Was this movie entertaining? For me, yes. Was the story a mess? Also, yes.

This movie felt like a Frankenstein's monster of movie ideas that the writer even lost track of-flying guillotines (1975 movie), a compass that doesn't point north (Pirates of the Caribbean), Fire Benders and Water Benders, a Tiger Gargoyle(?), and as always in these types of movies there's a glowing orb of destiny. Finally, I honestly thought at one point they might quote, "One ring to rule them all and in the darkness bind them." (LOTR) Making everything more confusing because of new censor requirements the writer had to do some writing gymnastics to not use mythological characters making the monsters wanting to take over the world aliens instead. This movie included a lot of CGI characters. There might have been a love triangle or square but that was also not made clear.

The cast was very likeable and did a good job with what they had to work with. Ridiculous as it seems, I enjoyed the ride they took me on even if I didn't understand it half the time. Fortunately, the movie focused more on the human characters than on the creatures. The story all boiled down to the old end of the world ploy that the band of heroes had to find a way to divert. Not a great movie by any stretch of the imagination but not completely worthless in terms of entertainment value either.

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How to write a review on a 3-minute short movie? Make it short as well and hopefully meet the MDL word requirement. She Brought Colour into My World pushed the boundaries of censorship with this story of love and friendship between two women.

A lovely young woman resides in a world of stony black and white. The new neighbor has just returned from studying abroad wearing an ethereal white dress. Dressed in beautiful clothes both traditional and Western, the two neighbors meet and have an instant rapport and the young woman's world is filled with color. The woman in white regales her with stories from outside the walls and gives her a gift. They explore the city, dance and hold hands. In 3 minutes a whole relationship blossoms free from censorship or at least for a while and a choice must be made. Stay in the world of color or return as before to cold stone.

I enjoyed this short film that pushed the boundaries with its open subtext and told how love can bring color into our lives and just as easily take it away.

29 January 2024

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Will someone please think of the children!

When your introduction to a movie is a mad scientist and then an alligator wandering in the ruins of the city, you know you are in for a wild ride. Badland Hunters won’t be remembered for its riveting plot but when you have Ma Dong Seok swinging his mighty fists and a giant serrated machete it really doesn’t matter.

Three years after an earthquake that leveled Korea, Nam San along with teenagers Choi Ji Wan and Su Na live in an encampment called the Bus District. Due to a devastating drought, water is the most precious commodity. Nam San and Ji Wan are hunters for the people. They trade meat for whatever their neighbors can spare. A well-dressed group comes to the encampment looking for teenagers. The newcomers promise Su Na and her grandmother all the fresh water they can drink, shelter, and food at the only apartment complex to survive the quake. In a dystopian future when armed men come promising “heaven on earth”, best to be suspicious. It doesn’t take long for everyone to realize that heaven is not all it seems to be when a mad scientist is running the place. Nam San was ready bring hell to the complex to rescue Su Na.

It would have been nice to have some background info on our main characters, but in this sort of movie it’s not overly necessary. Though it stumbled about in regards to narrative, the fights were right on point. Nam San had to take the scenic route on the way to the apartment complex so that he, Ji Wan, and newcomer Eun Ho could battle their way through two gangs. While the story didn’t add anything new to the genre except for maybe the whole “I am the Lizard King” angle, the fights were well choreographed. Most of the hand-to-hand combat was in close quarters and bloody. Very bloody. Lots of dismemberments and decapitations. The big draw to a film like this was watching Ma Dong Seok do his stuff. I love this big ahjussi hitter.

The production values were fairly high though some of the destroyed city sets looked familiar from other dramas and movies set in the dry ruins of Korea. Badland Hunters didn’t set itself apart in this genre but it was entertaining. I could have used 25% more ahjussi hitter. I’m just happy Ma Dong Seok is still making this kind of fun action film at the age of 52. If you are looking for a taut script with new thrilling elements in the ruins of the future, you might need to look elsewhere, especially if you’ve seen a number of this type of movie. But if, like me, you enjoy watching the big guy pummel his way through baddies, even ones with long forked tongues, you might want to give this a try.

26 January 2024

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Ditto

Somewhere a screenwriter was watching the movie Ghost for the fifth time and decided it would make a great drama. Just trade out a police officer who can see ghosts for the clairvoyant Whoopi Goldberg and Satoh Takeru for Patrick Swayze. The title I Should Have Told You a Million Times was even reflected in the 1990 movie. If you've seen the movie, nothing in this drama will come as a surprise. Having said that, the characters were all likeable enough to keep my interest throughout the drama.

The story opens with a Sixth Sense beginning, but if you've read the synopsis, the suspense fell flat. Thankfully, they didn't drag it out. Yui and Naoki were childhood friends who reconnected and began dating. On her birthday, he disappears. Along comes Detective Uozumi whose latent spiritual sight evolves just in time to see Naoki. Uozumi works to figure out what happened to Naoki while he's embroiled in another murder investigation. The three become friends as they dig through the past to see how old relationships and old crimes are playing havoc with the present. There were also some Ghost Whisperer moments where they helped a couple of wandering ghosts with their regrets.

