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Very dark with surprising twists

8.5/10 is my rating. This is South ean thriller thriller drama that runs 132 minutes.

Two worlds collide when members of a poor family struggling to make end meet go to work for the wealthy Park family. In the same genre of dark twisted tales as “Basic Instinct”, “Gone Girl”, “Pacific Heights”, “Momento” and “The Game.”

Kim Ki-taek, Mr Kim; (Song Kang-ho)
Head of the down on their luck but looking for their next mark Kim family. He poses as an experienced chauffeur to gain employment with the Parks.
Park Dong-ik, Nathan (Lee Sun-kyun)
ERned his wealth as a successful business man and mostly allows his wife to manage household affairs including hiring household staff.
Choi Yeon-gyo, Madame (Cho Yeo-jeong)
The easily manipulated wife and mother of the Park family.
Kim Ki-woo, Kevin (Choi Woo-shik). Ki-woo’s friend approached him as he was leaving to study abroad and wanted him to fill in his tutoring job and keep other boys away from the girl he is tutoring and likes (he is waiting for her to get older). While Ki-woo does not have credentials he has studied for and taken entrance exams enough that he has gained expertise. He is the first member of the Kim family to be employed by the Parks.
Kim Ki-jung , Jessica (Park So-dam) Upon mention the Park family is looking for an art teacher, Kevin says he might know someone who can appreciate the Park son’s unique art style and introduces Jessica (secretly his sister who also has phony credentials).
Chung-sook (Jang Hye-Jin). Matriarch of the Kim family her other family members work behind the scenes to get her hired as the head housekeeper (all the while pretending not to know each other)
Park Da-hye (Jung Ji-so) High school daughter of the Park family who is being tutored to prepare for entrance exams.
Park Da-song (Jung Hyeon-jun) youngest member of the Park family. He receives art lessons from Jessica.
Son of the Park family, who is obsessed with Native Americans.
Park Seo-joon as Min-hyuk (Park Seo-joon) Ki-woo’s friend who gets the entire Kim family in the door (unintentionally) by recommending his friend, Ki-woo to replace him as
Da-Hye’s tutor.
This was a very dark story in that the wealthy family was conned into giving the entire Kim family positions which they were not qualified for. Through careful manipulation and deceit they were able to eliminate existing staff and obtain high paying jobs with the Parks. At one point the Kim’s collected information on all relevant personal and financial details leading to the conclusion rather had something even darker in mind. Things took some very unexpected twists at the end. I liked this movie and it reminded me of some very dark American dramas I have seen over the years. i felt like the change from one up man ship to murder happened more quickly than the situation warranted and felt it would have added suspense if things had built to that point a bit more slowly. It is a very good movie in this genre and I understand why it gained recognition.

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Not very interesting

This is a 2019 South Korean romance movie about a young couple who first meet when the young man takes a temporary job in the young woman’s bakery. Cha Hyun-woo (Jung Hae-in) shows up one day at Kim Mi-soo’s (Kim Go-eun) bakery which she has ran with her family friend turned family since her parent’s death. Just when Mi-soo and Hyun-woo grow close, Hyun-woo disappears. Mi-soo knows there is something mysterious about his past and is relieved when, several years later their paths cross again. Fate has them crossing paths and separating multiple times. Will Mi-soo discover the mystery from Hyun-woo’s past? Will fate eventually lead them back to each other?

Spoiler 🚨 This one could’ve been so much more. I did not feel like they were together enough initially for the two to form a deep connection. So as he went and they later got back together it just did not seem like there was a whole lot of depth in their relationship. It was boring in parts and I found myself struggling a bit to get through it. It’s not horrible just not really great.

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Revenge of the Chaebols

9/10 is my rating. This is a 2022 South Korean romantic drama series with 16 episodes approximately 65 minutes run time each.

First I provide a synopsis then I will review

Synopsis

Choi Sang-Eun/Jamie (Park Min-young) becomes the spouse for single men in need of a partner for events or so their family will quit forcing relationships on them. She has been divorced many times as a result but never had a serious relationship. As a chaebol she was raised to be the perfect bride and feels she is using her skills to help others who are trapped by societal rules as she was. Her goal is complete emotional detachment but she find that hard with one long term client, Jung Ji-ho (Go Kyung-pho), a painfully introverted man who is drawn to the spunky and vivacious Sang-Eun. Kang Hae-jin (Kim Jae-young), fell in love with the girl he knew as Jamie when he observed her reject the chaebol lifestyle in a very visible manner. He also hated being a chaebol and used her as inspiration to break away and become a very successful actor and businessman in the entertainment sector. But she disappeared so he never got over his first love. He was so enamored that he even named his beloved cat after her and he talks to the cat like a girlfriend sparking all kinds of fan rumors of a live in girlfriend. Scandal follows the chaebol turned hallyu star as when he is not accused of having a live in girlfriend, he is categorized as gay since he never dates. He moves into a building where Ji-ho lives and does not realize at first that the girl he could never forget, Jamie, has a long standing contract with Ji-ho and he thinks she is now married and living right next to him. He ultimately figures out what she is actually doing. When his family grows tired of the scandal they bring up an arranged marriage, Hae-jin implores Sang-eun to accept him as a client. Sam-eun thinks she has love and life all figured out and is perfectly positioned to counsel and help others but the mirror is double sided and she finds, through these close interactions, she has a lot to learn. As she draws closer to the two men on a much more personal level, will she discover that love is possible for her as well?

Review

I found her job very interesting because it seemed to run so counter to what I know of South Korean culture. Love and marriage are taken very seriously so her being a "single helper" seemed like a very bizarre thing for a cultured young lady to do. I also wondered how she thought, in such small social circles, she could take pictures and leave other traces and not have future friends and relatives recognize her from those past relationships. In the USA the only job similar to that would be an escort but that has cross over with prostitution and is very marginalized. There were a couple of times when the stigma associated with what she was doing was brought up, typically from questions from those closest to her and she acted very offended that people viewed what she did as something less than helping and a service to society. I thought she was a bit unreasonable to think others might not view her activity in a favorable light. But it was interesting, and definitely different, and added a unique spin to the story. Overall it was a well paced, interesting and heart warming story. I liked the characters, there was great character development, and it ended well.

Spoilers* I had serious second lead syndrome in this one. Hae-jin sacrificed so much for Sang-eun, to protect her and because he was completely loyal in his love. I thought they were a very good match as they understood, all too well, each other's motivations in the way they currently lived. He was so kind to everyone around him. There was such a deep sadness in him I wanted to see him fully happy. Ji-ho's ex-wife ultimately becomes Hae-jin's close legal counsel and it is suggested they may develop a romantic relationship but I never found her character very redeeming. Ji-ho apologized to her but I found, in what they showed of their relationship, she was emotionally cruel to him. I wanted Hae-jin to find someone who would shower him with the kind of love he never had and she was not the type of person that would ever be able to offer that. So I was disappointed they implied a romantic connection developing there. There was another relationship between Ji-ho's gay roommate and Hae-jin's manager where a relationship implied but never explored. I thought they would have been a good couple and they indicated they would team up as talent and manager but not much beyond that. I liked those character so much I would have loved to have seen that fully developed. I felt rather than have Sang-eun go through this "I don't know if I am worth it period" they could have spent that time giving us more to those stories.

In general Park Min-young rarely disappoints. Her character was cute, pretty and compelling. The wardrobe they put her in was very pretty and she has such a perfect form pretty much everything looks good on her. I was not a fan of Hae-jin's sloppy looking shirts that were high fashion. But it did fit with what is considered fashionable. I am just not a huge fan of that over sized look. I would have liked for them to officially claim her as a daughter of the conglomerate because it felt like she had more than paid her dues in terms of the training she went through for the "Jamie project." I loved the double proposal at the end. I affectionately called Ji-ho little robot because he struggled with the emotional aspects of having relationships but he was so pure and cute about it. So, his proposal was surprising but very heart warming. Sang-euns proposal was just like her and I think was a great way to show her deep love for Ji-ho. I would recommend this series for those that like Romantic dramas and would say this does have a unique twist that makes it a bit more compelling than the ho-hum.

