Fermat’s Cuisine combined mathematics and French cuisine for an entertaining drama though one with a rather narrow view of success for most of the episodes. I could tell it was based on a manga from the male lead who was overly enthusiastic both emotionally and physically while everyone else played it cool.

“Less than perfect is meaningless.”
High school student Gaku gives up on math competitions when he realizes his skills are not extraordinary despite how much he loves mathematics. While Gaku is making lunch at a diner, Chef Kai jumps the counter to taste the food he’s prepared for the staff out of leftovers. Kai hires Gaku to work at his two-star Michelin French restaurant and pushes him to use his math to excel at cooking. The other chefs do not welcome the new favorite as they’ve seen many supporting characters come and go. Kai wants Gaku to become peerless and as isolated as he is, a problem for Gaku who has a tendency to draw out people and their strengths. Kai is hiding a secret that might push all of the chefs over the edge.

“Those who aren’t superior are the evil of this world.”
The concept of the drama was pushing the limits of believability. Kai hired the best chefs from around the world and used only the best ingredients. He spent more than he made and relied on special patrons to supplement the restaurant’s income. It was also difficult to hear over and over again that in order to be successful you had to be the best and be able to open the door to truth or else it wasn’t worth trying. If you couldn’t be the smartest mathematician, time to quit. If there was a chef better than you, time to hang up your apron or at the very least, go to work for that chef. Being the best meant being alone. Gaku was almost destroyed by the push to become “peerless,” as if that was some noble cause. In reality it probably rings true, but there so were so many big egos in the battlefield of the kitchen there was barely room for the pots and pans.

“The higher we reach, the more alone we become.”
Aside from the delicious looking meals the chefs whipped up, and there were many, the strength of this drama was the journey the Japanese chefs took to develop as individuals and as cooks. The international chefs were left in the background for the most part. Gaku, Kai, Ranna, Hotei, and Magoroku all had character growth, learning about themselves and how to collaborate and work with others. Their relationships were a rollercoaster ride of distrust, becoming comrades, distrust, and comrades again. The acting was a bit of a rollercoaster ride with some stronger performances and some weaker ones. I found it interesting that as much as Kai preached “The peerless have no one,” that he had enormous financial support. Most restaurants have narrow profit margins and somehow he was able to keep his open through the help of friends.

“Do what you love.”
Despite some of the over-the-top acting and relentless creative arrogance, I enjoyed this drama. Watching people make delicious dishes, even Naporitan/Napolitan with ketchup, is always fascinating to me. The camaraderie that developed between the kitchen staff was heartwarming as well as the road to bromance and culinary enlightenment. So, lettuce celebrate friendship, food, and math, but have a snack nearby because this drama will make you souper hungry.

1 June 2024