Despite some repetitious scenes and obvious borrowing from other sources, I enjoyed the story as it unfolded. The bromance that developed between Naoki and Uozumi helped cover over some of the weaker writing. The suave Satoh Takeru and nerdy Matsuyama Kenichi had a nice chemistry. Inoue Mao showed how hard it is to let go as Yui held on tight to a man she couldn't see. With all the extra time they were given and a translator as well, it was frustrating that Yui and Naoki didn't work through their emotions and regrets. In some ways, their relationship came across as fairly shallow instead of an intimate love---words matter.

The supernatural murder mystery came to its natural ending in episode 9, but then they decided to tack on a wish fulfillment ending for the last episode that almost completely ruined this drama for me. With one little tweak they had the opportunity to showcase the perfect ending for a tearjerker drama but by dragging it out, took all of the emotional punch from the previous episode. In time, I will block out the last episode, grind through the five stages of grief and remember the other episodes and engaging characters fondly.

7/5/23

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"I'll take you along to hell"

The Whirlwind was a high stakes political drama that pitted two formidable players against each other. Lies, corruption, bribery, murder, there was nothing off the table in this deadly game for power. In the end, the winner would be the one who was willing to place all their chips on the table in a daring bet, risking everything.

“Just when you think you have it under control, you find that you don’t.”
When there is an assassination attempt on the President, Prime Minister Park Dong Ho becomes the acting president. Only problem is, he’s being investigated for bribery. Dong Ho plans to use the office to rid the government of corruption and exonerate his friend who was also framed for bribery and died. Deputy Prime Minister Jung Soo Jin is determined to bring down Dong Ho due to his investigations into the Daejin Group and its control of various judges, prosecutors, and politicians such as herself. The two play a relentless game of cat and mouse always trying to stay one step of the other, never worrying about getting their hands dirty…or bloody.

“At your age, courage can be dangerous”
Just like a twister churning up everything in its path, Dong Ho and Soo Jin were willing to destroy anything and anyone in their way. Dong Ho’s powerful mesocyclone was fueled by his burning desire for justice. Soo Jin’s corrupt cloud of energy came from the need for power and influence. Dong Ho found that in order to achieve his goals, he would have to borrow the playbook of his enemies all while trying to not become what he hated. Soo Jin and the comatose president both started out fighting the dictatorship in the past but had transformed into the very things they’d fought. Political alliances changed rapidly and both manipulated the media. No one was safe with a crooked prosecutorial system and judges for hire.

“Only a greater lie beats a lie”
While The Whirlwind was intriguing it could also be exhausting. There was no room to catch a breath from the oppressive atmosphere. The whirlwind of plot twists turned and flipped in every episode. The characters’ emotions and relationships had little nuance. Everyone was taciturn and calculating with little to offer to those closest to them, even their children. Park Kyung Soo’s script never slowed down even when bouncing over enormous plot holes. Kim Hee Ae played the duplicitous Soo Jin well with one exception. I don’t know if she kept her mouth open to make it look as if she was feral and always baring her teeth or has a breathing problem but I found it distracting when she was onscreen. Sul Kyung Gu was given little emotional depth to explore and often wore the same expression from scene to scene. Kim Mi Sook as Dong Ho's Chief of Staff was the MVP for me as the person who knew who, how, and when to attack. Numerous veteran actors played unscrupulous politicians on both sides of the aisle.

“There’s only one cross”
An old saying goes, “A lie travels halfway around the world before the truth puts on its shoes. By the time the truth catches up, it’s too late.” Dong Ho quoted a variation of this and sadly it is all too true. Once a lie becomes embedded, especially a lie people want to hear, truth becomes overshadowed. Many of the things that occurred in this drama have correlations in real life around the world. A powerful corrupt leader manipulating his followers to overturn the government, manipulation of and by the media, judges taking bribes, and powerful corporations buying support for the changes they want enacted, happen all the time. In this drama, one man was willing to sacrifice everything to wipe the slate clean like a whirlwind. But how long before new players move into the void to once again purchase favors? How long before those longing for power and influence sell themselves to the highest bidder at the cost of justice? Despite its flaws, The Whirlwind was an infuriatingly compelling drama.

15 September 2024

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"The only thing you can do for a person who is gone is to live"

I’m always hesitant to write reviews on films based on mangas or books because people who have read them are often able to fill in the gaps with their reading experience. Having not read the manga my review will be based solely on my reaction to the film.