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Queen of Eliciting Tears from the Male Lead

My rating: 8/10

I almost feel generous saying 8/10. Maybe more of a 7 in terms of the story itself. If it wasn’t so well acted and beautifully filmed, I would have rated it lower. It just wasn’t my thing. I never reached that “oh good, I can watch an episode (or two)” feeling—it was more like enduring it, hoping Hong Hae-in’s character would turn around. I think it was aiming for a bit of a Notebook vibe: “I love you even if you don’t remember me.” She is terminal throughout most of the show, so if that kind of heavy sadness bothers you, maybe pass. This is one of those shows where, if I see it on someone’s list of “good shows,” I’m going to question their entire list. Oh, you prefer highly dramatic, overall emotionally draining dramas? I mean, it is complex—I’ll give it that. But, in terms of the romance, I am not sure the writers had any idea what good, healthy love looks like. I think they might have been going for “there are all types of love, including imperfect love.” I don’t want to watch imperfect love, though. Would I watch it again? Absolutely not. I had a hard enough time getting through it the first time. Recommend it? It depends. Do you like emotionally heavy shows about people who probably should be better off apart but somehow keep landing back together? Does that messy, “real” feeling appeal to you? Then maybe you’d like it. Personally I would leave the room if it was on or turn the channel. I’m not sorry I watched it—I was very curious, and it shows up pretty often on “shows to watch” lists. But it will now be an indicator for me. If someone likes it, I will assume our taste does not align.


Spoilers  

The Backstory of Their Marriage and Hong Hae-in’s Coldness

I waited nearly the entire series to understand how their relationship got so bad as reflected in the beginning of the series. Why they were sleeping in separate bedrooms, why her family treated him like a servant, why Hong Hae-in didn’t do anything about it, and why she was the queen of cold. The show tried to explain it way too late with flashbacks to when they were first considering marriage. She tells him her family is very different from his and that no matter how lonely he becomes, she won’t be able to take his side. That was supposed to exonerate her from how she treated him early in the marriage and explain how they became so cold and distant. It was also supposed to show it was partially his fault because, after all, she did warn him. I think they wanted to portray Hong Hae-in as a tsundere—cold on the outside but warm on the inside—and they tried to make that an okay or even good thing. The flashbacks and her “warning” were meant to paint her behavior as understandable or even romantic, like she was always secretly caring deep down. I did not buy that at all. She did not have to be that way—she chose to be. It was emotional abuse. And, even after the surgery, she never significantly change. Even in the last episode she says something about him proposing but that she doesn’t know him that well again yet. He did take a bullet for her, though, so she would have to find a way to turn him down without hurting him. She was still being somewhat distant. I just saw her as cold and selfish from beginning to end.

Fated Childhood Connections

The show piled on way too many “destiny” moments, and it started to feel silly. For the main couple, there were two big ones. First, the childhood angel story where he saves Hong Hae-from drowning as kids. Then later their encounter as teen-agers over the music player. The villainous second guy even tries to get on the destiny action by claiming he was the one who saved her from drowning. And, as if that was not enough, there is the real incident between 2nd villainous guy and her where he bashes the dog with a rock to keep it from attacking her. Where did the dog even come from? Why was it attacking her? And since he had already mentioned killing dogs like a psycho earlier, was that an accident or just an excuse for him to bash a dog with a rock? It felt forced and weird. On top of that, they had to pile another destiny like encounter with Hong Hae-in’s brother and his wife and some fated childhood connection at the orphanage with the strawberry shortcake story. So you end up with multiple overlapping destiny flashbacks for the main couple plus side characters. It made the whole “meant to be” theme feel overdone and ridiculous.

Unbelievable Plot Elements and Medical Realism

So many things in the show stretched believability. Hong Hae-in has an initially inoperable brain tumor that causes her to go into dreamlike states and lose track of time and where she is. Yet she has these really long lucid stretches where everyone acts like she’s relatively normal. And, knowing she has these episodes, they let her drive and just go about herself. That would not happen. With a brain tumor like that, you wouldn’t be well enough to go about your normal life. The people who cared would notice and be sure they did not leave you alone. So, her whole brain tumor thing was strange. But, they seemed to like the theme of people having a horrible illness or injury and just shrugging it off. When he gets hit and they say it broke a rib and virtually destroyed his liver—he leaves the hospital to go after her. He would not have been able to function that well, even with adrenaline. He has a brain tumor, grandpa gets poisoned and that isn't enough they also have to add amnesia. I seriously dislike the amnesia trope, but it was particularly annoying here. She had written all these things for herself, and of course the villain/second guy gets ahold of them and tries to burn them. And of course, by some miracle, they don’t burn.

The Over-the-Top Sadness and Action Beats

I am not one for sad movies, but this was comically sad. You know how in a horror movie they try so hard to scare you that it starts to be funny? That’s how I felt about this. Oh, now he’s hit by a car. Oh, now he took a bullet for her. The hunting grounds scene where the villain is chasing them with a rifle (“If I can’t have you, no one will”) felt so cliché. When she is going into surgery and says “What if I forget who you are? What if I am mean to you?” and he says “Then it wouldn’t be the first time.” That is sad. I really felt like the world was saying they shouldn’t be together. Queen of Tears? She was the queen of his tears. Always making the man sad. Family Dynamics, the Villain, and Sad Side Stories

The villain’s mom horribly neglected him—that’s why he was so crazily addicted to Hong Hae-in. So it even felt a tiny bit sad when he got shot in the end. The grandfather being killed by the woman he so horribly misjudged—not listening to and preferring her over his own daughter—was still sad. Hong Hae-in’s mother being so jealous of her and being cold to her because the brother died and she lived. The mother says that later. How ridiculous that would be—angry at a child for living. Sad and unnecessary actions and behaviors throughout the show that just made the tone overall sad.

Redemption Arcs and Side Character Moments

I did like how Hong Hae-in’s brother learned to box and was a bit of a badass saving his wife. I liked seeing him get some redemption-type arc. His family was also very mean to him and then he married someone who thought he was an idiot. Their "romantic" fated arc was really her just conning him out of his things and bullying him. I mean, then later she just thinks he is stupid and sort of winds up loving him by accident.

Forgiving People

The main guy forgives main girl for her cold behavior all over the place and all the time. The way she was with 2nd guy even when they were still married was wrong. You don't let another man be that close to you when your spouse is right there. That is hurtful. But he never called her on it. They forgive Grace? Why? She was horrible and just did a couple of redeeming things here and there. But she tried to break the main couple up, made their relationship worse, helped embezzle money, and turned on them any time it benefitted her more. Nothing redeemable about her in my opinion.

The Ending and Final Reflections

He wakes up in his hospital bed after taking a literal bullet for her and she apologizes to him for once again treating him coldly and not remembering him—and he apologizes to her? For what? For forgetting how much he had wanted to be with her and how he should have just been willing for the family to treat him like a lesser human and for her to be cold to him? Yeah, I’m not okay with that. There is nothing romantic about one person showing love all the time so much more than the other. Whoever wrote it had the weirdest sense of love and romance. Then they have to end it with him being alone again. It is supposed to be beautiful—the old man putting flowers on the grave just like she envisioned. That is the saddest and loneliest time in anyone’s life: losing their life partner. It was supposed to be beautiful. She was there to greet him when he died. Why did we need that on top of all the other crud they put us through? No thank you. Did not like this. A sad and depressing take on life, love and relationships. Not at all the type of show I like to watch to feel joy in life.

