More than friends in a homophobic country whose army punishes homosexuals with triple humiliation

'Just Friends?' (친구사이? / Chingu sai?) follows two young people who are not just friends, but something more. Seok-i (Lee Je-Hoon) and Min-su (Yeon Woo-jin, sometimes credited by his former stage name, Seo Ji-hoo) met during their mandatory two-year tour of duty in the South Korean army. The first, who has already graduated, visits his boyfriend who is still serving in the armed forces. They are both a gay couple who hide their relationship from their parents and those around them.
For some time they have planned to enjoy a romantic weekend, but it will not go as planned. While having fun in the city, they meet Min-soo's mother, who has also gone to visit her son and is unaware of the bond between the young people.
When the mother (Lee Seon-joo) asks him about their relationship, to avoid suspicion, Min-soo replies, "...we are just friends."
In this way, Kim Jho Gwang-soo, as writer and director, is weaving a story in this short film of the youth romantic comedy-drama genre with an LGBT+ theme that, released in 2009, aims, in addition to telling us about another cycle of release coming out of the closet, showing, with naturalness and simplicity, the relationship between gay men and their families in a conservative society where parents consider any homosexual act a crime, as well as making visible the risks, including criminal ones, to which homosexuals are exposed in the South Korean army, as a complaint.
Considering that South Korea is a conservative society and the only developed economy in the world in which consensual sexual relations between two men are a crime under military law, and if discovered and charged, every South Korean officer or soldier potentially faces a triple humiliation: a criminal conviction, an exclusion from the army for unworthiness and a forced coming out of the closet in the face of society and his parents, who describe themselves as "conservative and devout Christians", as the short film in the Min-soo's mother, Kim Jho Gwang-soo places her protagonists involved in the army of a nation in which, according to article 92.6 of the military penal code, soldiers who have homosexual relationships face two years in prison and work forced if convicted by a court-martial.
Based on his own personal experiences as a gay man, the director and screenwriter expressed: "I wanted to create a real gay film with 99.9% purity, after observing that many Korean films in the past contained misleading depictions of homosexuals." Kim also stated that after completing her 2009 short, 'Boy Meets Boy', which focuses on a first romantic encounter of two teenagers, she wanted to create a successor that involved more mature themes.
Produced by the company Generation Blue Films, in collaboration with Korean Gay Men's Human Rights Group Chingusai, which shares the same name as the film's Korean title, 'Just Friends' had its world premiere at the 14th Pusan ​​International Film Festival on October 10, 2009. Before its theatrical release on December 17 of the same year, it was screened at the 35th Seoul Independent Film Festival. The following year, the work was screened at film festivals in Italy, the United States, Japan and Hong Kong.
With music by Kim Dong-wook, photography by Kim Myeong-Joon and editing by Nam Na-yeong, the film, due to its exposed theme, has been involved in a rating and censorship controversy.
Before its release, the Korea Media Rating Board (KMRB) called the film's trailer "harmful to youth." In November 2009, KMRB gave the film a "restricted to teens" (19+) rating, citing "sexual situations" and "risk of imitation."
This decision generated criticism from artists, intellectuals, and politicians, who argued that the KMRB was reviewing homosexual-themed films with different criteria than heterosexual-themed films.
In September 2010, the film's producers, Generation Blue Films and Chingusai, filed an administrative contentious lawsuit against the KMRB, asking the Seoul Administrative Court to cancel the film's classification. The court ruled in favor of the plaintiff on September 9, stating that the film "provides understanding and education about minorities." Despite this, 'Just Friends?', 15 years after its release, continues to be condemned by the most conservative members of a society who still claim that the film contains scenes that "would provoke sexual curiosity in young people."

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Loss and acceptance of it, themes of the series

Imagine that you have a dog and a cat as pets that have accompanied you since you were a child. Suppose that one day they return to the world of the living, in human forms, after having died, along with your parents, in an accident, with the purpose of giving you company and making you happy. Imagine that you only have a hundred days to spend with them before they must leave again. Suppose that during that period you fall in love with your human-dog. Represent yourself that you will surely have to wait two years for a new reunion, due to the difficulty of traveling between the afterlife and the world of the living.
From this premise, Ahn Ji Hee, the South Korean film director, creates, in 'Choco Milk Shake', the miniseries of 11 episodes of about 15 minutes each, a magical story with a dreamlike aura that creates a moving and pleasant visual experience.
It all begins when a cat and a dog cross the Rainbow Bridge and return to the world of the living in human forms. They go in search of Jung Woo (Go Ho Jung), their owner, a young bachelor who lives alone. When he was twenty years old, a fatal accident took away everything he loved: he lost not only his parents, but also his dog and cat, Choco (Lee Jae Bin) and Milk (Kim Seong Hyuk), respectively.
One night, after returning home from a long day of work at her uncle's (Park Seung Bin) cafe, two handsome strangers knock on her door. To your disbelief, they claim to be Choco and Milk! He doesn't believe them, but Choco and Milk prove their identities by sharing memories that only Jung Woo can know as the pets' owner. This is how Jung Woo realizes that the strange visitors are indeed his two beloved companions from childhood and youth, reincarnated in human form.
A question arises in the viewer from the moment they understand what the series is about: Will Choco and Milk manage to develop human feelings and emotions?
With the cute and clingy dog-human Choco and the more restrained cat-human Milk settled comfortably in Jung Woo's house, the three will once again enjoy the warmth and affection that united them in the past. However, the clash between these four beings will bring new dimensions to the resumption of their life together and surprising discoveries in the areas of friendship and love.
Despite his surprise and confusion, Jung Woo quickly and easily adapts to a warm and cozy lifestyle with his inseparable friends. They bond, create memories and happy moments, and in the process develop feelings that go beyond friendship.
I will answer the question: The story will take legitimately dramatic turns when love and friendship take center stage. The series makes the most of the affection and affection established from the beginning, to legitimize the emotional and romantic twists that appear later.
Choco will be for Jung Woo and Milk for Uncle, the perfect couples, achieving vibrant chemistry between them. Don't forget: The adorable characters and their endearing personalities are the strong points of Choco Milk Shake.
Although the events, romances and stories (for example, how pets become humans or Jung Woo's past), are not developed in depth, this fantasy drama surprises because it is much more than it appears. What begins as a light, fun and adorable story becomes an emotional love letter to pets, their role in our lives and, above all, the importance of saying goodbye in order to continue.
Had the details been developed, 'Choco Milk Shake' would be a more finished, polished series, with a more convincing story.
Rather than focusing on the romantic aspect, 'Choco Milk Shake' deals with the topic of loss and acceptance of the same in a warm way.
With a cast possessing individual charms and wonderful chemistry, the direction, cinematography and writing transport the viewer to a dream and fairy tale universe. The narrative, hinting at the continuation of the series in the future, maintains a good rhythm that enhances the emotionally bittersweet closure, due to the new separation, but the hope of a new reunion.
Jung Woo, the sensitive, soft-spoken boy with a kind heart, who after the tragedy has lost the joy of living, regains his joy and happiness after his reunion with Choco and Milk. But soon his heart will tremble again when he discovers that they both have a limited time on earth. But this will only serve as an excuse for a second season.
And it is there, in the moments of transition from happiness to sadness in the face of the imminent new loss due to the inevitable separation, piercing the most sensitive fiber, when 'Choco Milk Shake' shows its strength and the beauty of the work, thanks to the performances.
STRONGBERRY's first fantasy romance web drama series BL web drama won several awards at the first K-Web Drama Award (KWDA) in Dangjin. At the event, which seeks to celebrate the excellence of Korean web dramas and highlight the unique storytelling and creativity of each creator, director Ann Ji Hee won the Culture of Odyssey award, and production company Matchbox was selected as a of the 12 best winners of the Spotlight selection. For their part, the lead actors also won an acting award.

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Between fiction and reality

Seung Woo Park (played by Jeon Yu Bin) is dragged by Sangyoon Park (played by Minjin Kim) to a corner of the room and, cornered, listens, annoyed, as he is accused of having had sex with someone else.
Sangyoon attacks him and hurts him with his words. Both young people argue heatedly. At any moment they could come to blows. They are not a couple. They are just two friends who…
The victim cannot understand why he is treated that way. That's why he asks her insistently: "What does that have to do with you? Why do you keep interfering in my life? Are we lovers? Are you jealous of other people? Do you like me?" The response he receives from Sangyoon is a kiss on the lips. But when he realizes his act, he nervously turns away and asks for forgiveness.
Thoughtful, Seung Woo Park lowers his head and sighs. He feels a shudder run through his entire body. The question still hangs in the air: "Do you like me?" He looks at him again, and understands that he was not wrong: his partner loves him, most likely with the same strength that he loves him.
Looking up, Seung Woo Park meets his eyes and holds his gaze. Only then, for the first time, he sees Sangyoon Park. He sees it not only with his eyes, but with that inner gaze, through which one is able to see what is deep inside each person, and understands that both are drawn to each other like an abyss to the suicidal person. Yes, he loves the person who has been standing in front of him for months, when they met at the beginning of filming. But the most happy thing he is to discover is... that it is reciprocated.
What intoxicating delight to feel for the first time in one's life the pulsation of the blood in the veins and the pulsation of all the fibers of the body. I was learning what it is to love and be loved.
The order: "Cut!" brings Seung Woo Park back to reality.
It may be that, carried away by emotions, he has strayed from the script. That's why he looks, surreptitiously, at the director of the romantic drama in which both he and Sangyoon Park are protagonists. But she, a few centimeters away from them, camera in hand, does not correct them and has let them do it, understanding that improvisation could allow the characters to flow freely, resulting in genuine, organic, authentic performances.
By then, they were no longer two actors performing a love scene in a romantic drama while being filmed. They have become two people who, through gestures, silence and words, many of them coming from a written text to be interpreted by them, have expressed their true feelings during filming... without anyone on the crew noticing. of it.
And Jui Kim, the director of 'Actor: eal' ('Act or Real'), the two-episode South Korean miniseries from 2024, is aware that love can surprise us anywhere. The same on an ocean liner about to sink, on a desolate mountain where two cowboys discover their sexuality... or on a film set.
The direction and cinematography contribute to the artistic and visually attractive quality of the audiovisual. This work, whose centrality is its love plot, grows around love and the evident desire between its characters.
As it progresses, the miniseries captures the tender moments of their interaction. Through silence, abstract soundscapes and textured cuts, the discovery, acceptance of sexuality and the birth of love between the two young people are conveyed in a visually striking way.
Jeon Yu Bin, the actor who plays Seung Woo Park, and previously known for his leading roles in the series 'Blue of Winter', and the short film 'His, Ice Cream', both from 2022, manages, together with his co-star, to infect us that sexual tension, palpable during the almost 9 minutes of footage.
It's nice to see how in such a short time, the love between the two characters develops honestly, authentic and tender. And together they discover their own homosexuality and give themselves over to it freely, although with obvious shyness, perhaps because other people are present... or perhaps because of the obvious: they are two boys, and South Korean society would not accept them. But they take risks. Love is much stronger.
Music makes everything much more romantic.
Both the director and Jihye Woo, the screenwriter, are aware that one of the most important aspects of an audiovisual is to ensure that the trust and connection between the characters—especially those in love—is very good. That is why they selected two very convincing actors as a couple who acted together in several intense scenes..., like the one with the fast-paced kiss almost at the end, and it surprises us, not because it was not expected by the viewer, but because of its unusual nature. to see the passion represented in it in Asian BL series.
The chemistry between the actors is palpable, allowing the depth of their relationship to shine on screen.
Full of emotions, 'Actor: eal' is a work with love as the central theme, with a kiss and a happy ending. Another added value is that the heteronormative nuclear family (boy-girl) is also questioned on this occasion.
And the creators are also consistent with the logic that few feelings are more universal than love. Any human being could have their own definition and all of them would be valid, even more so if we understand that there are many types of love. The fraternal one, the one you consider a friend, the one you profess to your family... But of course, few things are equal to romantic love, whether between a boy and a girl, between a girl and a girl or a boy and a boy.
They also understand that if there is something that comes close to the authentic perception of romance, it is its representation in literature, theater and, of course, in film and television.
Both one and the other, since their invention, have been much more than simple entertainment. They have been a window to the world, a door to the imagination and an inexhaustible source of emotions. Movies, television series and short films are not only a way to escape from reality, but a way to connect with the stories, characters and emotions that touch our hearts.