Shiino works for a verbally abusive boss. He’s labeled “@sshole boss” on her phone. While eating lunch she is horrified to hear on the television that her best friend has died. She discovers Mariko has already been cremated and the ashes given to her father. With little thought she talks her way into his apartment and steals her friend’s ashes at knife point. After running barefoot through town and seemingly owning only one pair of shoes, Shiino decides it’s time to take a road trip to the beach with her friend. She digs out an old pair of dilapidated Doc Martens, fumigates them, and takes the first bus out of town with Mariko’s ashes in hand.

Through flashbacks we learn that Mariko and Shiino had been friends since childhood and also that Mariko’s father had been abusing her since then. Their friendship endured many of Mariko’s cries for help and ultimatums. On her journey to take Mariko’s ashes to the ocean, Shiino suffered set-back after set-back aided only by a man dressed like the Grim Reaper who appeared whenever she needed help. While ostensibly this was Shiino’s journey through agonizing grief at her friend leaving without saying good-bye, I was always distracted by Mariko’s ongoing abuse at the hands of the men in her life. Were there no child services called or available when she showed up to school bruised and broken from head to toe on a regular basis? Did Shiino repeatedly try to get her friend to see a therapist to deal with the traumas she’d suffered? Why didn’t they call the police when one of the men beat both of them and attempted to break into their apartment or when one of Mariko’s lovers broke her arm and robbed her? Was there ever a point when Shiino stopped enabling Mariko’s self-destructive behaviors and attempted to get her the help she desperately needed? Shiino had her own issues that could have used a professional helping hand as well.

Grief and its 1000 cuts by haunting memories filled My Broken Mariko. But it also left unanswered the most important question of how both women’s lives might have been changed if they’d stop accepting whatever abuse was heaped upon them and sought to gain some agency for their own lives.

3 August 2024

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"This battle is a fight to live for our future"

When I saw the Toho logo my heart jumped with joy knowing Godzilla was back home where he belonged. In Godzilla Minus One he was no longer a comic character playing catch with a giant lobster or the King of the Kaiju restoring balance to the Earth. He was a destroyer and an indictment on humankind’s hubris and a reminder of the horrors of war. If Japan was at level zero after WWII, Gojira put them at minus one when he surfaced from the depths of the ocean with a terrible judgement.

Near the end of WWII, Shikishima Koichi is a kamikaze pilot who lands his plane on a small island held by the Japanese ostensibly for engine trouble. It’s not long before the mechanics realize he has run away from the fight. They don’t have long to berate him when they are attacked by a monster the locals call Gojira. When Shikishima freezes once again, he is labeled a coward by the only other survivor. Back home he is reviled by a sister for returning alive, as she blames the country’s problems on his failure. Koichi takes in a woman with an orphaned baby, unable to throw them out when Noriko makes herself at home. The war isn’t over for Koichi as he is paralyzed with regret, guilt and PTSD and unable to move on with his life. When Gojira heads for Japan, the pilot will have a second chance to redeem himself and his honor.

Godzilla Minus One succeeded in two areas. Firstly, they went back to Gojira’s mythology and his evolution from nuclear testing. Gojira was personification of the fear and memory of atomic weapons, something the people of Japan had suffered horrifically from. He was also a punishment for Japan’s militaristic era and the damage done to others and their own people. This monster claimed his territory with a fearsome rage. Capable of regenerating, modern weapons were all but useless against him. Secondly, for one of the first times since the original, there were compelling human characters with interesting stories seamlessly woven into Gojira’s appearance and threat. Too often, the humans were dead weight in Toho’s Gojira films saddled with mediocre actors and dialogue. Koichi was a complicated character and his boat buddies were developed enough to remember them. Noriko as a character was thinly but heroically drawn. Even the characters who reviled Koichi came around to being more well developed.

If there was one flaw, the horrors of the war were laid solely at the government’s feet, which categorically absolved the rank and file from atrocities committed during the war. And yes, the government had the “best ability of spinning and hiding information from the masses”. The government also, “...treated our lives too cheaply...Tanks with insufficient armor, poor supply chains-leading to starvation and disease…and fighter planes without ejection seats…as well as kamikaze and suicide attacks.” The characters emphasized living for their country and its future instead of dying for it even as they bravely faced a seemingly indestructible foe.

For a film made for 15 million dollars (USD), it looked far richer. The special effects were excellent whether it was Gojira’s atomic breath, miniatures, ships, or buildings crumbling like houses made of cards. Gojira himself, was frighteningly majestic and terrifying. Able to regenerate, he did come across as a vengeful god. This film deservedly earned an Oscar for Visual Effects. One last little production note--Sato Naoki is credited as the composer but much of the score was a reworking of Ifukube Akira's iconic Godzilla theme.

Not since the original Godzilla (1954) have I enjoyed a Big G film this much. Gojira was a merciless, destructive force, created by unnaturally splitting atoms. The people of Japan united not to fight to the death against this formidable opponent but to use all of their abilities in a battle that would ensure that they could live for their future. In the face of this harbinger of death, there were those who found redemption, love, and healing. Good job Toho! You made a film worthy of the original and a wonderful way to celebrate Gojira’s 70th anniversary.