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I loved the friends like family aspect. A little disappointed in the softer focus on romance.

9/10 is my rating. This is a 2024 South Korean comedy drama with 12, 70 minute episodes.

First I provide a unique synopsis and then review.  The synopsis is provided as many synopsis, particularly for Chinese and Japanese series, do not provide a very detailed description.  If you are not interested in a synopsis, please scroll to the review which is labeled as such.

Synopsis

Han Jeong-suk (Kim So-yeon) would not have dreamed her life would end up as it did.  Married to her high school sweetheart, Kwon Seon-soo (Choi Jae-rim), her marriage is a disappointment with a deadbeat spouse who can't keep a job who also neglects the important aspects of their marriage.  Once a beauty queen Jeon-suk has to turn from doing odd jobs to support her family to something with a more solid and promising income.  The opportunity to sell adult fantasy products falls practically in her lap and she finds she has a talent for directly marketing.  As the business picks up speed her acquaintances turned friends, Oh Geum-hee (Kim Sung-ryung), the classy socialite; Seo Young-bok (Kim Sun-young) who has a large loving family, and Lee Joo-ri (Lee Se-hee) a bubbly, beautiful young single mom/salon owner all join for their own reasons.  The four women become fast friends and business partners as they face a society that is not fully ready to accept this type of business without social repercussions.  Jeon-suk finds an unlikely ally in detective Kim Do-hyun (Yeon Woo-jin) who finds himself constantly rescuing the sweet, beautiful and guileless Jeon-suk.  In such a hostile environment can the four determined women make this unlikely business a success?

**Review**

This was a very heartwarming story about friendship, perseverance, and romance where the friends are more or less family. I highly recommend this for those who enjoy slice-of-life elements, overcoming the odds, and romance.

**Spoilers**

The story ends well, with most major plot points resolved and the main characters and side romances appearing to be on a path to being together. However, it's not perfect. For instance, there's no clear statement of long-term commitment between the main leads (ML and FL), though it seems they are heading towards a lasting relationship. As someone who's in it for the romance, I was a bit disappointed by the lack of a heart-fluttering confession and really disliked the separation trope. The main couple was apart for four years, and there's no indication of how or if they kept in contact during this time, making their reunion feel somewhat like a restart. This approach might have been intended to show the female lead's strength in rebuilding from nothing on her own, but it somewhat diminished the potential cuteness of the romance.

Ms. Moon nearly stole the show, with so many major plot points revolving around her. She establishes her independence from her husband, gains some equality in her marriage, supports the FL with her business, and there's the whole subplot about her son. I loved her character, she was nearly a co-lead.

Another romance that felt underdeveloped was between the hair stylist and the awkward, nerdy son of the real estate mogul. Their relationship had all the makings of something super cute, but the narrative focused more on their breakup than their reconciliation. In the ending, it was clear they were back together, but we don't see what happened during their time apart.

The initial emphasis on the FL's horrible ex-husband was significant, only for this storyline to be dropped later. His threats seemed to lead nowhere, and his son's interest in seeing his father was oddly abandoned when the ML came into the picture. Usually, there would be some confrontation or closure, but none was provided here.

The "breaking up for your own good" trope was also used, particularly with the hairdresser and her boyfriend, which I find unappealing. He's supposedly going back to school to become a photographer, possibly to cut the purse strings, but the outcome of this decision remains unclear.

Having the business destroyed and essentially starting all over and four years later she was just then opening a store? And with all the protesters again that ruined it for the previous CEO the viewer still does not know if it will make it.

We did not get to see ML reunion with FL son after four years. Did they see each other at all during that time? Separation tropes are lame.

All in all, my desire to know more about everything signifies how much I enjoyed the characters and the story. The technique of leaving things unfinished for the viewer to fill in the details isn't one I personally appreciate; I prefer a fully told story. This is my only critique of what was otherwise a highly enjoyable series.

#AVirtouosBusiness  #KimSoYeon  #YeonWooJin  #YeonWooJin  #KimSungRyung  #KimSunYoung  #LeeSeeHee

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One of my new favorites

10/10 is my rating. This is a 2020/2021 South Korean fantasy, mystery, thriller series with 16, 70 minute, episodes.

Set in the fictional city of Jungin in South Korea, a group of Counters are charged with ridding the world of evil spirits. The evil spirits posses human hosts who have either committed murder or are evil to the extent they would be willing to. Being possessed by the evil spirit compels the human host to kill and “consume” the spirit of the victim making the evil spirit grow increasingly strong and more difficult to extricate and send on to the spirit realm. The Yung, God like inhabitants in a realm that exists between Earth and afterlife, team with people who are in the half living state of medical coma and allow them to live if they agree to fight the demons. The Counters are not only restored to health but also are given supernatural powers and superhuman strength. Ga Mo-tak (Yoo Jun-sang) is an older male Counter who is much stronger and more forceful than the other counters. As a former detective he is also able to use his investigative skills to hunt down the murdering spirits. Do Ha-na (Kim Se-jeong) has the ability to sense when a human hosting an evil spirit enters the Counter’s territory. Choo Mae-ok (Yeom Hye-ran) is able to heal others and as an older woman is motherly and nurturing. To cover their real purpose, the counters run a noodle shop around their busy demon hunting schedule.
In the beginning of the series, there was a fourth Counter Jang Cheol-joong (Sung Ji-ru) but a super powerful Level 3 (Level one being weakest) evil spirit kills him and consumes his spirit. His Yung companion spirit, Wi-gen (Moon Sook) has to quickly find another partner spirit and winds up drawn to and pairing with a young, non comatose, teenager, So Mun (Jo Byung-gyu). This unique pairing leads Wi-gen to believe this young person, who is slightly crippled on one side, has something unique to offer. To convince the young man, the team offers to heal his crippling injury and allow him to talk to his parents who were killed in the car accident that injured him when he was only 11. Soon the team finds that they desperately need the help of this young man who proves to be the most powerful and diverse Counter of them all. As the team fights many battles together, their bound grows into that of a close knit family. They find that tragic events in their past also tie them together and compel them to risk everything to send perhaps one of the most powerful and evil spirits they have ever encountered to the afterlife.

Spoilers*. I am a huge fan of supernatural and action dramas. I like strong male and female characters a complex yet easy to follow plot and lots of character development. This series had it all. The main character was such a cute and likable young person it was easy to understand why the group would so quickly and deeply take to him. The action scenes left me wondering if the actors were doing their own stunts because they were amazing and very fluid. There was a little romance sprinkled in although that was in no way a central focus. The central character’s growing skill was fun to watch. We were immediately drawn in and hooked to the last scene. It ended well (not sad) and plot points were wrapped up. There will be a second season but do not think that means this one did not wrap up. It stood lone well yet has some elements that would nicely carry to the next season. Highly recommend this series.