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When homophobia wins the game

'The Best Story' (Thai: ครั้งหนึ่งที่รัก) is a Thai BL and LGBT-themed television series broadcast between July 9 and 23, 2021. Played in its lead roles by Wanarat Ratsameerat (War) as Best, and Anan Wong (Yin) as Dew, the series depicts a romance between two young high school students.
Directed by Ratthapon Keawmeesri (Heavy), the central thread of the three-episode series is the way in which both boys begin to forge an emotional relationship and the obstacles they must face. Four other teenagers also appear: Brigght (Prat Itthichaicharoen) and Ray (Thanakom Minthananan (Win), Best's best friends; and Dave (Nadol Lamprasert - Bonz) and Tar (Patsapon Jansuppakitkun - Bever), Dew's inseparable comrades.
From the Line TV network, 'The Best Story' addresses topics such as romance, homosexuality, emotional diversity, secondary education, friendship, homophobia, youth and its way of relating, or personal evolution.
I don't intend to give much spoilers beyond what I have to say due to the focus of the review.
We are faced with a sweet, tender and brief love story, both for the length of time it lasts and for the brevity of the series, which follows the code of the best Thai BL: the main character, usually a high school or university student, He secretly falls in love with a fellow student, but does not dare to confess his feelings. Both boys will deepen their friendly relationship in the hope of declaring their love for each other. But this moment, expected by everyone, never comes.
While the shy Best does not confess because he believes that Dew loves a girl and, therefore, his feelings are not reciprocated, Dew does not confess his feelings for Best either, first also due to his shyness, and then to passivity, hopelessness and the fear of his mother's homophobia.
This light but realistic teenage romantic drama stands out for its evocative music and the good acting of the two protagonists, whose on-screen chemistry shows emotional physical interactions full of naturalness, warmth and positivity.
The romance is palpable in the small everyday moments that manage to convey the affectionate relationship of the characters played by War and Yin, whom we have previously seen starring in the 2020 Thai BL drama 'En of Love: Love Mechanics', where they also play a romantic couple. This same series also features the participation of the actors who play Ray, Bright and Tar in supporting roles.
An aside to talk about the magnificent cinematography. Despite having few settings, such as the classrooms, the school hallways and courtyards, Best's bedroom or the kitchen-dining room of Dew's house, the camera work is indisputable to make the viewer feel the emotions of his characters. characters with immense closeness and authenticity, with memorable intimate frontal and side shots with the characters looking into the lens or walking in front of it.
But Heavy's work is not only good in its colorimetry; It is also outstanding in terms of planning and use of the frame, bringing together the vast majority of the attention centers of the shots at the same point to ensure that the subsequent assembly of the series is legible at all times.
But, as I said from the title of the review, this focuses on homophobia and intolerance, and not only for being present in the series, but for coming out victorious over love.
Although everything seemed to indicate that the main couple would have a happy ending, related to the confession of love by one of the two boys, presumably Best because he was the one we knew from the beginning is in love with Dew, the truth is that later We know that this also corresponds to your feelings.
However, the romance is spoiled by the actions of the only two female characters in the series: Fern (Masa Marisa Kittelberger), the girl in love with Dew and not reciprocated by him, and Dew's mother.
Dew nobly rejects Fern, his friend and fellow student, who has been secretly in love with him for some time. Once again, Dew is honest with her, and confesses to being in love with a boy. Everything indicates, after the pleasant and confidential conversation held by the two, that Fern would respect Dew's sexuality and support him in his relationship with Best.
However, Fern betrays the friendship and trust placed in her by Dew by confessing her most intimate feelings, and full of hatred, homophobia, jealousy and meanness, she goes to Dew's homophobic and also intolerant mother to "save her son." of the influence of the homosexual Best". Is he doing it out of spite? So that Dew won't be happy with the person he loves? Why does she think that abruptly outing him will make the boy love her? Did he have the right to reveal Dew's sexuality?
If we do not know the answers to the first questions, it is true that, in relation to the last question, no one would ever act ethically; That is to say, it is not right or fair to violate someone's privacy, to remove them from the drawer, especially when it is motivated by petty and selfish interests.
Why does Dew's mother react so cruelly to the rumor that her son might be gay? Will you listen to your son? Will he also oppose any homosexual relationship of his son in the future, when Dew is of age? Will he continue to throw him out of the house with each new gay relationship? Will he ever accept his son? Will she be willing to prevent his happiness for life?
And Dew? Why don't you defend your love? Why accept your parent's decisions, which lead to the loss of your future and happiness?
If until that moment, the story was tender and cute, from this moment on, already in the final moments, homophobia prevents the two boys, who admit that they love each other, from being able to have their happy ending. The romance between Best and Dew can't even begin.
Dew, practically expelled from his home by his mother, will only be left to write partial sentences on social networks that say: "I like-", but without daring to complete the phrase with a "I like you", much less place the name of who they are addressed to.
What is the intention of the creators in giving this ending to the series? Will it be a denunciation of the reality suffered by the Thai LGBT+ community, and in which society and the family, especially parents, have a great responsibility? Or to promote the viewer's debate and reflection on such cruel and real topics as homophobia and intolerance, or jealousy and betrayal? Only if these were the reasons, the outcome of the series seems good to me.
While it is true that Thai BL series have contributed to the Southeast Asian nation being seen as a welcoming place for homosexuals, it does not mean that its laws are egalitarian or that it is truly respectful of the rights of members of the LGBT+ community. . As a general rule, Thai society in general and parents in particular do not accept the homosexuality of their children, and in some cases they even expel them from home.
The harsh reality is that lesbian, gay, bisexual and transgender people in Thailand may face legal situations not experienced by non-LGBT residents. Same-sex sexual activity is legal, but such couples and households headed by same-sex couples do not have the same legal protections as heterosexual couples. It is estimated that around eight percent of the Thai population, five million people, are part of the LGBT demographic.
In 2013, the Bangkok Post states that "while Thailand is seen as a tourist haven for same-sex couples, the reality for locals is that the law, and often public sentiment, is not so liberal."
For its part, a 2014 report from the United States Agency for International Development and the United Nations Development Program notes that LGBT people "still face discrimination that affects their social rights and employment opportunities," and "They face difficulties in gaining acceptance of non-traditional sexuality, although the tourism authority has been promoting Thailand as a gay country."
A decade later nothing has changed. There is still constant and systematic discrimination against Thai minorities, including the LGBTI community. Despite the country having a law against discrimination against sexual minorities, there are legal gaps that still allow the stigmatization of said human group.
As I point out in the title, homophobia may have won the game, depending on the series, but it will not win the fight for human rights. Hate may win some battles, but the final victory will be love's.

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A couple that conquers and falls in love

Food, pranks, love play, sexual tension, music and love are the ingredients of 'Ingredients', the Thai BL series starring Jeff Satur as Marwin (Win) and Gameplay Garnpaphon Laolerkiat as Tops, two college students who are also roommates. From the first moment, we see them already living together under the same roof. And yes, you may think at the beginning that there is already a romance between them, but no... this one is on the way. And you will witness it firsthand.
Win is a charming and confident young man, romantic and playful. He loves music and dreams of becoming a world-class musician. Away from his family and immersed in the world of concerts and tours, but suspended for the moment due to the Covid-19 pandemic, he has not taken good care of himself until he comes to live with Tops.
Gentle and sensitive, Tops has been fascinated by cooking since he was little. An aspiring chef, he finds happiness in cooking delicious, tasty food and giving it to Win to try. When the difference between the two becomes the perfect match, chaos ensues, and the two find themselves deciding between their dreams and each other.
While Marwin writes and sings his own songs and plays the guitar beautifully, Tops, the Food Science student, dreams of opening his own restaurant one day and creates many dishes that have Win as his taster par excellence. He, amazed, will help him with the ingredients and in the kitchen itself, in addition to creating a vlog for Tops to promote his elaborate recipes.
There's no drama. There is no complex and elaborate language. There are no dramatic twists. And is this a problem? In another series, I would surely demand it... and I would even complain about the tropes and the toxicity and the jealous boyfriend and the homewrecker that I have questioned on other occasions, but no, it will not be necessary..., the same with the guys from 'Ingredients' and what happens before your eyes, they will steal your heart and conquer you, well shhhh, total silence, you haven't realized yet that you will only need two people who are happy to be in each other's presence.
Other of its peculiarities lie in the fact that the series has as its background the cruel stage of Covid-19, and with only two or three outdoor scenes, all the action takes place inside the home shared by the protagonists. It is therefore striking how they promote health and safety in times of pandemic, as well as the interest in raising awareness about the necessary hygiene habits.
This drama, which highlights the many cute interactions between the couple as they go about their daily lives, doesn't have a big budget or a complex narrative. With two charismatic protagonists, a cozy atmosphere, simple but honest dialogues, and a romance that is based on the platonic and the playful, 'Ingredients' shows that a love story can be created, even between two people with different personalities, but They have a close relationship and complement each other well.
In a kind of sitcom, although its objective is not to provoke laughter itself, with independent episodes that address a given situation that finds its conclusion in it, but slightly connected by brief references to previous chapters, Win and Tops invite the viewer to penetrate in the privacy of your home so that we can discover your daily life. Between songs, plates of food, jokes, games, looks, silences and small everyday actions, such as calling each other to dinner, playing with a cat, insisting to each other that they stink and have to go take a shower, or decorating the Christmas tree, The friends look at each other and are silent about the love they have for each other.
It is evident that the characters are in their own world and it is the audience, an accomplice, who, already inside the home, bursts into the lives of Win and Tops to witness how one character will take a small step to get closer to the other, and how the other will be happy to take his step forward as well.
The director masterfully directs a visually striking and emotionally charged series that captures the essence of the complexities of human connection, self-discovery, acceptance and personal, spiritual and professional improvement, and challenges conventional notions of love and intimacy, thanks to meticulous attention to every detail.
The camera does not leave the faces of the two young people, and scans the attractive surroundings, especially the living room, the kitchen and the bedroom, now from one, now from the other, as if it wanted to appropriate it. This is how the house becomes another character in the work. In this way, the viewer is guided by the creators through the always beautiful, emotional and at the same time complicated process of falling in love.
As the 21 episodes of an average length of 10-15 minutes progress, the series captures the intimate moments of the two characters. Through conversation, games, music, the preparation of food dishes or their tasting, but without forgetting the silence, abstract soundscapes and textured cuts, the intimacy between Win and Tops is transmitted in a visually shocking.
The absence, at times, of a traditional script, letting the character act, allowing the character to flow freely and spontaneously, allows for improvisation, which results in genuine and authentic performances that resonate with the audience.
The series explores the idea that true intimacy can be found in the simplicity of sleeping next to someone, sitting at the table or on the couch to share one of the delicious but easy-to-make dishes, or being a part of the friendly chat while strumming the guitar, transcending the physical act of sex.
With its unique narrative approach and powerful performances, we can't forget the chemistry between Jeff Satur and Gameplay. Simply put, one feels very comfortable with the other. Since 'He She It', both shared leading roles and this allows them to establish very good vibes. The looks they give each other, especially the first to the second, convey happiness and affection. They are both happy, and excited to be in the other person's presence.
For most of the series, Marwin and Tops play the role of a cute couple of platonic friends, but their relationship almost feels like that of a couple of lovers. In those moments, a solid foundation for their future love relationship is built, while Jeff's voice lets us hear his song 'Moment', which will accompany us throughout the series.
Already at the end, the drama introduces more romance and, if it were not for the kisses, although there are not many, in truth, the viewer practically does not perceive that a natural transition from friends to lovers has occurred.
In addition to the moments in which they already act as boyfriend and girlfriend, it attracts moments such as the tension when Win's family comes to visit to ask him to abandon his dreams and dedicate himself to the family business, the way in which Tops will calm him down in this and in others occasions, the obvious jealousy in Jeff when the neighbor interacts with Tops, the aspiring musician's concern about the thesis that the chef must present to graduate...
Don't turn off the television thinking that it is a simple story, that its episodes are short, that it serves as an advertisement for a supermarket chain (hence the name of one of the characters) or that it will not keep your interest. Don't make the same mistake when for the first, second and even third time I tried to view 'Ingredient' and left it thinking it wasn't worth it. Precisely, there is the hook to seduce you, to conquer you. Don't underestimate the series for these or other reasons.
Tops and Marwin have the power to conquer you as a couple. Jeff and Gameplay are two charismatic actors who make you want to share the fate of their characters. The initial dynamic of the relationship will stop being cordial, brotherly, with large doses of sexual tension here and hints of affection there, until it becomes a true romance in which, as I said, you are an accomplice par excellence.
And yes... why won't I tell you about the ending? Do you want him happy? Do you want the couple to live locked in that house, as if the new coronavirus lurked forever on the outskirts? No, at some point, the doors will open, the masks will be forgotten, those who are no longer with us will be remembered, but life goes on.
At those times, Tops and Win will continue with their careers. The two couples will leave to restart their professional lives where they were stranded after the arrival of the deadly disease. One will invite the other to follow him, but... why do long-distance relationships exist? Can't they stay connected by video calls? Is it not possible to succeed in your respective fields while waiting to meet again? They are not boyfriends? Don't you love each other? Who says that all is lost, that love has an expiration date?
As the final credits roll, I am convinced that always, always, Tops will hear Win's voice, and Win will continue trying Tops' delicious dishes, because love persists, and the hope of reunion also beats.

