang, Ru Shou, Yu Jiang).
后土 Hou Tu, the former Shen Nong general who saved the Yellow Emperor from assassination two hundred years prior during his visit to the Middle Plains (Vol 2 Ch10 - Chapter 27), is the deity of all land and earth according to Chinese mythology. The name was changed to 珞迦 Luo Jia in the revised edition.
祝融 Zhu Rong, one of the great generals of Shen Nong who chose to die rather than surrender to Xuan Yuan, grandfather to Feng Long and Xin Yue, is both a historical figure and mythological character, according to Chinese tradition. He was renamed as 炎灷 Yan Zhuan.
Traditional legend posits Shao Hao as the son of the Yellow Emperor who ruled for 84 years before being succeeded by his brother's son, Zhuan Xu. There is also a site traditionally claimed to be his tomb in the eastern outskirts of Qufu, at the Shandong province. Yet, his name was retained.
It is noteworthy that the credits in the drama refers to Shao Hao only as 皓翎王 Haoling King. Perhaps therein lies the additional name change, in addition to the changes in the country names, to distance itself from historical figures. Do you remember whether the Haoling king's name was mentioned to be Shao Hao anywhere in the drama?
@Liddi,
Do you remember whether the Haoling king's name was mentioned to be Shao Hao anywhere in the drama?
in the novel, he was called with his real name (by others) only once by Ah Heng. However according to the leaked script, chapter 36 when he brought XY to the dessert was not adapted . Thus, i don’t think the name Shao Hao will be ever mentioned in the drama
H19279:in the novel, he was called with his real name (by others) only once by Ah Heng. However according to the leaked script, chapter 36 when he brought XY to the dessert was not adapted . Thus, i don’t think the name Shao Hao will be ever mentioned in the drama
Yes, the novel (original and revised) refers to him as Shao Hao. The leaked script does refer to him as Gao Xin Shao Hao, and the actor refers to himself as Gao Xin Shao Hao as well on the last day of filming, which indicates that at point of filming, the name was still retained. However, going by the credits, it does look like he was unilaterally renamed to be just Haoling king in the finalised version of the drama.
H19279:We have talked so much about the 15 year promise which basically a kind of transaction that Jing would return her YSQ in exchange of not letting any man into her heart. No further romantic love or commitment was mentioned if the contract was executed successfully.
To me, there are implications/expectations of a romantic relationship in the 15-year promise. Asking her not to let another man into her heart is like asking her to preserve her heart for him. Jing absolutely wants and expects a romantic relationship. When XY accepts his proposal, she is aware and willing to accept this term in exchange for the companion she could get from YSQ. Much like Tian 'Er did not love Chuan Zi, but agreed to marry and "love" him in exchange for what he could give her. Love was not a part of the consideration for XY. She wouldn't have agreed to this promise if she wanted love as part of her romantic relationship; probably because she didn't have much faith in romantic love. So despite her love for XL at this point, she "rejects" pursuing it in exchange for getting her "obsession" - the companion that will always put her first.
Once this promise has been made, it sets up expectations for XY - courtship, marriage, children - attachment to these goals and the person who will provide these goals takes root; affection grows with it in time. XY already likes YSQ to start with - it was not like she found him repulsive - so it wasn't difficult for things to develop in this direction. For these factors, Jing is a more attractive option as a companion compared to Miao Pu. Not to mention, Jing would also never leave her, while Miao Pu absolutely could if she wanted to.
Unfortunately for Xiao Yao, her love for Xiang Liu also grew with time - from a tiger cub to a 1000-year-old tiger demon. What was once not important started to become a yearning culminating in that crystal ball. I maintain that despite her yearning, she was still tentative - her refusal to answer the final question and running straight back to Jing following QSTown after the marriage robbery was for me, indicators that she hasn't been able to let go of her "obsession". For Xiang Liu, this knowledge plus the fact that the political landscape has shifted since the time that they planted the bugs means that he isn't going to advance towards her anymore. When he took the steps toward their relationship outside the Dragon Bone Prison, she retreated. She missed the boat - there are not that many chances in life; once it is gone, often you won't get it back again.
H19279:One more reason that she needed Jing is to supress her feeling for another man who she always kept hiding deep down her heart.
H19279:Taking Jing is her solution to restrain her real desire.
I agreed that this was part of her motivation when she accepted Jing's 15-year proposal. Just as it was one of Jing's motivations when he made that proposal was to keep her away from Xiang Liu. It's quite sad that XY was so fearful of facing her own heart that she would have to use another man to suppress and deny her feelings. And Jing knew darn well who XY truly loved, but was so desperate that he would accept just being able to be by her side. Two desperate people play-acting their desperate relationship like that scene with the Voodoo King.
liddi:I look forward to reading it - thank you!