2 June 2024

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To live and dye in Taiwan

If you created a weave out of a screwball rom-com and a gangster film with vulgar humor, you might end up with something like Miss Shampoo. Vivian Sung and Daniel Hong certainly gave it their all and they did make a strange but fitting couple. Hair warning, if you are looking for a sweet rom-com of opposites attracting, the humor is quite crude. And yes, there may be a few styling puns plugged in hair and there.

On a dark and stormy night, a wounded gangster stumbled into the shop where Fen was a shampooer. She managed to cover for Tai when the assassins barged in searching for him. Tai later returned with enormous gifts and had Fen cut his hair. Soon all the gangsters and those dependent on them were coming into the faltering shop to have her work on them. She was either a visionary or a terrible stylist as the cuts were often vibrant and bizarre. It took nearly half the movie for the two to finally hook up which was actually pretty funny as it included an introduction to her equally odd family. They didn’t have a problem with her dating a “hard working” gangster as long as he didn’t become scary and kill the family if they broke up. The gangster plot included finding the murderer of the previous boss, an urban renewal project with election ramifications, a lieutenant’s dissatisfaction with the direction of the gang, and lopping off fingers-so many fingers.

Daniel Hong was a good sport as was his gangster boss Tai. He wore several hideous wigs, including a bizarre bowl cut mullet, blonde dreadlocks, and a 1990’s ahjumma perm. Vivian Sung made for a perky shampooer with a strange vision for hairstyles. Tai had a soft side and Fen had a wild side which brought the couple closer together until the classic misunderstanding was inserted between them which would take time to straighten out. The uneven humor did have some highlights. There were unspoken dialogues that were quite funny---one between Tai and Fen’s mom and one between Tai and his lieutenant, Long Legs. Some of the humor was too crass for me and there were many crude sexual references. The director didn’t wave away the brutal lifestyle of a gangster and the permanent retirement plan for the bosses. A two-hour run time was also a drawback for this film. Few violent rom-coms can withstand 120 minutes of tangled plot progression. That’s not to say there weren’t entertaining moments and even touching ones because there were when the plot moved at a nice clip. The story even threw in an emotional twist near the end.

Miss Shampoo could be bubbly and bloody, hairlarious and cringe-worthy. The lovers both dealt with living on the fringe of society, unable to move ahead socially. While the movie gave supporting characters memorable moments it was too long and was in dire need of a cut. If you don’t mind lewd humor braided into a romance with a side of bobbed fingers this might be a movie worth giving a curl.

28 Dec 2023

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A kill or be killed world and love

When a film begins with a traditional marriage where the bride wants to murder the groom on their wedding night you are left with the question, "Which one is the The Legend and which one is the Butterfly?" A political marriage of the uncouth Fool of Owari and the cunning Viper's Daughter made for an explosive and potent combination.

The story was a reimagining of Oda Nobunaga and Nohime's marriage as little was known about it. Historically, she was thought to be beautiful, intelligent, and skilled with a blade. In this version of the life story of the first "Great Unifier" of Japan, she was the genius and fire behind the man.

Nobunaga and Nohime clashed, sometimes violently, in early scenes in the film. The story takes place over thirty years, giving short amounts of time to major events in their lives, usually converging with battles for power outside of the marriage. Eventually, they come to a place outside of Nohime's role as a spy for her father and her infertility where they could move beyond tolerance and reluctant admiration to love. But true love rarely flows smoothly with pride, vengeance, and illness creating problems.

Kimura Takuya was able to portray Nobunaga's carefree and coarse youth with buddies outside of his caste. He also conveyed the weight of the battles and familiar lives lost, showing the transformation from the Fool of Owari into the Demon King capable of ordering women and children to be killed. Ayase Haruka transcended many of her drama roles as the tough as nails and brilliant strategist, Nohime. I was saddened as her role diminished once she fell in love and yet she still wrung as much out of Nohime's shadow as she could.

The gorgeous sets, elaborate costumes, music, and cinematography were all well done. It would be hard to fault unless there were some anachronisms involved. I am not well versed in the history of this era so I can only comment on the entertainment value of the film for an outsider. While I enjoyed the fast-track history lesson, the romance between Nobunaga and Nohime was difficult to comprehend as both held their emotions close to their vests. They only allowed their true feelings to show a couple of times. It could be hard to keep up with their emotional "growth" because of the constant short time jumps and quick changes in attitudes as Nobunaga strengthened his resolve to kill everyone who opposed him and she softened desiring a normal life with him more and more. As much as I wanted to care about the two, it was difficult to emotionally connect to them and their conflicts. Perhaps this would have worked better as a short drama so that their personality changes could have been delved into more and not be seen as so abrupt.