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Opposites attract and create very deep love stories

Strange strength is that of love that transcends the barrier of distance and time, mocks prejudices of all kinds and also manages to perpetuate itself in art as an inspiring paradigm for future generations.
But there are loves that break, in addition to social and temporal molds, those of carnality and logic. How, why, for what, are just the first questions in the face of the inevitable evidence of these powerful attractions.
We don't know if it's because of something in physics or chemistry, but it's no lie that opposites attract and create very deep love stories. Perhaps it is these differences that make them feel a strong attraction towards each other and, what's more, if they complement each other healthily, they will be able to have an almost perfect relationship for life.
However, patiently overcoming obstacles to get to that point will not be an easy task!
When a film becomes a mass phenomenon, regardless of whether or not it has its cinematographic values, it is because it touches some intimate fiber of that public that goes to the cinemas to enjoy it. 'To My Star The Movies', from 2021, proves the axiom.
Because? Its theme, which was evidently the driving force behind its success: the differences between the two characters, one of them a famous celebrity and the other an ordinary chef, in addition to telling about a homosexual relationship. Their lives will be shaken when one of them, who flees from the press and his followers after being involved in a media scandal, is forced to leave his comfort zone and will cross paths with someone who does not want to leave it.
The film, a compilation of the Korean BL drama of the same name, with some scenes added and others deleted or moved in the new editing, revolves around Kang Seo Joon (Son Woo Hyun), a famous free-spirited film and television celebrity who hides after being implicated in a public scandal. At his hideout he meets Han Ji Woo (Kim Kang Min), his new roommate, an introverted and conservative man who leads a modest and unpretentious life.
Forced into an uncomfortable situation, they begin to share their personal stories, fears, and dreams. Despite his fall from grace and not having started the relationship on the right foot, Seo Joon believes that his luck changes when he meets and falls in love with the boy who represents his antithesis. While they spend time together, between the actor and the chef, who move in two very different social spheres, a romance arises,
Seo Joon is not only famous at the peak of his career, playing the leads in hit dramas and television variety shows, as well as high-profile advertisements, he is also outgoing, extravagant and very charismatic. Accustomed to being the center of attention, his personality is pure magnetism that attracts other people to his presence; while Ji Woo, who always tries to go unnoticed and not experience any upheavals in his life, represents the humility and simplicity of a down-to-earth boy who prefers a quiet lifestyle with simple pleasures, such as cooking or hiking.
And against everything predictable, one falls in love with the other and what is worse... it is reciprocated.
The film, by director Hwang Da Seul, who took her time to weave the story, with the meticulousness that characterizes her, worked like a craftsman in her eagerness to recreate every detail on a topic that she is passionate about: boy love, as he did with two dramas: 'Where Your Eyes Linger' (2020) and 'Blueming' (2022), and the short film 'Inner Me'.
With a simple, but captivating and visually emotional plot, the novice filmmaker, recognized for her creative abilities, shows that it was no coincidence that she won the Award of Excellence at the V Catholic Film Festival for her 2018 short film 'Spring That Summer' .
To do so, it was based on Park Young's script about a romantic relationship between two initially heterosexual boys. The film exposes prejudices about homosexuality in Korean society and, above all, in the world of arts and culture, reflected by Jeon Jae Yeong (Kim Pil Hyun), Seo Joon's crisis and talent manager. , upon discovering the budding romance between the two protagonists, but later he will become an accomplice of the two lovers. The series also reflects the role of the media and social networks in the public's perception of youth idols.
Emotionally charged, 'To My Star The Movie' captures the essence of intimacy, vulnerability and unconditional solidarity within the queer community, with two young people navigating their gender identity and cultural background as its narrative heroes. Through an under-researched focus on BL storytelling and powerful performances, the series explores the complexities of human connection and challenges conventional notions of love and intimacy.
The chemistry between the actors is palpable, allowing the depth of their relationship to shine on screen. As the story unfolds, their interactions are conveyed through silence, abstract soundscapes, and textured cuts, creating a captivating visual experience that immerses the audience in their emotional journey of self-discovery and acceptance.
With good intentions, successful gags and sharp dialogues, the film immerses us in the relationship between two young people that, due to misunderstandings, does not start well, but as they live in the same apartment and enjoy cozy and intimate moments together, they will open their hearts.
Since Freud we know that sexuality develops together with subjectivity. It has to do with the pleasure that can be experienced in the body from the bonds built with another.
This reality does not escape the director. While they got to know each other, See Joon and Ji Woo began to learn to enjoy themselves and each other, that experience that shapes our relationship with pleasure, that of each one of them and that which we share.
Soon Woo-Hyun, the actor who plays See Joon, and who worked with the director in the short 'You Ghosted Me for a Week', from 2021, is usually worried about work and the mess in which he finds himself involved, But he tries his best to spend time with Ji Woo.
This, despite the seriousness of his character and overwhelmed by the presence of a being as overwhelming as his roommate, is the first to fall in love. The way he initially puts up a wall of protection around himself in front of the other, the glances he steals from Seo Joon, the intonation of his voice and the strange blink when he doesn't quite know how to act when Seo Joon moves next to him. around him, his facial expressions, his gestures, his entire body, express that he likes it. However, he is cautious, as he suffers from disappointment in love in the past and does not want to be hurt again.
Kim Kang Min, the actor who plays the character of Ji Woo, and whom we know from his debut in 2019 with the SBS series 'Stove League', unlike the famous Seo Joon, lives with his back to the world of celebrities. Employed in his friend's cafe, he is actually a talented chef, but his culinary skills are not shown to the public of large hotels and luxury restaurants.
Pretending to get along with the roommate, Seo Joon insists on befriending Ji Woo and spending time together. Those beings with two very different personalities will little by little get to know each other and enjoy each other's company.
As the days go by, the camera captures the moments of the two boys getting closer. Through silence, abstract soundscapes and textured cuts, the intimacy between Seo Joon and Ji Woo is conveyed in a visually striking way, resulting in genuine and authentic performances that resonate with audiences.
Although it does nothing new or innovative with the premise, the diversity of conflicts they face, their psychological complexities, and the emotional evolution of the characters, add layers to the narrative and weave an intriguing web that keeps viewers in suspense.
'To My Star' explores the idea that true intimacy can be found in the simplicity of sleeping next to someone, in sharing those small moments and spaces of everyday life, transcending the physical act of sex, even if it is artistically fine. recreated, shown.
The film challenges social norms and invites the viewer to question their own perceptions of intimacy and love, while presenting a snapshot of the complexity, tenderness and vulnerability that people experience in unconventional circumstances, such as living together and the relationship between people from two different worlds.
The direction and cinematography contribute to its artistic and visually appealing quality. The deliberate use of images and narrative style create an atmosphere that demands the viewer's attention and encourages introspection and invites reflection.
With a fairy tale ending and a clear resolution for its characters, 'To My Star' successfully captures the beauty and power of love, and serves as a reminder that true intimacy can be found in unexpected places and that love transcends social expectations.
With the final credits, I was able to conclude that I was looking at an audiovisual full of conceptual proposals related to gender identity, personal and social psychology, and the configuration of individual and collective destinies, in a country where today LGBT+ people continue to be discriminated against, and whose paths today, in the 21st century, cannot end up united in a marital alliance, as the refusal to legalize marriage between people of the same sex by a conservative society persists.
In this sense, the series contributes to the struggle of the members of that community in the defense of their trampled rights.

Note: The review of the series of the same name can be found, in MDL, on the page dedicated to the series on the platform.

