i feel like the whole show wasn't trying to give reason to why he committed suicide (even though they used some…
I'm with both of you. In fact I don't think this show is about suicide at all. It's only about suicide as much as It's a Wonderful Life is about suicide. I also think that Death says a lot of things just to stir him up because of what we know at the end.
Doesn't the ending make no sense?Do all 12 lives get undone now? Are his mom and gf still fated to die soon? Does…
Really? I think Part 2 is a big slow down compared to Part 1.
My understanding of the ending is that he has been given a second chance to make it right and to use his knowledge of events to change things on his own.
Is there a lot of rage for this show? Why do I get the impression that there isn't much buzz for it compared to…
I made this comment judging from what I've seen here and elsewhere. I'm honestly fine with it because it's the first piece of fluff in ages that I actually enjoy. I'm only up to Episode 9.
This is the second K drama in 12 months that I've sat up and taken notice of. I don't usually agree with the overall ratings of dramas on MDL but this I do. HIghly provocative. Top tier performances all around. Best of all is the darker reimagining of It's a Wonderful Life and A Christmas Carol.
Honestly I don't get the rage about this show. It is a fairly straight forward by-the-numbers seachange drama with many K drama tropes thrown into the mix. The writer needed a McGuffin to send Sam-dal back to Jeju -- a workplace incident, a suicide attempt and the ensuing social media scandal. But it soon becomes evident that this isn't just about her. Her return to the island has ramifications for more than her own issues because of unresolved fissures within the community. There's a huge elephant in the room between people who are neighbours. It hasn't been good for the people involved. It's a festering wound turned into a cancer that needs to be cut out because it is tormenting all the main players. Even if Sam-dal had moved on and never returned, the antagonism that has plagued both families remains. Yong-pil's dad is wallowing in the pit resentment and Ms Ko is suffering from survivor's guilt are facts regardless of whether the leads are together or not.
A controversial character like Yong-pil's dad is bound to take a few hits. This is not our first K drama, domineering parents aren't anything new and they always come in for a lot of flack. Mostly deservedly. I'm not unsympathetic to the man's pain and his burning resentment. He definitely thinks he has good reason to be angry even now. But apparently not resentful enough to move away because he is living right across a very narrow street from Ko Mi-ja. Okay, maybe he's trying to punish her but all he's done so far is punish himself and his son. A man is allowed his own feelings and anguish no matter how counterintuitive but when he tries to rob his son's moral agency that's another thing entirely. It isn't just forbidding the match. It's forcing his son to stay in a state of grief regardless of what Yong-pil actually believes. The father here is forcing his adult son to take responsibility for his (the father's) feelings. (If that doesn't border on abuse, I don't know what does) From his POV it's obvious Yong-pil has already lost one mother and is loath to lose another which is why he guards Mi-ja for dear life. That is his choice because he prioritizes relationship above career. The fact that he regularly goes to the museum to look at that exhibit with the two Mi-jas tells us everything we need to know about where he comes from. Yong-pil is a glass half full guy while his dad is a glass half empty guy.
It's a real shame because Tan Jianci to my mind is one of the most talented C drama actors working today but these kinds of low/no conflict romances just don't cut it. Certainly not for 33 episodes. There are elements of this premise that I actually really like. The music. The voice acting. That bit where Qingcheng is judging a voice acting comp in Episode 8 and gives his interpretations of a character delivering key lines is one of my favourite moments but such moments are exceptions not the rule. As an amateur singer and occasional actor myself, I appreciate that side of things. But the romance peaks too early and is rather overdone in comparison to everything else and a lot of the character interactions revolve around them. What's the throughline? What's the desire line? Conflict is key to character development.
For me this show lacks weight and feels more like expensive fanfiction. For me Qingcheng is more of a fantasy male lead and Gu Sheng is a self-insert by the writer. It feels like someone is using A Star is Born template without the melodrama and it feels entirely forgettable.
Can someone explain me why did Yuan Lu die? Why couldn't they just send a message with a pidgeon or something…
It wasn't about sending "a message". It was about sending him away from the battlefield. At least that was Yu Shishan's intention. One way or the other he would have died. I doubt he would have survived the battle at He County. I also think he had to die to free A'Ying to marry Li Tongguang.
The problem with Chu LiuXiang is the amazing cast of actresses. Back then, we have all big names: GiGi Lai, Ruby…
It's true I think that there hasn't been any good adaptations since the 1980s but I don't think there needs to be a shared universe a la MCU to make this work. I grew up watching Adam Cheng in the role and while he had some strong co-stars, I can think of half a dozen decent mainland actresses right now that could be a part of this. With the right script and the right director, it could work.
I hope that if they ever make another version of Chu Liuxiang, Alen Fang will have first dibs at the role. After his stint as Yu Shishan, I think he's a perfect fit.
I don't remember the last time I sobbed this much for fictional characters. I think my eyes shrank a little. I put the inevitable off as long as I could but oh my goodness, the drama. Anyway there's more to come I imagine.
Went to a late showing at the end of its run in my local cinema and was surprised to see as many as I did at that session. I'm glad that I was able to catch it at the cinema still. Good old-fashioned storytelling at its best. Even without Godzilla in the movie, this would still have been a great anti-war, redemption story.
I also think that Death says a lot of things just to stir him up because of what we know at the end.
My understanding of the ending is that he has been given a second chance to make it right and to use his knowledge of events to change things on his own.
I'm honestly fine with it because it's the first piece of fluff in ages that I actually enjoy. I'm only up to Episode 9.
A controversial character like Yong-pil's dad is bound to take a few hits. This is not our first K drama, domineering parents aren't anything new and they always come in for a lot of flack. Mostly deservedly. I'm not unsympathetic to the man's pain and his burning resentment. He definitely thinks he has good reason to be angry even now. But apparently not resentful enough to move away because he is living right across a very narrow street from Ko Mi-ja. Okay, maybe he's trying to punish her but all he's done so far is punish himself and his son. A man is allowed his own feelings and anguish no matter how counterintuitive but when he tries to rob his son's moral agency that's another thing entirely. It isn't just forbidding the match. It's forcing his son to stay in a state of grief regardless of what Yong-pil actually believes. The father here is forcing his adult son to take responsibility for his (the father's) feelings. (If that doesn't border on abuse, I don't know what does) From his POV it's obvious Yong-pil has already lost one mother and is loath to lose another which is why he guards Mi-ja for dear life. That is his choice because he prioritizes relationship above career. The fact that he regularly goes to the museum to look at that exhibit with the two Mi-jas tells us everything we need to know about where he comes from. Yong-pil is a glass half full guy while his dad is a glass half empty guy.
For me this show lacks weight and feels more like expensive fanfiction. For me Qingcheng is more of a fantasy male lead and Gu Sheng is a self-insert by the writer. It feels like someone is using A Star is Born template without the melodrama and it feels entirely forgettable.
https://40somethingahjumma.substack.com/p/a-journey-to-love-2023-final-thoughts
But it is school holidays here.
https://40somethingahjumma.substack.com/p/welcome-to-samdal-ri-2023-24-first
I also think he had to die to free A'Ying to marry Li Tongguang.
Anyway there's more to come I imagine.
https://40somethingahjumma.substack.com/p/my-week-in-dramas-27-december-2023
https://40somethingahjumma.substack.com/p/my-week-in-dramas-27-december-2023
Good old-fashioned storytelling at its best. Even without Godzilla in the movie, this would still have been a great anti-war, redemption story.