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Perfect for my inner science fiction nerd that also likes a little romance

10/10 is my rating. I really liked both the male (Seo Kang-jun) and female (Gong Seung-yeon) leads in this drama. This 2018 South Korean drama spans 36 episodes (although most places you watch it the episodes are combined with 18 episodes with a "split" in the middle and they wind up being about an hour so equivalent to most that would just run 18 episodes). It explores the very complex issue of when robots become so complex that they are virtually indistinguishable from humans can humans develop feelings and relationships with them. Dr. Oh (Oh Laura) is a mother and a robot scientist well ahead of her time. When her husband dies/commits suicide/is murdered (that is part of the mystery) the grandfather takes her young son who will be heir to the family business and fortune. He puts mother and son (Nam Shim) in a position where neither feel they can subvert the grandfather's wishes without harm coming to the other. Still grieving over the loss of her husband and her separation from her young son, Dr. Oh develops robots to mirror the image of her son as he grows. When tragedy strikes she has the robot stand in for the real Nam Shim to hold his place in the line of succession.

spoiler 🚨 Nam Shim's female body guard (Kang So-bong) and many of Nam Shim's co-workers try to figure out why the son seems to undergo a dramatic change in character (for the better). Slowly the body guard begins to develop feelings for the robot thinking, at first, he is human. When she discovers his secret you wonder if her feelings will change. The male lead plays both the human and the robot so masterfully they really seem like two distinct characters. There is not so much a chemistry between the male and female leads (that would be a bit weird) as there is just this sense of two that perfectly complement each other. There is a villain, of course, who tried to kill Nam Shim once (which is the reason he is in a coma) and threatens to kill and/or remove anyone who gets in his way. I really liked this one because it is like a window to the future and questions what it means to be human. It was not hard to understand So-bong's feelings as many of us develop some emotional attachment to objects in our life such as our car or maybe our electronic vacuum. And those are simple and cannot respond back to us. I liked this drama the entire way through and was sorry when it ended as I so enjoyed my time with these characters. I thought it ended nicely and all of the major plot points were wrapped up. This is up with my all time favorites and I highly recommend it.

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If you just think of it like a stage play it is less disappointing

My rating is 8/10

Bon Appétit, Your Majesty is an entertaining and amusing historical drama with a fresh twist, blending time travel, palace intrigue, and a heavy dose of culinary flair. The 12-episode series kept me engaged throughout with its lighthearted take on familiar tropes, offering comedic elements that set it apart from typical historical dramas. The romance between Han Yu-ri (Kim Seo-ha) and King Lee Chan (Lee Je-hoon) isn’t particularly sizzling, especially in the early episodes, but it builds to a satisfyingly sweet conclusion. The show leans heavily into cooking, particularly in the first half, making it a delight for fans of period dramas, time-travel narratives, and cooking shows. While it’s not a series I’d rewatch endlessly, it was a fun one-time watch that I’d recommend to those who enjoy period settings with a quirky, culinary spin.

 Spoilers

The show requires a bit of a stage-play mindset, as some plot points stretch historical plausibility. Han Yu-ri’s (Kim Seo-ha) brazen, disrespectful speech toward King Lee Chan (Lee Je-hoon) and other royals would’ve been unthinkable in a real palace setting—other royals would’ve never tolerated it, even if Lee Chan himself was unbothered. Yet, she faces no serious consequences, which feels unrealistic. Lee Chan’s early brutality, like imprisoning Yu-ri in stocks, makes it hard to buy her quick forgiveness and budding feelings for him. His initial unlikability is intentional and well-executed, but with only 12 episodes, the turnaround to a believable romance feels rushed and less compelling.

The show leans heavily into the “magic” of Yu-ri’s cooking, which borders on fantastical—her food convinces reluctant eaters and nearly heals the crown prince, which feels exaggerated even for a comedic drama. The cooking competition, while a fun centerpiece, is blatantly forced but works if you embrace the show’s playful tone. Yu-ri’s character, while a talented cook, comes off as foolish in other areas, especially her ignorance of royal etiquette despite being in a palace. Her lack of shock at time-traveling to the past is odd, and her obsession with finding a book to return to the future feels illogical—she has no evidence it’s a two-way trip or that she could bring others, yet she clings to this idea. And not in a just “this is my only chance” type mindset but it seems she thoroughly believes it to the extent she acts as if she can just bring others along.

The ending has highs and lows. The climactic fight where Lee Chan battles his uncle is tense, but Yu-ri’s inaction—standing there fixated on the book while he’s fighting for his life—feels frustrating, though she redeems herself by throwing herself in front of a sword. Lee Chan’s arrival in the future is a sweet touch, but the show glosses over how it happens, leaving it to a vague “missing page” in the book. My daughter, who watches dramas with me, felt the writers deliberately trolled us by raising the question of how he time-traveled and then dismissing it without explanation. It’s also disappointing that history still records Lee Chan as a tyrant who mysteriously disappeared. While he did harsh things early on—understandable given constant assassination attempts—his later redemption makes the tyrant label feel unfair, and I wished the show had shown history altered to reflect his growth. He could have willingly stepped down after restoring his name.

The reincarnation of past characters as identical modern counterparts is another unanswered question, adding to the silliness. How did that happen? Other reincarnation tropes always have them with the same “soul” but their bodies typically look different.

The 12-episode length suits the story’s light, whimsical nature, but it limits the depth of Yu-ri and Lee Chan’s romance. While sweet by the end, their connection doesn’t feel like they’re utterly devoted, making it less emotionally gripping. Still, for what it is—a quirky, cooking-centric time-travel romp—it’s enjoyable, if not a masterpiece.

A huge round of applause from me that Netlix, for once, did not throw a bunch of “woke” elements in this time. Maybe a tiny bit with her “I am woman hear me roar” sassiness in the beginning but it wasn’t overt like they do a lot of times when they throw in something that is either inaccurate for the historical frame or just doesn’t fit the plot. At least they didn’t do that this time.

Synopsis

Year: 2025

Number of Episodes: 12

Runtime: Approximately 1 hour per episode

In this delectable fusion of time-travel fantasy and historical romance, Bon Appétit, Your Majesty transports the ambitious modern chef Yeon Ji-yeong (Im Yoon-ah) from the cutthroat kitchens of contemporary Seoul to the opulent yet treacherous Joseon palace during a tyrannical king's reign. Thrust into the role of royal cook after a solar eclipse mishap, Ji-yeong must blend her French culinary flair with Joseon staples to appease the volatile King Yi Heon (Lee Chae-min), whose discerning palate could mean life or death. As forbidden sparks ignite amid palace conspiracies and jealous rivals, Ji-yeong's innovative dishes not only tempt the king's heart but also unravel the mysteries of his tormented past, forcing her to choose between rewriting history and savoring a love that defies eras.

Major Characters

*Yeon Ji-yeong (Im Yoon-ah): A fiercely talented French-trained chef from the present day who time-slips into Joseon and becomes the king's personal cook, using her modern recipes to survive court dangers and spark an unlikely romance.
*King Yi Heon (Lee Chae-min): The brooding, tyrannical Joseon ruler infamous for his explosive temper and exquisite taste buds, whose icy facade softens through Ji-yeong's flavorful innovations, revealing a vulnerable soul haunted by betrayal.
*Kang Mok-ju (Kang Han-na): A scheming and envious palace consort driven by ambition, who views Ji-yeong's arrival as a threat to her status and orchestrates plots to undermine the new royal chef.
*Prince Je Seon (Choi Gwi-hwa): The king's cunning and power-hungry uncle, a key antagonist who manipulates court politics and family loyalties to challenge Yi Heon's throne.
*Queen Dowager (Seo Yi-sook): The formidable and tradition-bound mother of the king, who wields subtle influence over palace affairs and scrutinizes Ji-yeong's "foreign" ways with a mix of suspicion and reluctant admiration.
*Seo Gil-geum (Yoon Seo-ah): A kind-hearted palace maid who forms a fast friendship with Ji-yeong, providing loyal support and insider knowledge to help her navigate the treacherous royal household.

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Knew better than to expect happy but an ending would have been nice

Review with Spoilers

My rating for this third season is a 7/10.

After the relentless tension of Season 1 and the slow-burn rebellion of Season 2, I dove into Squid Game Season 3 expecting a climactic endgame—a moment where Seong Gi-hun (Lee Jung-jae) would finally topple the sadistic machine behind the games. Creator Hwang Dong-hyuk hyped this as a “devastating conclusion,” and he wasn’t kidding: the season is a blood-soaked descent into despair that makes the earlier seasons feel almost restrained. But devastation doesn’t equal satisfaction. Season 3 cranks the gore and psychological horror to soul-crushing extremes, introducing a newborn baby into the carnage and pushing moral boundaries past the breaking point. Yet, it sacrifices coherent character arcs and narrative payoff for a bleakness that feels more exhausting than profound. Seong Gi-hun’s (Lee Jung-jae) near-catatonic guilt and baffling choices left me frustrated, and the finale’s hollow sacrifice only deepened the disappointment. It’s a visually stunning, thematically raw story that mirrors society’s moral decay but stumbles over its own cynicism, leaving me desperate for a mental cleanse.