Here is my translation process. Having gone through this process, I've come realized I have a few edits to my initial translation too. I will try my best to explain and color code too. This part 1 and will post part 2 soon.
Mine: | Yours: |
The other is named Gaoxing, the shield of the east, overseeing the sun, Valley of Tang, and [the eye of] ten thousand waters 和万水之眼归虚 tiab ibtxias dej ntawm qhov muag nros qhuav I had a hard time translating it because in Hmong, we don’t have such a place. It would have translated to “Ten Thousand waters of the eye of emptiness.” So I kept it as Yan Gui Xu. But now that I look at the sentence again, I can see where I may have mistranslated. Even though, in Hmong, the grammar makes sense aside that there is no place in folklore called Gui Xu. The eye ( 眼) is placed in front of 归虚, so I had assumed that 归虚 is the adjective describing the eye . In Hmong, the adjective usually follows after the noun. Since I am unaware that Gui Xu is a pronoun, I had translated the 眼 as the noun and the 归虚 as the adjective. But knowing Gui Xu is the pronoun, it does make sense now. Therefore, the new translation would be: 和万水之眼归虚 tiab ibtxias dej ntawm Kem Xwm lub qhov muag. The corrected translation would be in sync with yours. | The other was named Gao Xin, the shield of the east, overseeing the sun, Tang Gorge, and the Eye of Ten Thousand Waters, Gui Xu. |
After the death of Emperor Pang Gu, the flames of war ignited. 华胥氏厌倦了无休无止的战争 Huab Xus Sib qiab dhuav lawm tus tsov rog, tsis nres tsis tsum. Now that I have fresh eyes on the Hmong translation again, it looks like I have mistranslated the English. Haha. Apologies. I accidentally omitted beautiful in my final English translation. My Hmong translation has beautiful. | After the death of Emperor Pan Gu, the flames of war ignited. Weary of the unending warfare, Hua Xu retreated far away and founded the beautiful, peaceful nation of Hua Xu. However, later generations will remember her not for her kingdom but her son Fu Xi and daughter Nǚ Wa. |
Fuxi and Nuwa are both equally powerful, filled with goodness and righteousness. In the oncoming years, they will both rise to heroic measures, protecting against war and conflict. Quietly, the scars of the wilderness healed, and peace returned where life slowly began again. Soon after, Fuxi and Nuwa were crowned emperor and empress. This sentence was the hardest for me to translate into Hmong. But I am starting to see my issue now. It looks like when I need to switch the noun and adjective, I don't do it, but when I don't need to, I end up doing it. LOL. I think it's because Chinese uses a lot of context, where a sentence doesn't necessarily have the subject written in to be understood. 今天下,英雄敬服,制止了兵戈之争 Xyoo no los, hwm txog li pab ej, tiv thaiv lawn, pab tso tseg tsov rog. For example, 英雄敬服, the subject is Nuwa and Fuxi, but in Hmong, without the subject, the sentence is incomplete. So I ended up adding “li '' which is a preposition that would give context to the subject, but it looks like in doing so, the sentence becomes something like they were respected or rose to heroic measures, as in my initial translation. However, had I kept the sentence structure the same, pab ej hwm txog, I would need to add a subject (qaws ob leej- the both of them), the sentence will read “heroes respected the both of them.” I had chosen to translate 制止了as “prevent” instead of “stop”, but in the process, the Hmong words for prevent are also the same as protect. This may have changed the original text. As I continue to read and learn more, I've come to understand the usage of 之. I am now seeing that it is being used as an axillary versus the word to leave. it's really used to emphasize the kind of conflict ( 争) is, which is war (兵戈) The Hmong word lawn is basically the same as了. However, in this instance, lawm (了) needs to come at the end of this sentence to make sense. With what I know now, new translation would be: 今天下,英雄敬服,制止了兵戈之争 Xyoo no los, pab ej hwm tsog qaws ob leej, pab tsum kev tso rog lawm. Notice that with the new translation 之 is no longer needed, because the Hmong words for war, kev tso rog, includes the idea of conflict. Kev tso rog literally means the way of (kev) the tiger (tso) fight (rog). | Fu Xi and Nǚ Wa, equally powerful, good and righteous, won the respect of the heroes all over the world, and stopped the conflict. The scarred wilderness ushered in peace and life slowly began again. Fu Xi and Nǚ Wa were revered as emperors |
