amrita828
Italy
Stay away from this movie if you look for something happening, for romance or for passion. Nothing happens, at least nothing in the eye of the viewer, while everything takes place in the world of the characters.
I knew that Come Rain, Come Shine was an essay movie and I watched it knowing it. I was reminded of some French nouvelle vague film, full of silences and broken dialogues.
It's a slow, sedate film, where emotions are expressed via immobility, instead of events. I read the film didn't get a good reception at the Berlin Film Festival, but then again, I've learnt never to base my judgment on European film festivals, unless I want to end up watching a movie by some unknown Uzbek director with 20 minutes shoot of a solitary ant walking on a roof.
I'm not joking, the movie really exists.
The acting is awesome. I could say that Hyun Bin is his usual gorgeous self, but in this case it would be a very shallow statement, mostly because for a good portion of the movie the only thing one gets to see of him is his silhouette in half darkness. But he's got the chance to use one of his best traits in terms of acting: showing feelings with the mere twitching of the lips, the raising of an eyebrow or a tilt of his head.
Im Su Jung is just as expressive, her mood highlighted by an excessive thinness and pallor which make her look like a fragile doll. Her character is the "guilty" party, and yet one can't help feeling for her frustration in front of her husband's wall of infuriating politeness.
I would have given the music a 0 if the option were available, for the simple reason that... there is NO music. One may object that the absence of sound is more deafening than anything else, which is certainly true about this movie, but doesn't make rating the music any more possible.
Given the premises, I think you will understand why the re-watch value is pretty low. Personally, I was oddly captivated by this movie, possibly because it came after an interesting debate on this same site about marriage and its expiry-date. But I'm not sure I'm ready to recommend this film to anyone, unless you're a Hyun Bin's fan like me and while watching fantazise about having him frolicking in YOUR kitchen, instead of the stage one.
I knew that Come Rain, Come Shine was an essay movie and I watched it knowing it. I was reminded of some French nouvelle vague film, full of silences and broken dialogues.
It's a slow, sedate film, where emotions are expressed via immobility, instead of events. I read the film didn't get a good reception at the Berlin Film Festival, but then again, I've learnt never to base my judgment on European film festivals, unless I want to end up watching a movie by some unknown Uzbek director with 20 minutes shoot of a solitary ant walking on a roof.
I'm not joking, the movie really exists.
The acting is awesome. I could say that Hyun Bin is his usual gorgeous self, but in this case it would be a very shallow statement, mostly because for a good portion of the movie the only thing one gets to see of him is his silhouette in half darkness. But he's got the chance to use one of his best traits in terms of acting: showing feelings with the mere twitching of the lips, the raising of an eyebrow or a tilt of his head.
Im Su Jung is just as expressive, her mood highlighted by an excessive thinness and pallor which make her look like a fragile doll. Her character is the "guilty" party, and yet one can't help feeling for her frustration in front of her husband's wall of infuriating politeness.
I would have given the music a 0 if the option were available, for the simple reason that... there is NO music. One may object that the absence of sound is more deafening than anything else, which is certainly true about this movie, but doesn't make rating the music any more possible.
Given the premises, I think you will understand why the re-watch value is pretty low. Personally, I was oddly captivated by this movie, possibly because it came after an interesting debate on this same site about marriage and its expiry-date. But I'm not sure I'm ready to recommend this film to anyone, unless you're a Hyun Bin's fan like me and while watching fantazise about having him frolicking in YOUR kitchen, instead of the stage one.
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