omg wait are they gonna end up together because in ep 2 she swore an oath to stay unwed ..
That vow only applies for as long as she holds the title of Grand Princess. She can marry the male lead and be released from the vow if she relinquishes the title.
the promise she made to remain single and bear no children...will come back to haunt her.
That vow only applies for as long as she holds the title of Grand Princess. She can marry the male lead and be released from the vow if she relinquishes the title.
Twenty four episodes in, and the writing is still serving the same brainless garbage like the audience is supposed to clap for it.
The previews for episodes 25 and 26 look even worse. This endless circus of stupidity with the 4th bitch is unbearable.
How many more times must we watch this 4th bitch scheme against Li Zhen, escape every consequence, and then watch Li Zhen survive another fake hopeless crisis?
This is not tension.
This is lazy recycling.
The plot is stale. The conflict is forced. The twists are tired. The writing is insulting.
No wonder the rating is low.
When a drama keeps repeating the same cheap tricks after 24 episodes, why should anyone pretend it is good storytelling?
At this point, Tiang Jiangyue does not need more episodes.
In C-dramas, falling off a cliff means guaranteed survival, character development, and possibly a glow up. Real life does not come with that plot armour 😂
I think one of the biggest lessons from this drama is that the so called “righteous path” 正道 is not always as righteous as it claims to be.
What really struck me is the hypocrisy of some of the immortals.
They speak beautifully about duty, justice, morality, and protecting the world, but when it comes to ordinary people, their actions are often selfish, cruel or completely indifferent.
They preach about doing the right thing, yet they are willing to sacrifice innocent people, ignore suffering, abuse their power and still stand there acting like they are morally superior.
That part feels painfully real.
Sometimes the people who talk the most about righteousness are also the quickest to justify their own wrongdoing.
They hide behind rules, reputation and status.
They tell themselves they are acting for the greater good, but in reality they are protecting their own pride, their own sect, their own authority.
Ordinary people become nothing more than collateral damage.
To me, that is what makes the drama interesting.
It reminds us that “good” and “evil” are not always about which side someone belongs to.
Being part of an immortal sect does not automatically make someone noble.
Having cultivation, power or status does not mean a person has compassion.
And calling something the righteous path 正道 does not make it correct if the people walking that path have already lost their humanity.
This is also why I appreciate characters who still feel for ordinary people.
The ones who cannot simply turn away when someone weaker is suffering.
The ones who question unfairness instead of blindly accepting it.
For me, that kind of person is closer to true righteousness than those immortals who only know how to lecture others while doing terrible things behind a righteous mask.
The drama made me think that real righteousness is not about beautiful words.
It is not about power, title, sect or reputation.
It is about what you actually do when no one important is watching.
It is about whether you still have compassion when helping someone brings you no benefit.
In the end, the scariest villains are not always the ones who openly do evil.
Sometimes they are the ones who hurt people while convincing themselves they are still the good ones.
A Second Chance Story Destroyed by Stupid Writer and Terrible Director.
The drama Rebirth should honestly be renamed Refuck, because watching it feels like being trapped in a loop of the same bad writing, bad decisions, and recycled nonsense again and again.
Watch it only if you have too much time, nothing better to do, and a high tolerance for recycled stupidity.
The plot is a mess. The female lead is written as a perpetual damsel in distress who repeatedly sleepwalks into obvious traps, makes foolish decisions, and waits to be rescued again and again. Instead of character growth, we get the same helpless cycle dressed up as drama.
The story also tries to look clever with multiple endings, but they feel less like meaningful narrative choices and more like confused writing. The logic collapses, the tension becomes repetitive, and by the end, it feels like the writers were simply throwing shits at the wall to see what might stick.
For a drama built around rebirth, revenge, and second chances, it somehow manages to waste all three.
What it actually delivers is repetitive stupidity, lazy plotting, fake suspense, and characters who behave as if basic logic is a luxury item they cannot afford.
By the end, the only person who needs rebirth is the viewer, preferably into a timeline where they never started this drama in the first place.
Not recommended unless you genuinely enjoy frustration, weak storytelling, and characters who keep making the same stupid decisions until your patience dies.
The writer and director of rebirth completely ruined Chu Qiao's character, turning her from a smart, badass heroine into a foolish damsel in distress again and again 🤬🤬🤬
5 episodes are out and this drama already got nonsensical reviews from 3 users who gave 1 star.1 came from the…
Haters will hate no matter what. They are not critics. They are just bitter parasites addicted to negativity, attention, and manufactured outrage. They are not interested in fairness, facts, or honest discussion.
They are only looking for clicks, relevance, and a reason to feel important. They nitpick, distort, and provoke because that is the only way they know how to stay visible.
The best response is to ignore them completely, because nothing hurts attention seeking parasites more than being treated as if they do not exist.
Sword and Beloved is a bait-and-switch. The “Sword” is meh, especially compared to Blood River, which aired at the same time. The “beloved” is the cruelest joke: there’s zero romance between the ML and FL, and their only hug, lasting mere seconds, exists solely so the ML can kill the FL to retrieve a grief seed from her.
