11
25
1
ElBee
Adorkable Heights, State of Oblivion, Kdramaland
The writing is an insult to the talent cast for it and the viewers, too
This starts with a really strong and unusual set up with excellent child actors prepping the show for success. When they become adults and the main stars take over, it's still alright for a while... then about 12 episodes in, the second lead actress (the villain) gets injured and they cast someone else and it seems like they rewrote it so suddenly she's the lead, not Lim Ji Yeon. That's where it took a really noticeable downturn. I get that they were in a hurry and needed someone who could handle a role that was aggressive and selfish and such, but it's like the contract they signed with her had some clause that she had to get at least 35 minutes of each hour on average. Maybe they started like that, but if that's the case, make the villain the lead.
The leading lady is a total doormat, something I hate because no one is going to just put up with being kicked around-they'll either run away or they'll fight back be it in a drama or real life, at least when it's to this degree of emotional abuse, manipulation, etc. Ugh. Anyway, I really don't advise anyone to watch this unless they take sick satisfaction in seeing someone trampled all over at work, by her mother in law (here, it's tradition for the daughter in law to do the prepping of all 100 cabbages for kimchi making!) who still after marriage wanted to split them up, even... The two leads aren't fighting a good fight; they're being trampled all over and assaulted left and right. The scenes with sentimental connections between the grandfather and his blood granddaughter he is unaware of are really endearing; the good characters had so much potential, but what writer has a 40-50ish year old somewhat sickly mom, her daughter, and her sick grandson from a son who died sent off to a hostess bar? What hostess bar would have them let a little boy cough all night in a dressing room for hostesses? Shipping them off, abduction, wrecking their product when her own company was going to sell them... it's just so over the top, all the worst ideas you can ever envision someone doing to someone else, that I find it not only really awful to expose a viewer to but just unforgivable, especially if we're ever supposed to understand and reconcile our bitter feelings about the villainess.
Just trash. It's called Blow Breeze because it BLOWS. Hard.
The leading lady is a total doormat, something I hate because no one is going to just put up with being kicked around-they'll either run away or they'll fight back be it in a drama or real life, at least when it's to this degree of emotional abuse, manipulation, etc. Ugh. Anyway, I really don't advise anyone to watch this unless they take sick satisfaction in seeing someone trampled all over at work, by her mother in law (here, it's tradition for the daughter in law to do the prepping of all 100 cabbages for kimchi making!) who still after marriage wanted to split them up, even... The two leads aren't fighting a good fight; they're being trampled all over and assaulted left and right. The scenes with sentimental connections between the grandfather and his blood granddaughter he is unaware of are really endearing; the good characters had so much potential, but what writer has a 40-50ish year old somewhat sickly mom, her daughter, and her sick grandson from a son who died sent off to a hostess bar? What hostess bar would have them let a little boy cough all night in a dressing room for hostesses? Shipping them off, abduction, wrecking their product when her own company was going to sell them... it's just so over the top, all the worst ideas you can ever envision someone doing to someone else, that I find it not only really awful to expose a viewer to but just unforgivable, especially if we're ever supposed to understand and reconcile our bitter feelings about the villainess.
Just trash. It's called Blow Breeze because it BLOWS. Hard.
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