With Fuxi’s passing, Nuwa was overcome with unfathomable sadness. She returned to the nation of Hua Xu, and her existence, life, and death became a mystery. The descendants of Fuxi and Nuwa would fall from grace, never to be heard from. 伏羲大帝仙逝后,女娲大帝悲痛不已,避据华胥国,从此再没有人见过她生,生死成谜,伏羲,女娲一族日渐没落. Tos qab, Fwjci tswv ntuj tso tseg, Nwjvaj tswv ntuj tu siab tsis kawg, nkaum nyob ntawm Huab Xus tebchaws, txij thaum ntawd tsis muaj neeg pom txog nws lu neeg, txog siab kev tuag mus ua dab neeg. Hnub dhau, Fwjci tiab Nwjvaj ib hais neeg poob hwj chim. This portion I did took quite a bit of stylistic choices. For example, I used return instead of retreat for variation, even though the Hmong words ended up translating as “to hide.” In this next part, 从此再没有人见过她生 txij thaum ntawd tsis muaj neeg pom txog nws lu neeg The grammar is perfect, and it actually reads, “ever since then, no one has seen her life (alive).” However, stylistically, I choose to combine this and the next sentence, 生死成谜, together. But if I didn’t, the sentence would be: Ever since then, no one has seen her alive, her life and death became a mystery. I had used descendants, but I think I could used civilization or clan too. The Hmong words actually translates to as "Fuxi and Nuwa's people..." I had debated using “decline” but the Hmong word “poob” has multiple meanings: to decline, to lose, to fall. So it would need another set of words to describe which “poob” it is. In the context of a civilization or people, I had to use “hwj chim” which is a word used for influence or power. That is how I ended up with the translation that I did--usually the idea of falling from grace includes the ideas of civilization decline. | With Fu Xi’s passing, Nǚ Wa was overcome with unbearable sadness. She retreated to the nation of Hua Xu and was never seen again, her life and death a mystery. The clan of Fu Xi and Nǚ Wa gradually declined. |
@HeadInTheClouds @H19279
To be honest, when I look at Xiao Yao's life now, I really feel that she seems to have been destroyed by her childhood trauma long ago. After she regained her identity, although she had no spiritual power, she was the princess of two countries, and later became the new emperor's favorite sister. Her biological father was the former marshal of the Chenrong Kingdom. She was brave and resourceful, not inferior to her brother at all. But, she has just no other wishes except to find someone who will always be by her side to live peacefully with? ? She doesn’t want to do anything for her country and people, she doesn’t want to continue to treat sick people, she doesn’t want to pursue love, she doesn’t want to save the one she loves with all her strength, she doesn’t want power, wealth, honor, status or material comforts, she doesn’t even have any other hobbies except making poisons (to defend herself). Is it normal for a young and capable girl to have no desire to this extent? ? This is simply scary! The same goes for Jing. Since being tortured by Hou, obeying and following Xiao Yao has become his only purpose in life. Is this normal? ? This is also f*cking scary! The most ironic thing is that the "love story" compiled by these two seriously ill people seems at first glance to be the most classic, pure and beautiful love fairy tale of a prince and a princess, as if a "bright moon spotless in the darkness". When I think about it carefully, I feel as if I'm watching a high-end horror movie...
Tushan Jing: Evaluations and Opinions - Part 1.
Months ago @liddi asked whether the character of Jing has any qualities that would explain why XL would leave him as a companion for XY. I thought about this (probably more than I should have); about why I disliked him this time around when I was neutral to have a positive impression of him previously. Of course, when something bothered me, I had to pick at it until it made sense. Fair warning, if you like Jing or have a good impression of him, you may want to skip my posts. And I know that this is the YaoLiu thread, but in this lull, while we wait for Season 2, just let me borrow this place to work through my thoughts on this novel as a whole. Besides, it’s cray cray out there and this is the safest place for my ramblings :-). This is to all my ladies here who have been waiting for me to get my act together and complete this piece :-)
When I think about the character of Tushan Jing two particular Vietnamese terms come to mind: nhu nhược and hèn. The first term is used to describe a man who is weak in character, lacking in decisiveness and determination and the will to take action when needed. The second term denotes a person who hides when faced with difficult situations due to cowardice – they either hide or act in ways that are immoral or unethical to be contemptible. In evaluating this character, I looked at the character set-up, motivation and the choices/actions Jing made at key points in the story. For me, it always comes down to action/behaviour when difficult choices need to be made. Words, intentions and others’ evaluation are secondary - it's your actions that are the most truthful barometer of who you are. Sometimes the options before you are horseshit and cow-dung, but how you make those choices showed your values and character.
Born into wealth and privilege, Jing was feted, praised, coddled and marked out as heir to the Tushan clan from birth. He was the perfect biddable child whose life was pretty much mapped out for him and he was happy to go along with the decisions that his grandmother and mother made for him including choosing FFYY as his bride-to-be. If Hou hadn’t thrown a spanner into his perfect world, Jing probably would have happily continued on the predetermined path as set out by his grandmother.