When Season 3 hits, it hits. The production value is jaw-dropping—every frame drips with dread, from the neon-lit arena to the island’s claustrophobic bunkers. The new games are nightmarish inventions: the knife-filled hide-and-seek traps players in a maze where “seekers” wield blades, turning every corner into a potential slaughter. The jump rope game, played with a massive cable that crushes instead of trips, is a grotesque spectacle, its rhythmic thuds syncing with the players’ screams. The “Sky Squid Game” platform challenge is a final blow in an already emotionally gruesome cadre of horrific one upmanship. You sort of know the outcome as the "Os" have already shown they were psycho before they got there. No sidebars between them and horrific murderous acts has not improved their characters.

Thematically, the season is a brutal mirror to our world. The inclusion of Jun-hee’s (Jo Yu-ri) newborn is a stroke of twisted genius—her labor during a game forces players to protect her while dodging death. The baby’s cries become a haunting motif, symbolizing innocence crushed by systemic greed. The murder of their friend who had protected them to that point, by the baby's father was stunning. I thought I couldn't be more shocked after all we viewed in the other shows but I was. The mother-son duo adds another layer of heartbreak; their desperate alliance unravels as the games demands betrayal. These elements elevate the stakes beyond Season 1’s cash-driven desperation, exposing how far humanity can fall when greed and survival trump morality. The VIPs, now more prominent, are cartoonishly vile yet chillingly plausible—think tech billionaires wagering crypto fortunes on human lives. Their masked revelry, sipping champagne as players bleed, feels ripped from headlines about untouchable elites.

But here’s where my frustration kicked in, it with Seong Gi-hun (Lee Jung-jae). His performance is magnetic—those hollow eyes scream a man broken by guilt—but the writing traps him in a mental fog for way too long. After his failed Season 2 rebellion, where a trusted ally (revealed as Player 001, Il-nam’s successor, played by Gong Yoo) betrayed him, Gi-hun is paralyzed by self-blame and obsession with that traitor’s role in the collapse. He’s convinced the failure was his fault, yet also fixates on Il-nam’s lingering shadow, muttering about how one man’s greed doomed them all. This internal spiral renders him nearly comatose for the first half, sleepwalking through games while others die. As a viewer, it’s maddening: Gi-hun was our beacon of defiance, the one who dared to fight the system with a plan that could’ve saved hundreds. Seeing him reduced to a passive observer feels like a betrayal of his arc. One scene has him staring blankly as Jun-hee (Jo Yu-ri) begs for help during her labor, and I wanted to scream, “Snap out of it!” Lee Jung-jae sells the trauma, but the script overplays it, sidelining our hero when we need him most.

The detective subplot with Hwang Jun-ho (Wi Ha-joon) is an even bigger letdown. You’d think a seasoned cop would be sharper, but Jun-ho’s arc is a masterclass in narrative faceplants. His mission to infiltrate the island and unmask the Front Man (Lee Byung-hun), his own brother, sounds thrilling—until it isn’t. Jun-ho blindly trusts a shady captain (a new character, Kang Min-soo.

Did it end? It sure did not feel like it. We see they are still recruiting. None of the orchestrators were brought to justice. And there are a bunch of untied loose ends. The North Korean soldier woman is headed to China to potentially find her baby. The detective is given a baby and some money. Is he going to raise the child? It seems the structure still exists and we don't see any authorities rushing in and finding evidence. It felt very unfinished. And the one person who truly wanted to end the game is now gone. The Mr. "Why" detective seemed only interested in going to the island again and shouting why at his brother. Not sure what that accomplished but he sure did not seem that determined to end the game. So what? That is an end? It felt like a pause.

Synopsis

Season 3 finale released on June 27, 2025, with **6 episodes** averaging **60 minutes** each, delivering a disturbing crescendo of psychological horror and societal indictment that dares you to qestion your own role in the spectacle; if the first two seasons' thrills hooked you, this one is a bit of must watch as it does tie up some things

With the rebellion crushed and alliances in tatters, a broken Gi-hun awakens handcuffed in the players' dormitory, his quest for vengeance now a desperate bid for survival in the final, most sadistic iteration of the Squid Games—where floral fields hide lethal traps, VIP spectators wager on human frailty, and a newborn's fate hangs in the balance amid escalating betrayals, including a traitor in the detectives' ranks and a shocking international recruiter who seals the saga's grim reflection on complicity.

**Major Characters:**

- **Seong Gi-hun (Player 456) (Lee Jung-jae)**: Tormented by self-blame and the weight of lost allies, the once-idealistic survivor channels raw fury into a last-stand infiltration, his unraveling psyche blurring heroism with madness as he confronts the games' architects head-on.

- **Hwang In-ho / The Front Man (Lee Byung-hun)**: The iron-fisted overseer, haunted by his brother's dogged pursuit and his own faded ideals, enforces the endgame with chilling detachment, his fractured family ties exposing cracks in the unyielding facade of control.

- **Hwang Jun-ho (Wi Ha-joon)**: The rogue detective, now leading a fractured team plagued by internal betrayal, risks everything in a high-stakes island assault, his unyielding quest for truth clashing with the lethal cost of proximity to the organization's core.

- **Park Jung-bae (Player 390) (Lee Seo-hwan)**: Gi-hun's loyal bar-owning confidant, thrust into the arena by debt and friendship, whose steadfast camaraderie provides fleeting hope amid the carnage, only to underscore the games' toll on unbreakable bonds.

- **Kim Jun-hee (Player 222) (Jo Yu-ri)**: A resilient young mother-to-be entangled in the new games, her fierce protectiveness over her unborn child fuels cunning alliances and moral stands, turning personal stakes into a poignant symbol of innocence at risk.

- **Hyun-ju (Player 120) (Park Sung-hoon)**: The bold transgender ex-sex worker, hardened yet hopeful, leverages her street-honed instincts and vulnerability to challenge biases and forge solidarity, her arc a defiant cry for dignity in the face of systemic erasure.

- **Jang Geum-ja (Player 149) (Kang Ae-sim)**: The sharp-tongued granny con artist, blending maternal grit with sly manipulations, becomes an unlikely matriarch of the survivors, her foul-mouthed wisdom cutting through the despair like a knife.

- **Park Yong-sik (Player 007) (Yang Dong-geun)**: The anxious, gadget-obsessed gamer boy, saddled with familial debts, whose nerdy ingenuity shines in tech-twisted challenges, evolving from wide-eyed panic to reluctant backbone for the group's underdogs.

- **The American Recruiter (Cate Blanchett)**: A commanding, enigmatic femme fatale who lures high-profile marks with icy allure, her brief but magnetic presence amplifies the games' global reach, delivering a dramatic capstone on exploitation's borderless hunger.

- **Captain Park (Oh Dal-su)**: The duplicitous police captain harboring a treacherous secret within Jun-ho's squad, his oily charm and hidden motives unravel the investigators' fragile unity, embodying the rot of corruption from within.

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"The Notebook" level of sad, such a harsh slice of reality yet beautiful and masterfully done

Review

9/10 is my rating. This is "The Notebook" level of sad. "Marley and Me" and any other sad show you can think of that was super good, well written, engaging but really sad. There is nothing wrong with it. I just am not a fan of shows that are so real they are sad because they match the sad aspects of reality. I watch shows to escape the sad reality. So this show was masterfully done. The love story is heart warming. It is well acted. Well scripted. Everything about it is amazing. But I probably would not watch it again. Not because it wasn't good. But because one time on that emotional roller coaster was enough. I would recommend it with a warning label. If you are someone that doesn't like sad then maybe think seriously about watching this one.

