3
2
Salatheel
The oppressive cost of power and order
I’ve just binge-watched this show. I hadn’t intended to but I was caught up with it because I was fascinated by the focus on the limitations and demands of order. If you’ve come in hopes of a standard romance, then you may well be disappointed, because love is shown to be just another victim of the rapaciousness of order, flapping pathetically like a bird in a gilded cage. But hopefully the deeper and more thoughtful themes in this show will captivate your interest.
The drama explores the necessities required by order to maintain itself. To sustain a cohesive society with all its factions it is necessary for the powerful to be bound. The necessity to prevent rebellion/chaos and maintain order is alive in every rule. Loyalty is the only currency. Loyalty is to the one you serve and once that person is dead, you are unceremoniously ejected from the seat of power as your loyalties are no longer fixed and therefore questionable. Everyone, including the king is bound by those rules and must follow them or pay a heavy, and often fatal, price. Within the confines of the palace freedom is the illusion that everyone craves.
The oppressive cost of power is explored through a number of characters, who deal with the shackles in different ways. Some scheme to undermine it, some scheme to try to create safety for their own group, some feign ignorance and keep their heads down, some scheme to gain unassailable power. The FL resists it, fighting to keep a tenuous hold on the fragment of autonomy that she has carved out for herself. Universally, everyone is forced to hide their true feelings and conform to what is required of their role. The suffocation of those endless formal bows and the life spent simply third in line, half bent over, in the small procession that follows the king everywhere he goes. But in the end there is only one way to survive, as one of the characters says, (paraphrased) “if you can’t beat them, join them and go with the flow”.
The role of women is particularly explored here and it is no surprise that the uniqueness of this drama is the result of a female perspective, both in terms of the writer and the director. If you liked the film “The Piano” (Jane Campion) then you will see echoes here of how sex and genuine love are used to “buy” relief from loneliness and the burden of responsibility, and the options available to women in response to those demands.
In terms of the acting, both leads were very convincing in their parts and were surrounded by a good supporting cast. The script was not outstanding in my opinion, but more than adequate to the task. It occasionally slipped into mawkishness, but also surprised in other places. In a drama that relied on the believability of the relationships, the plot lost me sometimes, particularly with regard to the letter and the kidnappings scenarios. However, I can credit that they were used to illustrate broader themes.
Overall this was a surprisingly good drama that far exceeded my expectations and gave me a lot to think about. Recommended!
What my rating means: 8+ A great drama with interesting content and good writing, direction, acting, OST, cinematography. But didn’t quite have the requisite sparkle to bump it into my all-time fave list. Worth watching.
The drama explores the necessities required by order to maintain itself. To sustain a cohesive society with all its factions it is necessary for the powerful to be bound. The necessity to prevent rebellion/chaos and maintain order is alive in every rule. Loyalty is the only currency. Loyalty is to the one you serve and once that person is dead, you are unceremoniously ejected from the seat of power as your loyalties are no longer fixed and therefore questionable. Everyone, including the king is bound by those rules and must follow them or pay a heavy, and often fatal, price. Within the confines of the palace freedom is the illusion that everyone craves.
The oppressive cost of power is explored through a number of characters, who deal with the shackles in different ways. Some scheme to undermine it, some scheme to try to create safety for their own group, some feign ignorance and keep their heads down, some scheme to gain unassailable power. The FL resists it, fighting to keep a tenuous hold on the fragment of autonomy that she has carved out for herself. Universally, everyone is forced to hide their true feelings and conform to what is required of their role. The suffocation of those endless formal bows and the life spent simply third in line, half bent over, in the small procession that follows the king everywhere he goes. But in the end there is only one way to survive, as one of the characters says, (paraphrased) “if you can’t beat them, join them and go with the flow”.
The role of women is particularly explored here and it is no surprise that the uniqueness of this drama is the result of a female perspective, both in terms of the writer and the director. If you liked the film “The Piano” (Jane Campion) then you will see echoes here of how sex and genuine love are used to “buy” relief from loneliness and the burden of responsibility, and the options available to women in response to those demands.
In terms of the acting, both leads were very convincing in their parts and were surrounded by a good supporting cast. The script was not outstanding in my opinion, but more than adequate to the task. It occasionally slipped into mawkishness, but also surprised in other places. In a drama that relied on the believability of the relationships, the plot lost me sometimes, particularly with regard to the letter and the kidnappings scenarios. However, I can credit that they were used to illustrate broader themes.
Overall this was a surprisingly good drama that far exceeded my expectations and gave me a lot to think about. Recommended!
What my rating means: 8+ A great drama with interesting content and good writing, direction, acting, OST, cinematography. But didn’t quite have the requisite sparkle to bump it into my all-time fave list. Worth watching.
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