The worst torture Hou inflicted on Jing wasn’t the physical one to his flesh, but the psychological attacks on his sense of self and worth. Hou wanted to show Jing that without his Tushan name and Qing Qui Young Master strapping, he was nothing. And Hou succeeded. Our sense of self depends to some extend on how other evaluates us. However, someone with a strong sense of self is less impacted by external opinions; Jing's sense of self was weak and it was heavily reliant on how others saw him. Also note that it only took two years for Hou to “kill” Jing’s spirit driving him to the point of waiting for death. If you compare what Jing went through with what Xiang Liu, Xiao Yao and Cang Xuan went through what does this suggest about his character? To me, it shows weakness, a lack of fighting spirit and grit – probably from a combination of nature and nurture.
When Xiao Yao rescued him at the start of the novel, Tushan Jing was already dead – Qing Qui Young Master had ceased to exist. In his place was a beggar who was waiting to die. When Xiao Yao blushed at his naked body the man formerly known as Tushan Jing was reborn as Yip Shi Qi (the name given to him by Xiao Yao). From that moment, Xiao Yao became his reason for living. YSQ lives for Xiao Yao because he needs her to continue to exist. His sense of self and self-worth now comes from her care and acceptance. Without her, he would cease to exist again. The problem with relying on someone else for your sense of self is that it’s an incredibly precarious existence. For Jing to heal and grow, he needs to rediscover his worth and meaning beyond Xiao Yao.
At the beginning of the novel, Jing chooses avoidance. He refused to return to his family, refused to address what had happened, choosing instead to be YSQ so that he could be with Xiao Yao – his living, breathing life preserver :-). This was Jing’s character set-up and motivation. Throughout the novel, there were various moments where Jing faces difficult choices, how Jing chooses to act shows whether Jing was heading towards healing and growth or whether he stayed dependent on Xiao Yao to validate his existence. His actions also revealed his character. As you read through this, just remember that it’s not any single incidence, but the character’s consistent action across multiple incidences that tell us who he is.
1. Jing promised Xiao Yao to back her up in the confrontation between her and Ah Nian and Cang Xuan. However, once he realises their identities, he hides because he doesn’t want his identity to be revealed and has to return to being TSJ. This is Jing avoiding facing his problem, choosing instead to continue hiding away. Jing also can’t risk leaving Xiao Yao because he needs her to exist. So Jing chose to break his promise to Xiao Yao. At this moment, Jing cared more about remaining as YSQ to be by Xiao Yao's side than Xiao Yao’s potential safety and keeping his promise to her. If Jing didn’t want XY to make an enemy out of Cang Xuan, he didn’t need to run and hide away to do that. This shows that Jing’s promise/words are cheap – he’ll make them when it’s beneficial to him, but when they become inconvenience, he’ll discard them. Untrustworthy and dishonourable.
2. The infamous 15-year promise in Dragon Bone Prison. Jing has a fiancée, whether or not he wanted this fiancée is irrelevant to the fact that he was not a free man to make any promise or proposal to another woman. But Jing was afraid of losing Xiao Yao – he came close to it when Xiao Yao attempted to run away from CX. Jing made numerous attempts to find out XY’s true face during that ordeal but to no avail. Things were no longer simple – she may no longer be WXL, and he can’t stay by her side as YSQ. So Jing wanted to lock Xiao Yao down to give himself the best chance to be with her as possible. In his desperation not to lose XY, Jing chose to act dishonourably and selfishly – placing the woman that he “loves” into the role of the “other woman”. Once again, it is about his needs rather than Xiao Yao’s. The first time Shao Hao met Jing, he brought up Jing’s engagement. This made it pretty clear how her family would view this promise. If this was the Regency era, Shao Hao or Cang Xuan would have challenged Jing to a duel at dawn for his flagrant disrespect to XiaoYao with such a proposal. Remember as well that the promise is that Jing will return YQS to XY after 15 years. Jing has no intention of healing; he just wants to remain XY’s YQS and he also knows that this is what appealed to XY.
The other thing that I want to bring up here is that Jing knew that breaking off his engagement wouldn’t be an easy task - that why he asked for 15 years. Subsequent events suggested that Jing knew that he didn’t have the power to call the shot; and that the real power lies with his grandmother. Jing was essentially counting on his grandmother to grand her permission out of love for him. This is just preposterous. Imagine trying to make a deal with someone to sell them a piece of land when you don’t actually have the final decision-making power to sell this land. I would call such a person a scammer; a scoundrel. Jing was making a promise/deal with XY based on hope and prayer.