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Opposites attract and create very deep love stories

Strange strength is that of love that transcends the barrier of distance and time, mocks prejudices of all kinds and also manages to perpetuate itself in art as an inspiring paradigm for future generations.
But there are loves that break, in addition to social and temporal molds, those of carnality and logic. How, why, for what, are just the first questions in the face of the inevitable evidence of these powerful attractions.
We don't know if it's because of something in physics or chemistry, but it's no lie that opposites attract and create very deep love stories. Perhaps it is these differences that make them feel a strong attraction towards each other and, what's more, if they complement each other healthily, they will be able to have an almost perfect relationship for life.
However, patiently overcoming obstacles to get to that point will not be an easy task!
When a series becomes a mass phenomenon, regardless of whether or not it has its cinematographic values, it is because it touches some intimate fiber of that audience that occupies their armchairs in front of the television to enjoy it. With '나의 별에게' ('Naui Byeolege, Na-ui Byeol-e-ge, Naui byeorege'), English title 'To My Star The Series I', from 2021, which has only already been seen by millions of viewers in everyone, proves the axiom.
Because? Its theme, which was evidently the driving force behind its success: the differences between the two characters, one of them a famous celebrity and the other an ordinary chef, in addition to telling about a homosexual relationship. Their lives will be shaken when one of them, who flees from the press and his followers after being involved in a media scandal, is forced to leave his comfort zone and will cross paths with someone who does not want to leave it.
The Korean BL drama, in 9 episodes, revolves around Kang Seo Joon (Son Woo Hyun), a famous free-spirited film and television celebrity who goes into hiding after being implicated in a public scandal. At his hideout he meets Han Ji Woo (Kim Kang Min), his new roommate, an introverted and conservative man who leads a modest and unpretentious life.
Forced into an uncomfortable situation, they begin to share their personal stories, fears, and dreams. Despite his fall from grace and not having started the relationship on the right foot, Seo Joon believes that his luck changes when he meets and falls in love with the boy who represents his antithesis. While they spend time together, between the actor and the chef, who move in two very different social spheres, a romance arises,
Seo Joon is not only famous at the peak of his career, playing the leads in hit dramas and television variety shows, as well as high-profile advertisements, he is also outgoing, extravagant and very charismatic. Accustomed to being the center of attention, his personality is pure magnetism that attracts other people to his presence; while Ji Woo, who always tries to go unnoticed and not experience any upheavals in his life, represents the humility and simplicity of a down-to-earth boy who prefers a quiet lifestyle with simple pleasures, such as cooking or hiking.
And against everything predictable, one falls in love with the other and what is worse... it is reciprocated.
The series, by director Hwang Da Seul, who took her time to weave the story, with the meticulousness that characterizes her, worked like a craftsman in her eagerness to recreate every detail about a topic that she is passionate about: boy love, as he did with two other dramas: 'Where Your Eyes Linger' (2020) and 'Blueming' (2022), and the short film 'Inner Me'.
With a simple, but captivating and visually emotional plot, the novice filmmaker, recognized for her creative abilities, shows that it was no coincidence that she won the Award of Excellence at the V Catholic Film Festival for her 2018 short film 'Spring That Summer' .
To do so, it was based on Park Young's script about a romantic relationship between two initially heterosexual boys. The film exposes prejudices about homosexuality in Korean society and, above all, in the world of arts and culture, reflected by Jeon Jae Yeong (Kim Pil Hyun), Seo Joon's crisis and talent manager. , upon discovering the budding romance between the two protagonists, but later he will become an accomplice of the two lovers. The series also reflects the role of the media and social networks in the public's perception of youth idols.
Emotionally charged, 'To My Star' captures the essence of intimacy, vulnerability and unconditional solidarity within the queer community, with two young people navigating their gender identity and cultural background as its narrative heroes. Through an under-researched focus on BL storytelling and powerful performances, the series explores the complexities of human connection and challenges conventional notions of love and intimacy.
The chemistry between the actors is palpable, allowing the depth of their relationship to shine on screen. As the story unfolds, their interactions are conveyed through silence, abstract soundscapes, and textured cuts, creating a captivating visual experience that immerses the audience in their emotional journey of self-discovery and acceptance.
With good intentions, successful gags and sharp dialogues, the series immerses us in the relationship between two young people that, due to misunderstandings, does not start well, but as they live in the same apartment and enjoy cozy and intimate moments together, they will open their hearts.
Since Freud we know that sexuality develops together with subjectivity. It has to do with the pleasure that can be experienced in the body from the bonds built with another.
This reality does not escape the director. While they got to know each other, See Joon and Ji Woo began to learn to enjoy themselves and each other, that experience that shapes our relationship with pleasure, that of each one of them and that which we share.
Soon Woo-Hyun, the actor who plays See Joon, and who worked with the director in the short 'You Ghosted Me for a Week', from 2021, is usually worried about work and the mess in which he finds himself involved, But he tries his best to spend time with Ji Woo.
This, despite the seriousness of his character and overwhelmed by the presence of a being as overwhelming as his roommate, is the first to fall in love. The way he initially builds a wall of protection around himself in front of the other, the glances he steals from Seo Joon in the first episodes, the intonation of his voice and the strange blink when he doesn't quite know how to act when Seo Joon He moves around her, his facial expressions, his gestures, his entire body, express that he likes her. However, he is cautious, as he suffers from disappointment in love in the past and does not want to be hurt again.
Kim Kang Min, the actor who plays the character of Ji Woo, and whom we know from his debut in 2019 with the SBS series 'Stove League', unlike the famous Seo Joon, lives with his back to the world of celebrities. Employed in his friend's cafe, he is actually a talented chef, but his culinary skills are not shown to the public of large hotels and luxury restaurants.
Pretending to get along with the roommate, Seo Joon insists on befriending Ji Woo and spending time together. Those beings with two very different personalities will little by little get to know each other and enjoy each other's company.
As the days go by, the camera captures the moments of the two boys getting closer. Through silence, abstract soundscapes and textured cuts, the intimacy between Seo Joon and Ji Woo is conveyed in a visually striking way, resulting in genuine and authentic performances that resonate with audiences.
Although it does nothing new or innovative with the premise, the diversity of conflicts they face, their psychological complexities, and the emotional evolution of the characters, add layers to the narrative and weave an intriguing web that keeps viewers in suspense.
'To My Star' explores the idea that true intimacy can be found in the simplicity of sleeping next to someone, in sharing those small moments and spaces of everyday life, transcending the physical act of sex, even if it is artistically fine. recreated, shown.
The series challenges social norms and invites the viewer to question their own perceptions of intimacy and love, while presenting a snapshot of the complexity, tenderness and vulnerability that people experience in unconventional circumstances, such as living together and the relationship between people from two different worlds.
The direction and cinematography contribute to the artistic and visually appealing quality of the series. The deliberate use of images and narrative style create an atmosphere that demands the viewer's attention and encourages introspection and invites reflection.
With a fairy tale ending and a clear resolution for its characters, 'To My Star' successfully captures the beauty and power of love, and serves as a reminder that true intimacy can be found in unexpected places and that love transcends social expectations.
With the final credits, I was able to conclude that I was looking at an audiovisual full of conceptual proposals related to gender identity, personal and social psychology, and the configuration of individual and collective destinies, in a country where today LGBT+ people continue to be discriminated against, and whose paths today, in the 21st century, cannot end up united in a marital alliance, as the refusal to legalize marriage between people of the same sex by a conservative society persists.
In this sense, the series contributes to the struggle of the members of that community in the defense of their trampled rights.
Note: The review of the film of the same name can be found, in MDL, on the page dedicated to the series on the platform.

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Otomo Kyoichi (Okura Tadayoshi- '100 Times of Crying',) works at an advertising company. He has an indecisive personality. Despite being married, he repeatedly has affairs. After seven years, he meets his college freshman classmate, Imagase Wataru (Narita Ryo- 'Katsuben!'), who reveals that he was hired by Otomo Chikako (Sakihi Miyu- 'The Man Who Can') , his wife, to investigate his infidelity, but also confesses that he is gay and has been in love with Kyouichi since the first day he met him.
Given the confusion created in Kyoichi, Imagase promises not to reveal his infidelities in exchange for a kiss. Kyouichi accepts the proposal, hoping it will save his marriage, but their secret relationship begins to escalate and eventually becomes sexual.
Isao Yukisada's 2020 live-action film 'Kyuso wa Cheese no Yume wo Miru' (窮鼠はチーズの夢を見る) is based on a Japanese manga series 'The Cornered Mouse Dreams of Cheese', written and illustrated by Setona Mizushiro, serialized in the josei manga magazine Judy from 2005 to 2006. The book was followed by a one-volume sequel titled 'The Carp on the Chopping Block Jumps Twice' (俎上の鯉は二度跳ねる, Sōjo no Koi wa Nido Haneru).
This is a fascinating and heartbreaking film that deserves much more than being classified as BL, as well as better attention from the public.
The two protagonists are joined by Yoshida Shiori ('Chihuahua-chan') as Okamura Tamaki, Sato Honami ('Lupin's Daughter') as Natsuo, and Ohara Noriko ('Disturbed by Gymnopedie') as Ide Ruriko, whose characters they vividly embody. and compelling the idea that no matter who you are, once you fall in love with someone, your world will be turned upside down and there is nothing you can do about it.
The acting of the actresses allows human relationships to be more interesting than in a typical romantic film.
Tadayoshi Okura as Kyoicho shows talent and instincts, while Ryo Narita brilliantly plays the role he has been waiting for for a long time. The looks, gestures, words and silences of the two actors, sometimes playful and sometimes passionate, make this work even more realistic. The performances of the protagonists are especially good and indisputably express the heartbreaking but endearing love story.
The character played by Ryo Narita portrays with grace, naturalness and a certain sexual appeal the subtle changes in his emotions, which oscillate between arrogance, vulnerability and impatience on the screen.
Imagase transmits power and shows beautiful gestures that I have never seen before, but also despair and suffering. It's painful to be with him, just as painful to be away from him. His raw emotions make the viewer feel suffocated. He achieves the audience's empathy, and at times they forget the other characters present. He is the person who leaves the audience spellbound. His charm could perfectly work in the world of Wong Kar-wai or Lou Ye.
For his part, Tadayoshi Okura, with his passivity, boredom and rootlessness, also contributes to the creation of the atmosphere that the film tries to convey. Although natural, it exudes a certain air with elegance and seductive charm.
In particular, the scene in which while Kyoichi claims to be planning to marry a woman, Imagase begs him to allow her to continue seeing him, whether once a month or every six months, just to see his face, is very heartbreaking. At that moment I thought of the main characters of the American movie "Brokeback Mountain."
In this triumph of compatibility between director Yukisada and the actors, phrases said by Imagase will resonate over time, such as "When you fall in love with someone from the bottom of your heart, that person is the only one in everything", or "You have a weakness for the people who love you, but in the end, you don't trust that love and you keep sniffing out the feelings of the people who get close to you. Because of their power, these words impact and move.
Although Isao Yukisada set the standard within the Japanese and world seventh art with films such as 'Crying Out Love, in the Center of the World' (2004) and 'Year One In The North' (2005), creating an aura of mysticism, there came a period of stagnation from which only minor works emerged. But for the good of his followers, it also meant a time of meditation and intellectual growth.
We see the result in 'Kyuso wa Cheese no Yume wo Miru', a film with which Isao Yukisada returns to the path of success and expectations surrounding his productions, bringing us solid visual expression and human representation, making his narrative heroes play ruthlessly and skillfully.
The above is demonstrated when it seemed that the film was running out of breath after the first 40 minutes of its more than two hours of duration, Yukisada's virtuosity and professionalism refloated to achieve a convincing work.
While the two main characters cannot be happy, neither can the women around them. The four women who have been interfering in Wataru and Hyoishi's romance end up acting in a resigned or useful way for the development of the plot, which is probably why the director and screenwriter criticizes their characters from a feminist perspective.
In this kind of unrequited love, the film has the fascination of surpassing the original work. When one finishes watching it, one is impressed by its beauty and the helplessness it leaves in the viewer.
I leave for last my impression of the final scene of the film. When filming began, the two characters are on the shore of a calm, serene sea, but suddenly the wind blew and became intense. Someone asked to stop filming, but Okura Tadayoshi, Narita Ryo and Isao Yukisada, some in front of the cameras and the other behind it, stood firm, giving us a pulsating scene that leaves us with a lasting impression for life.

