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Japanese BLs really hit differently, and honestly, I’m all in for it!
The action scenes are terrible, and the plot makes zero sense. For example, right after a fight, Logic and Leo meet a random girl and ask to borrow her motorbike. Her response? “Sure, because you’re handsome.” She just gave two random strangers her keys, they didn’t even exchange contact details, so how is she going to get her bike back? This is just one example of how stupid the plot is, lol.
Still, despite all the nonsense, I can’t look away. Winner and Chris have amazing chemistry, and that’s honestly the only reason I’m still watching. This show is a complete mess, but a strangely entertaining one.
Overall, I really love this drama, Japanese 🇯🇵 BLs just hit differently. I liked the ending, though I wish it was a bit longer. Can’t wait to see more Japanese Mafia BLs in the future!
(Oct 24) The Journey to Killing You — Episode 6 (Finale).
Where are you seeing Episode 7?
Are we really going to dismiss a series entirely just because it depicts rape, violence, or morally disturbing themes? If that’s the case, then say goodbye to half of modern storytelling. Game of Thrones, The Handmaid’s Tale, 13 Reasons Why, Outlander, Law & Order: SVU, Monster, Kill Bill, Gone Girl, and The Girl with the Dragon Tattoo all explore horrific acts, yet they’ve been praised, awarded, and widely consumed.
Watching dark or controversial content does NOT mean we support it. No one watches a serial killer movie and thinks, “Wow, I want to do that.” Fiction is a space where we confront uncomfortable truths. It lets us explore trauma, redemption, and the darkest parts of humanity, not to glorify them but to understand their weight and impact. That’s the purpose of storytelling: to create tension, challenge empathy, and hold up a mirror to society’s ugliest sides.
If we only accepted stories with flawless morals and perfect characters, we would lose Breaking Bad, Dexter, Joker, The Godfather, Scarface. Entire genres would vanish.
So no, watching a RAPE scene does NOT mean we support rape or normalize it. It means we understand the difference between fiction and reality, something some people in these comments seem unwilling to separate. Millions watch Game of Thrones, Breaking Bad, or The Handmaid’s Tale, which are filled with rape, murder, assault, and worse. Does that mean all those viewers “support” those acts? Of course not.
If we automatically drop or negatively review a show simply because a rape scene leads into a couple’s storyline, then we would need to call out countless other shows and films that have done the same. Storytelling has always tackled dark, uncomfortable, and even controversial topics. If you cannot separate fiction from real life, that says more about your perspective than about the show itself.
Personally, I’m just heartbroken. We finally have our very first Japanese mafia BL, something so rare and special, yet if only a small group of people loudly criticize and down-rate it, production companies might lose the courage to ever explore this genre again. That would be such a painful loss for all of us who have been waiting and hoping for stories like this.
Hopefully once it’s out, your score will go up from 9.5 to 10.
I’m sure they’ll finally kiss in Episode 4, especially with that water scene from the trailer. Everything between them escalated so quickly; they fight and quarrel constantly, yet there’s an undeniable pull between them. Maybe it’s their bond from a past life.
Could they have been lovers in another lifetime, now reincarnated and drawn together again? The historical flashbacks make me wonder. Can someone please spoil it for me? I need to know.
to mend the shattered pieces of Ice’s heart, to gather every fragment with gentle hands, and love him in all the places he thought love could never reach.
Also, if you like Billy and Babe, their new series Interminable is releasing in just two weeks!
When he ordered Sasin to be shot, his voice trembled, saying not in the heart. Even in cruelty, love flickered like a dying flame refusing to fade. Many say he was forgiven too easily, that his punishment was too soft for the wounds he caused. But time changes men. A year alone in silence, haunted by regret, sick in body and hollow in soul, he learned that gold means nothing when the heart is empty, that a kingdom without love is only a grave. Grandmother’s wisdom reached him when no one else could. And when his son returned, forgiveness was not weakness, it was mercy reborn.
Some cannot understand why Prince Saenkaew forgave. But perhaps only those of us who carry the weight of Asian blood can feel it. In my world, parents are not abandoned to age and loneliness. Even when they wound us, we remain bound by invisible threads of love and duty. Blood remembers. Blood endures. Prince Saenkaew missed his father, missed his home, missed the family that once broke him. Because once parents are gone, they are gone forever. Even sinners are still fathers.
So for me, this ending is perfect. Prince Saenkaew and Sasin had their year of peace, their season of love unbound by fear. Then they returned, not to erase the past, but to heal it. Forgiveness was their rebellion, love their quiet victory. And let us not forget, every great story needs its shadow. Without the father, this tale would lose its fire, its depth, its ache. He was the storm that made their love shine brighter. Through pain, they found their way home. Through ruin, they found grace. For many, this was the perfect ending, and for me, it was poetry in sorrow.