3. Once Xiao Yao returns to her princess identity, Jing can no longer stay by her side in his YSQ’s identity. He needed his TSJ identity back. Jing was not returning to his family of his own volition. He wasn’t doing this out of a sense of responsibility or filial piety. He wasn’t choosing to face Hou and his trauma – he wasn’t attempting to heal and grow. Jing reluctantly returned to his family because he needed the TSJ’s identity so he could continue to be with Xiao Yao. Xiao Yao is still Jing’s reason for existing and his primary motive is till all about XY. If being YSQ allows him to be with Xiao Yao, he would do that. If being Tushan Jing allows him to be with Xiao Yao, he will do that. You should not base your sense of self/identity on the needs of another person. Jing is a very sick man.
4. Jing chose to support Cang Xuan in his quest for power and the throne despite his clan’s creed of staying out of politics. Was some of this out of ideal? Jing claimed so (do you think this man’s word can be trusted?). Jing's motivation in the early days was very much about bringing Xiao Yao closer to him and maintaining his access to Xiao Yao by helping Cang Xuan. Cang Xuan realized this as well. There were times that Xiao Yao thought about distancing herself from Jing, but ended up seeing him at Xang Xuan’s behest. Jing was aware of the benefits of helping Cang Xuan for this very purpose. This creed was there to ensure the clan's longevity. The Tushan is a merchant clan, and tying themselves to any single ruler is not a good thing – if this ruler falls, the Clan will fall as well; maintaining neutrality is the best course of action for the Tushan Clan. As an individual, Jing is free to do as he wishes, but as the heir to the Tushan Clan, he should be more prudent. Particularly in the early days when Cang Xuan’s position was precarious. Jing knows how to calculate gains and losses – would he have supported Cang Xuan so early if Xiao Yao wasn’t an incentive? Think about this character’s motivation up to this point; I don’t think he would have. So to ensure that he can keep Xiao Yao by his side Jing willingly and knowingly placed his clan into a potentially undesirable situation. We know that eventually his clan came on board and things worked out, but that was not the case at this point of the story.
5. Jing even goes against his grandmother’s direct edict, continuing to support Cang Xuan in private. Apparently, Jing is capable of being “unfilial” as long as he can do it in private :-). It isn’t simply filial piety and concern for his grandmother and his clans that prevent Jing from breaking the engagement to FFYY, rather it is his inability to assert himself against his grandmother that keeps him trapped. Jing was a grown man who was still under his grandmother’s thumb. Part of becoming an adult is successfully breaking free of parental influence and control, and being able to effectively set and defend your boundaries against your parents/parental figures’ unreasonable demands. If you failed to do that, that’s just you failing to be an adult. 600-700 years and Jing hasn’t managed to become his own man – if he had, he wouldn’t be in such a mess. In many ways, you teach people how to treat you and in his 600-700 years, Jing had taught his grandmother that he was a biddable child who was happy to go along with her arrangement; probably because of everything that he was getting, he was happy to be getting. To me, this suggests someone who doesn’t have a strong sense of self, strong opinions, strong personality. Not everyone who bumped up against filial piety flailed the way that Jing does, so using it as an excuse for Jing’s failure is just that, an excuse. Like I said, he’s nhu nhược and hèn.
A short intermission. have some baby Yoda to cleanse your eyes.....
6. The Plum Forest Assassination. Jing’s shining moment. Jing did not once try to get himself and Xiao Yao out of harm's way. Jing was born with a special sight that allowed him to see through formations, he could potentially have gotten both himself and Xiao Yao out of there, and yet he didn’t even once think to try. Xiao Yao was “dead”, and Jing had no more reason to live. Jing actively chose to commit suicide; he wanted to be her YSQ and wherever she went, he would follow her even in death. Jing essentially has not achieved any healing or growth. Without Xiao Yao, he is still the beggar awaiting death when we first meet him at the start of the story. Everything that Jing had done to date (including helping Cang Xuan) was motivated primarily by one goal – to be able to stay by Xiao Yao’s side. Jing’s action here also showed his nhu nhược nature – giving up at the first sign of a challenge. Jing assumed that just because his (weak) spiritual power couldn’t save Xiao Yao, that meant that no one else out there could. Jing was so focused on himself – on losing his reason for living; that he didn’t even spare a thought to fight to give Xiao Yao a chance to live by seeking other possibilities. Not for the first time I wonder if Jing actually loves Xiao Yao, or if he merely loves himself. As “delusional” as Cang Xuan was, he thought about Xiao Xiao and he fought to give her a chance. Hell, forget about Cang Xuan, just compared Jing’s behaviour to Xiao Yao’s fighting tooth and nail for survival in this very same scene. This tells you a lot about Jing’s character does it not? When the chips are down, this man does not have the courage or ability to deal with adversity. Spineless and cowardly.