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A story closer to real life than the usual BL and an ode to indie cinema

Hope (Night Yodsakon Khamnang) is a fried dumpling seller. Nine (Kong Chindanai Boonruang) is an actor from the Chiang Mai BL production company, who reluctantly accepts a leading role in a new boy love series. The young man is reluctant to the proposal of York (Sak Kidtisag Makongrach), the director of the company, to be part of a new couple to replace the one formed by the main cast, whose members were forced to abandon the film project after the expiration of their contracts.
The worlds of Hope and Nine intersect when the former parks his sales cart in front of the production company and in one of those turns of life the young people meet. The two begin a journey when they realize that they are united by unexpected and uncontrollable feelings.
I highly value series like 'My Star', from Wayufilm Production, for the same reason that others will surely deny it: good execution, level of acting, filming and production, despite its low budget; characters far from the clichés of attractive boys that populate BL series, many of them with nothing to contribute other than their beautiful faces and contoured bodies; simple stories that are much closer to real life, truly passionate actors and a production team in each installment, and a firm determination not to kneel before the giants of the entertainment world with their very common mediocre stories interested only in making money, and whose proposals frequently fail, among other reasons, for not taking their fans seriously.
We are faced with a Thai BL that is not cheesy and unpleasant. The couple has very good chemistry. They are actors who have starred in other projects, such as 'LGBTQ+ Dramas Season 2', 'Our First Time' or 'Midnight Love', among others, and they know each other well.
Furthermore, the editing team chose exceptional music to accompany the miniseries.
I also appreciate the tenacity of the creators to not succumb to the dictates and whims of commercial companies, eager to contribute funds to the production of many BL audiovisuals in exchange for advertising their products, something that we frequently criticize in other series of the genre, thus respecting Wayufilm Production its ethics and principle of being a production company that is committed to indie cinema.
'My Star' can be considered within the name of independent cinema because it has a low budget, is made in more precarious conditions than the so-called official cinema, deals with everyday themes and is closer to the public, lacks mass distribution and, therefore, having fewer possibilities of obtaining large income and being made by a director outside the world of large production companies.
Being able to film without falling into the rigid schemes of the studio system is one of the highest aspirations of every director.
Written and directed by Thai filmmaker Nitchapoom Chaianun, CEO of WayuFilm and founder of MongKlong Studio and GoodJob VDO, 'My Star' joins other dramatized films of his authorship that address issues related to sexuality and gender identity, such as since he debuted with his first short film 'Fresh' (เฟรชเฉิ่ม), in 2006, which was followed by 'Fresh Cool Story 2' (เรื่องเฟรชเฉิ่ม 2).
Determined to delicately portray the diversity of human relationships, dismantling the prevailing stereotypes regarding what is "normal", and contributing to the struggle of Thai LGBT people, Nicchi, as he likes to call himself, has obtained popular recognition with his films and series BL-themed feature films such as the feature film 'My Bromance' (พี่ชาย, RTGS: Phi Chai), 'My Bromance 2: 5 Year Later: The Series', 'My Bromance: Reunion', 'Key Love', 'NightTime', ' The Rain Stories', 'Yantra' (อาถรรพ์ยันต์มหาเสน่ห์), among others.

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A story of healing, love and the fusion of two opposite worlds

No one can resist the charm and cuteness of pets; Regardless of whether it is a parrot, rabbit, dog or kitten, they win your heart and little by little they end up being part of the family. Most human beings enjoy spending time with their pet, which is not surprising since while you indulge in the moment, your brain feels happy and secretes "the happiness hormone."
'Love is Like a Cat' (사랑은 고양이처럼), also known as 'Sarangeun Goyang Icheoleom', the romantic comedy from South Korean director Kwon Nam Ki ((권남기), revolves around Piuno (Mew Suppasit - 'What The Duck ', 'TharnType' and 'TharnType2: 7 Years Of Love'), a well-known Thai star who doesn't like animals, and her romance with Lee Dae Byeol (Chu Jimin, known as JM, from the South Korean idol group JUST B), the director of a pet daycare.
Every time he crosses paths with an animal, Piuno remembers a traumatic episode he experienced in his childhood that makes him not want them around. Pets do not awaken that feeling of love or tenderness in him. He suffers from zoophobia. He is aware that this phobia is considered an irrational act of human beings, but he cannot help it.
It has been suggested to him that his "illness" can be treated with professional help, since he can find the necessary support to overcome the trauma and gradually manage to coexist with the animals. But he has not paid interest to the matter, thinking that it would not be of much use to him, and he has moved on with his life.
However, when he finds himself threatened by those who wish to see him brought down, there is only one thing he can do to save his reputation and his career: work at a pet daycare in South Korea.
Putting aside his severe dislike for animals, Piuno begins working alongside Dae Byeol, who will help him find ways to overcome the trauma that first inspired his hatred of animals. This is how he will end up appearing in a reality show set in a pet cafe in Seoul.
But these will not be the only surprises that the protagonist encounters: as his heart begins to soften, unexpected feelings begin to arise for the young owner of the daycare center. What will happen between the cold and enigmatic actor who doesn't believe in love, and the outgoing and romantic pet daycare owner when their lives intersect?
Lovers of the BL genre in general, and of Mew Suppasit, in particular, will be pleased with the reappearance of the renowned Thai actor, singer and producer in a romance drama between two boys of the same sex. On the other hand, JM, his co-star, shows his youthful charms and the dreamy aura of the idol, as well as his talent as an actor, in this, his first appearance in a drama.
In addition to the aforementioned actors, on screen we will see GeonU, also a member of JUST B, also in his acting debut, playing Gi Min, one of the pet daycare workers; and Kim Kyoung Seok ('Hot And Sweet' and 'Someday Office'), as Jun Hyuk, a friend of Dae Byeol and one of his biggest followers. These secondary characters play a very important role and contribute intensity and complexity to the conflicts.
With a seductive cast, in addition to wonderful chemistry, the direction, cinematography, writing, music and staging transport the viewer to a dream and fairy tale universe in which everyone involved, including the Animals, especially dogs, contribute their own, to achieve a series capable of marking a milestone within the genre, as it escapes stereotypes, and shows human beings with their nuances and in various circumstances. The narrative maintains a good rhythm that enhances the emotional closure of each episode and the series in general.
All these details give an idea of ​​the story told to those who still do not know it, a narrative firmly based on the love stories between two young men of different personalities, countries, professions, languages ​​and cultures, but determined to sustain their idyll against all obstacles. , prejudices and cultural, linguistic or temperament divergences. One looks like a dog, while the other looks like a cat.
What an actor lacks because he is new to these issues, the other provides, due to his extensive experience. It's fascinating to watch the couple navigate their uncertain feelings. One of the main reasons audiences will admire the series is the simplicity and relatability of the story, as well as the good visuals.
Although slow, the romance gradually intensifies, allowing 'Love is Like a Cat' to show one of its greatest strengths. With the ability to create many tender moments between the two young people, I would like to see them flirt in the garden of the animal nursery and kiss in the sunny corner of the clinic room, under the knowing gaze of their friends, including those of four paws.
Every affectionate interaction, through beautifully polished images, would be appreciated by the BL fanatic public.
Dae Byeol is a well-defined protagonist. He knows his work and loves animals. He is sincere, responsible and faithful to his friends, both those who bark and the others who accompany him on this journey of taking care of pets and falling in love with a famous television star. His qualities create a memorable character with nuances. His charm emerges once the performer gains confidence in the role he plays. Just then the couple's chemistry strengthens, going from being a little embarrassing at first to building a more comfortable and deeper relationship.
In comparison, Piuno's backstory will also draw the viewer's sympathy with high marks. He likes it more and more, especially when he overcomes the somewhat mysterious, reserved, fearful attitude when encountering the animals for which he has always felt rejection, when leaving behind the weight of the circumstances that forced him to move away from his comfort zone, and when you begin to adapt to the people, the language, the customs, the culture of a foreign country.
The series explores the couple's bond physically, emotionally and spiritually. When I think about how Piuno and Lee Dae Byeol started the story of "strangers to friends and friends to lovers", both of them, side by side, went on an eventful journey. They overcame personality clashes, misunderstandings, and even cultural and language differences. Best of all, there's a lot of cute BL content.
One of the strong and striking points of the series is the fusion of two worlds. Piuno and Dae Byeol come from two different countries and cultures. Their universes will collide when their paths cross. Everything that separates them will not be an impediment for the two main characters to get closer, fall in love and begin a journey in search of happiness.
Each episode aims to ensure that the viewer is not disappointed, that they remain hooked, that they have a closure that lives up to expectations. The technical and artistic teams worked to achieve it. The arc of the characters, their development, as well as the events and conflicts, are very coherent.
The script, the depth of the themes addressed, and the aesthetics with which they are presented, the attention to detail to be as realistic as possible, the convincing performances, with a cast made up of established and young actors and actresses, determine, among others , the elements that mark the success of 'Love is Like a Cat'.
'Love is Like a Cat' is a story of healing and love. In addition to the entertainment factor and the fun and tender interactions between Piuno and Lee Dae Byeol, the series tells a story about overcoming trauma, opening your heart, and falling in love.
The inclusion of the adorable animals will provoke a positive reaction from pet lovers and the general public.
This is one of the four joint Thai-Korean BL projects from Hanyang Studio, from the same WeTV Original production, 'Peach Of Time'. The remaining dramas are 'Eccentric Romance', 'Wuju Bakery' and 'The First Love Manual', scheduled to premiere in 2024.
This collaboration between the two countries demonstrates once again that BL series defend the correct formula to sustain and consolidate the genre with the aim of satisfying an audience that craves authentic and moving love stories.
Personally, I liked the way the plot was executed, subtly exploring the characters' personal stories.
This romantic comedy is designed and taken from the script to the images with the potential audience being fans of the romantic genre in general, since love is universal and knows no genres, as well as fans of romances between boys in particular, and makes it clear that its objective is to portray love, acceptance, self-discovery, sexual diversity, the search for happiness, the influence of reality shows on viewers, the perception of the image of actors and idols by the public. , the pressures of the entertainment industry on artists, the challenges that come with being a queer person in today's world, themes explored through the dynamics of the characters.
Conceived to move people and involve audiences, through the main story and secondary plots, the series proposes to generate controversy about other dominant, current and universal elements, such as the tumultuous relationship between father and son, the love of animals and how they influence children's behavior, workplace camaraderie, sexual exploration, positivity, self-validation, and maturation issues. There are cultural debates and topics related to veterinary medicine and animal adoption, which helps make all the stories relatable.