The Legend and Butterfly was entertaining even if it lacked the emotional depth I was looking for between the spouses. Regardless of historical accuracy, it was refreshing to see Nohime shown as a capable and intelligent woman, a wife Nobunaga could turn to for sound advice. Whether Nobunaga was a Fool or a Demon, neither, or a little of both is for people far more educated on the subject than me to comment on. As a film, a nearly 3 hour film covering 3 decades, focusing on the marital harmony and disharmony of one of Japan's most famous historical figures, The Legend and Butterfly succeeded largely on the likeability and skills of the performers. It was a kill or be killed world and for a time, marriage.




5/19/23

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"Put the family first!"

Cue the violins and bring out the box of tissues because Ode to My Father will shamelessly and successfully pull at your heartstrings. This film is not only an ode to one father, but two, as you follow a boy from childhood to old age selflessly working to provide for and keep his family together just as he had promised his father he would do.

The film follows Deok Su as a child in 1950 fleeing Hungnam as the Chinese were overrunning the city. His only task was to hold his little sister's hand as the family sought shelter on a US ship, the USS Meredith, accepting refugees. In the stampede to find a way onto the ship, his sister was lost. When his father turned back to find her, he tasked Deok Su to be the man of the family and always put the family first if he could not return. Deok Su took his promise seriously when they arrived at his aunt's shop in Busan. Accompanying him on his various entrepreneur ventures was his best friend, Dal Gu.

Deok Su would later go to Germany to be a coal miner, a dark and dangerous job, in order to pay for his brother and sister's schooling. There he would meet his future wife, a Korean woman studying to be a nurse, Young Ja. He and Dal Gu returned home when the Germans stopped renewing their work visas. After his aunt's death, his uncle wanted to sell the Kkotbun Shop. Once again, Deok Su stepped forward, this time taking Dal Gu with him to Vietnam to earn money as "technicians". The two friends would face the same choice the Americans did at the North Korean port when as they were fleeing Saigon women and children begged for them to let them onto their boat. In 1983 Deok Su and Dal Gu would go to Seoul in the hopes of finding his father and sister when the Korean Broadcasting Services showed families being reunited through their programs.

Deok Su's grown children cannot understand why he won't sell his shop or change the old-fashioned name. Deok Su who so easily sacrificed his own dreams and took dangerous jobs to provide for his family, privately confessed to his father's image how difficult the struggle had been. After promising his father he would always put the family first, the last words he heard his father speak were that he would meet them at the Kkotbun Shop. Never saying his purpose aloud, Deok Su kept the shop open in case his father survived so that he could find his way to them.

This was a nostalgic look back for older Koreans who after surviving the Japanese occupation were devastated by the Korean War. Their country divided and some families divided by the new boundaries, dealing with political and economic upheavals, mothers and fathers worked hard to feed and shelter their families among the continuing changes around them. The main character in this film shined shoes, dug coal, traveled to Vietnam during that war, and later ran the family shop. He did all this to make things easier for his family and children. In a letter to his wife, he told her how grateful he was that it was he that suffered and not his children. And of course, his children, as children are wont to do, did not fully understand the hardships and struggles their parents went through for them.

Lest you think it was all melodrama, fear not for there were gentle moments of humor that lightened the mood. As much as the film was about family and sacrifice it was also about friendship. It was heartwarming to watch Deok Su and Dal Gu stand by each other from childhood to old age.

A small historical note: The USS Meredith was credited with one of the largest humanitarian rescues when the ship dumped its cargo and took on 14,000 refugees in a ship designed for 12 passengers and 47 crew.

I am not a crier, but this movie moved me to tears on several occasions. I knew the director and music director were setting me up for the big emotional moments and did everything but present a cue card that said, "Cry now!" It didn't matter, the milestones in this film though far removed from my life still reminded me of the sacrifices and relentless hard work my parents and grandparents went through to make my life easier. And like the director, who made this film as a thank you to his father, it reminded me to say thank you to those who went before me. The desperation during times of political upheaval for people who have nowhere else to run is truly heartbreaking. I cried for the families around the world who have been separated by war, death, and poverty and felt gratitude for the ones left behind who have fought tenaciously to hold the survivors together and refused (and still refuse) to give up.

The film could swell emotionally and had an ambitious overview. It helped that the acting was on point and didn't boil over into being overwrought which kept the characters grounded. With all of the time jumps it could have been easy to become lost as we were given a personal tour by Deok Su through pivotal points in Korean history. Though the story covered decades and several countries, Ode to My Father was at its heart a simple and intimate story of a man keeping a promise to his father. Unabashedly melodramatic? At times. But this film was also inspiring and uplifting and a lesson in the power of tenacity. If you are looking for a movie to touch you, look no further.