7. Jing “slept” for 37 years. There was nothing wrong with him physically, he’d just lost his will to live and his spirit was actively seeking death. Responsibility to his clan and filial piety to his grandmother didn’t factor into Jing’s decision. No Xiao Yao means no life for Jing. Jing was finally about to expire when Xiao Yao returned to wake him up. His living, breathing life preserver is back so of course, Jing is also back to life. Just to ram the point home that this man has zero sense of self or self-worth outside of his dependant on Xiao Yao, we have this charming confession: “Even if I have no position in your life, if all I am is your slave, then that is fine with me. I just want to be by your side and look after you.” Google, please search for Jing’s self-respect and dignity! He seems to have misplaced them". I find Jing’s action cowardly and selfish – choosing to avoid, to hide – self-absorbed to the point of contemptible. 37 years of sleeping. Let that sink in. Nhu nhược and hèn.
More about Jing's and this whole dying and sleeping thing here
By this point of the story I was pretty much done with this dude. And if I was ever on this ship, I would have thrown myself overboard and swim to shore :-)
8. Jing got trapped by his grandmother and FFYY into believing that FFYY was pregnant with his child. This whole situation is effed-up and I do feel sorry for Jing. Unfortunately, Jing once again shows his cowardice by not facing the music and informing Xiao Yao about it. 3 months! He kept it from Xiao Yao for 3 months. I get that he might have been in denial at first, but jeez, at some point you need to put your big girl panties on and face the music. Instead, Jing chose to be a coward and Xiao Yao found out in possibly one of the worst ways possible. Jing couldn’t even protect Xiao Yao at this most basic thing because he was too cowardly to face the truth and take action. How you deal with adversity shows your character. The responsible thing to do here is to let Xiao Yao know and release her from the 15-year promise. The argument that Jing didn’t do this because it would only hurt Xiao Yao is not convincing. Maybe if he had acted honourably in the first instant, he wouldn’t found himself in this mess. Jing set himself up to be judged – if he didn’t ask for that promise, I wouldn’t be judging him for failing to keep the promise and for failing to act honourably here. A bit rich to blame his failure to act appropriately on the pretext of protecting Xiao Yao. Way to deflect responsibility. At each point, you can choose to act differently. Just because you acted dishonourably at point A, that doesn’t mean that you should continue to act poorly at point B because the damage has already been done. Where is this man's sense of responsibility and honour? Where is his spine? Maybe Google needs to help Jing search for these as well. Jing once again showed that it was all about him; he cared more about what he would stand to gain or lose than anything else, including doing right by Xiao Yao. This is love?
9. Jing found himself unhappily shackled to FFYY. Instead of coming to terms with reality, shoring himself up and finding meaning in his own life, Jing chose to waste away; damaging his health and shortening his life span. This is just a repetition of the 37 years of sleeping. He lost Xiao Yao so Jing has lost the will to live. Character development = zero. To call this character spineless and cowardly is an understatement. Maybe if Jing had been stronger, he would have discovered Hou and FFYY's affair and found a way to get himself out of the situation a lot sooner. We get told that he’s highly intelligent and yet he can’t seem to manage to resolve anything on his own and there are always excuses made for him that we are asked to accept. He’s filial. He’s kind. If you are kind to this point then something has gone seriously wrong. Frankly, it’s just a reflection of his inherent incompetent, spinelessness and cowardliness.
10. Intelligent Jing couldn’t figure out the situation between Hou and FFYY until his sister-in-law told him. Then he couldn’t figure out a way to resolve the issue. In the end, Xiao Yao has to help him by “seducing” Hou. Jing didn’t really object. I struggled to wrap my head around this. If my partner helped me solve my problem by “seducing” my sister, I would object. We’ll find another way, but there’s no way that I can accept this. My pride wouldn’t let me and I would feel far too ashamed of myself to rest easy with this knowledge. Am I suppose to see this as the two of them working together and Jing trusting Xiao Yao without question? Jing would probably tried to sell it as that. Unfortunately, it just left me feeling icky. Where is this man's pride? Does he even have any? Does he have no thoughts of his own and will just go along with Xiao Yao’s edict? Even Cang Xuan felt ashamed for using Xiao Yao as a matrimonial price to help him gain power, and yet, Jing showed not a single sign of shame or embarrassment. I guess Jing doesn’t care how just as long as he can be free to be with Xiao Yao. This character comes across as so self-serving and lacking any basic honour and self-respect. And, once again I find myself questioning Jing's supposed love for Xiao Yao. Yes, Xiao Yao made her own decision, however as someone who claimed to love her, you would have thought that Jing would be a pain to see her opening herself to gossip and ridicule. You’d think that he would have wanted to protect her against that and his own brother’s leering attention. I just can’t with this man.
lawniaflower:While I'm waiting for the second season, I've been thinking about video editing, XL often keeps me busy during the day. I chose the song Persephone - Tamino.