Spoilers

This is "Notebook" level of sad. I loved her mother so much that I was super sad when she died at only 29. I mean, come on, 29. And then main girl is an orphan. And no one really wants her. That is horribly sad. Then, she grows up a little, still without really much of anything and clings to the one lifeline she has which is main guy. And they have this beautiful love story and you hope their lives will get off to a good start. But no. First his mother and grandmother are horribly abusive to her. And then he finally takes her out of that situation and they have their own place. Only they are starving. Then he is horribly abused and winds up disfigured from the ship captain who was jealous of him. And then they tragically lose their child. Yet they keep bouncing back and finding ways and through it all is their very strong love for each other and their kids. Then the kids grow up and are horrible to them. Say the most hurtful things. And then they finally have just a little bit and he has cancer and dies. And now she is all alone without him.

Real? Yes. So real. I grew up poor and can say that desperation and hopelessness are a thing. Losing a child? Lifetime devastation.

Scroll down for a unique synopsis

Synopsis

We don't often see Jeju Island in its earlier days, but this one is set on the island in the 1960's. Things were not the same for women back then particularly not impoverished women who lost their father at a young age, with a mother who remarried. So, Oh Ae-sun's (IU)'s life starts off difficult. Despite the challenging background young Ae-sun dreams of going to the mainland and becoming a literature major in college. A series of unfortunate event occur to Ae-sun starting with her haenyo (diver) mother, Jeon Gwang-rye (Yeom Hye-ran) dying at the young age of 29. And now she goes from being a child with only one parent to being an orphan. Her friend and fierce admirer, Yan Gwan-sik (Park Bo-gum) has always been there for the spirited girl, feeding her fish from his families business as a show of love. Her dream is to become a scholar; his dream is her. Be prepared for a story that is not linear in anyway it flashes forward and back and from location to location. It is an emotional roller coaster. You might laugh and cry at the same time. It takes a deep dive into the life and the culture of that region at that time through the eyes of a young woman trying to forge a different path.

#WhenLifeGivesYouTangerines

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Answers all the questions and beautifully continues and nicely ends the story

9/10 is my rating. This is a 2022/2023 South Korean Action, Fantasy romance drama with 10, 69-87 minute episodes

First I provide a Unique Synopsis then review

Synopsis

If you watched the first season and experienced the cliff hanger and tragedy that was the ending, be reassured season two will resolve all that. One could just let things end where they did but why? This continues the story. Jang uk (Lee Jae wook) survived but is now dressed and acts in a very dark manner (shadow). As the most powerful mage in Daeho, he is charged with hunting down and executing soul shifters. Doing so takes an additional emotional tax on him as he is able to see who that person was before going “wild” and erects rock cairns to honor the departed. His nights are spent being “haunted” by wraiths and the memories of his love he lost. When chasing a soul shifter into Jinyowon leads to a chance encounter with Jin Bu yeon (Go Youn Jung) the recently found daughter of Jin Ho Gyeong (Park Eun Hye), the two form an unlikely alliance. Bu Yeon has spent the last 3 years locked in Jinyowon to hide her true identity from the other mages. Jang uk knows that if he can get rid of the ice stone his life will end and he believes Jin Bu yeon will be able to do that. Jin Bu yeon wants freedom as her mother’s plan is to keep her locked away yet have her marry and produce offspring to continue the Jinyowon.

Season two continues the story with all the characters and you find out what happened with them in the three years since the events that happened at the end of Season 1.

Review

I loved this series. I highly recommend it and will watch it again. I am a huge fan of Star Wars and Star Trek and other such otherwordly shows so the complete other world built in this seres greatly appealed to me. I was concerned that the main actress in this second season was different than the primary actress in the first but in the context of this show it makes perfect sense. It did not disrupt my like or feeling for that character at all i just found myself waiting for the aspects that were Naksu like to emerge.

Spoilers

I seriously liked the complexity of the soul shifters in this series. In Season 1, Mu deok (Jung so min) is a character unlike either her original self, Cho Yeong, the assassin Naksu (Go Youn Jung) nor the soul from the body she inhabits, Jin Bu yeon. It was so skillful both in the script and in the way the actresses portrayed these characters how you could, at times, see aspects of each of those souls and, other times, see a individual that was all of them and none of them. Finding out, towards the end, that because Jin Bu yeon lived and didn’t die as a stillbirth only because Seol ran, the original and very powerful priestess actually controlled a lot of what happened with those souls. It is why Bu yeon was born blind as Seol ran was blind, and also why she was more powerful than any of the priestesses in her blood line.

It was my fond wish that others would learn the truth about Naksu and I was very happy that it was revealed that she was tricked into being an assassin and then used as a murder weapon through sorcery by Jin Mu (Jo jae yoon). There was so much hatred toward even her memory that I found that incredibly tragic. I was sad that Seo Yul (Hwang Min-hyun) had planned to kill Bu yeon when he discovered she had the soul of Naksu as his view on the situation was so cut and dry. It made sense for his character to thin that way and actually was the reason I felt less sad he never got to be with the girl he loved. He was one of the few loose ends in the story as it would have been even better if he would have found someone who loved him enough he would get over Cho Yeong (young Naksu).

I have to commend Do Sang-woo the actor who played the soul shifted Jin Mu. The expressions on his face and even his voice transformed to Jin mu and that took a lot of acting skill to carry that off so well. He was an annoying side character as Seo Yun oh that was power hungry and arrogant and was able to kick that up to the level of Jin mu’s evil sorcerer level in a very believable way.

The friendships that developed were such a wonderful part of this series. Jang uk was already close with his childhood friends Seo Yul and Park Dang-gu (Yoo In-soo). But, as the series develops his relationship with Crown Prince, Go Won (Shin Seung ho) becomes closer and friend/family like (and he is sort of the cousin of the Crown Prince depending on whether you consider the father the soul or the body. Go Won seems destined to befriend Naksu as he is intrigued by, and befriends her, in her many forms.

I really liked that he became the King and that Jang uk wanted him to be the king and fully supported him. The writers and creators had an well executed twist when they led viewers to think that Go won had joined Jin Mu’s dark plans.

There are a lot of flashbacks that seem unnecessary and disrupt the flow of the show but that is just Netflix. When these shows are created or sponsored on any of the streaming platforms I expect there will be certain deviations from the formula that has made Asian dramas so successful. There will be flashbacks galore (that does happen in the Asian shows but it is an order of magnitude), the scenes with kissing or skin contract will be a degree more risque and it will end with question if there will be additional seasons or not. I read that the Hong Sisters themselves indicated they did not plan beyond Season 2 so I think any indicators of a Season 3 are likely rumors. There is so much they could do with Daeho, prequels and side stories, but I hope they let the main story remain completed as it is.

I could continue on about this excellent series but will stop there. I just finished Season 2 and miss Daeho already.

#LeeJaeWook

#GoYounJung

#AlchemyofSouls2

#ShinSeungHo

#DoSangWoo

#JungSoMin

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Very comedic yet maintains a serious and engaging plot

9.5/10 is my rating. This is a 2020/2021 South Korean Historical Romantic Comedy with paranormal elements. There are 20, 70-90 minute episodes. It is also known under the web comic name "Go Princess Go".