Rumu and Wengyuan’s deaths are utterly unnecessary and contribute nothing except a cheap attempt to wring some sadness from viewers.
The show wastes roughly half its episodes on the 2nd ML’s cartoonishly evil father, who keeps popping up like a cockroach, and on the FL’s obsessive, villainous 12581 spider brother, who is hell-bent on turning his own sister into an object of incestuous fixation.
A decent first third, a frustrating middle, and a catastrophic end. The writer, director, and producers are permanently banned from my screen.
1 
I hope the writer will not keep her any longer after tomorrow episodes. Otherwise, the drama should be renamed "The 4th bitch merry go around" 😅
Twenty four episodes in, and the writing is still serving the same brainless garbage like the audience is supposed to clap for it.
The previews for episodes 25 and 26 look even worse. This endless circus of stupidity with the 4th bitch is unbearable.
How many more times must we watch this 4th bitch scheme against Li Zhen, escape every consequence, and then watch Li Zhen survive another fake hopeless crisis?
This is not tension.
This is lazy recycling.
The plot is stale. The conflict is forced. The twists are tired. The writing is insulting.
No wonder the rating is low.
When a drama keeps repeating the same cheap tricks after 24 episodes, why should anyone pretend it is good storytelling?
At this point, Tiang Jiangyue does not need more episodes.
It needs a better writer.
Supporting characters still have to obey the law of physics 😂
The hypocrisy in the drama is exactly why it stands out to me.
The demons are at least honest about being terrible 👹
The “righteous” immortals are out here ruining ordinary people’s lives while acting like they are doing community service for heaven 🤮
What really struck me is the hypocrisy of some of the immortals.
They speak beautifully about duty, justice, morality, and protecting the world, but when it comes to ordinary people, their actions are often selfish, cruel or completely indifferent.
They preach about doing the right thing, yet they are willing to sacrifice innocent people, ignore suffering, abuse their power and still stand there acting like they are morally superior.
That part feels painfully real.
Sometimes the people who talk the most about righteousness are also the quickest to justify their own wrongdoing.
They hide behind rules, reputation and status.
They tell themselves they are acting for the greater good, but in reality they are protecting their own pride, their own sect, their own authority.
Ordinary people become nothing more than collateral damage.
To me, that is what makes the drama interesting.
It reminds us that “good” and “evil” are not always about which side someone belongs to.
Being part of an immortal sect does not automatically make someone noble.
Having cultivation, power or status does not mean a person has compassion.
And calling something the righteous path 正道 does not make it correct if the people walking that path have already lost their humanity.
This is also why I appreciate characters who still feel for ordinary people.
The ones who cannot simply turn away when someone weaker is suffering.
The ones who question unfairness instead of blindly accepting it.
For me, that kind of person is closer to true righteousness than those immortals who only know how to lecture others while doing terrible things behind a righteous mask.
The drama made me think that real righteousness is not about beautiful words.
It is not about power, title, sect or reputation.
It is about what you actually do when no one important is watching.
It is about whether you still have compassion when helping someone brings you no benefit.
In the end, the scariest villains are not always the ones who openly do evil.
Sometimes they are the ones who hurt people while convincing themselves they are still the good ones.
The drama Rebirth should honestly be renamed Refuck, because watching it feels like being trapped in a loop of the same bad writing, bad decisions, and recycled nonsense again and again.
Watch it only if you have too much time, nothing better to do, and a high tolerance for recycled stupidity.
The plot is a mess. The female lead is written as a perpetual damsel in distress who repeatedly sleepwalks into obvious traps, makes foolish decisions, and waits to be rescued again and again. Instead of character growth, we get the same helpless cycle dressed up as drama.
The story also tries to look clever with multiple endings, but they feel less like meaningful narrative choices and more like confused writing. The logic collapses, the tension becomes repetitive, and by the end, it feels like the writers were simply throwing shits at the wall to see what might stick.
For a drama built around rebirth, revenge, and second chances, it somehow manages to waste all three.
What it actually delivers is repetitive stupidity, lazy plotting, fake suspense, and characters who behave as if basic logic is a luxury item they cannot afford.
By the end, the only person who needs rebirth is the viewer, preferably into a timeline where they never started this drama in the first place.
Not recommended unless you genuinely enjoy frustration, weak storytelling, and characters who keep making the same stupid decisions until your patience dies.
They are only looking for clicks, relevance, and a reason to feel important. They nitpick, distort, and provoke because that is the only way they know how to stay visible.
The best response is to ignore them completely, because nothing hurts attention seeking parasites more than being treated as if they do not exist.
Rumu and Wengyuan’s deaths are utterly unnecessary and contribute nothing except a cheap attempt to wring some sadness from viewers.
The show wastes roughly half its episodes on the 2nd ML’s cartoonishly evil father, who keeps popping up like a cockroach, and on the FL’s obsessive, villainous 12581 spider brother, who is hell-bent on turning his own sister into an object of incestuous fixation.
A decent first third, a frustrating middle, and a catastrophic end. The writer, director, and producers are permanently banned from my screen.