90
152
36
1
1
1
1
2
8
2
1
19
1
1
2
3
2
2
3
23
12
4
This review may contain spoilers
“Great Performances, but Respect Matters More Than the Story”
“𝐈𝐟 𝐲𝐨𝐮 𝐜𝐚𝐧’𝐭 𝐭𝐚𝐤𝐞 𝐜𝐚𝐫𝐞 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐨𝐰𝐧 𝐡𝐞𝐚𝐫𝐭, 𝐡𝐨𝐰 𝐜𝐚𝐧 𝐲𝐨𝐮 𝐥𝐨𝐨𝐤 𝐚𝐟𝐭𝐞𝐫 𝐚𝐧𝐨𝐭𝐡𝐞𝐫?”
- 𝐒𝐞𝐤𝐬𝐚𝐧 (𝐊𝐞𝐫𝐝 𝐏𝐞𝐧 𝐇𝐨𝐧𝐠, 𝟐𝟎𝟏𝟐)
This line from Seksan (2ML) to the Thiew (ML) stayed with me while watching, and It perfectly captures the heart of this drama: love, loyalty, and the moral choices characters face.
What made me start Kerd Pen Hong was P’Kwan, and going in, I expected something within the usual debt, revenge, and misunderstanding genre and it did follow that path. The story revolves around Thew trying to question the will that handed over his father’s assets to Thep, which sets off a chain of conflicts, revenge, and emotional tension between the characters.
There are definitely things I appreciated here. The casting was strong, especially Thep as the villain. Honestly, he stood out even more than the main lead for me. The acting overall was convincing, and the OSTs added a nice emotional layer to the scenes. My favorite character was Thiraphon (2ML), the doctor whose calm, grounded, and someone who brought a sense of balance to the story.
I also liked how the villain’s three wives eventually came together and allowed justice to take its course. Their shift from rivalry to understanding was something I didn’t expect but really appreciated. Seeing Khun Kaew in a good mother role was refreshing too. The female lead’s stubbornness and dignity made her character strong, and while the male lead wasn’t the best initially, I’m glad he showed growth. The drama also did well in showing karma, people eventually faced the consequences of their actions, which I always value.
However, there was something that deeply affected my experience, something I couldn’t simply overlook. Certain scenes in the drama used sacred religious elements, like a Buddha statue in ways that felt jarring and out of place. In our culture, these symbols represent peace, reverence, and calm, so seeing them included in intense or dramatic moments pulled me out of the story. As someone who values my faith deeply, this wasn’t something I could just overlook as “just a scene.” Even if the intention wasn’t harmful, it still crossed a line for me . I truly respect the actors and the story, but for me, honoring these boundaries mattered more than anything, so for me; the production failed in a certain way
That’s why this became the first Thai drama I’ve rated 5.0/10. I genuinely appreciate the effort of the actors and the strength of certain parts of the story, that’s why I didn’t go lower. But at the same time, my respect for my beliefs is something I can’t compromise on, even for a drama I otherwise might have enjoyed more !
Overall, this is a drama with good performances, familiar themes, and some meaningful character moments but also one that didn’t sit right with me on a personal level.
- 𝐒𝐞𝐤𝐬𝐚𝐧 (𝐊𝐞𝐫𝐝 𝐏𝐞𝐧 𝐇𝐨𝐧𝐠, 𝟐𝟎𝟏𝟐)
This line from Seksan (2ML) to the Thiew (ML) stayed with me while watching, and It perfectly captures the heart of this drama: love, loyalty, and the moral choices characters face.
What made me start Kerd Pen Hong was P’Kwan, and going in, I expected something within the usual debt, revenge, and misunderstanding genre and it did follow that path. The story revolves around Thew trying to question the will that handed over his father’s assets to Thep, which sets off a chain of conflicts, revenge, and emotional tension between the characters.
There are definitely things I appreciated here. The casting was strong, especially Thep as the villain. Honestly, he stood out even more than the main lead for me. The acting overall was convincing, and the OSTs added a nice emotional layer to the scenes. My favorite character was Thiraphon (2ML), the doctor whose calm, grounded, and someone who brought a sense of balance to the story.
I also liked how the villain’s three wives eventually came together and allowed justice to take its course. Their shift from rivalry to understanding was something I didn’t expect but really appreciated. Seeing Khun Kaew in a good mother role was refreshing too. The female lead’s stubbornness and dignity made her character strong, and while the male lead wasn’t the best initially, I’m glad he showed growth. The drama also did well in showing karma, people eventually faced the consequences of their actions, which I always value.
However, there was something that deeply affected my experience, something I couldn’t simply overlook. Certain scenes in the drama used sacred religious elements, like a Buddha statue in ways that felt jarring and out of place. In our culture, these symbols represent peace, reverence, and calm, so seeing them included in intense or dramatic moments pulled me out of the story. As someone who values my faith deeply, this wasn’t something I could just overlook as “just a scene.” Even if the intention wasn’t harmful, it still crossed a line for me . I truly respect the actors and the story, but for me, honoring these boundaries mattered more than anything, so for me; the production failed in a certain way
That’s why this became the first Thai drama I’ve rated 5.0/10. I genuinely appreciate the effort of the actors and the strength of certain parts of the story, that’s why I didn’t go lower. But at the same time, my respect for my beliefs is something I can’t compromise on, even for a drama I otherwise might have enjoyed more !
Overall, this is a drama with good performances, familiar themes, and some meaningful character moments but also one that didn’t sit right with me on a personal level.
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