4/24/23

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"Tastes of life"

My Wiggly Friend takes viewers on a taste tour of rice noodles in China. The documentary covered different dishes as well as the devoted chefs who lovingly prepared them. Each short episode focused on three different restaurants from three different regions. First developed in Jiangxi 1800 years ago, Jiangxi alone produces more than 1.4 metric tons of rice noodles a year! Suffice to say this documentary only opened the door to a wider array of noodle creations.

Episode 1 covered Sour Noodles made by a bad-tempered chef with tomatoes that had been fermented for a year. The dish was garnished with Litsea oil. In another city, two brothers created River Snail Rice Noodles with pickled bamboo shoots. The draw for customers was the "stinky" aroma. I'm not sure if it was a bad translation but the narrator called the pickled bamboo shoots a "biochemical weapon." At the last place, an older couple made Old Friend Rice Noodles out of pork and chicken, fermented black soybeans, and fermented bamboo shoots. The "stinky" soup was said to make you "sweaty and full". All of the dishes were described as strange which could have been a subbing problem.

Episode 2 began with truck drivers stopping at a 24-hour truck stop where Mutton Rice Noodles were served by a mother and daughter. The soup began with a goat skeleton being used to make the broth. Scalding Rice Noodles was the next stop with father and son chefs. They were known for their spicy tripe noodles. The father tested his son's ability to make Rice Noodles with Eel Gravy before agreeing to hand the restaurant over to him. Finally, Termite Mushroom and Chicken Rice Noodles was cooked by an older chef for his wife using his family's traditional method of slow cooking it in a wooden chest.

Episode 3 began with a family famed for their Lard Stirred Noodles made with lard extracted from pork belly. Next a bickering mother-in-law and daughter-in-law sold Spicy Noodles out of their food truck to hungry office workers. Lastly, was the bland but strong Brine Soaked Noodles with crispy pork and pickled string beans described as something of which you "cant dodge the strong smell".

Episode 4 was for the more adventurous as it featured a small breakfast shop in a market across from an open-air butcher. The sour and bitter soup was made using cow intestines with the digested grass still inside-Beef Sapei Noodles. It was accompanied by fried beef skin. From turf to surf, the next culinary adventure was Seafood Rice Noodles made with fresh seafood and sand worms. The last stop in the episode was food from the mud-Cattail Root Rice Noodles made from Cattail roots and jellied pork blood.

Episode 5 explored different shaped rice noodles. The first up was a dish made by a rice roll master who filled Cloth Rice Rolls with meet or eggs, like one might a crepe or burrito. Stop 2 featured Diamond Rice Stir Fry and also a beef bone soup with rice lumps. The final visit was to a place where the chef made Duck Soup with Rice Pellets. Said to have a mild flavor, it was good for children and older people because it required little chewing.

Most of the restaurants shown were run by families or friends and had been in business from 20-50 years. Some of the people gave back by teaching a new generation the old techniques. The people running the businesses and cooking, like hard working people in the food industry everywhere, worked long hours. They were all doing something they loved and found rewarding, but it was time consuming. The documentary could be heavy-handed with the older couples being romantic and glossing over the families where the children of the busy owners missed out on attention. I did feel bad for the son being tested on the eel rice noodle dish. He'd been cooking since he was twenty and it took his elderly father over twenty-five years to give him a compliment!

I can't say that the majority of dishes made my mouth water but I'm fascinated with what people eat and how they prepare the dishes. It was also interesting how different places utilized the local food sources whether it was termite mushrooms or sand worms. The photography was skillful during the food preparation scenes and also gave glimpses into the varied cities and villages. Word of warning: if you are a vegan or squeamish you may want to avoid this show as there were butchering scenes and numerous animal prep scenes.

I enjoyed the insight into the creative and dedicated cooks who not only worked to keep traditions alive but innovated as well. If you enjoy food documentaries, this ode to China's love affair with rice noodles would be worth a try.

"Those who work hard definitely have some good luck."

3/25/23

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Misfortune Teaches Us the Truth

What would you do if you had six months left to live? When we are young, aflame with dreams and a perfect view of what our world will be we never think that one day due to life circumstances we might become a mere cog in a machine and the weight of corporate or public bureaucracy will extinguish that flame with its inertia crushing in on us. If we are not careful each day can become the same without making any difference in the world. Director Kurasawa breaks through the darkness of merely enduring the days by elevating a civil servant nicknamed "The Mummy" who hasn't really lived in 20 years to hero status. The hero's journey is not without suffering and heartache, and a behemoth of a monster to face before he leaves this plane of existence. With the sands of the hourglass rapidly streaming out he has one goal to reach, one thing to do to have made his life worth living and in the final moments to give it meaning.

Ikiru begins with a death sentence being handed out to the Public Works Chief, Watanabe Kanji. Watanabe sits at his desk stacked high with papers just as he has for 30 years without taking a sick day, shuffling and stamping the papers validating his reason for being there. Once 20 years ago, he submitted a proposal for making the job better only to be shot down. Now he uses the proposal pages to wipe his glasses.