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The perfect mildang: "The further I move away, the closer we get"

In the context of "tug-of-war" romantic relationships, in South Korea it is common to hear sentences like: "내 남자친구가 항상 나를 밀당하는 것 같아", which in English would be something like: "It seems that my boyfriend is always trying hard to be with me."
Is your crush acting cold one moment and hot the next? One minute does he pursue you and show his feelings, and the next, he suppresses his interest and distances himself?
It is precisely in these circumstances that Koreans use the phrase "acione Mildang." That is, this person is doing "mildang," a term used to describe someone's behavior when they intentionally create a "push and shove" dynamic with another person.
In the drama 'Boys Be Brave', directed by Lim Hyun Hee, the story revolves around the "mildang" of two couples who are stuck between confessing their feelings and holding back, portraying the cute and agonizing tug-of-war of unconfessed love.
We will see the story through the eyes of Jin Woo, a naive and insecure character with a perfectionist tendency who lives his life according to the plan he has drawn up. However, one day, she falls in love with Ki Sub, a determined and popular boy, owner of a relaxed and confident nature.
And this playful and daring push-pull dynamic begins when Jin Woo reveals that despite having a crush on Ki Sub, he's not her type at all.
The entrance of Jung Ki Sub (Nam Shi An) to Kim Jin Woo's (Kim Sung Hyun) apartment not only announces that the living room sofa will be occupied indefinitely by the visitor who was never invited, but also the beginning of a beautiful love story between two friends who have suddenly become roommates.
Despite being reluctant to share a roof, you will soon discover that this may be the ideal opportunity to be close to the person you love.
I find it interesting to see how between Jin Woo, a young perfectionist who dreams of having the perfect relationship with the perfect partner, so he even makes a checklist of the ideal lover, and Ki Sub, the type of person who can seem Just another attractive and popular guy who has to get what he wants, but is actually a gentle soul who wants to be loved, they manage to change for each other.
Likewise, I love how Ki Sub, who doesn't like complicated emotions and situations, so he often resorts to portraying a positive image, at first shows one-dimensional awkwardness, but as the story progresses, he learns to express his feelings. own emotions and find their identity.
The series allows us to see how the actions and emotions of the characters change, all thanks to an endless aegyo attack by Ki Sub against Jin Woo, which in turn brings fun and hilarious moments.
On the other hand, the narrative also explores the love relationship between Choi Balg-Eum (Jung Yeo Jun) and Ji In Ho (Ahn Se Min), who keep a secret from their high school days.
Adapted from Seok Young's webtoon "Roonmates," the LGBT+-themed youth romantic comedy showcases the unique images and charms of the main characters, each with distinct personalities. The free spirit Jung Ki Sub, the seemingly perfect Kim Jin Woo, the mysterious Ji In Ho with a hidden secret and the charming Choi Sunny will entertain the audience through a funny, charming but meaningful and touching drama as the four continually reflect: "Why doesn't the person who loves me confess to me?"
After the success of the acclaimed series 'Our Dating Sim', with which it won multiple awards at the "2023 Heavenly BL Awards", such as the "Grand Prize" and "Best Drama" sections, director Lim Hyun Hee teams up with music producer Hwang Sung Jin, known for producing popular songs like See Ya's "Lovely Sweet Heart" and Gummy's "We Should've Been Friends," to carry out this project that, in his own words, "captures so much eyes like ears." Because? Because stories like these not only entertain us, but also offer us valuable lessons and insights into life and human relationships.
With a solid plot and well-developed characters, the emerging writer Lee Sin Won manages to change conventions and break clichés, and delivers a narrative text on which the series is built, in which she gives substance to the conflicts and stories that intersect, Because the four boys are united by friendship.
I like Nam Shi An's performance in portraying a character who is popular and constantly receives love confessions from those around him. However, intrigued by Jin Woo, who likes him but has not confessed, he impulsively invades his house and begins living with him, determined to make him confess.
The viewer will love the character played by Kim Sung Hyun, a seemingly perfect and meticulous young man. However, her life begins to fall apart after her crush breaks into her apartment. Thanks to Ki Sub, Jin Woo discovers that he has been living a gray existence, without love and without dating experience.
Based on their friendly love-hate relationship, the romance between the two, which begins when the former literally knocks on the doors of the latter, will delight the public. He will be waiting for the moment when the bond between these young people crosses the thin and fragile line of friendship and gives way to love after a confession.
The film text explores how the empathy between Ki Sub and Jin Woo becomes the basis of a lasting romantic love, highlighting how the deepest relationships are often born from friendship.
On the other hand, Ji In Ho has not been able to forget the romantic relationship between him and Choi Sunny during high school. That is the reason why he abruptly returns from the United States where he is studying and introduces himself to Sunny, who rejects his advances. Undeterred, Ji In Ho asks her to go on three dates with him. We will soon learn the reason why Sunny decided three years ago to put things on the line, despite being in love. Could a true romance arise within the framework of these encounters?
Lastly, Jung Yeo Jun takes on the role of Choi Sunny, the extremely optimistic part-time worker. Choi Sunny, as brilliant as her name suggests, is a person who has also not been able to forget the boy she loves and whose memory she still keeps in her heart. His life is shaken when his friend shows up again.
The story of these two characters details how an event from the past tests the relationship of the two friends, but its resolution, which teaches us about forgiveness, understanding and personal growth, ends up strengthening the bond, demonstrating the resilience of friendship and How romantic love can arise from this.
As these young people navigate their feelings for each other and come to terms with their own hearts, a tender romance blossoms that will satisfy all of your BL needs.
Why do I recommend the series?:
- For its cast with its attractive visual effects and its visual chemistry.
- For being a fan of the webtoon on which it is based.
- For following the work of Lim Hyun Hee, who has captivated me since his previous drama, 'Our Dating Sim'.
- For the promise of combining stunning dramatic elements in the beloved original work and enhancing the immersive experience through a sophisticated visual style.
- For the guarantee of the entertainment factor.
- For bringing us credible and genuine characters, with human emotions and reactions that feel real and resonant.
- Because it allows me to follow the work of Ahn Se Min, an actor with a simple charisma and an air of mystery, who has caught my attention since his participation in 'Youth On The Road', 'The Red Sleeve', 'School 2021', among others dramatized. With his expressive eyes and pure appearance, I recommend following this actor.
- For the reappearance on screen of Kim Sung Hyen, a perfect boy who wins the hearts of fans with his unique charms. Those who have followed his artistic career will remember him for his roles in 'Love After School' (seasons 1 and 2), '100% Era', Hospital Playlist', 'Brain, Your Choice of Romance Season 2', and many other works that They leave a lasting impression on viewers, raising expectations about his future as a solid actor.
- For the possibility of reunion with rookie actor Nam Shi An who has gained a lot of attention for his attractive looks, outstanding physique, subtle sensuality and acting skills shown in KBS Joy's 'Love Naggers' and the web drama 'Woman Playbook', as well as the independent short film 'Mutation'.
- For having the possibility of seeing Jung Yeo Jun's work again, after discovering him in 'Like Flowers In Sand', 'Arthdal ​​Chronicles: The Sword of Aramun', 'Rookie Cops', among others, since this rookie actor has a distinctive and irresistible charm that captivates the hearts of viewers. With her imposing figure, I love her explosive chemistry with Ahn Se Min.
- Because the series exposes two stories of love and friendship that have the power to open doors to a world where emotional ties are intertwined with life lessons, leaving indelible marks on those who discover them.
- Because stories like these have the particularity of touching two of the purest and deepest feelings of human beings: romantic love and the selfless affection that characterizes true friendship. The mixture of these affects in a single narrative creates a rich and multidimensional film story that speaks directly to our hearts. That is, stories that weave love and friendship reflect the full spectrum of our emotions.
- Because it is a drama in which we will see our own triumphs and challenges in relationships reflected, which makes these stories so personal and moving.
- The conflicts represented are reflections of the complications of real life.
- Being able to witness the performances of four male actors, each with different and combined charms, taking on their first BL drama challenge.

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From BL as a social and cultural phenomenon to Thai series and their hidden meaning

With dozens of productions each year, Asian BL dramas have skyrocketed international audiences, winning the hearts of global audiences.
From the bustling streets of Taipei to the no less noisy universities of Bangkok, passing through El Nido beach, on the Philippine island of Palawan; bordering the Han River, on foot or by bicycle, before flowing into the Yellow Sea, or exploring the luminous avenues of Shanghai or Hanoi, the series from that distant continent transport us to a world full of drama, romance and intense emotions.
But what is it that makes these television productions have captured the attention and obsession of people from all over the world?
Convincing performances that touch the heart, acting talent as a strong attraction, ingenious scripts that combine romance with other genres, actors and actresses recognized for their convincing and emotional performances that manage to connect deeply with the public; The use of popular idols, the skills to transmit emotions, whether love, hate, rage, joy or sadness, make viewers feel part of the story and become emotionally involved in each chapter.
High quality works that rival the best produced in other latitudes, Asian BLs have raised quality standards in the television industry. With high budgets in most cases, and a passionate dedication to excellence, these productions manage to compete with European, Australian, Latin American, North American and Canadian homosexual-themed series.
From the stunning cinematography to the detailed sets and impeccable production techniques, each episode can be a visually stunning experience. On the other hand, they also stand out for their focus on cultural diversity and the representation of different ethnic groups and religions.
The visual aesthetics and attention to detail in each scene transport the viewer to a fascinating world, presenting characters and plots that reflect the rich diversity of Asian societies, connecting with audiences from different backgrounds.
For many, perhaps, it may seem like something totally new and strange, but it is not for millions of young consumers of these series around the world. With production companies in charge of creating and adapting literature in live action, BL series emphasize the not-too-distant cliché scenes of love between heterosexuals seen in novels and television series from any country.
The contrast arises when on this occasion the story is transferred to a different social context. One, due to its geographical and cultural position distant from many of the spectators. And two, because it deals with romantic relationships between young men (particularly high school or college students).
The representation of lesbian love is practically non-existent on the television screens of BL-producing countries. There has not been the same interest and dedication on the part of manga and anime authors, as well as television screenwriters and directors, to reflect these stories, as there has been with the romance between boys.
However, GL series (i.e. Girls Love), which feature romance between women, have slowly made their way in recent times. To do this, first a couple of loving girls were inserted as friends or study partners of the male protagonists, within a BL series. We can now count on dramatizations where they are the true protagonists.
The interesting thing about these works is that they address a theme as universal as love, which resonates with a global audience. Very everyday themes that show youth, disappointments in love, fictitious loves, the bad boy, the family, interest in sports or the arts, studies in secondary schools or universities, entry into the world of work after graduation, office work or love, friendship, cooking and typical dishes, fantasy, the supernatural, the dynamics of youth, first loves, the discovery of sexuality, power, political and administrative corruption, and fight for justice are just some of the recurring themes that run through these productions.
With their universal stories, people from different cultures and nationalities make us identify with the characters and immerse ourselves in the complexities of their lives, no matter how foreign they may seem to us at first glance.
There is no doubt that the Asian BL drama fever is a social and cultural phenomenon that was born at the beginning of this century.
The BL inside
At the beginning of the 1970s, BL content could only be found in Japanese anime, manga, or novels. At an accelerated pace, this genre spread to other Asian countries, mainly South Korea, the Philippines, Vietnam, Thailand, China and Taiwan, and has led to new formats and fashions.
Its objective is to represent the romantic relationship between two male characters. Generally, the profiles of the main character are that of the high school student, university student, or young heterosexual professional who meets love for the first time in a boy of the same sex. On many occasions, they exhibit social differences.
With the premiere of a weekly episode, lasting approximately half an hour to an hour, Japanese, Thai and Taiwanese television has broadcast popular BL dramas. Other countries spread the word through online platforms, as this phenomenon also comes to life on social networks, when millions of followers from all over the world share their opinion on X, Instagram, YouTube and Facebook, adding new followers as these discover the works.
Most BL are written from a female perspective. They reflect everyday problems, such as the stereotypes that exist in society about homosexuals, the complexities of gay men when coming out of the closet, the fear of rejection from family and society, the representation of women (familiar or close to the protagonist). in the sad role of decorative object in the home, in the role of being a mother or dedicated to domestic tasks.
Due to the conservative social atmosphere, the discrimination that still exists towards the LGBT+ community, the series rarely mention the problems and conflicts of its members and the struggles for their rights. However, the popularity of these dramas has promoted society's openness to BL culture and understanding of the situation of the LGBT+ community.
Despite BL being mostly known for content created in Japan, it is in Thailand that it has had the greatest boom. While in many nations it remains taboo, in the Thai kingdom it is quite normalized and consumed. This is mainly due to the fact that a very significant sector of the LGBTI+ community resides or is passing through this nation.
The reality is that, despite homosexuality appearing to be such a normalized issue in audiovisual media and in everyday life, legally it is not. Issues such as same-sex marriage or adoption between people of the same gender are not legalized in Thailand. On the other hand, these programs serve to promote sales of items from companies, such as those dedicated to the cosmetics and beverage business, responsible for providing money for serial productions, thus imposing their interests, as well as promoting the country as a destination. paradise tourist.
Its plots do not escape a certain homophobia or misogyny. The above is confirmed when one of the protagonists believes he is heterosexual until he meets the other and realizes that only with that male character does he feel happy and fulfilled. It is also very common to find characters who justify their sexual orientation based on their dislike of women after having been deceived by them.
On the other hand, it is extremely common to encounter clichés that also occur in series and movies whose main characters are a heterosexual couple, only, for some reason, this predictable plot is mostly accepted by the public when the genre is BL. For example, the romanticization of violence between partners.