In the modern age Jang Bong-hwan (Choi Jin-hyuk) was a star chef at the Blue House until one of the dishes he made was dangerously sabotaged and he was nearly arrested. While escaping arrest he falls into a swimming pool and wakes up to find himself not only in the Josean era but in the body of a woman. And not just any woman but a woman who, in days, will become Queen. Queen Cheorin (Shin Hye-sun) somehow wound up in the lake and part of Bong-hwan's goal is to get back to the lake and get his former self and life back. Only one problem - the lake was drained after the incident under the Dowager Queen's order and she is not immediately willing to refill it. Luckily Bong-hwan/Queen Cheorin is able to use her cooking skill to win favor with the dowager to get the lake refilled. Bong-hwan had not heard good things about King Cheoljong (Kim Jung-hyun) from the history books and figures he will be easy to manipulate. However, it seems there are reasons why history recorded him as a weak king and a prolific womanizer. Things are not all they seemed from history and Bong-hwan/Queen Cheorin have their work cut out for them to sort through the mess and make it back to the future. There is more to King Cheoljong than meet the eye and keeping your friends close and your enemies closer seem to be the rule of the day for Bong-hwan. Will Bong-hwan be successful in returning to his own time/body and will the sparks that fly between King Cheolijong and his curious and spirited wife become something more?

I laughed so hard in the beginning of this. His horror at being in a female body coupled with him trying to submerge his head in every bit of water to “get back” was funny. spoilers***
At first I really liked her cousin as second guy as he seemed sweet and caring but his character got darker as time went on to the point I no longer wanted to see her with him. The historical information the chef knew about the king was interesting. According to the modern time history books he was not a very good king and was only interested in women. Queen Cheorin originally found that she was supposed to be only there as a convenient marriage to keep a power structure in place and the king was not at all inerested in her because she was associated with a very corrupt and powerful family. The king’s love interest in the beginning was his concubine and since the queen was now actually a man in a woman’s body she was perfectly fine with him directing his attention elsewhere. Ironically the fact that she was so disinterested in him was something that piqued the king‘s interest. The queens somewhat bizarre behavior and interesting antics wound up endearing her not only to the king but to a lot of the palace servants as well. I liked how the relationship between the king and the queen evolved over time and each character had a lot of character growth and development throughout. There were some truly villainess and evil people in the palace and they were constantly after the king and also the queen to take as much power for themselves as possible. In fact when they discovered the king was not the convenient figurehead they thought he was it became their goal to get rid of both the Royals. The queen discovered why the king was the way he was and that in reality he was very capable and working behind the scenes to try to take down the evil and corrupt family behind the royal structure. The entire series held my interest from beginning to end. The only thing I did not like was the chef left the queen‘s to return to modern times and it felt like the queen was not fully the person the king had fallen in love with. Also now the chef is back in modern times and you assume he returned to his previous lifestyle which did not seem all that good. It felt like you spent a long time getting to know the queen who was a combination of the girl and the modern day chef and even though they tried to illustrate that she still remembered a lot of how he was it still did not fully seem like the same person. To me it felt like both the king and the chef were cheated out of a relationship they developed. Since the he was in a she body then it wasn’t like a male to male relationship it was like a female to male relationship with a female that just happened to be a little more masculine in her thinking. It seemed to me that they returned him to modern times leaving the body fully to the queen just to avoid any to male to male overtones. Love is love so I did not see any gain from having the queen changed at the last minute to being only partially what she had been when the queen king fell in love with her. The chef’s return to modern times also meant he could look at history and see it changed but that would have been obvious even if he stayed in the past. Overall it is still very good and I would highly recommend it as one of the funniest and most engaging Korean dramas.


i

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Has Deadpool/KickAss/X-Men Vibes in a good way

My Rating: 9/10

As a fan of the superhero genre, I found this one incredibly interesting. I particularly like the unusual supers that take a unique spin. And this was a fit for that slice of the super hero pie. The powers are unique, and the premise—with its blended aspects of X-Men, Deadpool, Kickass vibes—kept me hooked. The villain characters were compelling, the acting was strong overall. Cha Eun-woo and Park Eun-bin are among my favorite actors. Having the two of them together was a highlight. It features a lot of great characters and actors, making it enjoyable just for the cast alone. It wraps up well enough to stand on its own but leaves a bit of room for more, in Netflix fashion. I am not a fan of open ended but this was not completely open, it left possibility without leaving the ending hanging. If you like superhero stories, are a fan of any of the actors, or just want something a little different that isn’t heavily romance-focused, I definitely recommend it.

Spoilers
It was a minor annoyance that it took them so long to learn how to use their powers effectively. I had the most fun toward the end when they figured it out and became more capable. I understand they stretched it for comedy, but it felt a bit slapstick at times. They portrayed the female lead character, Eun Chae-ni, (Park Eun-bin), as kind of simple or not the brightest at first, but I was hoping for (and glad to see) some underlying intelligence—she grew into it, and her character felt complicated in a good way.

I had a hard time understanding, as an American, why the lead male character, Lee Un-jeong (Cha Eun-woo), would give up a friend for a mother who had never been around, but I recognize that as a cultural thing. Wasn't ever sure exactly what happened with the mother, if she gave him up willingly, he was "kidnapped" or what. But, in any case, he turned Chae-ni over for a chance to see/know what happened with his mother. Harsh.

I thought for the longest time that the sticky guy character, Son Gyeong-hun (Choi Dae-hoon) wasn’t very useful, but his ability turned out to be very handy in the end. Like I said it was more fun, to me, when they learned how to fully use their superpowers.

I don’t know what it is with the stinky/shower-averse characters in these dramas lately—I know she had been traveling or whatever, but it was kind of weird to lean into that so much. Not sure why they did it; I wouldn’t have thought much of it, but there was another drama where they commented on hair stinking, and as a very clean person, I found it disturbing (others might not notice as much). It was supposed to be funny, but rubbing her stink on him - ooh.

I’m a hopeless romantic, so of course I would’ve liked more romance. There was a little—just enough not to annoy non-romantics you might watch with—but I love both leads in romantic roles, so it was hard not to want more. The kiss and the hug were both heartwarming. But, I think they made a great couple so would have liked more. Maybe if they do have a second season.

I loved the actress who played the grandmother character Kim Jeon-bok (Kim Hae-sook) and her role here.

Some of the wonderkinder turning more villainous was an interesting dynamic. The setup with some developing almost Stockholm syndrome toward the evil doctor felt believable, as that’s a real phenomenon.

If someone had this on, I’d definitely rewatch it. I may even watch it again myself in the future, though with so many options it’s hard to return to things. I thoroughly enjoyed it. If they do a second season, I’ll likely watch—unless I hear it’s really horrible—but they have plenty of material for more.

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One of the Most Heartwarming Series I have seen (and I have watched over 400 at this point)

My Rating: 10/10

This is a beautifully heartwarming romance filled with vivid, deeply lovable characters you quickly grow attached to. It explores themes of kindness as a transformative force—how consistent gentleness and compassion can soften even the hardest hearts and shift attitudes in meaningful ways. The story also celebrates found family, genuine friendships, and building the supportive relationships we all crave.

If you love feel-good romances that leave you smiling and a little misty-eyed, this one is absolutely worth watching. It balances emotional depth with lighter, joyful moments and handles more complex themes with surprising grace. Several characters are transvestite, but they are integrated naturally as important parts of the story rather than feeling shoehorned in. For me (and I’m religious), it was one of the most tasteful and respectful portrayals I’ve seen—it doesn’t preach or force a viewpoint, and the characters’ kindness and humanity shine through regardless of background. The exterior details ultimately matter far less than the goodness within, and that message only enriched the central romance instead of distracting from it.

If you’re open to stories that mix sweet romance with reflections on family dynamics, personal growth, and chosen family, this is a standout. Highly recommended.

Spoilers

The only minor element that stood out (though not enough to detract from my perfect score) was how negatively most marriages were portrayed. From a cultural perspective as someone from the US, it was also jarring to see the overbearing, sometimes emotionally and physically abusive parental dynamics common in the story—though the show doesn’t present these behaviors as good or ideal. Understanding a bit about Thai cultural context around family hierarchy and even informal mistresses helped frame it, but it still felt heavy at times.