Upon finding out he has stomach cancer he is devastated. Kurasawa gave us a brilliant scene as Watanabe leaves the hospital so absorbed in his own thoughts that the world is silent. When he is jarred into reality the loud noises of life intervene once again. His son and daughter-in-law only want his money to buy a house and don't even ask what's wrong when they find him sitting in the dark. With no one to talk with, in a powerful moment he covers his head and cries himself to sleep.

At a chance meeting in a bar, Watanabe meets a small time writer. The writer plants seeds in his brain about no longer being a slave to life but being its master. Never having ordered a drink before Watanabe asks for help in having a night of fun out. The writer takes him out on a raucous night on the town. At their last stop the piano player asks for suggestions and Watanabe asks for "Life is Brief". In a low deep voice, the older man sings as the pianist plays silencing the revelers around them as the listeners reflect on the words of the song and Watanabe's grief.

A young girl from his office shows up the next day at his house because she needs his stamp to hand her resignation papers in. When he asked why she is leaving she tells him the boredom is killing her, that the only thing of interest that's happened in over a year is when he didn't come into the office. Her youthful exuberance and their casual meetings lay the step for his next revelation. He needs to make something to feel useful and relevant. Happy (Re)Birthday Watanabe Kanji!

With the energy of a man possessed he determines to answer the pleas of some local women who have been given the run around about a cesspool in their neighborhood. The women want it filled in and turned into a park but had been shuffled between 20 different departments before being sent back to Public Works.

The film jumps to his funeral and the last half of the movie is shown in flashback as the mourners piece together his motivations and what courageous steps he took as he fought the machine he was a cog in by wearing it down to have the park built. At first the upper echelon patted themselves on the back saying he had nothing to do with the new park. After they leave the cogs in different departments start comparing notes and realize how hard he fought even as he was dying to do something worthwhile, no small feat in a world of petty bureaucratic fiefdoms.

The cogs are jarred out of their complacency and vow to make a difference and not let the machine kill their desire to make meaningful changes. But as they find out as well, the machine doesn't like change, making Watanabe's work all the more heroic.

There are moments in Ikiru that will give you pause, make you misty-eyed, and even laugh. As the mourners gossip and take credit your blood will boil at the injustice and cause you to cry out for Watanabe. The silenced voices of small cogs eventually join the viewer in being advocates for the man willing to change and willing to make a change, regardless of the cost. A man no longer afraid to keep persevering in the face of the word "no". No longer having the time or energy to hate. No longer afraid of death. This hero had only one enemy-time and only one super power-tenacity.

Watanabe had faced an existential crisis. Not only had he been handed a death sentence but he was faced with the realization that he had only been going through the motions for 20 years, wasting the precious gift of life. We are all handed a death sentence the moment we are born, we just don't know its date. Ikiru is a beautiful film that asks the viewer as much as the central character to self-reflect on their life and its meaning, whether it is being lived with purpose. The final scene of Ikiru is poignant and reminds us all that Life Is Brief, remember to live it while you can.



9/16/22

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"Only sincere ones need apply"

If You Are the One is a pragmatic love story infused with gentle humor, but not your typical romcom. Stars Shu Qi and Ge You were able to cover over the obvious problems with the story with their enormous likeability.

Ge You played Qin Fen, a 40ish man, who had recently come into money and was ready to find a wife. He found a dating site and listed his honest qualifications and what he expected in a spouse. "Only sincere ones need apply". Of course, at his age and prerequisites he had several humorous takers including a woman selling grave plots, a stock broker who assessed his continually devaluing worth, and an old Army buddy who had hoped he'd changed teams. One of his blind dates was with Smiley, the luminous Shu Qi. It didn't take long for the two to realize that they weren't compatible but they ended up going for drinks and revealing their dark secrets in a very human moment. Smiley, it turned out, was in love with a married man who kept dangling marriage in front of her but who was unwilling to leave his wife.

Though the two swore to never see each other again, destiny had other plans. Serendipity kept dropping them into each others' paths. Smiley decided to become Qin Fen's girlfriend with the caveat that her heart still belonged to her ex-lover though she would never act on it. The two take a trip to Hokkien, Japan for her to make peace with her decision and hopefully leave the memory of her lover behind. The incongruous couple engaged in a long road trip with Qin Fen's tour driver buddy Wu Sang. Realizing his good fortune of a lovely, young girlfriend Qin Fen stopped at a Buddhist temple to pray only to interrupt a Yakuza funeral. He later went to a Catholic chapel where he confessed every sin since kindergarten to a priest who didn't speak Mandarin, finally driving the priest to tell him he needed a bigger cathedral to confess in because the chapel was too small to hold all his sins!