Welcome to the thread!
Are you talking about making a fan video from scenes in the first season? That would be cool! I've enjoyed most of the ones that I've watched on YouTube. There's a gal here on MDL that does some amazing video editing and she did a couple for LYF.
I haven't heard of this artist, but the video is striking. Will have to listen to it more closely when I get a chance.
lawniaflower:There has always been a psychological approach to mythology, so while we can have Persephone, Hades doesn't need to be male or female. I think Persephone and Hades represent things that can happen in human nature. Just as Persephone represents our human values and responsibilities while wandering the earth, I think Hades represents our dark side within us, our desires, the voices we have buried, and touching a fire that can burn us even for a moment. After Persephone surrenders, she still cannot break her bond with her mother. Hades cannot avoid being a god, but he has Persephone. Of course, it is not possible to discuss the legends directly, it is not important anyway, but these lyrics of the song suit the scenes very well.
I have a slightly different take on the myth of Hades and Persephone, in that I don't think Hades represents dark and inhuman, but hidden and sub-conscious, but there are definitely elements of that myth in LYF with XL and XY --- Yet another thing I've been meaning to track in the show / book.
I wonder if there's a similar Chinese myth?
plor20:Here is my translation process. Having gone through this process, I've come realized I have a few edits to my initial translation too. I will try my best to explain and color code too. This part 1 and will post part 2 soon.
Thank you so much for sharing such a detailed explanation of your translation process - it is truly eye-opening and fascinating, particularly seeing how a certain word has different connotations in Hmong vs Chinese.
May I know where you obtained the Chinese text? The novel I own does not have the word "生" twice in the following excerpt:
plor20:伏羲大帝仙逝后,女娲大帝悲痛不已,避据华胥国,从此再没有人见过她生,生死成谜,伏羲,女娲一族日渐没落.
The actual text is as follows:
伏羲大帝仙逝后,女娲大帝悲痛不已,避居华胥国,从此再没有人见过她,生死成谜,伏羲女娲一族日渐没落。
With Emperor Fu Xi’s passing, Empress Nǚ Wa was overcome with unbearable sadness. She retreated to the nation of Hua Xu and was never seen again, her life and death a mystery. The clan of Fu Xi and Nǚ Wa gradually declined.
As such, your stylistic preference to combine the two 生 in your translation is a happy choice which helps to better reflect the correct text.
Looking forward to the next part!
Tushan Jing: Evaluations and Opinions - Part 2.
11. Jing and his treatment of his “bestie” Feng Long when it comes to Xiao Yao. Jing’s bullshit that he did it because he knew that Feng Long would understand and forgive him are self-serving justification. Jing apologizing after the fact does not change the nature of his actions. Perhaps Jing should try not to act dishonourably instead of counting on people to be the bigger person and forgiving him. I have obviously been living my life wrong all these years; should just stab my friends in the back when it’s convenient for me then apologize afterwards. Jing’s treatment of Feng Long and frankly his actions throughout is not that of a junzi. As to his claim that he did it for Xiao Yao’s sake. Is it not clear yet that Jing is all about Jing? Is it not clear yet that this man’s words are not trustworthy? Maybe 10% of it is for Xiao Yao’s sake, the other 90% is about making sure that she is free so that he still can have a chance even though he was married at the time. He even admitted to it, but he cloaked it as the secondary reason. This is something that you need to watch out for with this character – his real motive is hidden beneath the “primary” more acceptable reason. Sneaky, cunning fox.
12. Jing refuses to treat his physical scars, his voice and his hand. Was this a reflection of Jing proudly showing that he’d met adversity and overcome it or just a physical manifestation of his continued unhealed emotional/mental wounds? These wounds belong to YSQ and Jing will hold on to them. These wounds also act as a constant reminder for Xiao Yao as well. What is even more troubling is that Jing’s voice and his music are part of his power. So in refusing to heal, Jing deliberately weakened himself - look at what happened in his confrontation with Hou. He can’t protect himself, how is he going to protect Xiao Yao – the woman that he constantly claims to love? He clings to her for his existence, and yet he doesn’t seek to protect her. He loves her, but he doesn’t seek to be able to protect her, just to die with her? I guess Jing doesn’t care if he lives or dies as long as he gets to be with Xiao Yao; if he dies before she does no problem. If she dies before he does, he’ll just die with her ala The Plum Forest Assassination. Jing’s love is short-sighted and self-serving. He doesn’t seem to care about Xiao Yao outside of what she could do for him. Does Jing even love Xiao Yao, or does he merely love himself?