That said, the characters more than made up for any discomfort. Mata (female lead) was an absolute delight—a free-spirited, kind-hearted force of nature who operated from a place of genuine love, largely thanks to her wonderful father. Watching her gently dismantle the grandfather’s gruff exterior and win over difficult people through unwavering kindness was one of the most satisfying arcs. She served as a balm for the male lead, who had endured harsh treatment from his own father (with his mother not intervening until later). Their growing connection, and the way her family acted as a mirror highlighting healthier ways of relating, was deeply moving.

Grace (another key character) felt like kindness personified—she embodied many of the compassionate ideals I associate with strong moral teaching, gently encouraging others to respond with understanding rather than anger. I also really appreciated learning the backgrounds of the transvestite characters; revealing them as highly educated added welcome layers and avoided stereotypes.

The cousin Try’s storyline was tragic and affecting. His mother’s past cruelty (especially the mental abuse toward him) was hard to watch, and while his forgiveness made sense given the cultural and familial context, it was tough for me to fully accept—she never seemed to take full accountability. I was glad he didn’t end up romantically with the woman originally intended for an arranged connection with the male lead. Both are quite broken, and the story wisely seemed to position them as friends rather than partners. The hint that Try might connect with her friend (someone who could help him grow while he boosts her confidence) felt much healthier and more hopeful.

The dogs were surprisingly wonderful additions to the story! Olive’s slow acceptance of the female lead was almost as rewarding as the main romance’s solidification. The dogs served as perfect litmus tests for character—people the dogs trusted were almost always good at heart.

I loved the nosy, initially hostile neighbor’s transformation through persistent kindness into a true friend and advocate. The party scene where the father tried to humiliate Mata was intense, but it became a powerful turning point, prompting the mother to finally step up for her son.

The male lead was wonderfully written too—kind despite his upbringing, with a strong support network of doctor friends at the hospital. Their gentle (and sometimes not-so-gentle) pushing regarding his feelings for the other doctor was adorable. The hospital staff’s protocols for dealing with his chaotic family members added realistic texture, while their warm care for Mata’s father was touching. The heart operation scene with the father carried beautiful symbolism about kindness and healing. I also enjoyed the subplot with the friend, the father, and the grandmother—watching them confront past mistakes and rebuild into a loving family was hopeful and satisfying.

Overall, the romance, the emphasis on chosen family, the power of kindness, and the growth across so many characters made this an incredibly rewarding watch. The beautiful central love story, supported by all these rich relationships (human and canine!), is what I’ll remember most. A true 10/10 for me.​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​

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I looked forward to the bento reveal as much as the characters did

10/10 is my rating (my daughter says 9/10)



My daughter and I watched this Japanese drama together as drama buddies who enjoy bonding over stories, and it quickly became one of our favorites. As a relatively new fan of Japanese content (just a few years)!, I’ve been catching up on dramas while she has a solid 10+ years of manga, webtoons, and anime under her belt. We bring different perspectives—she’s seen similar plots many times, it is fresher to me but we both adored this one. I gave it a full 10/10, and she rated it a 9/10. I'll explain a bit more below. It’s a delightful, heartwarming romance packed with engaging storytelling and so many genuinely cute moments that it’s worth watching just for those alone. 



 If you love Japanese romance dramas, well-acted stories, or anything centered around the gaming industry, this is a must-watch. The leads (Inoo Kei as the male lead and Matsumoto Honoka as the female lead) deliver fantastic performances that make their connection feel real and endearing. I highly recommend it!



Spoilers



One of the first cute moments happens right at the start when the female lead (Karashima Naho) spills coffee on the male lead’s (Amami Haru) shirt. This was during a "catch fall scene" He pretended to be upset while secretly thrilled because it gives him an excuse to have her make bentos for him for 30 days. His interest was immediate so her being the "perpetrator" that needed to repay him, the "victim" (his titles in his feigned outrage) provided an excuse for him to get to know her better. He was genuinely distressed when the maid sent the shirt out and the stain had been removed! I’ve seen other shows drag out similar secrets to the point of near-breakups, but here the male lead (Amami Haru) is so sweet—he tells her right away, and they happily continue the bento tradition anyway. That scene really sets the tone for the many adorable, low-drama interactions between them.

The female lead (Karashima Naho) has such a sunny, warm personality that she makes the male lead (Amami Haru) feel safe and confident. You can tell she cooks her bentos with real love and thoughtfulness, and he feels it deeply. It’s equally touching when he starts wanting to make bentos for her too. I loved the little rating system with stamps they use—it adds such a charming, personal touch to their growing relationship. He has one somewhat bumbling confession where he compares her to something he really likes and she's not sure whether to be complemented or offended and it really doesn't get the point across. That was super cute. They don't make us wait long and he confesses to her for real

Their romance feels refreshingly clear and straightforward compared to some other Asian dramas. Confessions and feelings are expressed relatively quickly and honestly, which mirrors what I’ve observed in a lot of real Japanese relationship videos by Japanese people . The male lead (Amami Haru) falls first and harder, but once the female lead (Karashima Naho) falls for him, they’re both all in and nearly inseparable. It’s pure heartwarming bliss with very few conflicts, and those that exist are brief and passing. They have one little point of misunderstanding when an old friend/his psychologist comes back to Japan and is hanging around him. It seems as though she's interested and even though she says she wasn't I kind of thought she was. FL was angry/hurt with him and she makes him a bento that appears to be all broccoli. Later it was revealed in his flashback that she had buried good stuff under it like the sausages he loved and stuff because she really couldn't be mean. That characterized their relationship well even angry at him - it was sort of like getting punched by a teddy bear, But he got the point and found a way to make it up to her and the sweetest way. 

Throughout I found myself enjoying their bento reveals as much as the characters seem to. I loved when it showed them cooking and all the different camera camera and angles. It really played into my inner foodie. So, if you are also a foodie that aspect might appeal to you as well. The color saturation was a bit high, which drove my artist daughter nuts, but I didn't mind it. Made it "pop" in my opinion.

The ML had so much character growth. And she was both his muse and a person that really helped him heal. I especially enjoyed how the male lead (Amami Haru) regains his inspiration and becomes a top game developer again, and how the female lead (Karashima Naho) helps him reconnect with his mom and gain some understanding there. The Japanese-style makeover scene (where he buys her outfits) and her family’s immediate warm acceptance of him—basically trying to hitch them right away—were incredibly cute. Her family embracing him and wanting to cook for him felt so wholesome.

Now to why we rated it slightly different - we had a few differing views, which made our discussions fun. My daughter found some moments a bit cheesy or overdone, while I thought that added to the charm. She also felt the male lead (Amami Haru) had more of a “pretty boy” look that wasn’t very masculine, whereas I saw it as perfect “gamer boy cute”—youthful and fitting for his character. As an artist herself, she was critical of the female lead’s (Karashima Naho) portrayed art skills and found it hard to believe she’d get a big solo project, but I was happy to suspend disbelief and imagine her even better than shown. She was also bothered by some plot conveniences (like the old man’s millionaire reveal saving the company), but I found them sweet and predictable in the best way—like an angel stepping in. One minor criticism we shared: after the emotional reconciliation with his mom (who has serious cancer), the storyline doesn’t really follow up on it. And in the end, there’s a nice opportunity for the female CEO to acknowledge the irony of trying to separate the very couple who ended up saving the company, but it’s never addressed.

Overall, this was a quick, enjoyable watch from beginning to end. The leads make the cutest couple, and the gaming world setting adds a fun, unique layer. I’d happily rewatch it anytime. If you’re looking for feel-good romance with genuine smiles, bentos, and heart, this one delivers!

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