Cooking Crush
Unlike audiovisuals from other latitudes in which the acting couple rarely meets again in another program in the same role, Thai BL series usually pair the actors, especially when there is chemistry and they are popular with the public.
This is the case of Jumpol Adulkittiporn (Off) and Atthaphan Poonsawas (Gun). With the formation of OffGun, both have participated in numerous projects, from the first of them in 'Senior Secret Love: Puppy Honey' (2016) and 'Senior Secret Love: Puppy Honey 2' (2017), 'Theory of love' ( 2019) and the critically and fan-acclaimed 'Not Me' (2021), and in the special anthology of couples boys love titled 'Our Skyy', from 2018.
With the drama 'Cooking Crush', of the romantic comedy, food and BL genre, released in November 2023 on the GMM25 network, the two reappear. Like good wine, both actors, now 33 and 30 years old, respectively, underpin their artistic talent and consolidate themselves as ships within the BL universe.
The series reminds me of one of the most famous romantic comedies in history, 'Pretty Woman', from 1990 and directed by the American Garry Marshall. In it, the protagonist (Richard Gere) hires a prostitute (Julia Roberts) to accompany him for a few days, and they end up loving each other.
In 'Cooking Crush' the characters also come from two different social strata: Ten (Off), a rich medical student, hires Prem (Gun), a humble cooking student, to teach him how to prepare exquisite food dishes.
Prem dreams of becoming a chef who revolutionizes the culinary art. Determined to compete in a reality show that will choose the best chef in the nation, he must improve his culinary skills. That is the reason why he accepts Ten's proposal. Prem uses this as an opportunity to make money. The clash between both worlds will end up causing both of them to end up deeply in love.
A skilful script written by Pong Pattarawalai Wongsinwises, Noolek Sureechay Kaewses, M Rittikrai Kanjanawiphu and an effective staging, in addition to the good work of the two protagonists, allows us to find ourselves before a sentimental and romantic comedy with a lot of fairy tale and little of everyday reality.
The main characters add depth and emotion to the plot. The series promises a mix of touching moments and immersive drama, as both boys navigate between Ten's causes of stress and Prem's desire to overcome challenges.
The Thai setting adds a unique cultural backdrop to the seductive love story between medical consultation rooms and kitchens, offering viewers a captivating journey through the complexities of discovering sexuality and romance. While the information provided provides insight into the series, watching it will certainly offer a more complete and immersive experience.
'Cooking Crush' stands out with its tone of sentimental and romantic comedy and a talented cast, also composed of Pakin Kunaanuwit (Mark) as Dynamite, and Jaruwat Cheawaram (Dome) as Samsi. These two, along with Prem, will make a trio of friends. It also features Trai Nimtawat (Neo) as Fire and Warawut Poyim (Tum) as Metha, who make up the other friendly shortlist.
The members of these groups, who are not united by anything at the beginning, will not only find love in each other's members, but also strong ties of friendship and companionship. Together they will contribute humor to the program.
Rounding out the cast are Chatchawit Techarukpong (Victor) as Changma, Bhasidi Petchsutee (Lookjun) as Jane, Sukhapat Lohwacharin (Suam) as Bun, Pimwalee Phunsawat (Pim) as Paeng, and Lapisara Intarasut (Apple).
The trust in the ability of each of the members of the main couple in the other, and the way in which they promote each other, is striking. An example of this can be seen in the fact that Ten does not believe he has what it takes to succeed as a doctor and Prem encourages him. Prem, for his part, operates in a very competitive world such as culinary art, and if he has any doubt or circumstance, Ten supports him. Ten's love for Prem's cooking is what finally convinces him to sign up for Super Monster Chef.
Without being the best in the filmography of this acting duo, 'Cooking Crush' is a visual delight and fulfills its purpose as a romantic comedy, showing Off and Gun's undeniable chemistry while Ten and Prem flirt adorably in every interaction. . Theirs is a charming, beautiful, fun, natural and wonderful couple.
Although dynamite is so stable that generally new dynamite cartridges in good condition do not explode even if exposed to fire, Dynamite will not need a detonator and detonator to explode as soon as he meets Fire and encourages a fun game of cat between the two. and the mouse with a slight and subtle harassment on the part of the former at the beginning of the plot.
Without a doubt, 'Cooking Crush' is guaranteed to be popular for various reasons. The breadth of social media, such as YouTube and others, allows more people to connect with this and other BL series. The Western mentality is today much more open to viewing (without prejudice or hatred) content that is part of the LGTBIQ+ community. And finally, a growing need for the viewer to have the possibility that all sexual diversities can be expressed through the artistic formats within their reach.
Just as 'Cooking Crush' is another successful Thai BL by being a media product with an undeniable communication effect, we, as viewers, must be able to appreciate the content without ignoring its hidden meaning.
However, I must add the following criticism: throughout the history of film and television, homosexuals have been portrayed in a stereotypical way or in roles of ruthless killers, disturbed suicides, caricatures of human beings. On many occasions their effeminacy was exaggerated so that an audience could distinguish the gay characters without words. In this way, the audience could easily identify them as homosexuals because they reflected the clichés that still existed in society towards them. These consisted of portraying them as extremely mannered, prim characters, with thin mustaches and often grotesquely made up. In addition to repudiating this “perverted behavior,” filmmakers and television channels or film companies seek to provoke laughter in the viewer, since in comparison to them, men could feel more masculine and women more feminine.
This has been the case since the short film 'Lot in Sodom', by James Sibley Watson and Melville Webber, produced in 1933, which treated homosexuals as depraved sex-hungry satyrs. A film like 'Brokeback Mountain', by Ang Lee, from 2005, had to arrive, already in the 21st century, to present homosexuals to the general public as "common" men, with traditionally masculine appearance and without any type of pathology. that justified the presence of the character himself in the film.
This situation has been gradually transforming to the present day in which the major film and television production companies, especially European ones, pioneers in this subject, make films and series aimed almost exclusively at the LGBTIQ+ audience, showing more realistic characters and settings, films that are shown in commercial theaters or in the numerous film festivals on this theme that are held on all continents, or series broadcast on television channels in much of the world.
Although these current audiovisuals show how difficult it is to “come out of the closet” and project to the viewer the reality in which homosexuals find themselves, series like 'Cooking Crush' do not escape from reveling in stereotyping queer characters. Thus we see how Prem's three fellow students and also participants in the culinary contest, only with competitive, malicious objectives, are able to constantly harass and mock another member of that human collective.

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Yawn generator, its main feature

Again hugging a tree that draws attention because "my mom said." Again talking about photography. Again, agreeing on whether to let the two strange boys into the house when they are left without a hotel reservation. Once again imposing rules of coexistence. Again speaking badly about a person without realizing that they are listening to us. Once again the overwhelming fatigue of everyday life. Again the same formulas seen in… so many other times. But we have already seen this, in other scenarios and with other actors. Where did the magic and surprise travel? Where did they hide? Or are they scarce and exhausted goods?
I am not given to expressing opinions, much less in the form of a review, when it comes to a series, film or short film that does not catch my attention, but with 'Kiseki Chapter 2', the BL drama from 9NAA, a romantic comedy between four handsome men set in Tokyo, the Japanese capital, made me break with self-imposed things.
With this premise, to which is added the fact that it is a series with the protagonist of P Ekkapop Tata (P), Nanthakorn Sringenthap (Beboy), Jirachot Chotticomporn (Pan) and Chattrin Chotticomporn (Plai), the last three protagonists of 'Beyond the Star', I was curious.
I like the idea of ​​a romantic story (I prefer this term to the usual gay love or homosexual love or simply BL) that takes place "far from home" for the protagonists. But I immediately objected to being from the same company that produced 'Check Out' and 'My Blessing', so I was suspicious from the first moment.
And since I learned about the synopsis about a romance between Thai boys visiting Japan, it reminded me of that classic film that is 'Present Perfect (แค่นี้ก็ดีแล้ว / Khae ni k dilaew), from 2012 and its sequel , 'Present Still Perfect' (แค่นี้ก็ดีแล้ว Part 2 / Khae ni k dilaew Part 2), 2020.
As in the aforementioned films, the boys meet, accidentally, during a trip to Japan. And they will only have the few days (in this case 6) that their stay in the Land of the Rising Sun lasts for P and Beboy to meet and fall in love with the twins Pan and Plai, in that same order.
As they get closer and learn a lot about the meaning of life, their time in the country they visit runs out. Furthermore, one of them, P, has lived there for some years. What will happen then when they have to separate? Will they stay together? Will their feelings survive or will they only be content to store beautiful memories in their hearts?
I said to myself: "If it can be 1 percent as good as the films of Thai director Aaam Soisa-ngim, the series is worth watching. If the four protagonists can be 1 percent as good in their roles as they were Kritsana Maroukasonti as Oat and Tonawanik Adisorn as Toey in the aforementioned films, it would be worth seeing."
But soon my cry of euphoria was drowned in discouragement and dissatisfaction. Yes, we are faced with a BL audiovisual that escapes from those stories focused on teenage or school romance, which is not bad at all, but they can get tiring.
So far, and I doubt it will happen, there is no emotional and visual pleasure. I also don't think I managed to awaken other kinds of deeper feelings and emotions in the audience, despite being able to touch on topics such as self-acceptance, discovery, liberation and the way of seeing life. I don't think I'll find these and other themes mixed with deep messages in the plot.
Contrary to 'Present Perfect' and its sequel, it will not touch the human sensibilities of the spectators, nor will it transport us to a confusing journey full of questions about the essence of oneself, despite having, I do not doubt it either. , a very sweet ending. How I would like to be wrong!
Of course, 'Kiseki Chapter 2' will amaze us with the choice of landscapes, especially monuments, temples and sculptures in parks and streets, that we can enjoy in each scene. Hopefully these will contribute scenarios to the story in accordance with the moment of the series, the message or the emotions transmitted by its characters.
One more story of "strangers to friends" and... yes, I would like romance to break out between the characters, but with a solid script and good performances.
Neither the story nor the characters capture me. Between a lot of boredom and little fun, both in the characters and visually, I would like it, why not? May the instant friendship of the four boys become ever deeper into love.
Something positive is that so far nothing indicates to us that the boys are homosexual. So, it could be a good time for them to discover each other and get to know their sexualities. This could be a strong point of the series. Also, being able to enjoy the atmosphere of Tokyo, especially in the fall season.
The series is a slow story and on many occasions very boring. Everything is told without any emotion. The dialogues sometimes turn out to be absurd and unreal conversations where the thread of who is saying what is often lost. The four characters become unbearable and you cannot empathize with any of them.
No, on this occasion it is not boredom and daily problems that are the worst enemies for the couple's subsistence, as in other dramatized ones, but rather it is the couple's own subsistence, actually two, that promotes boredom without reaching solve everyday problems.
Giving a good rating to 'Kiseki Chapter 2' seems to me to be underestimating many very superior romantic dramas that have been ignored for years.