13. And lucky 13. Jing’s dumping all of his responsibilities onto a child so that he can run off with Xiao Yao at the end of the novel. This act alone is minus 100000000000000000000000000000000000000000000000000000000000000000000000 points towards his character. Children are not a hobby. You can't just be a father whenever you feel like it and ditch them when it's inconvenient for you. Jing once again demonstrated that his promise means nothing - when it’s no longer convenient for him, it will be discarded. Jing once again showed that his sense of responsibility is non-existence (where’s Google? Jing needs help again). Imagine throwing all of your responsibilities onto a young child so you can be free. Imagine being so cowardly that you didn’t meet this child in person after calling him your son for decades, before dumping everything onto him. It makes you wonder if Jing actually cares about anyone or if he merely used them for his convenience and cast them aside once they are no longer of value. Jing is a merchant after all – gains and losses are his stock in trade. And no, his loving Xiao Yao and placing her first is a piss-poor excuse in this instant. All that does is show his lack of development, his spinelessness and his inability to tell right from wrong.
From points 1 to 13, Jing's focus has never changed – being with Xiao Yao is his raison d'etre - he will break promises, and discard responsibility, honour and dignity to reach his objective. His choice and actions at each step showed his character – spineless, cowardly and self-serving. His character defects cannot be excused away by trauma either. Jing was already an adult when his traumatic experience occurred, and one, two or three incidences may be chalked up to circumstances, but when you see a consistent pattern of behaviour – that’s personality and character.
Maybe you think that I’m too harsh on Jing, that I’m choosing to see him in the most negative interpretations. Am I? I’m not judging Jing on some new-fangled metric that I made up to make things difficult for him. I’m judging his actions based on my existing set of values. To quote Angela Mayou, “When someone shows you who they are, believe them the first time.” Less poetically: If it looks like a duck, walks like a duck, and quacks like a duck, then maybe it’s just a duck. Jing has shown me over and over again who he is. I’ll be a fool, not to believe him.
The insidious thing about this character is that his true nature is hidden beneath a glossy, beautiful veneer. His Tushan Young Master image of intelligence and talents – we get taken in by this, forgetting that just because someone is intelligent, talented and good-looking, that doesn’t necessarily mean that they are honourable and decent. And because of his traumatic experience, Xiao Yao’s (and the readers) default is to be sympathetic and pity him. So all of his failures and weaknesses get excused away – Jing was kind, Jing was filial, Jing tried his best. And Jing, being the intelligent person that he is played into this with Xiao Yao – the manipulative behaviour that is very easy to miss. There were numerous instances in the novel where other characters commented on Jing’s ability to be two-faced – from Hou to Xiao Yao, Feng Long and Xiang Liu.
For a while, I was baffled by what I thought of as inconsistencies in this character. He’s intelligent and cunning/manipulative, and yet, he’s so helpless and can’t solve any of his problems. Until someone reminded me that being intelligent and cunning isn’t mutually exclusive from being nhu nhược and hèn. Jing isn’t an evil or vindictive person, but neither do I see him as a “good”. Jing is very true to his cunning fox nature and merchant upbringing. Gains and losses are how he operates. He doesn’t give things away without benefiting from them. Or if those things are of no importance to him anyway. But if he has to actually give up something important, that’s a different story. Jing said as much to Feng Long. It’s easy to be kind and good when it doesn’t cost you anything. The willingness to sacrifice your interest for others is where the difference lies. And Jing is entirely too self-serving to actually sacrifice anything of value for someone else’s benefit. Even all the things that he does for Xiao Yao is for his own benefits because he needs her to validate his existence.
This character did not achieve any growth for the entirety of the novel. True to his spineless and cowardly nature, he never once attempted to face his issues and tried to heal and grow from them. Nope, he clung on to Xiao Yao and used her to continue his existence. When they were discovered in the maze, Jing was described as tightly locked to XY, his body like climbing vines tightly wrapped around Xiao Yao. The relationship between climbing vines and trees is a form of parasitism - where one benefits at the expense of the other. One guess as to who actually benefits between Jing and Xiao Yao. This is the nature of their relationship.
So, after all of that. Do you think Jing actually loves Xiao Yao, or does he merely love himself?
@liddi
As such, your stylistic preference to combine the two 生 in your translation is a happy choice which helps to better reflect the correct text.
I copied it this from my notes, and just went back to double check my book, behold! I accidentally wrote 生 twice in my notebook! haha... you are correct. Thank you for the clarification.. XD
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