If You Are the One was not a typical head over heels falling in love film with a race to the airport at the end. It was far more practical as Qin Fen reflected upon his lonely life and Smiley realized her great love affair was not going anywhere, that maybe the two misfits could rely on each other and love would slowly bloom from friendship.

The second half of the film devolved into more of a scenic Japanese road trip, though the scenery was beautiful. There was also a nice tour of the West Brook Wetlands and Hangzhou earlier in the story.

It would be hard to fault the acting, Ge You and Shu Qi played their roles brilliantly. The lapses come in the narrative. The huge age gap between the two was never directly addressed. Why gorgeous Smiley was attracted to a bald, cranky middle aged man, especially when she was hopelessly in love with her sexy lover also was glossed over. Shu Qi did an amazing job as the emotionally wounded character, unable to find meaning in her life without her lover, utterly drowning in despair. As pragmatic as Smiley was though, it was difficult to understand some of the decisions she made over a failed love affair.

There were some interesting topics brought up that I haven't seen in recent movies. A gay character was introduced as something completely normal, clearly against more recent rules. During Qin Fen's blind date with a Taiwanese woman, the two debated whether there had been a liberation or a regime had fallen in regards to the exodus to Taiwan during the 1940's. And finally, a woman was reported to the authorities for wanting to find a way to stay in the United States. Usually, these sensitive subjects aren't broached.

For a slow burn romance with scenic cinematography and more than capable acting, If You Are the One is a nice change of pace from so many frenetic romantic comedies. It could be uneven at times but Shu Qi and Ge You managed to charm me enough to enjoy my time with them.


9/7/22

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Ice Bar delivers a nostalgic, joyful story that goes down like a soothing ice bar on a hot summer day.

Enthusiastic ten-year-old Young Rae and his single mother struggle to make ends meet in 1960's Korea. His mother sells smuggled cosmetics and gets into fights using most of her money on fines and not on Young Rae's tuition. Young Rae is often the target of harassment because he's a fatherless "brat" though he can give as good as gets. His best friend, Dong Su, is an orphan who hustles to make money anyway he can, and during the summer it's selling ice bars. The summer starts off with a bang when Young Rae hears his mom's drunk best friend tell him that his father is not dead, but alive and well in Seoul. His mother denies it, but Young Rae determines to make enough money to take the train to Seoul. Dong Su hooks him up with a job selling ice bars through his shady boss at the factory and that's when the fun begins. Young Rae struggles with ice bar turf wars and bullies and written and unwritten rules about where he can and can't sell. Finally, with some help from Dong Su and a young man, In Bak, the son of a "commie", who works at the factory he starts to figure out how to successfully sell the frozen treats.

The boys get into and out trouble, with no severe consequences for the most part. The biggest hurdle for Young Rae aside from earning the money is his mother who is firmly against him finding his father for fear he will take her son away from her.

Ice Bar is a lighthearted comedy that occasionally dips its toe into melodrama only to rise to a bubbly surface once again.
Park Ji Bin's bright performance as the young entrepreneur was the heart and soul of this film. His laughter and tears were infectious and touching. Future ahjumma Shin Ae Ra as his mother managed to turn what could have been a shrewish role into a sympathetic one, never letting you doubt her love and devotion for her son.

The pace of the story kept the events moving forward, tying together small side stories in aid of Young Rae's goal. Much of the action was child high, taking us on their adventures running through the streets and down to the train station. There was a real feeling of community among the regulars in the scenes as they interacted with the boys. Certain sets could feel artificial, but the characters' interactions made up for the almost play like settings.

Though a largely child friendly film, told through Young Rae's eyes, it does have the typical bullying and hitting so many older Korean movies and dramas have. There is also a disturbing incident in the last quarter of the film. Despite those detriments, Ice Bar is a feel-good movie with an effervescent score and delightful performances. Though narrow in scope, it's big in heart.
If the ending felt a bit contrived, that's okay, ice bars during childhood summers are meant to be enjoyed and not suffered through.

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Beautiful Days had beautiful performances by Lee Na Young, Jang Dong Yoon, and Oh Gwang Rok. Slow paced and emotionally gritty it can be difficult to watch. The audience and the son looking for his mother wonder how she could have abandoned her child. Truth and expectations are constantly turned upside-down as the story progresses.

The cinematography is dark and melancholic, reflecting the mood of anger, guilt, sadness, and regret. The score embraces those same feelings.

JDY gives a good performance as the angry son, Zhen Chen, who travels from China to South Korea to find his mother due to his dying father's wish. What he finds only deepens his anger and resentment. Lee's mother shows restrained emotions, a woman who has long dealt with sacrifice and hardships. The story deepens when a disappointed Zhen Chen on the return trip home finds the diary his mother left him and her long buried secrets and his are slowly revealed.

The film dips into the overly dramatic waters on occasions, but never completely sinks into them. Though not for everyone, and not a perfect movie, I found the struggles of this mother and son compelling.

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