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Two young heterosexuals, a kiss that has the power to change lives and a rooftop

When we try to answer the question "what is the reason to love?", we will always be surprised to realize that there really is no reason at all. Through images, music, words and silences, 'Heart... Not a Reason', the 2020 Thai short film, describes this situation, while immersing us in the passionate and secret love relationship between two young heterosexuals, who fall in love after kissing as part of a card game in which they participate.
Toey and Puth, which is the name of our narrative heroes, are two strangers who meet for the first time after their respective girlfriends, May and Ploy, meet again after some time, and decide to introduce their current partners and go on dates double.
During the course of the evening, between plates of food and drinks of alcohol, the four young people agree to participate in a card game, in which the losers must comply with the punishment imposed by the winner.
With the chemical universe behind a kiss, Toey, played by Scott Pannachai Keatkaew, an actor we know for his role as Pent in the LGBT+ themed romantic series 'What the Duck' and 'What the Duck Season 2: Final Call ', and Puth, played by Book Sikaphat, an actor and singer known for appearing in the drama 'Risk Lust Love', also experienced a very deep exchange of sensations and emotions that gave way to love. In other words: knowing each other allowed them to know themselves.
The character played by Scott conveys the image of a person with a confused heart and no confidence. In truth, Toey searches for true love, and what he has searched for so long he finally finds in Puth. He likes how Puth cares about him, pays attention to him, with specific actions such as preparing dinner for him or surprising him on his birthday with a cake. And all this causes Toey to fall in love with him even more.
For his part, Puth is one of the people who gives himself over to love completely. He can't help but fall in love with Toey. While your brain asks you to get away from him, your heart takes you once again to meet him. Puth doesn't want to hurt Ploy, and that's why he hesitates whether or not to continue his secret relationship with Toey, but he can't resist the feeling that has arisen in the center of his chest. It will be very difficult for you to end the relationship with the person you love. While your mouth says one thing, your feelings say the opposite.
However, Puth's girlfriend has also fallen in love with her friend's boyfriend.
Both actors well convey anxiety, restlessness, nervousness, euphoria... all those common and frequent symptoms in people who feel in love. While I see the characters looking at their cell phones, confident that the message is from the other, or how, shyly, they avoid each other's gaze when they meet in public at the shopping center or at the door of one of their houses, I seem to see fluttering the famous butterflies in the stomach, feeling the sweat soak their hands or listening to the beating of their hearts.
The rooftop scene is memorable, as both characters are able to express their feelings and show the incredible chemistry between the two.
The viewer will be able to see how the power of an unexpected and involuntary kiss provokes in the two young people not only that desire to kiss that has a scientific name: filemamania.
The story will surprise us by discovering that nothing is what it seems: while one thinks that they have just started a flirtation, that they feel nervous being close to each other, suddenly we will understand that between the two there is already a deep loving relationship and both they have reached the point where they debate whether it would be right to continue the romance or break up.
The good production, beautiful images, delicate editing, structured script, and a credible well-told story would only be missing a tender and melancholic song. And we have that too, because the short film, in addition to provoking reflection on how no one should be blamed when you fall in love, since no one can control your feelings and your heart, seeks to convey the real story that happened and allowed Book Sikaphat to compose the song "Hua Jai", from the Sikpat Book, which tells the story of two friends who fall in love and how the feeling that arises between them causes the change of their friendly relationship into a romantic one.

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The boys whose names together are not the only thing that look good on them

Who has seen 'Hit Bite Love', the six-episode teen romantic drama released on Jinloe Media's YouTube channel in 2023, which tells the story of six boys from "Rose Garden College" who decide to break all taboos and learn the real truth about love...pain...and growth, don't you remember Burger and King, two of those teenagers?
Don't you remember those two classmates who one day, sitting at their desks next to each other, King, played by Newyear Nawaphat Thannamongkhonsawat, discovers that he forgot a book, so Burger, played by Jur Vasin Traiprakhong, tells him offer yours to share?
Have you already remembered? Of course. It couldn't be any other way, because you immediately connect with the story of these young people that starts from that precise moment, when King sees a drawing of himself in the book and mistakenly assumes that Burger likes it. After this, King finds happiness just thinking that he is loved by the boy who sits next to him and asks him out. However, he will soon discover that everything has been a misunderstanding, because Burger has no feelings for him.
But if in matters of the heart, misunderstandings have caused conflict and broken relationships, they have also brought love, happiness and hope. This is precisely what King finds when Burger enters his life and the two build an emotional connection.
Directed by Jakkaphong Pachara (Yuan), 'Firstly "Like" You' (ตกลงใครชอบก่อน), picks up the story to, through the eyes of Burger, the main narrator, delve into the relationship of the two young high school students .
Based on the entire footage of 'Hit Bite Love', which is just over five hours long, 'Firstly "Like" You' leaves aside everything related to the other two stories, that is, the love triangle between Ken , Shogun and Matteo, and the relationship of the stepbrothers Hida and Saint, to, in about 80 minutes, focus on the birth and evolution of the romance between the president of the school's drama club, and the student transferred to the famous college of high society.
By leaving out everything else, the drama is transformed into a comedy, which achieves a lot of acceptance among an audience that may have rejected the series for addressing topics such as toxic relationships and BDSM.
Bordering on a love triangle that is also not very interested in exploring in depth, the screenwriters Poy Orachat Brahmasreni and Chim Sedthawut Inboon expose in the narrative text themes such as love, adolescence, friendship, discovery, acceptance and personal growth, always in order to entertain, but also to make you reflect.
In this way, we will follow in the footsteps of the young boy with a silly, neurotic, enthusiastic and immature personality who, while he wants to join the drama club because he dreams of being an actor, will have to deal with the persecution of King, who is firmly convinced that his partner class is secretly in love with him.
Personally, I was amused by all of Burger's witticisms to get King away, because every time King approaches him, Burger gets nervous. Likewise, I enjoyed the close relationship between King and his mother, with whom the student has no reservations about confessing his most intimate secrets.
The audience will be able to enjoy how, based on the misunderstanding, King is the one who will be interested in approaching and pleasing Burger. It is pleasant to see how King, a responsible, mature and popular teenager, always surrounded by many girls interested in joining the club to be close to him, suddenly discovers his sexuality while experiencing a homosensual awakening.
'Firstly "Like" You' more than meets what is expected from a film of these characteristics. The keys are, mainly, its script, its aesthetics and its performances, because although the two protagonists have little experience and are only 16 years old during filming, their performances fit perfectly with the narrative style of the story.
Jur Vasin Traiprakhong takes the cake, for his grace, charisma and the way he handles the humorous scenes.
Another element to highlight is the music. Being the same as the series, the cast itself is the one who sings the songs that make up the film's soundtrack. In this way, we will enjoy Jur, Tae, Newyear, Pure, Bigboss, Vic and Alan, who perform "Hit Me Bite Me", a song composed by Alan Campana, and Vic and Tae singing "Oxigen", a song written and scored by Vic Vittawin Panichtamrong.
The photography, by Suchart Makhawimarn, contributes to making the story of two people who become friends and fall in love credible, despite being polar opposites.
Suriya Kaewkrong's editing achieves a fast and quite adequate narrative. However, flashbacks to scenes already presented could have been avoided.
Even so, it is regrettable that, seeking to visualize diversity on screens, the film portrays queer characters in a stereotypical way, due to their continuous screams and mood swings.
While it is true that Thai serial and film fiction with the presence of LGBT+ plots has experienced various changes since its appearance, going from an initial invisibility and stigmatization, in which the characters had to be presented as the opposite of what is morally acceptable in society , to a quantitative increase in these characters, and despite their decrease, traditional and recurring stereotypes continue to be used such as the effeminate LGBT+ character or transsexuals who, due to circumstances, act in a grotesque, exalted or tormented way due to their condition.
Despite the positive increase in the visibility of diverse sexual orientations and identities in BL series and films in this country, creators must take into account that a poor symbolic construction based on stereotypes reinforces not only the deformed social imaginaries about this minority, but the very identity of the collective.
This is even more important if we take into account the great socializing potential that the film and television industries have and the capacity for transnationalization that the distribution platforms of these entertainment products have achieved, as they can promote a distorted vision of this non-human group. only in the Thai national space, but also in the rest of the globe.
'Firstly "Like" You' reminds me of 'Kieta Hatsukoi', the 2021 Japanese teen and school Yaoi romantic comedy from the TV Asahi network, which tells how through a misunderstanding, Aoki, the high school student with a personality Brilliant and in love with Hashimoto Mio, the girl who sits next to him in the classroom, he ends up in a romantic relationship with Ida, his classmate.
I also find similarities with other Thai BL dramas. If in 'My School President', for example, Gun (Fourth - Nattawat Jirochtikul) and Win (Winny - Thanawin Pholcharoenratm) get to know each other more deeply after answering "36 questions that will make people fall in love", in 'Firstly' Like" You' King will propose a series of questions that Burger must answer as part of a theater club survey, claiming that the objective is to get to know the future actor better.
Of the three couples in the series, Burger and King was always my favorite. If they brought joy and life to the series, the film carefully chooses and stages the appropriate scenes to preserve the world created around these characters in the six-episode drama.
The one between King and Burger is a surprisingly tender and innocent teenage romance that is highly recommended, for its humor, for the reflections it invites us to, for the palpable chemistry between the two young people, and for how they manage to create a friendly bond first, romantic. later, without becoming a couple, since we will surely find this in the announced second season.

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