Justice for all
While devoted fans of the original work that perhaps started it all in the world of wuxia (The Seven Heroes and Five Gallants) may balk at the changes made in this drama to certain characters and events, this show is a worthy entry into the broader genre of wuxia that has been lacking in recent years.
This story highlights Zhan Zhao, chronicling a formative period in his life where he develops his strong sense of justice. You may think of it as a sort of origin story, and it largely works with a engaging mystery-laden plot and an understanding of how to develop strong villains in contrast to our heroes. Zhan Zhao is joined by the charming if hotheaded Bai Yutang and the bright-eyed but equally steely Huo Linglong as the trio make their way through treacherous places in search of justice for themselves as well as for the people of Song.
While the plot is not entirely original nor inventive nor the mystery quite so mysterious (one can guess quite early on who is who but perhaps that is not the main point), the antagonists and villains are given a fuller depiction than in most period C dramas of late, supported by a cadre of veteran performers that bring each character to life. Yang Yang gives one of his best performances in recent years, and Alen Fang deserves more time as Bai Yutang if a second season ever comes to light. Perhaps the weakest of the three in our trio is Zhang Ruonan as Linglong, but to be fair, she is not given much to do onscreen after the gripping initial arc.
If you enjoy period dramas, especially wuxia, you cannot miss this one in 2026.
This story highlights Zhan Zhao, chronicling a formative period in his life where he develops his strong sense of justice. You may think of it as a sort of origin story, and it largely works with a engaging mystery-laden plot and an understanding of how to develop strong villains in contrast to our heroes. Zhan Zhao is joined by the charming if hotheaded Bai Yutang and the bright-eyed but equally steely Huo Linglong as the trio make their way through treacherous places in search of justice for themselves as well as for the people of Song.
While the plot is not entirely original nor inventive nor the mystery quite so mysterious (one can guess quite early on who is who but perhaps that is not the main point), the antagonists and villains are given a fuller depiction than in most period C dramas of late, supported by a cadre of veteran performers that bring each character to life. Yang Yang gives one of his best performances in recent years, and Alen Fang deserves more time as Bai Yutang if a second season ever comes to light. Perhaps the weakest of the three in our trio is Zhang Ruonan as Linglong, but to be fair, she is not given much to do onscreen after the gripping initial arc.
If you enjoy period dramas, especially wuxia, you cannot miss this one in 2026.
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